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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Lovemygirl
    Joined:
    *Re/ Jiminmd

    ...thank you for the well wishes and positive vibes, my friend, your very humble. That’s means a lot to me my brother, enjoy the rest of your grateful weekend! 🙏❤️😎
    ...I’m praying that my participation in this new trial procedure & medicine will help others with my medical illness.🙏
    Peace be with you JIMINMD!!! 🤠✌️

  • JimInMD
    Joined:
    Best of Luck LMG

    Hoping for the best.. and passing some good vibes your way.

    I knew the mere whisper of Santa Fe would draw VGuy out. Plus.. it has a rockin' Cumberland Blues, what's not to like.

    In truth.. I find '83 a little all over the place. I think of it like a old-time train, a steam engine that jumped the tracks and is rolling through town unbridled, unrestrained. I think of all the years in the 80's, 83 might have the most uneven recordings. Sometimes lots of audience pumped in (thinking Harrisburg PA for example), sometimes they are pretty clean and crisp (thinking Morgantown WV). Anyway.. an interesting year and to me the year Jerry's health issues became visible. Some of those shows are crackling with energy though.. I had fun in '83. '84 continued the unevenness, but there are some recordings that come through pretty clear. I tend to like '85 the most from this period. The summer tour was pretty even and solid and fall had some moments, Richmond comes to mind. I do recall being front row, Jerry side on 6/26/84 Merriweather Post Pavilion and they opened with Casey Jones. Keep in mind.. this was '84 and Interstate 95 from Miami to NY was paved with Colombian Cocaine (95 is about three miles East of Merriweather).. It was everywhere, it was high quality and it had become 'relatively' cheap (or at least cheaper because it had become very pure). There is little question in my mind why they opened with this and as raw and raunchy as this version was, the energy during the refrain was off the charts. They kept repeating it, it kept going on and on and each time with more intensity and enthusiasm. I am a little embarrassed to admit how much I enjoyed that moment with the understanding I think this is a terrible drug and ruined the lives of countless friends. But the building was shaking that Tuesday night.. This was the only time they opened with CJ post hiatus. It was not a great show, but it was a good show and the energy rolled out of the shed that night and into symphony woods and beyond.

    Anyway.. it's in the low 40's here today and the rivers are full. I might take the day off though and get some cleaning and listening done. I need to get caught up my E72 adventure, I left on the DS from 4/14. Like Sixtus said, one of the gems from that tour.. it might not be the best but there certainly isn't one better...

    Be good all, sending positive thoughts LMG. Play dead, happy Sunday.

  • Lovemygirl
    Joined:
    *Re/ Bob Dylan...

    ...greetings to everyone on this grateful Sunday...hoping all my brothers & sisters are enjoying their last weekend in April... 🙏😎
    * If anyone is Interested , I have a new/mint
    “Bob Dylan - vinyl Mono Boxset” I’m looking to sell for my medical bills that are just pilling up week after week, so I continue to recieve the best medical/medicine has to offer. I’ve actually started last week on a new trial medical procedure that was performed on this past Tuesday at Englewood hospital...praying for positive results.
    Here’s some info about the Dylan Mono Boxset...
    Description:
    This box collects Bob Dylan’s first eight 12-inch LPs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings

    Bob Dylan’s first 8 studio albums pressed at RTI on the highest quality 180-gram audiophile vinyl. Also included are reproductions of the original LP artwork, including inner sleeve art and original inserts, all in heavyweight, wrapped jackets. Also includes beautiful 12x12” book with new liner notes, rare photos, memorabilia and more!
    Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: Each Disc Comes With Individual Jacket Replete with Original Artwork and Inserts

    Includes Deluxe Booklet, 18" x 24" Poster, Rare Photos and Greil Marcus Essay

    Bob Dylan’s The Original Mono Recordings is comprised of his first eight albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant, and often preferred, mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylandevoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

    As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic, and longtime Dylan aficionado, Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

    Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, this set is simply unprecedented, some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room.
    "Those that own the hybrid stereo SACDs of some of the albums in this set are still in for a treat. Ditto those that have Sundazed’s mono LPs, which don’t claim the level of detail retrieval or sheer openness on these pressings, which come straight from the masters. Then, of course, there’s the meticulous replication of the labels and inserts, as well as the high-quality jackets, all reproduced with immaculate care. Not to be missed."
    --Bob Gendron, TONEAudio, Issue 33

    "During most of the ‘60s, mono was the preferred format, and Dylan and his engineers focused most of their energies on getting the mixes just right. That’s especially apparent on the classic “Blonde on Blonde” (1966). Though fans may prefer the sharper separation of the instruments on the stereo mixes, the mono versions get at the heart of Dylan’s rough and tumble sound, with the vocals in the midst of the instrumental fray rather than pushed out in front of it. The rockers especially sound more menacing than ever."
    --Greg Kot, Chicago Tribune

    ...here’s to everyone having a grateful Sunday, god bless & peace be with you all!
    Rock On!🤠✌️

    Bob Dylan
    The Freewheelin' Bob Dylan
    The Time They Are A-Changin'
    Another Side Of Bob Dylan
    Bringing It All Back Home
    Highway 61 Revisited
    Blonde On Blonde
    John Wesley Harding

    * Please feel free to send a pm / message and I will respond as quickly as I can.

  • MrHeartbreak
    Joined:
    Keithfan2112

    Nice Ace Frehley reference, man. Was wondering if any of our fellow Deadheads here would pick up on it and comment. Been listening to a bunch of that old stuff recently as I starve myself of Dead for a couple of weeks in advance of receiving DaP30.
    The Space Ace rules!

  • Vguy72
    Joined:
    YES!!!

    .

  • JimInMD
    Joined:
    Did Someone Mention 1974?

    Can there ever be too much 1974?

    9/10/83 is sure to get VGuy's attention.

  • stoltzfus
    Joined:
    Todays wood

    9/10/83
    Phemonal

    1/11/78
    Yeeeeeeees

    3/7/81
    Yahoo!!! a la Slim Pickens

  • bob t
    Joined:
    @Keith Fan... 6/20/74

    Always has a special place for me because along with 7/25/74 Chicago, only shows back in the tape trading days of the 80's and 90's that you could not find from 1974!!! First show I ever listened to when I discovered Internet Archive!!!

  • Oroborous
    Joined:
    What he said...

    Yea Rhino, what Dreading said.....more releases, more ways if necessary.......what???....problem, I dont have a problem 😃

  • dreading
    Joined:
    "Bombed At The Omni"

    That title reminds me of "Dozin' At The Knick". It gave me a chuckle. I've had this show on tape for many years then found a better copy on archive. Great one for release IMHO, but I think it might suffer the same indifference as Dave's 17, since there is no Dark Star or The Othe One. I believe there is still room for partial show compilations, Road Trips style. I believe there should be some random Road Trips releases. They could make it a ongoing thing, like one two and three From the Vault. No schedule, no expectations, just release stuff that doesn't add up to a full show. Like June 16th and 18th 1974. A couple of seconds sets, and we're off to the races.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

The clues have dried up and we are already at the end of May. The PNW box is still available for those that do not have it yet.
I was looking through the liner notes of the Dead Set reissue. For disc 2, they have songs from the Warfield dates and Radio City, which would lead me to believe they would have had the full shows when they completed that reissue. Maybe this year is the year we get that fantastic run! I need more Shakedown Streets.
If not 1980, my guess would be a late 80's Shoreline run.
Hopefully next week is the week??

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I just saw that real gone music is releasing road trips vol 3 no 3 June 14th.

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In reply to by mustin321

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when I hear the opening notes I go "uhh".

never was a fan.

oh, I've listened to plenty of them, and still do, but..."not Lovelight _again_!!!"

"I get action from my piggly wiggly woman..."

snore

then the band jams hard on it which is good

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...a grateful day to everyone!
Speaking of the AOXOMOXOA (50TH ANNIVERSARY DELUXE EDITION) release,
the dead.net store is sold out/out of stock as of right now. Wow! That’s a grateful positive sign for the band and the fans! Excited for this release... take care everyone, god bless.
🙏❤️😎

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...I’m listening to the Grateful Dead’s ‘Road Trips Vol.1 No.2’ Bonus Disc as I write this post.
Recordings included on the donus Disc come from 10/7/77, 10/11/77, 10/14/77 & 10/16/77.
Sweet Set-list...’Scarlet Begonias>>Fire On The Mountain , Estimated Prophet, Loser, Sunrise, Iko Iko>>The Wheel>>Wharf Rat>>Sugar Magnolia’ !!! PRIMO lol 🙏❤️😎
PS. I posted this before but Incase anyone missed it, Dead.net store has the Road Trips Vol.1 No.2 ‘October 77’ available to purchase and for $20 you can’t go wrong. The few copies available from dead.net also includes the Bonus Disc ! I mentioned above the contents of the set-list. So for $20 you recieve 3 CDs of primo Grateful Dead music from one of their greatest tours durning the Dead’s history. It still makes me smile that started from the 2008 release date!
Rock on my brothers & sisters, peace be with you all! 🙏❤️😎

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https://archive.org/details/gd92-05-31.sbd.paino.544.sbefail.shnf/gd92-…
....H>S>F and a Scarlet>Fire in the same show. A very nice Picasso Moon. A lilting Attics and Steve Miller sat in from Spoonful to the end of the show. I took my younger sister to this one and dosed her. I remember her & I sitting in our car after the show people watching until they made us leave. She bought a grilled cheese in the lot, proceeded to open and close the slices of bread, amazed at how the cheese stretched then would reform it its original form when she closed the bread slices back together. I don't think she ever ate it. She's a good looking woman and I had to keep fending off my friends from hitting on her. Good times....

...in case anyone was looking for it (I was), Dead & Co just dropped webcast info for Summer tour. They waited til like the last possible second considering it starts tonight....just sayin'.

VGuy, I concur - that is a pretty good show from this end...

Sixtus

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I'm not a love light fan either, generally speaking...but 5/24/72 was basically the only version I knew for years, as it was a bonus track on Rockin' The Rhein. It's 12 minutes with no rapping and some of the most unique jamming theses guys did. To each his own, but I'd hate for you to miss out on something special. But I could be too late. The half hour piggly wiggly pocket ball versions may have ruined it for life. I shit you not, if I had only 3 Pigpen tunes to take to my desert island, the 5/24/72 Lovelight would be one of them. Good luck.

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In reply to by KeithFan2112

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....sweet! What's also sweet, is that nugs is offering a free stream tonight of the Unlimited Devotion Rex Foundation Benefit. They're also streaming the JRAD show in Eugene tonight. Let's see....TV, PC & Tablet. I'm all set! Dead & Co is only in HD? No SD?

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Hi All,
I am slightly late to ABB discussion. However recently over on the Grateful Dead Guide blogspot, the author posted a great and thorough comparison of The Dead and ABB. Now I am fairly certain the point of this was more to showcase the times each band shared the bill and/or collaborated on stage together. Still the author does go into detail about what ABB members thought of the Grateful Dead and such. I am not going to review all of this but rather I am sharing the link below so all of you can check it out if you feel like it:

https://deadessays.blogspot.com/2019/01/the-dead-and-allmans.html

For me personally I love the ABB. I saw them twice with their version of the Core Four in the line up: Greg, Dickey, Butch and Jaimoe. I also saw the line up several times that included Warren, Oteil, and Derek. I always had a good time at their shows and I felt they really went after it when they jammed. Interestingly, the last time I saw the ABB was in 2008 when they played in State College, PA. Also on that bill that night was The Dead…

I loved Roguedeadguy’s description of each band; that was spot on. I will say when it comes down to it for me though The Grateful Dead always were able to hit me on an emotional level that ABB couldn’t. As a matter of fact, The Grateful Dead are really the only band that has the ability to take my heart, mind, and soul on journeys. Besides this The Grateful Dead did have many innovative ideas that they pursued which I also think have made them second to none. For the ABB though, that early period of 69-73 is tremendous. I have not heard any shows from 74-76, and I know they started to unravel in those years as band turmoil took over. Yet with the band losing two of it’s main members in succession and still being able to produce great music and jams is quite amazing if you ask me. My only issue with the ABB is that since they did not have the innovations that the Grateful Dead had there is a lack of live material from them. Of course there is a lot from 1971 and that is important as not only did they have both Duane and Berry then but that was a peak year the band as well. However from what I have heard form 72 and 73 those years are pretty good too. Outside of a few radio broadcast bootleg CDs and one release from 72 and two from 73 there is not much material from those years out there.

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In reply to by KeithFan2112

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I still will listen to Lovelight, but my initial reaction is always...uhh.

I listen for the jams

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...CD back in stock at Dead.net store! Ha that was quick lol 🙏❤️😎

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... I’m playing ‘ Ladies & Gentlemen’ The Grateful Dead - Fillmore East NY April 1971!
Love this release , CD 1 ‘Good Lovin’ is primo Pigpen version, excelent add lib and the band is on fire! 🙏❤️🤠

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In reply to by Lovemygirl

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I'd bet a dollar a doughnut (there's a phrase that needs updating, time to raise pinky to lip), but I JUST got confirmation of the cancellation of my mistaken second order. So the "system" worked for me, but maybe this means if you order two of something by mistake (or otherwise), you can cancel your order and it will be returned to the 'general' pool of availability, vs if you offered to the boards first. This would limit a limited thing to maybe(?) a group of people who wait everyday for such a thing. Or not, obviously more 'heads' out there, then there are here and they deserve an equal shot at the returned item.

sorry for the interruption

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Beatles for Sale - Beatles
Vancouver 6/22/73 - Grateful Dead
Lynyrd Skynyrd - Lynyrd Skynyrd
Lamb Lies Down on Broadway - Genesis, been too long since my last listen, cool album.
Pet Sounds (mono) - Beach Boys, a classic album from start to finish, but Caroline No really does it for me.

Currently revisiting Electric Larryland by the Butthole Surfers, an album with some weird and cool stuff, especially Pepper at high volumes.

I don't mind the sun sometimes
The images it shows
I can taste you on my lips
And smell you in my clothes
Cinnamon and sugary
And softly spoken lies
You never know just how to look
Through other peoples eyes

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In reply to by Charlie3

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some goooooood psychedelia

Locust Abortion Technician

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Why would a sold out aoxo. cd be a positive sign for the Dead and the fans?

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In reply to by carlo13

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being sold out means that 50 years after its release, this ol' band's material still has legs.

long live the GD!

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Makes sense. Also, Crosby,stills and nash still sell over a million albums a year. Now that's staying power! P.S not including newer albums.

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I don't know. Oh! 4/8/72.

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In reply to by fourwindsblow

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The last one listened too.. of course. 11/8/69, Fillmore Auditorium.

Dark Star
The Other One
Dark Star
Uncle John's Band Jam
Dark Star
St. Stephen
The Eleven
Caution (Do Not Stop On Tracks)
Feedback
And We Bid You Goodnight

Holy Cow.. I was exhausted just from the totality of what transpired during my morning bike ride.. Not to mention what happened in the afternoon.

While listening to it.. I wondered... when was the first time they went into The Other One without the Cryptical.. without doing That's It For The Other One? If nobody knows it offhand I might have to figure it out.

Going into The Other One, especially Dark Star > The Other One makes a powerful statement. Powerful indeed.

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Driving home from work. Spent the whole day working on a dispute letter, 12 pages, to avoid paying for services I didn't order. These motherfuckers have been chasing me down for 4 years, from one collection agency to the next. Fuck them fuck them fuck them.

Jimbo I'm going to go with the Academy Music run in March of 72. I'm almost positive they didn't play it on any of the other ones there, I know they played it late into December '71on Dave's Picks 22 and 26 right?

And now I'm going back to May 24th 1972, me and my uncle. I need to turn it up to 35 and Listen to Jerry rip the shit out of this solo again. Let's just hope my EZPass works. Shity fucking day.

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"My friends call me Keithfan you can call me John?" What the hell does that mean? Lol. Sounds like Abbott and Costello or something.

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In reply to by stoltzfus

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To state the obvious, if you have one this may be good news-if you don't-then maybe less so. Not referring to Aoxomoxoa, specifically-just things in general.

My last two have been 4/17/72 followed by 4/21/72, after a gap of a month from E72 shows. Excellent in every respect-and possibly the best recorded sound of a Stratocaster not being played by Jimi Hendrix. Or Jeff Beck.

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Furthering our discussion on this monumentally important topic . . . and kind of related to MD Jim's question . . . are there any instances where they went into TOO cold . . . as in they concluded the prior song, stopped playing, and then "BA-DOO-BA-DOO-BA-DOO-DOO-BA-DOO-BAAAAAAAA" straight into a ripping TOO?

They would do that with Dark Stars, and with the full Cryptical - TOO Suite, I just can't think of one where The Other One didn't spawn from another song.

Anyway I love Other Ones, often times more than Dark Stars. Dark Stars really call for a careful, focused listening which isn't always practical. Other Ones I can just rock out to anytime anywhere.

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In reply to by stoltzfus

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1. Dave's picks 25- Binghamton
2. Bruce Springsteen - The River
3. Allman Brothers - 6-24-1996 SPAC
4.Daves 27 - Boise
5. Pure Jerry volume 7 - Hampton 1991

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In reply to by KeithFan2112

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Fuck them 1000x

Everybody comes after a persons money

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Saw that Rocky Erickson of the 13th Floor Elevators died. I always dug the Elevators, served as regular background music during a sustained period of psychedelic wandering.

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In reply to by Charlie3

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Roky!

Thank you for the music, my man.

I know whats on todays playlist.

A raise of the glass the three eyed man

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Really sorry to read of the death of Roky Erickson. "Psychedelic Sounds Of.." and "Easter Everywhere" have been on my regular playlist since I first heard them in 1978. The Elevators have gone down in history, with The Dead, a being pioneers of psychedelic rock-but Roky was a great vocalist in his own right, irrespective of the era that has come to define him. But he was also truly mythic. I only saw him once, in 2007. He mainly played songs from his first solo album, "Five Symbols" with only "You're Gonna Miss Me" cropping up from the Elevators song book. But it was a great gig - all the abuse he suffered-but that voice remained-pure as ever.

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Nothing scary about this, wtf. A few minutes in and everything's sunshine and butterflies.

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Aaaaaahhhhhhhhhhhh!!!!!! That sun should have gone down hours ago!

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In reply to by KeithFan2112

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As I live and breathe...a Billy Saluga reference here...never would of imagined it...thank Dennis

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... listening to this gem of a show now. Man, I think this would make a great release. Dave, hello? Dave? What about Gainesville? Dave?

Anyone else agree? ;)

Peace

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But Bruce string bean sucks. Sorry

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Ya know, scrolling through my Music Bee, looking at these shows, the FLA 80 run (11/26,28,29) are overall really good and unique shows. Would make a cool 3-show box, if the tapes are usable.

If you haven't checked these shows out, they are all strong. Also, electric versions of a lot of the acoustic tunes from Reckoning... electric Deep Elem? Yep, it's awesome. The Sportatorium show has a Cold Rain 2nd set opener, the Lakeland has a Stranger, To Lay Me Down 2nd set opening combo,... and then, there is Gainesville....

Anyway, these are some really great fall of 80 shows, worthy of recognition. Let's just hope the tapes are good. If not, there are good to better than decent AUDs of all 3.

Rock on, and happy weekend, DeadLand!

Peace

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In reply to by Thats_Otis

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It’s in the 30 Trips Box

But yeah, what about Gainesville?

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Otis my man! I don't often venture past Dead set and the Grateful Dead go to Nassau... But 1980 is a little bit of a sweet spot so I'm going to check out the Florida shows you recommend, thanks buddy.

Not for the light-hearted, as it is an audience recording, but put on some headphones and don't let anybody interrupt you for a half hour or so, and here's some of that magic similar to the Dick's Picks 16 medley that Jim was talking about yesterday. This is really really really good stuff, it is a tragedy that it's not in the vault. I'm sure this is not news to a lot of you, but I've had the 69/70 bug lately and this one really carried me off. It's definitely one you want to sit down and get in the right mood for if you know what I mean.

6/24/70

Dark Star =>
Attics Of My Life =>
Dark Star, Pt. 2 =>
Sugar Magnolia =>
Dark Star, Pt. 3 =>
St. Stephen

And there's no crime in staying tuned for the China Rider and Uncle John's Band that follows.

https://archive.org/details/gd1970-06-24.124175.cooper.berger.flac16/gd…

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It sounds like you're our authority on The Other One. I like how you're thinking - maybe come out for the second set to a completely dark stage and then just go wild with those rumbling opening bass notes; then crank on some lights when everybody else jumps in. For the Dark Stars it sounds like you need to be in the right frame of mind eh? I've kind of gotten hooked on them myself. I have a playlist that's all Dark Stars. Then I started integrating '72 / '73 Bird Songs and '73 / '74 China Cat Sun Riders. But there's nothing more satisfying in music these days for me than listening to Jerry noodle through Dark Star at high volume. The louder the better. I guess that goes without saying. You must really love DP 18' s The Other One from Feb '78. I'll bet you have a devastating top 10 list.

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In reply to by icecrmcnkd

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Don't forget 11/26/80 Sportatorium - Pembroke Pines, Fl...the same site as DP3 5/22/77. 11/30/80 was DaP8.

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Damn Google Translator - you should see some of the shit this thing comes up with that I do catch and edit. Thanks

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In reply to by KeithFan2112

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You're welcome…I edited as well. I had to laugh out loud since I had just taken 2 (Dr. prescribed).

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In reply to by DaveStrang

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If 11/26/80 & 11/29/80 are in the vault they could be combined with 12/12-14/80 if they're in the vault for a tasty 5 show box…

I think we may see some 4/78 shows as DaPs…when either DaP7 4/24/78 or DaP15 4/22/78 were released I seem to recall DL saying these were ear-marked for a '78 box…I think that box became the July '78 Box Set.

Any thoughts on either?

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