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    We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

    *2 per order. Very limited quantity available.

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  • Dennis
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    cd/digital

    A couple of things, first, can the sound quality be "better" in a digital file vs cd? Seems the cd would be the "best" AND if not, where and when are you listening to the "better" digital files?

    Second, maybe wrong, but,,,, if my house should burn down or get sucked up in a tornado, would a insurance company pay my loss on digital files? I know my cd's are insured AND I keep an offsite list of ALL my cd's and albums. Sure the insurance company may only give you 5 bucks a disc, but i'd bet it be hard to get the true "value" from them for data files.

    I'll go with Thin's comments about value of physical items. Though I guess you could sell copies of your digi files.

    I tell my kid all the time, "don't throw this one out,,, it's worth money" :-)

    Music,,,,,, still cheaper to collect than guns! or cars!!! (and they don't fit on the shelf!!)

  • Janika Rose
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    Smoking show!

    love and agree with the well-written liner notes by Dave-
    This show is just crackling with energy and intensity. The playing is intricate and precise-and every song sounds great.
    Jerry just opens the firehose and lets it rip. Kind of reminds me of Dick's Picks #3 (Pembroke Pines 1977) in this respect. Brent is also ripping it up throughout-as a synthesizer player, I have come to enjoy his tone selections - the synths sound great, and the hammond is fire. Phil takes his turns in the spotlight as well, and is wonderfully audible on the recordings. Bobby does his understated magic as well, contributing key parts to all the best jams and vamps.(that slide, though). Drummers are a bit quiter in the mix, but well separated, and clearly recorded.
    Happy subscriber, here. Never would have found this show left to my own devices - but it is a corker!

  • Thin
    Joined:
    Who rocks?

    The Fat Man Rocks

  • Oroborous
    Joined:
    Darobace

    If your truly getting rid of your CDs, and your not into it for profit, then please send me a PM with prices for your GD stuff, especially if you have Dave’s Picks to get rid of.
    I could help make it even easier for you...
    Thanks

  • darobace
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    CD versus Digital

    I’m thankful that the digital future is upon us fans of the Grateful Dead
    There have been digital releases of the box sets
    There wasn’t one with the Portland box
    Which I wish there was cause the price for the CD’S was shall we say a bit out of my price range……so I had to purchase the shorter version
    I honestly wish they would release everything in digital because I missed the Winterland 73-77 box sets and they are a bit pricey on EBAY
    Also due to fact I’ve had problems with the mailings and the dealing with the mail order people
    I’m glad If the CD’s would stop
    Afraid of losing the digital
    Back up the digital on a outside hard drive
    Or a backup to that one
    I recently backed up my digital music collection and not being computer savvy
    It was easier than expected
    In fact
    Not the hassle I was expecting
    Another reason to stop the CD madness is
    SPACE they take up
    This fall I’m satisfied that since I’ve digitally made my total music collection ( all bands not just the Dead)
    I’m gonna get rid of them
    A Grateful Dead , Rolling Stones, The Who , etc
    Yard sale is in the making
    Yup yard sale
    To much foolishness to deal with EBAY or AMAZON
    To much foolishness to deal with mailing them
    I’m not into profit
    Finally as Dead releases go
    I’ll take early Dead up to 74 prime years prime shows
    76 thru 80 ….. I’m anti Donna so there are hits and misses
    80 thru 90……Any show or year is interchangeable, maybe I got tired of the scenes ……I can pass on this decade
    90 thru the end …… the midi years…..there’s not much to collect…..anyway I didn’t go to any shows as I despise baseball stadiums shows and shall we say it was time to embrace the “adult thing” and time to get my act together
    So……keep the digital way of releasing
    I’m for it completely

  • Thin
    Joined:
    Sam - let it tingle.

    I can't recall what I got for DaP1, like $300? I needed cash last year and realized the first year of Dave's Picks were valuable. I think I sold DaP 1-3 for like $700 total.

    People buy premium items for the collectibility, physical product, beautiful packaging... oh, AND yes the music. Open the mail and you feel a tingle, peel off the shrink wrap..... like a birthday present - a new shiny object you can show to a friend: "check this out!".

    But with streaming... let's say you pay $149 for the St. Louis download, for example, you'll briefly see the progress bar as it completes downloading for like 6 seconds, and 'poof'.... that's all! No tingle. NO residual value - can't sell it, can't lend to a friend and compare notes, can't chill on the couch with a joint looking at the liner notes. It's just a digital file that disappears if your hard drive crashes. "Honey where's that cool box set you just paid $149 for? ....Why are you pointing to that hard drive?"

    If you had bought all the DaP's as downloads (IF it were an option), you'd have paid $1,200 and have $0 residual value. If you bought and kept all the CD's, you'd have a collection worth at least $3,000+ (and growing). People from ANY state can see downloads don't make a lot of sense monetarily. And some may say "I don't buy 'em to flip 'em, man! I'm in it for the music!" Well yeah, we all are. But you worked hard for that money! As a financial advisor, the concept of buying something that instantly becomes worthless is absurd. What if you suddenly need the money (health, college, parental care) and want to at least recoup your cost? If you ever need the space, you can save all the music to your hard drive and sell, or you may want to leave something of value to your kids. No estate attorney ever fought for a family member's music files from a hard drive (I mean, apart from like Hendrix or Prince... lol)

    Of course, anyone who is cost conscious and "just wants the music" can buy the whole box at full price, then sell it on eBay weeks later for not much less. That way you get the full tangible box experience, read all the liner notes and booklets, rip to your music collection, then sell it and only be out like $50. Or you can pay 3x that price for just the downloads...

  • icecrmcnkd
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    Storing a 16 bit CD as 24 bit

    Makes no sense.
    Sound quality is still 16 bit equivalent but the file size is now larger.

    Importing a HDCD as 20 bit would only work if you had a computer CD burner that recognized HDCD and had software that would play 20 bit.

  • unkle sam
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    Thin

    I concur with what you are saying ie digital vs cd, give me something to hold onto, some that will last and even though a Cd is not the best form of storage for cherished music (I prefer vinyl myself) it is IMHO better than a digital download. I also concur with the Grateful Dead physical copy being worth what you paid for it down the road and in some cases, much more. Pray tell, just what did you get for Dave's 1? :)

  • Thin
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    Ironies, 8/4/71, CDs vs downloads, GDeadcast

    – When one implores someone to "relax", one should take their own advice.
    – It's ironic to hear comments about the imminent demise of Grateful Dead CD output, while at the same time the Dave's picks series has grown from 12,000 to 25,000 items per series amid the global CD decline, and it's still selling out in days (weeks for 80's shows). Yes, cd's are dying globally, but clearly in the GD world CD's are going strong. And folks generally won't pay up for digital downloads (not in large numbers anyway). Not many people want to pay $40 or $149 for digital files with no tangible product. I bought a digital release once, and I felt ripped off by the lack of any tangible product, and the fact that the digital files in my computer had zero resale value if I ever wanted to get rid of them. Monetarily, they are worthless as soon as you download them. Conversely, you can buy a Dave's Picks CD, and sell it on eBay for at least as much as you paid for it in the future. That makes sense, it is easier to justify to the wife. Actually, when I did get rid of my Davies Picks 1 and I told her how much $ I got for it on eBay, she suddenly encouraged me to buy every Grateful Dead CD they release!

    Thanks for the heads up regarding 8/4/71, Doc. I will spin it today and check it out! Hope you are well. (and did you ever complete that 1971 project? If so I would love to check it out.)

    Finally, have you folks checked out the "Good Ol' Grateful Deadcast"? Amazing podcast on Spotify. Many, many installments, produced by Rhino I believe. Interesting topics with interviews of bandmembers, crew, key figures in the scene. I have found it and to be "must hear" stuff.

  • Angry Jack Straw
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    Just remember

    One of the first principles of being a Deadhead:

    The scene was always better before YOU arrived.

    The same thing goes for where you reside. Accept it and move on.

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We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

*2 per order. Very limited quantity available.

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In reply to by Oroborous

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Multi-track and a BluRay.
We need more video!

80/90’s multi-tracks should all be released.
And the 2-track DAT Masters if they sound good and the performance doesn’t have any major meltdowns.

As for the 80’s cassettes, if they sound good and the band is on, then release them. Especially since Plangent can now do cassettes. I would support and 80’s cassette download series, but not until Rhino figures out how to run a download service.

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now that Plangent can be used on cassettes, wouldn’t they want to wait on digitization?
I agree that they should get digital back up ASAP for everything, starting with the best sounding good shows as ICCK suggests, but it seems like they wait to cover the production costs until they have the years submoney in hand?

Remember this was one of the big riffs that happened between band members: some wanted to “sell out” to some corporation who would have the financial resources to digitize the whole collection, so you could get any show ala carte, but Phil was like “I’m not turning on the TV and hear Truckin’ during a Chevy commercial” not an exact quote, but he wasn’t about just selling out, he wanted to maintain control and do it their way, well maintaining the respect the music deserved. Or remember the whole Terrapin Station debacle, where Mickey said there’d be a kiosk, so you could put your order in at arrival, and pick up your shows after you toured the museum etc,
So there has been talk at least of trying to make the vault more accessible. But now that Rhino has bought at least some level of control, I don’t think their in a hurry to do any of that, which sucks.

Now if there was any forethought, Rhino et el would of been reinvesting some of the profits from all these years of windfalls to build up enough scratch so if/when the Beatty well etc runs dry, they have the cash to fix up the better cassettes, properly!, and then start pushing them out en masse? Not sure if it’s true, but a reasonable theory, that they could be marketing to the “older” crowd currently, assuming that more of the 80/90s market is younger and thus will be around longer. That seems limiting to me, but what do I know?
Personally, I’m in the All The Years combined camp: let’s get all the multitracks from any year out first, or say one box of multi’s a year at premium rate, so they can milk it along, combined with say DaP series of Beatty’s and predominantly older stuff, (perhaps with some “normal” boxes mixed in), and also offer a no frills 80/90s outlet for everyone else to enjoy, you could call it Pedro’s Picks as I’m available ; )
Sure they might not sell as much of any particular individual format/series, but cumulatively they could be selling more total! And no offense, but their doing this to make money!

maybe that’s it Conekid, save up the working capital from profits now so they can afford to fix up and digitize, then add a DL series, but one that not only works, but excels. Ya know, something the Dead used to be known for: cutting edge, leading technology...

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Icecreamed I appreciate your logic. I'd agree that ABCDs will continue to come out, interspersed with what's in the Vault. Clearly, for this St Louis box, that one ABCD reel enabled the entire box. Frankly, the list of returned Bettys is rather stunning. I'm still panting for every release and that's 50+ years after hearing AB and Skull & Roses for the first time. (Actually, I borrowed Live-Dead from a friend when it came out -- I was only 12 and couldn't make sense out of the opening to Dark Star, so I took it off the stereo and returned the LP unheard!!) And I'll leap at any '80s shows that are hot, after all, I did attend my share. Agreed, cassettes of hot shows beat multi-tracks of lacklustre performances.

Here's a curveball: whatever happened to the tape stash that Mtn Grl turned over? Those were Jer's tapes and Dave did release that killer April '70 acoustic show with the Pigpen set. But I haven't heard anymore about them, nor ever seen a list. (That probably doesn't exist outside Dave's files.) Then there are the tapes that the roadie's ex turned in, which helped create the Fox Theater/FW 69-70 release (DaP 6) and an undisclosed source of returned tapes that enabled Thelma 12-69 (DaP 9). There's a bunch we simply don't know about. And primal stuff, too. I'd think they still have a fair amount of '69 suitable for release. (DaP 40???)

Though thinking about the Vault holdings can drive me a little crazy, I'm kinda glad that Dave doesn't release a list. It keeps the surprise factor going and my earlier posts about the Vault -- how many excellent shows remain unreleased -- run to the optimistic side because Dave has many aces up his sleeve and, as I surmised earlier, he's looking for commercial patterns that could lead to a box and one-offs that work for the DaP series. I must say, while I really don't want his job, it's gotta be mighty fun. A couple tokes and a tour of the Vault would probably leave me quite worn out.

As to preservation, it's not clear to me what the process or pace is. I did get the impression from Dave's description of his DaP process that he selects a show, and THEN it gets digitized and a technical once-over to see if will stand up to release quality. I'd love to hear Dave talk about his process, which shouldn't reveal anything he doesn't want to reveal.

Meanwhile, it's been established that the OSF still has reels of GD. I asked them to keep an eye out for 9-19-72, which is in the Vault, but missing a reel. Fingers crossed, that was my first show. I did sponsor a reel myself of 1973 NRPS. OSF told me that they had opened a box marked NRPS, only to find it empty -- disaster! Yet it seems they've recovered quite a few reels somehow (mislabeled, misplaced?) since then because, obviously, they did that early NRPS box and, presumably, more NRPS releases to come in the future. Johnny Cash at the Avalon is coming out soon! They must have feelers out to innumerable artists for permission to release and they've been careful to go outside the San Francisco bands to broaden our palate. I'm, grateful.

Man, I never tire of this stuff.

And Icecreamed, the new box is pretty sweet. The setlists are mindblowing. You're gonna love it, I'm sure. I'm gonna stretch it out into the early winter just so I savor every skull fuck.

Edit: P.S. Yeah, the demographic angle (Giants box sell-out) is a strong one. I suspect that each era has its fans. I didn't see any '60s shows, but I'm on 'em like white on rice. I caught one '91 and two '92 shows after leaving the GD concert scene in '87, and I'd love to have those properly restored. And I caught shows in every year, 1980-1987, which of course I'd love to hear again. Think of it this way: if you were 25 in 1985, you're ~61 now. Still rockin'. I kinda doubt that, except for Billy the Kid, that any of us did catch '60s shows, but we're hot for 'em. Crazy good stuff.

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In reply to by hendrixfreak

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It is puzzling that so few sixties have come out?
Yes their very repetitive, but look at this box, obviously that doesn’t stop em...
And yes many are short,
And there probably not as many good recordings,
but I’ll bet there’s still enough quality there to do something?
Been way too long fo sho!

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At least here's a thought: what if they have one-hour sets from '66, '67, and '68? That's the magic, three-disc requirement for a Dave's Pick. What GD fan could resist??

Okay, perhaps not attracting the 25,000 purchasers needed to sell out a DaP.

Thought experiment over! But for a split second it was sweet! Hell, I'd buy two!

As far as market/demographic, FW box sold out quick!
I think there’s enough folks who would dig some primal dead as long as it’s not too repetitive.
I think your idea would help with that and the length issues...
Do something similar to PNW, Giants, and St Lous, only with 60s shows...

A three disc set from those years would be great. It occurred to me the other day that they must have good recordings of all the shows that were used as a basis for Anthem. If those were released, together with the studio recordings for the same album and you would have one hell of a box. Even less likely to happen than the 3 disc 66-67-68, unfortunately !

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In reply to by daverock

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Daverock, I believe I read that those shows got all chopped up to make Anthem?

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In reply to by Oroborous

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Think of it:
Cobble together a disc or 2 of 66, a one disc show or 2 from 67, say 3 or 4 68 single disc shows, and say three 69 shows!
I’m guessing they’ve got enough good stuff to do that and I’m sure it would sell. I just don’t think a 69 box for instance, of several shows with basically the same songs would do as well? (speaking general population, not personally) But if you get enough variety of songs, years, jams etc, in this box format that’s worked pretty well for them, who knows?

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39 years ago today, we were at the Frost for the 2nd show.. The Frost was a nice place to see the Dead. The Dead played a lot of nice places in the eighties, Frost, Greek , Warfield, Ventura, B.C.T. and Marin Civic Center.

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We have an idea you might want to consider, if you haven't already...................

I'd have to guess that Dave actively or periodically considers how to present the '66-'68 shows in the Vault. He's certainly capable of thinking big, re: E72, 30 Trips, etc.

Dave! Oh, D-a-a-a-a-v-e! We can "help" you!

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In reply to by Oroborous

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Oroborous - I wonder if they stiil have the Anthem shows, though. I was thinking about how both 11/10/67 and 2/14/68 have released as whole shows-and going off that, maybe they have the others available, too. But maybe they don't.

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In reply to by daverock

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Not sure DR? Just somewhere in the recesses of what’s left of my memory I thought I remember reading or seeing here etc that when they made the album they cut/spliced the tapes from those shows for the album?
But I most certainly could be wrong?
Perhaps someone else knows?
Where’s GOGD when ya need him! Lol

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I know the Nappy Rag Man got the recent Dylan bootleg.

These things always have so much stuff on them, mostly throw away out takes, but boy everyone has something.

I am in love with the outtake of I & I. It is so much better than the album version (Infidels). I would have paid just for that!

What'd ya think?

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In reply to by Oroborous

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That was Anthem. They talk about it at great length on the documentary Anthem to Beauty, which you an stream for free on YouTube.

I don't think they were as disciplined as they could have been in doing this though.. so there was likely a lot of loss and unlabeled work along the way. I think for Aoxomoxoa they recorded the whole album on 8 track, then 16 track came out and they did it all over again. Those 8 tracks still exist, or did they re-release the as alternative takes last year, I honestly forget...

They certainly have been stingy on 1968 though, haven't they.

Don’t post much, but read often. Thanks for the entertainment everyone.I’m thinking 6-22-91 for the next show. Dave’s picks hasn’t given us a 90s show yet. Just as good as the D.C and N.Y shows that preceded it. I was lucky enough to see them all. I would rather have a 68 to 70 show, but if Dave wants to go 90s, 6-22- 91 is pretty good for the time. Lots of Bruce which I love.
I saw my shows from 83 to 95, but I find Dave’s 39 a struggle to listen to and haven’t been able to listen to the whole thing. The anniversary of my first show is later this week 10-15-83. Just my opinion, but that show blows away the two 80s releases we’ve gotten recently.
Hey Dennis, I agree that I and I from Dylan’s latest is the best song from what is a kind of disappointing release.

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In reply to by annalee10

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I wasn't there, but I sure remember hearing it for the first time on disc.

:)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

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In reply to by JimInMD

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I cannot remember where exactly, but I remember reading that some of the tapes they were "experimenting" on for Anthem made them unplayable/unusable for a release. Now, obviously, some of the Anthem stuff has been released (2/14/68, 11/10/67, 2/23-24/68, 3/17/68).

Aah, there it is! DeadBase says Reel 1 of 3/17/68 is unplayable due to experiments done on it during Anthem. Reel 2 was the Download release of 3/17/68.

So, I mean, some stuff was obviously still OK (11/10/67, 2/23/68, 2/24/68). Some stuff was partially OK (Reel 2 of 3/17/68 OK, reel 1 ruined). How the other stuff (11/11/67, 1/20/68, 1/26-27/68, 2/2-3/68, 2/22/68, 3/15-16/68, 3/29-31/68) fared? Who knows? Every tape I have ever seen of 11/10 & 11/11/67 has the exact same Alligator>Caution on them for both dates). Some of 2/2/68 was still OK because the Dark Star is on the Carousel Road Trips as a bonus track.

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It's a raucous, motley crew around here (speaking for myself, of course -- me and my multiple personalities), so we welcome one and all. Jump in anytime, we're not very serious.

Cheers, HF

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In reply to by hendrixfreak

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yes I do have it and I agree 100% on that version of "I & I"...been dealing with my Beisbol fanaticism mainly and sucking in all I can of the playoffs...I know quite a few here are chomping at the bit for the start of the NHL season but I'm a baseball guy...and don't forget that Oct 22nd the live Coltrane "Love Supreme Live In Seattle" releases and that The Beatles "Get Back" Super Duper Edition gets released this Friday...I've been busy filling holes in various old R&B collections I have, getting the missing volumes to complete them....also am going through my CD collection and ripping to various external HD's I have...as long as I'm dealing with music I'm happy...

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Howdy y'all. 10/15/83 was my second or third show. This WAS a great show! I do think the 10/14/83 equals the performance of the following night, though the song list for set 1 is MUCH better on the 15th. The Saint Stephen on the 15th is pretty ragged, it's but it's hard not to get caught up in the emotional outburst that accompanies it through the entire freaking song.

I just received the St. Louis box. Holy moly, this thing sounds great. But we knew it would.

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Either Dave will try to hit one out of the park with DaP 40 -- because otherwise it'll land in the shadow of the St Louis box -- or DaP 40 will be a relative dud, because it'll land in the shadow of the St Louis box. Or, obviously, it lands in between.

Dave also has the option to announce a killer DaP 41 as subscriptions open for 2022. So a killer show for DaP40 isn't a given, nor needed to stoke interest in next year's series.

With everyone gorging on the box, little wonder there's been no speculation with a show announcement due anytime.

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In reply to by hendrixfreak

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..... 1979-01-15 - Springfield Civic Center - Springfield, MA

No reason, but 1/15 is my birthday and I think it's the only time they played on it.

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In reply to by hendrixfreak

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Nice to see ya!
I was at those shows and always thought the first night was better.
It was one of those you had to be there nights: the sound, the lights, the band, everyone was on.
It’s unfortunate that the recording doesn’t really capture all that.
BITD, before I saw many more shows, I thought the 14th was the best show I’d seen.
Yes the Steve wasn’t super tight, but no one cared. It was an amazing thing to be present for.
Right up there with the first 86 Box O, and the 10/9/89 DS. To be there live with 15 or 20k of your close friends was as powerful as being at an 80K seat NFL playoff game. Gives me chills just to think about it!

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In reply to by Oroborous

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Not a bad guess Dennis as that one is on that possible list Dave put up early on that he’s been slowly chipping away at
Here’s that list:

Or not fucking captcha BS!
Won’t let me paste the list and I don’t have time to type it out, uugghh!

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of must releases: 3/18/67, 1/22/68, 10/12/68, 4/4,5,6/69, 10/31/69, 9/20/70, 2/17/79. That's fairly short.

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In reply to by hendrixfreak

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I would think whatever is released will be in the shadow of the box-one of the best Dead releases ever. Consequently, I wouldn't be surprised if Dave's 40 is a bit of a clunker. Followed by an all guns blazing classic to kick the new year off.

Off the point - but I was thinking what a great box they could make in a similar fashion to the 71-73 box, but going from 1968 to 1970. With music spanning Anthem to Amercan Beauty it could feature and incredible span of styles, songs and jams. A 30 cd'er for sure.

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In reply to by daverock

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I saw a St.Stephen in my first show, Hartford 83. I was there for the Box of Rain breakout in Hampton 86. I saw all of Alpine 89, was there for all of the Albany 90 shows, all of the Boston 91 shows, saw the Here comes Sunshine modern debut in phoenix 92 and lots of other cool stuff. BUT, T I think the most intense GD energy I ever experienced was the Scarlet Fire at MSG on 10-14-94. One of the best half hours of my life!!!!!…… I think I will listen to it tonight. 94 and 95 weren’t that good, but a Road trips release would have worked to release some of the buried gems.
Absolutely love this new box, looking forward to the next Daves, peace.

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17 years 5 months
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A 90s pick is long overdue for this series. Europe 90 has some nice shows. December 90 has some monsters. 91 was a solid year. The two big ones that stand out are 4/1/91 and 9/26/91.

Would love to see more Spring 89 released. Ann Arbor and Milwaukee for example. Two fine runs of two shows. That would make a sweet 4 show box actually.

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10 years 8 months
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But I'm pessimistic on '68 getting included. Though I'd howl at the moon if it was included.

I'm feelin' '79, as in, you already know, 8-12-79 -- but Dave's holding back the hot Red Rocks shows for a possible box, I'd think.

On the 1991, I'd go for 6-22-91, Soldier Field. I enjoyed being there, but would LOVE to re-experience that show.

Okay, I guess our dibs are in........

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10 years 9 months

In reply to by daverock

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Hope not. That would be a waste of a 10th anniversary Pick. This year has probably been one of my least favorite so far for the DaPs, I'm hoping for a strong end with something like 7/25/74 or 8/4/76 or the multiple show Grease of Pigpen Pick. You're definitely right about the Box, though; so far, straight fire to mine ears.

Alvarhanso - me being a bit facetious. It's just that the box has hit such a peak that it seems impossible for the next release to sound anything more than an add on. I would imagine it will be a show from the later years, which will obviously please a lot of people. Which is good. I would prefer 1968, but as my friend often reminds me.."It's not all about you !"

Wouldn't that be sweet. I would say unlikely, but as predictable as Dave is.. he is somewhat hard to predict. I look at Dave's #8 as a risky step out of his comfort zone that turned out spectacular. Perhaps my favorite 1980 show (sorry Radio City and Warfield).

I think this is a complete wildcard. If the past is any indication on what's to come, an off the beaten path decent 80's show. ...but I just don't see this coming in this slot this year. I'm sticking my neck out and predicting 1969. There's still a lot of good sounding tapes from this period that have yet to be released and it just fits. Second guess 1991. As much as we would like to hold out and hope both the audio and video from these shows come out.. I haven't seen much success marketing shows this way. Which yields space to think about the real crown jewel #41, the season opener which will be announced sooner rather than later.

So 1968, I give an enthusiastic hell yes.. what we will actually get is a crapshoot.

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Jim makes sense about a '69 release, in that -- as daverock states -- this box really hits the sweet spot. I've only listened to 1 and 1/2 of the two '71 shows and they rock flawlessly or the flaws are musical, which reflects the forward energy of the band in performance. But with a huge glow around GD-fandom created by the box, Dave would really cement a lot of excitement for more by topping the box with what (at least Jim and I believe) is a fairly good stash of '69 shows still in the Vault. I don't think '80s. If Soldier Field June '91 is a multi-track, that's probably out for a DaP.

In a sense, a Halloween show would be welcome to explain the merch madness. I say that because if they're going "full merch" and every freakin' major holiday brings forth holiday-related merch, I'd be kinda sad. Yeah, maximize revenue, but everyone involved at the TPTB is doing fine. This was supposed to be about the music.

So, Dave, how 'bout a crisp '69 show to strenthen the faith factor? We'll know soon enough.

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17 years 4 months

In reply to by hendrixfreak

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Here’s a Breakdown of Dave’s Picks
(First #) = Year:
(2nd =)Total Releases from this year/
(3rd = )How Many Releases since last pick from this year../
(4th =)Release # of last pick from this year

80: 1 / 31 / #8
69: 2 / 29 / #10
81: 1 / 19 / #20
72: 3 / 15 / #24
71: 3 / 13 / #26
76: 3 / 11 / #28
70: 2 / 9 / #30
79: 1 / 8 / #31
77: 5 / 6 / #33
74: 5 / 5 / #34
84: 1 / 4 / #35
87: 1 / 3 / #36
78: 4 / 2 / #37
73: 5 / 1 / #38
83: 2 / - / #39

No Picks from:
66-68, 75
82, 85, 86,
88-95

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13 years 1 month

In reply to by JimInMD

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So, this year we've had:
Dave's: '78, '73, '83
Skull & Roses 50th + some 7/2/71 bonus.
LTtR: '71, '72, '73.

It screams for 60's or '90's. I'd be really surprised if we got more early 70's or Brent 80s. Though acoustic '70/'80/'81 would be welcome, though I fear the tapes may not be there.

On that front, we have gotten cassettes with the plangent treatment (Da39), so maybe more shows are now in consideration.

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17 years 4 months

In reply to by Oroborous

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I’d like to see a 91 show to be equatable to others who like more than just 5 years…it’s WAY past time Dave!
9/26, 4/1 or perhaps 10/31 would be logical choices, 6/22 would work but you have to wonder about some kinda GIANTS deal with video. 6/9 might fit?
81 would also be a great choice, since there’s so many hot shows there, but I don’t think he’ll go 2 80s in a row again.
I hear the haters T.P.ed his house, put sugar in his car, and kicked his dog after last year.

80 and 69 are most overdue. I don’t think he’d go 68 unless he uses 3 short shows, which would be nice!

I’d say wild cards could be 70, or 82, but again, I don’t see 2 80s in a row this time.

Something from the 90s is really really overdue!

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17 years 4 months

In reply to by Oroborous

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I was right and wrong, lol.
It’s technically a 90s, but really another 80s…
Let the whining begin ; = )

By my unofficial count, not counting the Bonus discs, Dave's by lineup:

J, B, B, Ph, K & D, M = 12.
J, B, B, Ph, K & D = 12.
J, B, B, Ph, M, Br = 7.
J, B, B, Ph, Pig, M, TC = 3.5
J, B, B, Ph, K, Pig = 2.33
J, B, B, Ph, K = 1.67
J, B, B, Ph, Pig, M = 0.5

No core 5. No Vince or Bruce. No Keith/Donna + Pig unless Donna is on that Academy of Music (not credited). Though with Europe '72 already released there isn't much to aim at (Hollywood Bowl + other Academy shows). No Dana Morgan Warlocks nor '73 horns shows.

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16 years 2 months

In reply to by Jason Wilder

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After listening to this show yet again, about 20 times after release, I find it, especially the 1st set after Shakedown, to be underwhelming. It just doesn't "do it" for me. Shakedown Street is the exception.
Others may get it, but this one burns out on me. 3 bolts (out of 6)

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