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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • reggiegrady
    Joined:
    yahoo!!!!

    yahoo!!!!

  • itsburnsy
    Joined:
    Streaming is the Future

    For sure streaming is the future. Ironically, my 16 year old daughter the other day said she wanted a record player though, so go figure.

    I do iTunes personally, meaning I purchase the albums I want digitally (maybe 2 or 3 a month) and download all my GD CDs using their version of lossless. Works GRATE, using a Bose wireless speaker I play what I want from the laptop and the speaker can follow me from room to room.

    If I want something more mindless, I stream the two best public radio stations in the world, KEXP in Seattle and KXCI in Tucson using Alexa. Add to that daily NPR and about 5 podcasts I listen to every week and there is almost too much to listen to these days! It's a good time to be a deadhead.

  • JimInMD
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    Re: ConeKid & Recent Comments

    Agree. For what it's worth. I think dreading provided some valuable insights, actually all the comments the last two days were quite good and had valid points.

    Finished my work for the day, off for a little adventure, a mildly difficult one today, I have butterflies in my stomach just thinking about the first drop.. It's a bastard if you get it wrong. Picking some tunes.. and away I go.

    Have a great day all.. Some 69 is probably in order, either for #51, #52 or a box. They have plenty from this year to chose from and the timing is right. Man.. it is a wonderful Spring day in the mountains East.. 68 degrees, a high of 72, beautiful clarity - I can see for miles and miles and sun. Time to put away the skis. :D

  • icecrmcnkd
    Joined:
    Video

    I like seeing the band at work.

    When Long Strange Trip was announced as a streaming movie I posted on this site (the previous version with the non-white background) that I would watch the movie when it came out on Blu-ray. Well, my patience paid off because I bought the Blu-ray and got a bonus disc with video that wasn’t part of the original stream.
    And I can watch the video as much as I want without paying any membership fees.

    Keep in mind that a lot of the general population who think streaming music is great are also the people who can only listen to 3-minute songs with a catchy beat and lyrics. They would never listen to a live concert, and would run away screaming with their fingers in their ears when they got about 5 minutes into a 30-minute Dark Star.

  • bob t
    Joined:
    Alpine Valley June 17, 1989

    I found it ironic after reading the comments yesterday and Sunday that Sirius would have that show on at noon yesterday. And with all the rain in CT yesterday 95 was a crawl so i got to listen to the whole show... I still get goose bumps when they break out We Bid You Goodnight.. Favorite run of shows that I saw... be good everyone bob t

  • stoltzfus
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    mo' video and getting yer hands on Dave's Picks

    MUATM is one way I can sit still and enjoy a show on video. No complaining from family.

    re: Dave's Picks: subscribe subscribe subscribe. That's truly the only way to guarantee a copy of each. again, to paraphrase Jim Morrison: "a la carte is dead!"

    aaaaaand, you don't have to stress, get to the site, order....

    it's all done at one time in November/December, and you have the rest of the year to enjoy the GD (and whatever else you like.)

  • Sixtus_
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    Formats

    I have to say, this is one impassioned discussion - and I am not surprised. We are all of the sort who are a bit rabid about our music - this is a relatively rare attribute across humanity one might think, so in this regard it also makes us extra special.

    I get all sides of the discussion going on here - from people who like to have hard copies that can't be destroyed by a solar flare, to people who want nothing at all other than a slick box playing the music they love with no strings attached. Then there is everyone in between, ranging from limited access to certain technologies that could take them over a hump to others who have every imaginable setup so they can like their cake in any format and eat it too.

    In my opinion, all of it is reasonable and to each their own. Personally, I love the CDs and box sets for the "being able to hold and smell them" aspect. For a long time I was not truly understanding the draw toward streaming. But, a few Christmas's ago we were gifted a Sonos speaker, and now we have 5 of them throughout the house. And this system has grown on me TREMENDOUSLY.

    Not only can you link Sirius to Sonos (which we've done - GD radio, 24/7 baby), there are also a bazillion other channels that I've found (Spotify anyone?) where you can literally find every officially released GD show save the Dave's Pick's (I'm talking ALL Dick's picks, all of E'72, the entire Road Trips series, etc.). Furthermore, and this is the real kicker, I can also access the relisten app from Sonos, which of course mirrors the complete archive.org GD show history. So in reality, simply with sonos, I can play any GD show throughout the house (and any format of show, but of course I gravitate toward the C. Millers and Betty's) - hell I could play 5 different GD shows on each speaker if I wanted to. But then of course I have the big boy stereo, which in fact I Have two such setups in two different rooms, so I can spin CDs pretty much anywhere too. And, lately, I've been doing a bit of dipping into You Tube for some GD shows - there is a lot of stuff out there and people have put in the time to match up video (albeit grainy, yes, but I more see it as a historical time capsule) with the best audio source so the end result if fairly satisfying. And to conekid's point, I don't feel I need to be staring at the TV 100% of the time, but if something cool is happening with a tune, you at least can get a visual to go along with it. And I watch You Tube via my XBOX, which is hooked up to my 80-inch TV and big boy stereo #2 so it's not like I'm watching via a laptop with $hitty speakers and 12 inch screen.

    Regardless - the takeaway for me is that a Deadhead's listening preference is likely to be as variable as us Deadheads ourselves. And that's not a bad thing at all - if anything its a testament as to the steadfast dedication to LISTENING that will continue to exist and thus ensure this valve of awesomeness never shuts off.

    Sixtus

  • Dennis
    Joined:
    so many things

    Jim - yeah,,,, what is it with 10 per page? I usually check in the morning and today I had to back up 3 pages.

    Video - never cared for it. I too can only handle a few songs. Hard to just sit on the couch.

    8 Tracks,,,, never had one. Installed a shitload of them for people back in the early 70's when everyone wanted Led Zep 2 (in stereo) since most cars only had 6 watt mono am radios. I was the odd ball. I had a cassette recorder I got for Christmas one year, maybe I was 14. When I started driving and had my first car I routed a wire from my dash speaker to under the drivers seat. There it terminated in a 1/4" mini jack, I could plug this into my cassette recorder(mono recorder!!!!) and play tapes. This system also allowed me to turn on the radio and my wire would pump the sound to my mini jack, this I could jack into my cassette RECORDER jack are record songs off the radio. This was in 72 with my 66 Chrysler Newport!

    I am also not in favor of this rent, no own world. You can't buy Word no more (right?), now you just rent it. Don't think you can buy any of the Microsoft software anymore, only rent.

    On this streaming music front, no interest here. We seem to have every streaming service at work and someone always has some "station" on. They have a world of music available, but if you just let it play, it's the same shit everyday. The other problem (imo) with cloud storage/streaming models (plus the data cost of the downloading) is maybe today it's cheap, but a few years down the road it cost a fortune. Look at your cable bills, started off cheap-ish, now days my bill is 250 a month (cable, landline, internet) Whatever my physical media cost, I have the media. I have it backed up nine ways to Sunday (never understood that expression)

    Also in the end, I just plain collect music. I have 16 banker boxes filled with cd's, all the big box sets (dead and others). Have about 15 feet of lp's (and have started buying more, even though I don't have a turntable setup,,,stupid huh?) Got about 400 45's and about 700 78's. It's a stupid trait I have,,,,, most don't understand.

    oh yeah, on the streaming front, most of the kids I work with, don't have a tv, a stereo, internet connections, cable,,,etc. They have smart phones with unlimited data plans and use their phones for everything. How they can watch tv on those little screens is beyond me? A chunk use their game platform for internet access, for services like Netflix/hulu. Also most can spend a evening watching youtube stuff. There's a service that's gonna cost money down the road :-)

  • kjmcdonagh
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    Streaming

    As I read these posts, I come to the conclusion that I am, in some ways, "that guy." I still love having the CD in my collection, the booklets that come with it, and the music laid out together as the artist intended. I don't see technically how CD's will become obsolete, nor will the sound become degraded over time. For those of us that still enjoy putting the media in, and digging it the way the artists intended, CD's are still cool. I also love all the concert DVD's you can get now, so you can watch and listen!
    That said, I also have a large memory card in my phone, which currently has over 500 of these CD's ripped to it, so I can listen to songs, make playlists, pick and artist and shuffle, etc. Lots of ways to tunes via Blue Tooth.
    Also, I have SiriusXM in my car, so when driving I can still see whats happening on the Grateful Dead channel and others.
    In addition, I use Pandora for streaming. Here I have created my own channels so I can listen to everything from Zappa, to The Dead and other 60's stuff, to New Wave, so guitar virtuoso's. I have channels created for all of these.
    So, I am "that guy" that still buys CD's, but I'm also "this guy" that streams, uses Bluetooth from my phone, and can go for Satellite radio as the mood moves me.
    My point here, is diversify!!! There are many ways to listen to music, and I love music enough to use them all. Don't limit yourself, use the technology to expand your listening realm, but don't give up on buying CD's just because streaming is available. If you love CD's, as many of us still do, buy them, if you're streaming your way to your favorite tunes, go for it. The point is, you have many ways to access music, and if you love music, this is an awesome time to be alive! Live. Love. Laugh, Listen. Peace!!

  • Thin
    Joined:
    Charlie 3 re streaming

    Man, sounds like you live in a cool place!

    All good points. There are still advantages to physical product - they'll linger a long time. My wife's folks still have a VCR player and a wall full of bulky movies. But from a commercial standpoint, DVD/BlueRay's is in a death-spiral.

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6 years 9 months

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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7 years 2 months

In reply to by JimInMD

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I love the rankings game. Hard to argue with either of your Top 5s, really. I think I’d go (in no particular order):

DaP 3: 10/22/71
DaP 23: 1/22/78
DaP 29: 2/26/77
DaP 9: 5/14/74
DaP 8: 11/30/80

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In reply to by OKCDeadHead

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....you got me.
5
11
23
26
8 - matrix. sounds awesome.
If I'm wrong, and I might be, Sue me. I think that's it. Splitting hairs here.
And that's in ORDER! Lol.

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In reply to by Vguy72

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Nice, I go back and forth between 26 and 3 for my ‘71 pick but i always end up back at 3 for some reason. Interested in the love for 11 tonight. I get it, and love those bonus tracks (wink, wink). Although I prefer 11/14/72 to 11/15. Second set anyway.

Love seeing you guys’ Top 5. Long time lurker here, infrequent poster.

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13 years 6 months

In reply to by OKCDeadHead

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I need to revisit this release. When it first came out, I was horrifically busy and not in a good way. I listened to it many times but I don't think it ever got the attention it deserved. I am not sure it ever got a uninterrupted listen.

I will give it another spin soon.

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In reply to by JimInMD

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TOO is really the only extended jam to speak of but great versions of so many standards, a Comes a Time and a great up-front mix of early Keith’s keys make this one a winner for me. Love Fall ‘71 though.

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1
5
9
23
29

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#10 - Thelma '69
#5 - UCLA '73
#6 - SF '69/St. Louis '70
#2 - Hartford '74
#18 - SF '76

Just missed the cut:
#1 - Richmond '77
#29 - San Berdoo '77
#19 - Honolulu '70

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In reply to by JimInMD

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Whoa, what's next for you man? Keith's Picks?! You never know, we are getting closer to Vol.36, maybe your being groomed....

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I've already offered my assistance to help out with the picks. Dave politely let me know that there are already many ears in the process, gave me a cookie and thanked me for the offer :D

Dave's Picks Volume 3. I don't listen to this one a whole lot, only because I have so many official releases and it just doesn't come to mind often. I really think the brief second part of the Dark Star is awesome. If my memory serves me, it's a bonus track from the night before, and the cool thing is that it's Keith's first Dark Star. It's great to hear Keith playing some Hammond in there on a few DaP 3 tracks. You can definitely make out the difference in his piano tone, as he's playing a stand up instead of a baby grand or Grande - the Grands have a deeper fuller sound. The stand-up has that Barrel House bar room honky-tonk sound to it.

I'll tell you on a related topic, I recently listened to Keith's first show on 10/19 ("Enter Mr. Godchaux"), and I really got into the Zone on it. The audio quality is decent. They sound like they have been playing together for years at that point; it's really a wonder how these guys found each other. It reminds me of Mick Taylor joining the Stones. In hindsight you just can't fathom how such a perfect fit came about at random, for a band that was already together for several years and had achieved fame. On 10/19, there's a really good stretch of songs, I think starting with Casey Jones. I know there's a really good Brokedown Palace in there. Great stuff. Uncle Gary sent me that one. Everyone should have an uncle Gary.

Also a great show from Uncle Gary that same week, is the Dead in Detroit, October 24th - and it was Dark Star Night. There are no wasted moments on 1971 Dark Stars. Great audio.

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In reply to by KeithFan2112

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Really just depends on my mood, but my general top 5 would be something like:

1. #9 (may 74)
2. #5 (nov 73)
3. #11 (nov 72)
4. #13 (feb 74)
5. #15 (april 78 - Nashville)

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In reply to by 80sfan

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Yes, that Nashville '78 Dave's is underrated. Jerry botches the lyrics to the first verse of Bertha, (the 1st song of the 1st set) and after that, to my ears, there's nary an error. Its as close to a flawless show as i've heard. plus you have the best ever Wharf Rat.

Top 5's are tough, but i'll go

1. Wichita '72
2. Pauley Paviliion '73
3. Winterland Feb '74
4. Boston Garden '73
5. Swing Auditorium, '77

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In reply to by Slow Dog Noodle

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these aren't Daves, but still are worth seeking out:

4/28/80

a surprise encore (don't look at the set list)

well that's one.

there are many others in 80 and 81 that will put a smile smile smile on your face.

still need to check out the rest of new daves...crawling out of my skin with anticipation.

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In reply to by Slow Dog Noodle

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Can’t really vote because I don’t have them all, but so far I really dig #16 3/28/73

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This is a stupendous release, though I am a sucker for anything with Pigpen-- and I haven't even gotten to the Lovelight on Disc 3 or the Bonus Disc yet!! The Dark Star is full of moods and is a great prelude to the gorgeous one played one month later at the same venue (Dick's 4). The Tighten Up jam after the dissonance is fluid and pretty. My wife had to come downstairs to tell me to turn it down during the spacey portion-- that was difficult to do as I figured a fine jam was coming-- and it was. Oh, and the Eleven is fantastic. Not as frenetic as winter/spring 69 versions I have heard, but really a good version.

Top 5 was doable a couple years ago when there were 20 or 24 from which to choose. Now, it is impossible for me to do. I felt guilty taking any of my previous top five picks out for new ones, but the 2/26/77 and this new pick warrant attention. I have always liked the Wichita 11/11/72, Nashville 4/22/78, UCLA 11/11/73, Winterland 2/24/74, Thelma December 1969, Fillmore and St. Louis 69 and 70, Mosque 5/25/77. I mean, how do I bump any of those top shelf shows? Inconceivable.

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Oh yeah, the talk about Phish and Alligator takes me back to conversations I had with friends in college in the early 1990s. A friend put on Phish's song, "Possum" and I said that they were ripping off "Alligator." An argument ensued.

And I agree with Jim, while it is a great song, Alligator really is different from anything else Hunter wrote. I love the song, especially the early versions with the screams of 'Alligator!" at the end-- I truly miss that in later versions.

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...a grateful afternoon to everyone!
Took another dose of Daves Picks #30 early this morning and loved it even more than the last time I listened to the release. This releases opens a lot of doors in the Grateful Dead’s canyon and the Bonus Disc is just the perfect cherry on top of this sweet pick! 30 minute plus Dark Star which starts off CD#3 is far out there and I’m love’n every minute of it.
The Druming in Cumberland is primo! ;)
Keep on trucking my brothers & sisters!
...this aftternoon im enjoy 5/7/77 from the boxset. It’s one of those days folks. 🙏❤️😎

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14 years 11 months

In reply to by Sixtus_

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with a license plate holder that informed me that the car was purchased in....GAINESVILLE!

and I smiled quietly to myself

:)))

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...I just got pulled into by 3/25/90 this late afternoon...
‘Quinn the Eskimo’(The Mighty Quinn) !!! ❤️😎
https://youtu.be/xN0X5IuU6jA
The video is from diff. Performance.

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Yes this is hard to do. There are so many grate releases.
I just finished re-listening to DaP7 4/24/78 and I was very impressed. You can hear Kieth really well, almost too loud in the mix in some places. So in no particular order...

5 11/17/73
7 4/24/78
11 11/17/72
13 2/24/74
29 2/26/77

nitecat

Edit: Oops I forgot the Fox - DaP 11/30/80 with that matrix mix and they are so ON!
I just listened to this again recently, loved it.

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Odd that you should mention it, Bolo. Even still...

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In reply to by stoltzfus

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Getting through my first listen as it just arrived 2 days ago. The first Early Show is a B-/B, no real fire, even the TIFTOO suite is just okay. The segue to Cosmic Charlie is really nice. The Late Show on 1/2 takes a bit to start firing on all cylinders, but China Rider is really good, and Good Lovin' is fantastic. Monkey and the Engineer is fun because of the broken string and it leads to a high level Dark Star with a good amount of space before the Feelin' Groovy hits around 19 min in, then the nice proto-Sugar Mag Jam, and the fantastic, extended Soulful Strut Jam. I can't call this one Tighten Up, it does sound much more like Soulful Strut, and some Tighten Ups do sound like Archie Bell and the Drells, but whatever name ones gives to this 9 min, it's great and groovy, then a nice second verse and the extended composed section ending into an insanely quiet St Stephen intro. Great use of dynamics by the band on this show, something they were really getting into almost a year after the Dupree's and Mountains of the Moon acoustic numbers leading to the space of Dark Star. St Stephen is pretty good, great middle jam, some shakiness on the William Tell Bridge transition back, but The Eleven is just fantastic! Love the breakdowns, especially the drums. They were clearly feeling The Eleven as they start a little Eleven Jam in Lovelight a couple minutes in. And that's where I got out of the car. It took them a while, but they finally got heated up on that winter evening. So, Lovelight and the 1/3 material on my decently long drive tomorrow. I had to reorder the stuff after I ripped it, and then reordered it again after I saw it put it in a slightly confusing way. So, I just ended up creating folders for each show and putting the appropriate material in the appropriate folder. Kudos to Dave and Mr Norman for a fine release. The sound quality is odd for a Bear tape. Not his best recording, but the dynamic range is massive, and with 3 bands doing 2 shows, the man did a helluva job on the Sonic Journal. The quality did improve as the show went along.

I did a preview listen to 1/3 some weeks back, and based on that and some of the responses here, really looking forward to that tomorrow. I remember that TIFTOO was spectacular and full of fire.

These are by far the best liner notes in the Series. I wish they could do something like this every time. Bill Walton's on DaP 5 11/17/73 are also great, but two tales from 15 year olds scarred for life by the Dead at the Fillmore East on the same night in different shows is great.

Top 5 (not including DaP 30, have yet to finish it, unfair to rank it, and it hasn't shot past my favorites as yet)
1. 11 11/17/72 great show, great filler.
2. 14 3/26/72 and bonus disc Truckin> Jam> The Other One>Me & My Uncle> The Other One> Wharf Rat, a Stranger, Cold Rain & Snow, Black Throated Wind, great shorter Playing, Greatest Story starts to hit its stride, a release I like more than most people. But that Good Lovin' thru Wharf Rat is just unbelievably good stuff.
3. 6 and bonus disc 2/2/70, 12/20-21/69, 2 Dark Stars, a top shelf Other One (no Cryptical, but fiery Other One), 3 Mason's Children, 2 shows with TC, one without, 2 St Stephens, an Eleven, 2 New Speedways, 2 big Lovelights. This one moved up on last listen.
4. 13 2/24/74 Weather Report Suite> Row Jimmy, Dark Star> Morning Dew, that about does it for me.
5. Several tied among them 5 11/17/73, 10 12/11-12/69, 26 11/17/71 & 12/14/71, 17 7/19/74, 1 5/25/77, and 2 7/31/74 with bonus disc from 7/29/74.

Other miscellany: the Wharf Rat from DaP 15 4/22/78 is fantastic. Jerry rips a second solo, I think, because his first one didn't come out like he wanted, and he nails the second one. DaP 29 2/26/77 has shot that show up in my opinion, I had a really low volume copy on cd for 20 years and never got into that show because it hurt to strain my ears to listen, still probably outside the top 10. DaP 16 3/28/73 is an underrated one. The last disc is a Grateful wet dream of Weather Report Suite prelude> 30 min Dark Star> Eyes> Playing, with a ton of weirdness/feedback in the Star and an incredibly energetic Playing to cap the show. DaP 21 4/2/73 is from a few nights later and the tour closer, and a better sounding tape, but not as great a performance to me.

Also, interesting in the liner notes, Starfinder credits Bear with some Dave's Picks where Kidd is listed as the recording engineer 9 and 17 are two examples. Whatever it means, I hope it means more undiscovered Bear recordings make their way out...

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...for me to catch on to Bolo's post. Yeah, you guys appear to have picked exclusively odd numbered Dave's picks for your top 5. Seems like a comment not a clue.

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In reply to by alvarhanso

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That settles it, I’m going to have to give #11 a proper listen again. It’s been a while and I remember liking it a lot but it sure has made a lot of Top 5 appearances here.

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I also took Bolo's post as an observation and not a clue. But, on second thought, knowing Bolo as well as I don't, it might be.

Dave's 11 was a close contender for the Top 5, followed closely by 15. Both odd numbers as well. Hmmmm. This is starting to feel slightly Hitchcockian.

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I was surprised Oroborous was the first I saw who mentioned DaP16 3/28/73, that one is one of my favorites, I think Kiethfan2112 had a catchy name for it based on the funky house on the cover. Those '73 shows are just so long and I just can't get enough of that '73 sound, especially when there is a WRS>Dark Star>Eyes>PIB sequence. And to be honest, I may be in the minority, but I really dig Donna doing You Aint Woman Enough and that one has a cool Here Comes Sunshine also. Now that I think about it, DaP16 is due for another listen ASAP.

If the bonus disc is included then the DaP10 12/12/69 release is another favorite as that bonus disc is still my number one favorite bonus disc and the rest is also good stuff. Another even numbered release I return to often is DaP18 7/17/76, as I recall that one has a cool, slow feel to things.

Hard for me to really come up with a top 5, and to be fair, I don't have some early ones from the first couple of years, but I just thought I'd mention a few cool even numbered releases.

How cruel to make us consider a top 5 DaP list. I apologize.. but I have to admit it was really fun reading all these comments. So I guess.. no regrets. In the immortal words of Paul Reubens.. "I'm Not Sorry!!!"

A tip of the hat to OKCDeadHead for calling me out on my unintentional farce that I actually had a top 5. As soon as I read his respectful reply I knew I had been found out and listing a top 5 was close to impossible. Ooops.. my bad.

I do stand behind my post though.. disc three is special. I have listened to it twice more since. Perhaps it just agrees with me and my mood this week. I also think Alligator is perhaps the most whimsical of the original songs in the GD cannon, and I am happy for that. Love that song, and I am grateful it was such a rare gem. By the time they were back to one drummer, it was gone like the dodo. Rarities..

Thanks to all for some really fun comments.. I have personally listened to three or four of the high points in some of my neglected releases and questioned my judgement every step of the way. Which is good, I think.

Even.. odd.. I spent half my life trying to be the even one. The other half I realized I am odd and have been much the happier person. Perhaps none of us were really meant to fit in, but to stand out and stand tall. Perhaps that was Bolo's way of saying thanks for being yourself. An odd little place it is.

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In reply to by JimInMD

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Ha! Love the post, Jim. No sorries from me though. That was fun! I’m a list guy, what can I say? Once you mentioned #30 being a top 5, I needed to see what other four cracked it for a point of reference. I really enjoyed all the responses. Once I noticed all of the #11 love I almost wanted to initiate a poll for Top 5 ‘72 shows, again for a point of reference. That could prove to be just downright cruel so I thought it better to leave that one alone. Thanks for playing, everybody! Now, a second spin of #30 Disc 3 before the night closes.

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In reply to by OKCDeadHead

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....indeed. Its an hour and a half drive from Santa Fe as the crow flies. Just saying. I get caught in a rut at times.
I also enjoy lists. Last five anyone? I think I may have started that. Or maybe it was cosmicbadger. Or slolettuce. Hard to tell.

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#2 - 7/74
#9 - 5/74
#11 - 11/72
#5 - 11/73
#13 - 2/74
I guess that kind of puts to rest what my favorite era might be! Lol
Rock on

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17 years 6 months

In reply to by hbob1995

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....the defense rests. It's awesome we all agree on those two picks. Love you all. 11.17.
Wichita was recorded by Bear, with nice liner notes from Gary Houston. I know, cause I just started spinning it.

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I know I'm always blathering on about listening on headphones, but I'm going to do it again, because of the Wichita discussion going on. I believe it's the best sounding two-track we have from 1972. Vguy - I did not realize that Bear recorded this one, thanks for that tidbit. He did something right. Separation is great, fidelity is great, dynamic range is great, recording level is great. I only mention the headphones because that's the best way to catch the nuances in quality.

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In reply to by KeithFan2112

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I really don't know why that one is so popular. The setlist isn't the most spectacular, even the long jam of The Other One is more of an exceedingly long Truckin Jam with a few minutes of actual Other One action, but the way it breathes into Brokedown Palace's gentle beauty is pretty sweet. The Black-Throated Wind, Bird Song, Jack Straw, Box of Rain quartet is the meat of the 1st set to me. Love the He's Gone, it's almost as good as the version from the next night at Hofheinz Pavilion. But how does that all add up to maybe the best DaP? Maybe it's just as simple as Fall '72. Or the oddity of falling on the date 11/17. Whatever it is, there is just something about that show that I go back to often. And the bonus tracks just add to the pleasure because you get an even longer Playing in the Band than Hofheinz, with similar jams as Hofheinz, just not quite the same level, and a very nice Wharf Rat and NFA>GDTRFB> NFA.

The Pauley Pavilion love is easier to spot as that setlist is more hallucinatory dream, and it also falls on 11/17 one week after the Winterland '73 shows. Surprised at the amount of top 5 love for DaP 9 5/14/74. Not that it's a bad show or anything, just never got into it personally. Mainly due to the weirdness of the Dark Star, put it on to fall asleep to once, and it was not a good choice as I didn't fall asleep before things started going askew. But as happens every time with these lists, I'll revisit 9, though it's never moved much with new listens. I do love that Playing, extremely high energy. WRS> Dark Star> China Doll ought to be right up my alley, maybe this time will be the right mindset and circumstances to achieve liftoff... But first up is the 1/3/70 material starting off with Morning Dew. Then Warfield 1980.

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In reply to by alvarhanso

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31
32
33
34
35

I don’t have them, thus they are the ones I want to listen to the most.

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I have a difficult time putting together a top 5 list. So many good choices so far out of 30. Unfortunate for me it is easier to put together a top 5 list of what I don't play... Up after 5/11/77 is 5/11/72 good old Rotterdam.. Have a good weekend all... bob t

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...top five include(d) ;) Pigpen!!! 🙏❤️😎

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7 years 2 months

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One last thought since “He’s Gone” got mentioned from two different 11/72 shows. I too love both Wichita and Houston and I admit full bias here but 11/14/72 is one of my favs. Especially the outro jam musical argument that closes He’s Gone. Truckin’ says Phil, Jerry says “nah.” Bobby pushes for TOO, denied again. After a bit more of this back and forth, Phil gets his wish. Then TOO follows. Great stuff! Maybe someday we’ll get a OKC Civic Center 11/14-15/72 release with both shows. The only time they had a two-show run in my home state. A man can dream...

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Had mine for about a week and-a-half and just now ripping to iTunes. Look forward to hearing it.

Trying to keep up with the anniversary listening program but have only made it halfway through 5/9/77. Lots of May shows released.

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Haven't made it though the full set, but this is a very nice release. I am surprised at how good and tight the "newer" material sounds at this show. The Cumberland is a disaster though.

TCs playing is also very subtle and subdued. Again, I'm surprised at how well he contributed to the newer material at this show, which I have never thought before until I heard this show.

The mix is also very fantastic. Not muddy and saturated like the many later recordings from May1969 forward. Thelma is very muddy and saturated compared to this show just a few weeks later.

Looking forward to the Live Dead sequence. I wish they would have found a way to sneak in Death Don' Have No Mercy into these shows. That's about all that's missing.

The Fillmore East was truly a special place, and probably the most iconic GD venue out there.

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Because this goes to eleven...

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17 years 6 months

In reply to by SkullTrip

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.... different strokes for different folks I guess kevjones. I mean, it's not a Wichita Cumberland, which is 🔥, but it's worthy. Don't forget. I have a PhD in making five dollars a day.
Skulltrip. I see what you did there. Nice.

Thanks, Vguy. Should have guessed that one wouldn't slip past your radar.

This Cumberland's cruisin' along fine inside my ear sockets. Haven't heard it crash yet. Then again, I rarely ever ride trains so...

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In 1976 when I was in elementary school, they gave us American flag bicentennial 1776/1976 bicycle spoke reflectors that I proudly adhered to my Schwinn scrambler.

At that time, I was unaware that the Dead's leaden tempos from this period would be the precursor to today's Dead & Co. pace, seemingly bogged down in molasses.

I hear it now, I hear the space in which the soloists, unhurriedly, pull off some gems. Keith's piano solo from the 6/9/76, Boston, They Love Each Other is brilliant! (playing now).

I guess Dead & Co. can get a pass, as there is a precedent for the slowness. I do love 1976.

\m/

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