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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #2241
    KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • #2242
    JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • #2243
    stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • #2244
    KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • #2245
    alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • #2246
    nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • #2247
    bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • #2248
    daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • #2249
    Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • #2250
    KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Dead Store Products

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

1/2 again last night....can’t get enough of that Disc 3!

Delfest; heard it’s a great place/vibe.....sorta reminds me of Rocky Grass only more green then Red!
Did you see Del? Man I love those guys, especially the boys when they let loose on their own....
Had the pleasure of opening for them in 2007, and they always used to eat breakfast at the place we go to during Rocky Grass. They are even nicer in person. Can’t say enough good about them. Great people, and legendary musicians! Folks, If you’ve never seen them you might want to check then out?

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Submitted by Vguy72 on Sat, 05/25/2019 - 09:05

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....you were in the throes of lysergia that night AND you remember it well? That's quite the superpower my friend.

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Submitted by Oroborous on Sat, 05/25/2019 - 09:09

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The last time, did you have any kind of inkling that it might be the last time?
I believe Vguy said he totally felt something, and we knew something was going to happen. I think our group consensus at Chicago was either he’s going to die, or more probably he’s gonna end up back in the hospital.
The vibe was so heavy everyone of us felt something had to give....sigh. Can’t believe how much I miss the good old vibrant Fat Man, perhaps even more so even after all these years! Hopefully he finally fond peace!

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Submitted by Vguy72 on Sat, 05/25/2019 - 10:01

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.....i sure did! In fact, on the morning of August 9th, 1995, I woke up suddenly at 3 o'clock in the morning with a sense of dread. Over the following days, I learned that my touring buddies throughout the years also woke up at that time with the same feeling. I do not believe in coincidences....

Up in the sky...

Its a bird...
Its a plane...

No., bro...it's gooneybird man, man...

Far out...

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Submitted by stoltzfus on Sat, 05/25/2019 - 10:49

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At the show itself, jerry looked haggard (not merl)

I didnt suspect his demise at the show

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Submitted by Lovemygirl on Sat, 05/25/2019 - 13:37

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...this afternoon I enjoyed the complete performance from 4/15/70 Winterland , San Francisco, CA from the ‘30TATS’ boxset! About 4 and a half months after Daves Picks #30 Show. Home sweet home, love it! Technical difficulties and all, even a woman giving birth backstage, And the ‘Jam’ out of drums, primo!
;) a grateful day indeed my brothers & sisters, and even you droids out there! 🙏❤️😎

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Submitted by Dark-Star on Sat, 05/25/2019 - 14:54

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Very familiar with that routine. Our school ground code of honor was put your money where your mouth is. That's all.

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Submitted by Lovemygirl on Sat, 05/25/2019 - 15:04

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...ending today’s listening pleasure with 9/28/75, Golden Gate Park, San Francisco’s, CA the infamous Grateful Dead tour of that year and also during a time when/still there Are only a few handfew of performances available ...far late into the year this performance still carries it self very Gratefully! The Dead burning through an rather tight nit group 1975 performance! Rock on my fellowdead heads . 🙏❤️😎

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Submitted by howdydoody on Sat, 05/25/2019 - 15:14

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Question to all digital downloaders?

Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

...I just wanted to drop a line my brother and say thank you for all your posts. Your one of The members that I enjoy reading your daily posts! Thank you for all your help pulling the (this) group together along with me, Daverock, Yourself , vguy72 , Keithfan , stolzes ect. You know the people I’m writing about, keep on Rocking my brother! Peace be with you. 🙏😎

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Submitted by fourwindsblow on Sat, 05/25/2019 - 16:57

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Mickey Hart Band The Fillmore at Irving Plaza New York, NY 7/15/2008

JEFF BECK GROUP - 19720629 - London, England - Paris Theatre - BBC In Concert

nick.mason's.saucerful.of.secrets.2019-04-18.AT831.inez.flac1644

Jackson Browne 1974-03-13 Atwood Hall, Clark University, Worcester, MA SBD 1st gen Flac16

Dave's Picks 30

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Submitted by Vguy72 on Sat, 05/25/2019 - 17:53

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GOGD - 5.25.95 Seattle
JGB - Electric on the Eel '91
GOGD - Arrowhead '78
Three 🐕 Night - Seven Separate Fools
Three 🐕 Night - Harmony
....keep in mind, I can burn through a last five in a day or less. Current news as it happens.
Thanks for the shout out LMG (aka 5 2 1). Love you too....

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Submitted by KeithFan2112 on Sat, 05/25/2019 - 19:32

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Hokey Religions & Ancient Weapons 5/25/77. Anniversary of the birth of Dave's Picks.

This show was already $350 on eBay when I really went over the Dead Edge in 2014. After hearing about its legendary status and seeing its legendary price tag, I tried in earnest to find a copy. I already had both the May and June 1977 box sets, plus Hartford 5/28. But people here there and everywhere spoke of it like Cornell #2 (except it was IN the Vault), and I didn't know anyone on here at the time, and had no clue about archive.org; so I finally asked a guy selling a used copy on eBay if he'd burn me a copy for 35 bucks. He accepted my money.

I was still cherry picking tunes in those days, and had reams of new Grateful Dead music I had purchased from deadnet and eBay, but I listened to this show from the Mosque all the way through. I thought it was every bit as good as advertised. First time hearing Mississippi Half-Step, as I had always skipped over it on the releases I had. Not sure why. But I loved it on 5/25, and to this day am still enamored with the Rio Grandio transition and arrangement, which is nuanced enough to set it apart from others. Still my desert island Half-Step.

The rest of the show is just fantastic, both sonically and performance...ly. Performancey. Performance-like. They played great and sang great. In hindsight, having caught up on the Spring '77 Tour, I still think it's an 11 in a batch of shows that are mostly 9.5 and 10, with 3 or 4 other 11s. But you never forget your first 11, and seriously, this is a flawless perfect performance and set list.

Maybe it's partly the trouble it took me to get it, but this is my fav from '77. I eventually picked up my own copy from a gracious soul here who only wanted $100; if you're still out there, thanks.

https://youtu.be/V268Qk6-xsw

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Submitted by SkullTrip on Sat, 05/25/2019 - 20:02

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5/25/77 is one of my favorite and most played shows. It’s also the only Dave’s Picks that I don’t have a physical copy of. Just can’t bring myself to drop six hundred bucks or more for it, so I’ve learned to live with the lossless files I have.

A hundred bucks though? You lucked out on that one, KeithFan.

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Submitted by LedDed on Sat, 05/25/2019 - 20:32

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My last five full album listens

Reese Wynans and Friends - Sweet Release
Keith Richards - Main Offender
The Replacements - Pleased To Meet Me
R.L. Burnside - A Ass Pocket Of Whiskey
Doors - L.A. Woman

Dead is a constant listen but so much a la carte, not a full show in the last five.

As far as Uncle Dougie's Red Rocks psychedelic dream, the parking lots at Red Rocks are full of kind friends. It won't be that hard. I don't know whether to laugh or cry at that post, what balls. Cop? Heh-heh.

Went skiing at Arapahoe Basin this morning. That is God's country if it ever existed. 79" base over Memorial Day weekend. License plates from all over the country. Good, good times. Peace all.

\m/

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Submitted by stoltzfus on Sat, 05/25/2019 - 22:16

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If you dont know...

It
Is
Hot

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17 years 6 months

Submitted by Vguy72 on Sat, 05/25/2019 - 22:23

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....need to find my skeleton key to the safe deposit box I keep the first four Dave's in....
.
.
.
....Found it.
Just got back from John Wick 3 with the family. Hugged my dogs.
The Spring '77 tour was 26 shows strong. Only two Half-Step openers. Special indeed.

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Submitted by carlo13 on Sat, 05/25/2019 - 22:27

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More was the album I played over and over 35 year ago. Then I discovered the dead and it was when the love affair began.

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Submitted by Vguy72 on Sat, 05/25/2019 - 23:02

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.... Jerry nails that shit. There are countless reasons why this band takes over my life at times. That was one of them.

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Submitted by carlo13 on Sat, 05/25/2019 - 23:17

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First rate peggy-o.

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Submitted by Lovemygirl on Sun, 05/26/2019 - 03:38

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...good morning my brothers& sisters, this morning I’m starting my day off with a PRIMO recording from 10/27/79 Cape Cod Coliseum, South Yarmouth, MA! David Lemieux states in his notes from the ‘30TATS’ boxset that this show is flawless, and I most certainly concur, man I love the Grateful Dead’s 1979 playing/performances during this pivotal year for the band! Rock on everyone, have a grateful Sunday, peace be with you all!
🙏❤️😎
...and some more 1969 Purty Please! :) :) :)

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Submitted by daverock on Sun, 05/26/2019 - 05:30

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My eyes lit up at the reference to R.L. Burnside by Ledded recently. A Ass Pocket of Whiskey is great, but in my eyes, even better is the live one he cut shortly afterwards-Burnside on Burnside. Seriously stomping blues-about as subtle as a bull in a china shop, but one of the best live blues albums I have ever heard.

Deadwise I am still listening to the vinyl I have mainly. The 11/10/67 jam from Alligator through to Caution, the last two sides of the album, must be one wildest jams the band ever played. I went from there to the Playing in the Band from Seattle 5/21/74. The opposite end of the spectrum in the Dead's great pre retirement arc of development. Compared to 1967, this is so refined sounding. What a great contrast in styles of improvisation.

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Submitted by Trainwrecked on Sun, 05/26/2019 - 05:30

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First rate Peggy-O for sure. Bobby with the supporting fills. Took all night but I got it in.

Was tied up on 5/25/72. That disc 3 is a set to be reckoned with. UJB / Wharf Rat / Dark Star / Sugar Mags.

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Submitted by Lovemygirl on Sun, 05/26/2019 - 06:09

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... good morning Daverock , I absolutely concur, that 1967 Shrine Vinyl Release is an audiophiles Quality Dream Come True for my head!
It’s sounds so good, it even captured bobs request of liking/adding thick air! Lol
If your a vinyl fan, this is the LP for you. You won’t be disappointed with the art production either!
Primo 😉✌️

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Submitted by Lovemygirl on Sun, 05/26/2019 - 06:16

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... holy Toledo , disc two is a 30 minute plus Primo ‘Dancing In The Street’ >>> ‘Franklins Tower’ performance that is sure to get you up on your feet and dancing! Smile Smile Smile!

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Submitted by nappyrags on Sun, 05/26/2019 - 11:37

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"East West" ...The Butterfield Blues Band - A Professor Stoned remaster of a Mono vinyl rip...
"Moondance" ...Van Morrison...the 2013 expanded edition digi-pak
"Sticky Fingers" ...The Rolling Stones... 2015 box set edition ... Disc three "Live At Leeds -'71"
"Modern Sounds in Country & Western Music Vol's 1 & 2"... Ray Charles
"Crying Time" ...Ray Charles an MP3 download of the original LP...

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10 years 10 months

Submitted by hendrixfreak on Sun, 05/26/2019 - 15:34

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Just dropped by to say, I really enjoyed 2 Jan 70. It had that relaxed, loose but tight and intimate feel that seems to be a hallmark of the Fillmore East nights. And man that Disc 3 classic medley smoked big time. Starts out loosey-goosey, then simply explodes at various points. For my money, one of the best DaPs yet. 3 Jan I found both rugged (St Stephen into Midnight Hour) and wonderful (Alligator, natch, Cosmic C and UJH).

Remembering those who gave their lives for our freedom, and our democracy, today. While astonished to see we're under a tornado watch here in Denver til 9pm. Crazy sh*t!

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Submitted by stoltzfus on Sun, 05/26/2019 - 18:07

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Another tasty lil show

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6 years 10 months

Submitted by Trainwrecked on Sun, 05/26/2019 - 18:18

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I listened to this last show today and thought of the recording guy's story from Long Strange Trip. Leaving the van unsupervised and watching them play this one. Heady times.

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17 years 6 months

Submitted by Vguy72 on Sun, 05/26/2019 - 19:04

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.... another curve ball from the boyz that was unexpected. My hard wired Dead brain took a sharp left. A WTF? moment for sure. Goes to show, you don't ever know. (Jerry does it better, so they settled on the correct storyteller. Testing the waters?)
That show also features Garcia on some welcoming pedal steel. Maybe that's why they did it. Seeing as how the pedal steel is prominent in that take, Jerry said " I need to concentrate Bobby. You take the mic." Lol. A Summer '69 box would be welcome in my abode. That's when the Dead really started to spread their wings and fly.

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Submitted by JeffSmith on Mon, 05/27/2019 - 06:01

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My dear old mom was kind enough to not only birth me, but to do so on what's usually a 3-day weekend here in the states. Much better than the day after Christmas for sure. . . I'm starting with the AIDs benefit at Oakland-Alameda on 5/27/89 (happens to open with Touch of Gray, but I'm looking forward to set 2's Truckin'>Drums>Space>I Will Take You Home>The Other One>Wharf Rat>Lovelight). I was 36 on that day 30 years ago. The E Street Band's Clarence Clemons joins in from time to time on sax:
https://archive.org/details/gd1989-05-27.sbd.walker-scotton.miller.8760…

It's been a while since I heard the '89 show, which is why I'm saving Road Trips 2.4, Cal Expo 5/27/93 for later.
Here's a Miller soundboard transfer of that show: https://archive.org/details/gd93-05-27.sbd.miller.27777.sbeok.flac

On this Memorial Day, thanks to all who, over the years, have saved the peace and preserved our freedom at unthinkable cost. Onward.

Let us toast;
Those who gave the most,
Mr Smith, (happy, happy, joy, joy),
and the Amazing European tour of 1972! .......

Listened to 5/26/72 yesterday, and it blows my mind that it was basically Pigs last show......don’t believe he sang at the Hollywood show? Like one minute he was there kicking ass, and the next, poof, gone. Though he didn’t pass for almost a year, it’s almost like he died after this show, such a bummer......ok enough of all that.......

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Submitted by Dennis on Mon, 05/27/2019 - 08:52

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I looked everywhere and was sure I didn't order it, so I ordered Aoxomoxa (picture disc and cd). Just minutes later I found my earlier purchase of same thing! So I guess I'll have 2 copies of both. Can't cancel pre-order stuff, right?

I haven't posted this before, have I?

For the box......
A) let’s guess when they’ll announce it; today, tomorrow, Friday? When??
B) How many folks saw shows on their birthday? I got 11/9/79 and basically was still going strong after 11/7+8/85, but I think those were the only shows I saw in November?

I'm building a bigger mailbox. Looks like June is the month for the orders to come in. Lets see, we got the Aoxomoxoa, we got the Jerry Purple LPs, the Dylan collection, the Warfield collection, the new springsteen disc and the latest Zappa box!!!

Damn mailbox is gonna cost more than the music!!!

especially if you missorderd 2 of everything 😉
Don’t feel bad, had similar situation with the JGB Eel box.

I went on one of my trips to London on Friday to see the mighty Sun Ra Arkestra. Before setting off I checked my ticket for the show, my train ticket, my hotel ticket-and discovered I had booked in at the same hotel twice on two separate occasions! Luckily, I was able to get my money back on the second booking. As my grandad used to say-young people are very kind. Its just that I am no longer one of them!

Maybe we can take solace in the fact that the leader of the Sun Ra Arkestra, Marshall Allen, is now 95 years old and still blowing some of the most outrageous sax solos in the solar system.

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Submitted by Vguy72 on Mon, 05/27/2019 - 11:35

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....and becomes a portal to jams and melodies when the time approaches. I love my mailbox, even though the occasional bill shows up to ruin the vibe, but I will survive.

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