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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • carlo13
    Joined:
    Danny, be the ball.

    It's #48 already? Time sure flies. I can't wait for this one.

  • proudfoot
    Joined:
    Mmk.

    Now we wait for delivery each day until 3.

    Cue "Shipping Blues"...

  • Vguy72
    Joined:
    Disc Three!!.....

    ....three is a magic number.

  • gd1294
    Joined:
    Nice

    It is strange that past releases such as 12.26.69 and the like haven’t been selling out right away. Also the last 72 show as well. I am thinking that the number of releases is at a good number for all those who want one. Me on the other I can’t get enough of that primal dead. Dave thanks these last two years you have knocked me down in the nicest way with 12.26.69 this years 72 and the current number 48. All I can say is wow. I have listen to number 48 on Relisten and it’s great and Keith is on fire. As far as the filler Pigpen like John lee hooker always keeps me moving impossible to site still lol.

  • icecrmcnkd
    Joined:
    We can reassemble it, we have the technology

    I will put 10-24-70 back together when I have all the pieces.
    Thanks Dave/Rhino for the bonus show. Keep the releases, and the bonuses, coming.

    Yes Dave, go make that 2024 subscription video. I’m ready to order.

  • Sixtus_
    Joined:
    re: Curiosity

    Storm The Vault!

    With only solidly gracious intentions of course.

    Sixtus

  • 1stshow70878
    Joined:
    It's 10/24/70

    Dave explains in the seaside chat about this breakup.
    I agree to some extent and am happy with 75 minutes of this show.
    But if there's only the encores or so left for later like the one he did recently I'd say skip it. But at least that one completed a whole show for us.
    That said, the folks who rearrange this stuff digitally in their own files probably want it even if it's not a whole show but that's all there is in the vault.
    Cheers

  • JimInMD
    Joined:
    Re: Billy the Kidd 10/17/89

    10/20/1989 Philadelphia Spectrum

    ...and three days later the Grateful Dead played California Earthquake, the first of two times played. I was not at that one, but should have been.. and certainly wish I had been...

  • daverock
    Joined:
    10/24/70

    I am sure the 71 show won't disappoint - but it's the inclusion of a section from Fall 1970 that is the main draw for me here.

  • Tramjams
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    Takes place at the eight…

    Takes place at the eight eighteen mark. I tried to put that in numbers and it won't let me post for some reason because of security.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 10 months

In reply to by daverock

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Good question, daverock. And a poser, as you Brits might say, when it comes to the Dead. Some of their best songs are clearly defined in the studio, such as Ripple and Box of Rain, which you mention. Others, Jack Straw, Bertha, Sugaree, Playing in the Band, The Eleven, Loser, He's Gone, or poor old August West, the Wharf Rat, never got laid down in a studio for a Dead album (two of those made it on solo records, one with the whole band, but don't count, and that one would not be defined or confined by a studio rendition). Black Peter is not a favorite of mine at all, but I can tell you my two favorite versions are 6-23-74 DaP 34 and 10-29-77 DaP 33. I had a list of other favorite live versions, but was Hey Now'd.

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10 years 10 months

In reply to by alvarhanso

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Playing 11-18-72
China Cat Rider 6-26-74 DiP 12, my first time hearing the pairing on a Dick's Picks sampler, thought they'd all have the intro jam
Scarlet Fire 5-8-77 my first tape, so that's how it "should be" to me
He's Gone 11-18-72, with 11-17-72 my number 2
Loose Lucy 6-9-73 Dick Latvala made special note of this on his notes on the show based on Kidd's thoughts!
Jack Straw 8-27-72 those Phil slides
Sugaree 5-28-72
Weather Report Suite 6-28-74 DiP 12 is magnificent
Ship of Fools 6-23-74 all about intro Jams
That's It For The Other One 3-1-69 "The American version of the Japanese film The Magnificent Seven..." yowza!
The Eleven 3-2-69 (if you know better, please tell me)
Here Comes Sunshine 12-19-73 leadoff home run by Dick

Edited to add: largely agree on those other two you mention, daverock Attics and Brokedown, but I will say that the Brokedown that emanates from the smoking crater of The Other One from 11-17-72 is just gorgeous and moving. That whole sequence from the He's Gone on is astounding.

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4 years 3 months

In reply to by alvarhanso

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I'll take live every time

AB does have a bundle of studio gems, fo' sho'

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4 years 3 months

In reply to by proudfoot

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Is there any significance to the number sequence in your avatar?

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11 years 7 months

In reply to by proudfoot

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Can't post anything, Hey Now. Won't let me add through edits. Still trying, can't post

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10 years 10 months

In reply to by proudfoot

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It's a big thing in the show Lost, where the (really obscure) character name Alvar Hanso comes from. And he's a person, among several on the show (and in its mysterious background offscreen) who ruminate on those numbers. Don't wanna reveal too much and spoil anything. The last number in the sequence, 42, was chosen as an homage to Hitchhiker's Guide to the Galaxy which posits that 42 is the answer to the meaning of the universe, life, and everything. Lost, in its way, tried to answer the question of meaning as well, in a far less humorous way, but just as entertaining and engrossing.

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17 years 4 months

In reply to by alvarhanso

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....acceptable.
Except Cumberland Blues isnt on it. Swap out Casey Jones for it and put Cumberland at around #15.
Casey Jones is overrated. Sorry not sorry.

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10 years 2 months

In reply to by alvarhanso

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Alvarhanso - some of the versions strike a chord, - China Cat-Rider from 6/26/74 is a clear pinnacle, as is everything on 1/3/69 , 5/8/77's Scarlet-Fire - but some don't ring any bells. A useful guide for some exploring.

I've always thought Casey Jones was a bit of a tiddler.

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10 years 10 months
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Casey Jones, personally either. Don't know why. And it's funny I can have favorite versions of songs I don't care as much about, like Black Peter or Loose Lucy (bc they stand out as so much better, perhaps), but cannot decide on others. Some more random favorites:
So Many Roads 10-1-94 30 Trips Boston, with Jerry giving his all on the vocals
Greatest Story Ever Told 8-27-72 the Wah and Donna are just about perfect on this fiery version
Tennessee Jed 5-21-77 DiP 29 only one of the era I know of with Jerry doing the solo on evelope filter right after a pair of Jacks (a Roe and Straw)
Cumberland Blues 11-17-72 not sure about favorite, but way up there, love how Phil is rarin' to go and start the set (saw him do just that with Phil and Friends with Cumberland in 2006)
Terrapin 2-26-77 somehow hard to top that first one
Comes a Time 7-17-76 DaP 18 16 min, we shall see if 5-4-77 on 50th Bonus will compare
Crazy Fingers 6-14-76 my favorite show from that June '76 box
Bird Song 3-29-90 as much as I love 6-22-73, 11-17-72, and some others, that wonderful sax of Branford is so sweet and ethereal and pushes Jerry, Phil, and company to ever greater heights

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10 years 2 months
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Had to go to DiP 29 5-21-77 just to see what envelope filter sounds like, lol. What a great release. Six CDs of bliss. Two full shows plus extra. I like this format!
Cheers

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7 years 3 months
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Did Y’all forget?? We already decided you need 2 lists: one live & one studio.

Silly rabbits.

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10 years 10 months

In reply to by Mr. Ones

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And it pretty much stopped at those 4: Ripple, Box of Rain, Attics of My Life, and Brokedown Palace. Pretty fair list, and comprehensive, as I can't think of any other Dead songs where I prefer the studio track. High Time on Workingman's is close, but there are some much better live ones. There are a few tracks where it's choosing the lesser of evils, such as Money, Money or Let Me Sing Your Blues Away.

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12 years 1 month
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It appears as though you and I have very similar taste. I 100% concur with your nominations of China Cat>Rider, S>F, Terrapin, So Many Roads, HCS, and your spot on analysis of Bird Song. My preference for The Other One is 5/3/72.

For H>S>F I would go with either 5/9/77 or 5/22/77. I realize that many folks would go with 8/13/75 (One From the Vault). But to me, if you take out the introduction, it doesn’t hold up to the other two.

Other personal favorites include:

Peggy-O 5/7/77

She Belongs to Me 11/8/85

Truckin 5/26/72 or 5/19/74

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10 years 2 months

In reply to by Angry Jack Straw

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For many years I've thought of 6/9/77 as being my favourite H-S-F. Similarly, the version of The Other One that first comes to mind as a classic is the one from 5/2/70 at Binghampton.
Possibly because of the box set, apart from 5/26/72, I can't distinguish individual shows from the European tour so easily, in my memory, after I have played them.

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11 years 3 months
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I concur with your personal favorite of She Belongs to Me 11/8/85, but I'm biased since I was there in Rachacha.

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1 year 2 months
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About when will the "Mars Hotel Shop" be rolled out.. ?

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1 year 4 months
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The 4/30/77 Scarlet>Fire is funkier with more envelope filter than the 5/8/77 version. Not necessarily “better” but more to my liking. IMHO, the studio version of Estimated Prophet is really good. Again, not necessarily “better” than some live versions with improv jams but always listenable and well done.

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11 years 7 months

In reply to by VirgoHead

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Have not be able to post due to hey now, trying again, cant keyboard much, thumb in a brace. Nominate Unbroken Chain for studio is better... though it was epic when finally played live. Wow, it went through, here's some earlier text to try again. Lost became so mysterious, will have to go back and check it out. Jack Kerouac wrote about The Dharma Bums, maybe that explains it.

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10 years 10 months

In reply to by dmcvt

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Magisterial studio cut, decent song live when finally played, as you said dmcvt. I've seen Phil do it a few times, and they've been magnificent and jammed out.

It's cool some of us love exactly the same flavors, some like it spiced just a bit differently. :)

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12 years 1 month

In reply to by musicnow

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I was there as well. That’s why it’s a personal fave. I tried to leave attendance bias off my list, but that one I couldn’t.

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17 years 4 months

In reply to by Angry Jack Straw

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....aka Boxilla.
Realized it's been a minute since I've listened 🎶 to the Providence '78 offering within.
Let's see what up, shall we?
Half-Step opener it is. Bodes well.
The scroll begs to be framed.
I'll get to it eventually.

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4 years 3 months

In reply to by Danehead

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Yes...50 years ago

Redo with a show? How about it Dave??

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1 year 1 month
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was COOL going into commercial break of the Steelers - Bills game, looked at the wife, and she said was that GD, big grins all around our family room

Peace All!

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8 years

In reply to by uncle_tripel

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We should be getting a seaside chat soon.

And than bring on the box news!

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10 years
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I turned on the dusty old wireless this morning to a lovely 10-21-71 Dark Star. Highly recommend it with a good coffee. Not quite the rumble of Phil’s hand heard in other versions, but definitely exactly the right tune to start the day. Having just received 48 this week (the first one is MIA), I’ll delve into more 1971 this weekend.

AJS - Jack, what do you think of #98 on the CBH? The real deal, IMHO. Have you ordered the home jersey yet?

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7 years 3 months
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What could be better than spending Wed & Thur Listening to 10 hours, 32 minutes and 21 seconds of "highlights" from the last 4 years of "30 Days of Dead"??

Not much, that's for sure.

Music is the Best!!

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14 years 11 months
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I my past experience, Half step openers are the tops, and the entire show usually smokes. Dig it been listening to some 78 myself lately, Jer was so alive back then, on top of it, all over it, in and out, up and down, round and round, so good, loved the hippy look too.

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11 years 3 months

In reply to by PT Barnum

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Totally agree! That "Half Step" opener on Dave's 37 really smokes, as does the entire William & Mary show.

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12 years 1 month

In reply to by alvarhanso

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Mike,

This censorship BS blows. I am not allowed to post my response.

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10 years
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Jack, I totally get it. The site’s gone wild here, it’s crazy. One of the best forums out there dragged down by the Technological singularity. I’ll watch for your response in the meantime, if you get through, because I’ve been wondering your thoughts on #98, and all thinks ice!

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4 years 1 month
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Luv luv luv reading about all youse guys fave shows and songs. Keep 'em coming!

Hate hate hate the Hey Now Problem. It's almost like they're trying to fill off this forum. Have tried to post some of my own faves, but keep getting Hey Now'd. We'll see what happens with this post.

I'm not a robot!

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10 years 2 months
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Keep getting the dreaded Hey Now.
Make it stop!

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10 years 2 months
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See Recents, f ree s tuff category.
Cheers

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17 years 5 months

In reply to by Crow Told Me

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Good bye old friend 71!
Tanks for the goodness!
Onward!

Howdy Mike!
You and AJS would be proud at how much “best game in the land” I’ve been up to this year! Key, watch with sound down, tunes up!
Good season so far🤞

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17 years 4 months

In reply to by Oroborous

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....good lineup coming to the Brooklyn Bowl. Cumbia Rave tomorrow. $17. Los Lobos would approve. Keller Williams on the 25th. Got tix for that. $30. Pink Talking Fish on the 28th. $25. Probably gonna pull the trigger on that one.
And Lettuce Feb 1st. $30.
Looks nice.

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8 years 6 months
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….Daves Picks #31 was a 79’ performance & the cover artwork was a dragon. The Chinese New Year 2024 will fall on Saturday, February 10th, 2024, starting the year of the Dragon. I’m hoping the next Boxset is “chasing the dragon” of 1979 Grateful Dead’s magic!

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5 years
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Between this one and Dave’s pick 49, which would yall go for as I can only afford one as much as I’d love to get both

I'd go for Daves 48. In fact I have. Fall 1971 was one of the greatest periods in the Deads career - and any show from that era would trump two from 1985 for me. Not for everyone though - just depends what you like.

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8 years

In reply to by 1stshow70878

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I think that is a first. He only gets one?

So, which Dave's will sell out first?

There are four currently for sale now.

What will be in that 79 box Love My Girl?

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1 year 1 month
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personally, gonna stand with TN JOHN on this one; gotta believe that different gear & different recordings from two different bands during two different periods of music 14 years apart renders those releases non-comparable, and
DAVEROCK nails it, which ERA do you like BEST?

peace all!
uncle_tripel

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