• https://www.dead.net/features/tapers-section/august-27-september-2-2007
    August 27 - September 2, 2007

    I undertook the Taper's Section last November with a pretty simple vision: to have fun providing folks a regular opportunity to hear vault material that kept their interest in Grateful Dead music fresh.

    Recently, I and others that work on dead.net became aware that certain fans had been regularly downloading the tracks offered in the Taper Section. From the very beginning, this program has always been intended to be a "for streaming only" service. Downloading was never announced, described or promoted in any manner. The situation that developed over the past months is very different than my original plan.

    Where we’re at today requires us to step back, gather some information, do some thinking and get back to you. In the meantime, we ask that you all realize that dead.net's and GDP's commitment to the Dead Head community is unchanged. We’re very excited to be hard at work with Rhino on a number of very cool releases and programs that you’ll be hearing about soon. Please bear with us until then.

    See you next week,
    David

    This week, we’re going to explore some cool moments from the Family Dog in 1969, as well as some great material from 1980 and a taste of 1972.

    Although most shows in the Bay Area in the late 1960s were BGP-produced concerts, there was a very hip alternative promoter, namely Chet Helms and his Family Dog at the Great Highway. At the end of the summer of ’69 (no Bryan Adams jokes, please), the Grateful Dead played a few shows at Chet’s cool venue, and from those shows we have some interesting material. From 8/29/69, we have a nice Easy Wind, Me and My Uncle>High Time, as well as the show-closing Lovelight, and from the next night, 8/30/69, we have a very good Morning Dew from early in the show. Be sure to check back next week for another rare track from the Family Dog in 1969.

    One thing we always get excited about is a great tour with consistently great performances, with highlights too numerous to list. The mid-August to early-September 1980 tour is one such stretch of shows, and we have a few examples of great material from this tour this week. Unfortunately, two of the best shows from the tour are not in the vault (9/6 at Lewiston and 9/2/80 at Rochester), but what does live in the vault is exceptional. From 8/27/80 at Pine Knob in Michigan, the second set opening trio of China Cat Sunflower>I Know You Rider>C.C. Rider (or China>Rider>Rider, if you will) is as high energy as they come. From three nights later in Philadelphia we have the ending sequence of the show on 8/30/80, featuring Space>Not Fade Away>Black Peter>Sugar Magnolia, One More Saturday Night. A classic 1980 sequence if there ever was one. Unfortunately, the first set of this show is not in the vault. Finally from this tour, we have the show opener on 8/31/80 at the Capital Center in Landover, MD, with a rocking duo of Alabama Getaway>Promised Land. As the flipside to the Philly show above, the second set from this Cap Center show is not in the vault.

    Lastly this week, we have a couple of tracks from the first night of the Europe 72 tour, the first two songs played on the tour, in fact. Both of these songs from 4/7/72 in London have a little extra something, as the band was clearly happy to be playing in Europe, a feeling that would evidently continue through the final show on 5/26/72 in London. Oh, yes, the songs: Greatest Story Ever Told and Sugaree. Enjoy.

    Be sure to check back in next week when we’ll have some music from 1969, 1972, 1973 and 1985. It’s going to be a busy week. Feel free to write anytime with questions or comments.

    David Lemieux
    vault [at] dead.net

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    Anonymous (not verified)
    16 years 10 months ago
    Oh Well....
    I downloaded everything on here for months....I thought the Dead were giving back to their longtime fans. I spent thousands on 100+ shows, CD's, travel, breaking down on highways, etc. over the past 20+ years and I thought the Dead set this site up for their fans to download select tracks. I figured that true collectors would be given a taste of certain shows in here, and then eventually the Dead would make entire shows available for purchase or something along those lines. I am blown away by this week's realization that the Dead are still trying to milk their dwindling fanbase out of every nickel. This should and still could be a nice nod to their fans. It was a nice thought while it lasted, whether intentional or not. Chad
  • Default Avatar
    Pilch
    16 years 10 months ago
    Scam
    I think this "Taper's section" has been a scam all along. Look at the graphic at the top right of this page. It shows the "taper's section" from an apparently outdoor Grateful Dead concert. I would guess the vintage of the photo is late 80's - early 90's. Where are the crispy lo-gen aud tapes that the guys in the graphic were getting? All we ever got from this site was soundboards recorded by Bear, Betty, Healy or whoever. "Taper's section" indeed.
  • Default Avatar
    memeworks23
    16 years 10 months ago
    RE: David L's response this
    RE: David L's response this Monday - 1. It's another misstep in a series of abrupt missteps regarding the legacy of something we all feel passionate about, the handling of the music in the vault. It's not just the yanking of the downloads, it's also the return of the Download Series discs without the covers. Ummm, why would I want to complete my collection without the matching cover art to the eight I've already got? Same with Dick's Pick's, I started to download them to save on postage costs, and since they offered tray cards & covers the only thing missing was the liner notes, again, now no cover art. Perhaps you get it after purchase, but it doesn't say that anywhere. Where's the 66 Rarities disc? The amount of solo and related music, even stuff on the Rhino label is paltry. Where's the Garcia plays Dylan disc? The store (the vault in effect) feels so half assed and poorly thought out. 12/31/76 & 2/19/71 both good shows in wide circulation, both are sonic improvements, but they feel less than inspired as choices. 11/73 anyone? I think for me all these things coalesced this past Monday with the streaming note. 2. The Taper's Section and the GDH archive releases was rebuilding interest in the music and the community, with older fans as well as newcomers. What an advertisting blunder, you have a hungry, near captive audience willing and eager to be pummeled with promo's for new products, features & services that now is once again scattered, upset, dissapointed and quickly losing interest again. 3. The trolls are out and they are really nasty. Alot of people wrote very heartfelt and interesting posts on the boards connected to the Taper's Section & the GDH Vault sections, but some of the posts are so angry and personal in nature, the vibe they put forth spoils it. I suppose this is generally true in any semi-anynomous forum and not too surprising, still... 4. Part of David Lemieux's response, posted this Monday, bothers me, David Lemieux (in quotes) wrote: "Recently, I and others that work on dead.net became aware that certain fans had been regularly downloading the tracks offered in the Taper Section." (cue: Dooley Wilson playing piano & singing As Time Goes By) I'm shocked, shocked to find out that people were downloading the free content dead.net put up! This sounds so lame and disingenuous. Since November of last year, I assure you, people have been regularly downloading these tracks. What may have happened is that as word of mouth spread, their bandwidth useage & costs skyrocketed. "From the very beginning, this program has always been intended to be a "for streaming only" service. Downloading was never announced, described or promoted in any manner." Perhaps not, and one can never know what's in another's mind, but does David really want us to believe that he thought we would all sit at our PC's & laptops to listen and not save these files? Really? In an era when I-Pod's are ubiquitous? That the IT folks at WEA/Rhino/dead.net and the suits never saw this situation for what it was in any way, shape or form at any time. Phooey. Defies logic. "The situation that developed over the past months is very different than my original plan." I don't think anybody is really surprised by this. It's tragic as this was without a doubt one of the coolest things that has ever been done by any artist/record company for the fans. Particularly the rabid collectors, the heard most of it crowd, the deeply cynical, everyone was finding something of interest in what was being done every week in the Taper's Section. 5. Having taken the time to write a concise letter (due to filter: under 1000 characters) to the webmaster at dead.net getting their trite form response: "Dear Friend, Thanks for your recent input regarding dead.net. We truly appreciate your ongoing interest and support. Dead.net Team" I should note that every time I wrote to David L. with query'sabout music in the vault I received a personal response. Robert Tacker
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I undertook the Taper's Section last November with a pretty simple vision: to have fun providing folks a regular opportunity to hear vault material that kept their interest in Grateful Dead music fresh.

Recently, I and others that work on dead.net became aware that certain fans had been regularly downloading the tracks offered in the Taper Section. From the very beginning, this program has always been intended to be a "for streaming only" service. Downloading was never announced, described or promoted in any manner. The situation that developed over the past months is very different than my original plan.

Where we’re at today requires us to step back, gather some information, do some thinking and get back to you. In the meantime, we ask that you all realize that dead.net's and GDP's commitment to the Dead Head community is unchanged. We’re very excited to be hard at work with Rhino on a number of very cool releases and programs that you’ll be hearing about soon. Please bear with us until then.

See you next week,
David

This week, we’re going to explore some cool moments from the Family Dog in 1969, as well as some great material from 1980 and a taste of 1972.

Although most shows in the Bay Area in the late 1960s were BGP-produced concerts, there was a very hip alternative promoter, namely Chet Helms and his Family Dog at the Great Highway. At the end of the summer of ’69 (no Bryan Adams jokes, please), the Grateful Dead played a few shows at Chet’s cool venue, and from those shows we have some interesting material. From 8/29/69, we have a nice Easy Wind, Me and My Uncle>High Time, as well as the show-closing Lovelight, and from the next night, 8/30/69, we have a very good Morning Dew from early in the show. Be sure to check back next week for another rare track from the Family Dog in 1969.

One thing we always get excited about is a great tour with consistently great performances, with highlights too numerous to list. The mid-August to early-September 1980 tour is one such stretch of shows, and we have a few examples of great material from this tour this week. Unfortunately, two of the best shows from the tour are not in the vault (9/6 at Lewiston and 9/2/80 at Rochester), but what does live in the vault is exceptional. From 8/27/80 at Pine Knob in Michigan, the second set opening trio of China Cat Sunflower>I Know You Rider>C.C. Rider (or China>Rider>Rider, if you will) is as high energy as they come. From three nights later in Philadelphia we have the ending sequence of the show on 8/30/80, featuring Space>Not Fade Away>Black Peter>Sugar Magnolia, One More Saturday Night. A classic 1980 sequence if there ever was one. Unfortunately, the first set of this show is not in the vault. Finally from this tour, we have the show opener on 8/31/80 at the Capital Center in Landover, MD, with a rocking duo of Alabama Getaway>Promised Land. As the flipside to the Philly show above, the second set from this Cap Center show is not in the vault.

Lastly this week, we have a couple of tracks from the first night of the Europe 72 tour, the first two songs played on the tour, in fact. Both of these songs from 4/7/72 in London have a little extra something, as the band was clearly happy to be playing in Europe, a feeling that would evidently continue through the final show on 5/26/72 in London. Oh, yes, the songs: Greatest Story Ever Told and Sugaree. Enjoy.

Be sure to check back in next week when we’ll have some music from 1969, 1972, 1973 and 1985. It’s going to be a busy week. Feel free to write anytime with questions or comments.

David Lemieux
vault [at] dead.net

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You will never be "satisfied". Moments of momentary bliss will only drive the urge to hunt down more. Like many things, now that I think about it...
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I really enjoyed the downloads but I also enjoy the streaming....thanks a million for all your hard work and providing some really fantastic music....
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If I could click one time and stream all the selections sequentially, I might still listen to them. That way I could listen through the headphones while performing other tasks on my computer. But if I have stop what I'm doing each time a selection ends, flip through several windows, find my place in the list, then click on the next selection - well it's just too much trouble. Listening becomes a chore rather than a pleasure. For what it's worth, Richard
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Open up a second browser window, like I do. That way, I can still surf the net, and still go back to the TS page, as I need to.
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In IE7 and firefox you can just open it in a new tab. Another good tool is "Rocket FM" an FM transmitter that connects to your computer via a USB port. You can set it to any FM frequency, to take advantage of the best in your area. I can listen to the streaming, as well as files on my computer, in any room of my house with no problem. However, I too would like a link to listen to the whole enchilada without having to load each one individually.
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Will we have new selections tomorrow? What did DL do on Memorial Day?
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Seems like the powers that be never learn. Why do you continue to alienate the very people that support you? I really enjoyed the Tapers Section but I run Linux and Opera and I cannot stream from this site (apparently others can't either). I also listen to most music in my car or on my ipod so streaming does not excite me. The main problem you all have is you give something then take it away and wonder why people are upset. In spite of what you all might believe, most Deadheads do not believe we are entitled to this music - we realize this is a great gift the band has given us and we try to do the right thing. We support the band members by purchasing official merchandise and buying tickets to shows for P&F Ratdog etc. I have purchased many official cd's and downloads (including the entire Three From The Vault") even though I have many of the shows already. We also support the community - I have given away extra tickets to shows. I donate to the various download sites. I have purchased official CD's and DVD's for friends that can't afford them and given them as gifts I have downloaded shows for friends (and in some cases people I do not even know) because they cannot do it themselves. I am not writing this to brag (I know a lot of other people that do the same) but to illustrate how the community works- you help a brother or sister when you can and believe that kindness is re-payed in some form or another. You would get much greater support from the community if you took the time to understand it. In business terms, it's called market research. As many others have stated, the answer is not to take away access to the Tapers Section but to make it as accessible to as many as possible. I would pay a monthly fee to be able to download and I would be glad to donate a little more to keep the Tapers Section open to all so someone that can't afford it will still have access. Let people download and share - these are mp3's so they won't end up on torrent sites. This is a good way to introduce new people to the music and expand your market. Stop focusing on the fact that a few people may be downloading music without paying and instead come up with creative ways to bring the best product to the most people. You may be surprised that you can actually make more money by not focusing on making money.
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My earlier message/method also works with the GD Radio Hour if it matters. The idea for streaming would make far more sense if a GD station was (again) established via iTunes. That lil' Phish band had it too before they officially went their own ways. Luckily Rhino has nothing to do with their back catalog.
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The mp3's were reason enough for me to come by every Monday, or if I forgot one week it was extra exciting for two weeks worth of taper's section. The streaming requires that I gotta stick around rather than listen when I please. I'm the type who bought many of the downloads when it was second Tues. every month or whatever that was. I purchase EVERY release. I don't mind paying money but streaming is a big yawn for me. Just for what it's worth, put stuff up often, even if I have to pony up $$, and make it downloadable so I can listen when and where I want, I'll keep coming around. Weekly streaming just won't keep me excited enough to check every week. One more thing, I much prefer the flac format so if you are going to have some kind of pay download thingy, please include flac, not just mp3.
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......take another step back...and another step back........
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i don't get it. the band would let us bring a tape deck in and record the whole show,BUT you won't let us have a couple of songs a week
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David.Please understand that certainly a few songs that we could download and listen to whenever we like, makes us enjoy the dead even more. Hearing a great song from a great show makes us more keen to do just that. What you guys seem to be doing now is turning people off, rather that turning people on with some juicy little nuggets. The downloads make us buy more man... isn't that what its all about??????? Peace