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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • CaseyJanes
    Joined:
    Phil 30386

    So glad you made it man....yep, As he mentioned, Phil was at Red Rocks last week and then somehow got transported back to 1978. Sounds like the Jimmy Herring spaceship got him. I spotted him calling out into the abyss while doing perimeter rides on the carpet, and told him where to go....curious though Phil, if you were able to see the Dead & Co Boulder shows in Boulder before you were teleported? If you did, that must have been one hell of a run?

    Widespread Panic - Have always loved these guys, and IMO one of the best live bands around, but they don’t seem to get talked about much on these boards? Anyone have thoughts on that?

    2/28/69 Vinyl - it was worth the wait. First of all, any show that’s starts with Morning Dew, followed by a nice run of Pigpen songs is just fine by me. The art work blown up on the box is beautiful with liner notes about the recording and recorder (named Prototype #2, but referred to as a time machine....any thoughts on construction Jim?). The sound is of course excellent recorded on 16Track, with the highlight being for the Jam>Caution towards the end.

    KF - meant to say earlier that I loved your Fourth of July post....wish I had your skills! Can I just call you Uncle Gary from now on?

    Stoltzfus - glad you got your avatar going

    Dennis: Warfield sound is amazing enjoy! I’m hoping for the box set to be the complete run from Warfield. If the sound is that good then Holy Moly!!!

    Carlo13 - about spit up my beer with your Strohs comment

    DaveRock: Love it, but how do the 80s and 90s fit into your expectations synopsis?....never mind don’t answer that....expectations are just opportunities for disappointment. Something I’m not into either!!!!

    Oroborous: more on the Sasquatches in Part 2 of Tales from the Gorge...promise it’s coming soon...stay tuned!

    LMG: don’t think I have ever listened to that RT Egypt show.....today perhaps!

    Deadhead Brewer: Awesome story....here’s a thought. Being a Deadhead leads me to more real interaction with real people (many times random strangers), than anything else I do, other than work maybe. This is rare these days with all of the technology that we swim in everyday. Harkens back to the “Finding Home” article that I posted the other day. Love the synchronicity stories....like a constant reminder of where home is!

    1978 Box - still haven’t opened mine as I still don’t own a CD player, and I already have the digital copies....did listen to the Arrowhead show a day ago, which IMO is the best show of the box....(I may have a little bit of KC bias)....Just love that Wharf Rat...Jerry soars....And the long set in the middle of that heat? Arrowhead was absolutely baking that day, and being the festival type atmosphere with multiple acts the time for them I’m sure was limited, but they delivered in spades. One more thing about this show...I’m not 100% positive but I think my mom may have attended this show. She left us in 2014 so I can’t ask her, but I vaguely remember her talking about being there or maybe others she knew who went. She’s liked music and enjoyed going to concerts, and we talked about this often when I started attending various shows while in high school. She liked the Dead’s music OK, but more casually, just songs she heard on the radio or something...she was never really into the scene so this would have been her only show. I’m going to ask my dad about this, but he never remembers this kind of shit so maybe SOL...LOL!!!

    I’ll echo Grateful Han in telling y’all thank you for hanging out...I’m Grateful!!!!

    Be kind and Rock On!

    KCJ

    One more thing....if you haven’t already, don’t forget to pickup your copy of DeadHead Stories from Deadheadstories.org ...best $45 you will ever spend and all goes to charity. I’m about 200 pages in, and the stories are amazing. This beer guzzling hard ass has teared up numerous times.....a couple good Phil stories so far....one lucky Head even had Phil stop and sing him Happy Birthday. He had randomly run into Phil, and all he could think to say is, “Hi Phil, today is my birthday”.....Phil almost walked away but then at the last minute turned around and gave this Deadhead the thrill of their life ....how cool is that......I’m paraphrasing the story. Please pick up a copy and read it for yourself!

  • KeithFan2112
    Joined:
    '78 Bite

    Dave Rock I'd like to add the other one to the 1978 bikes. Especially early in the year. Dick's Picks 18 is unparalleled in my mind as far as the post hiatus performances go. MacArthur Court AKA close encounters with the Grateful Dead is also excellent. I think the wolf had something to do with that.

    I also think lazy lightning supplication started jamming out a bit more in 78. To be honest though I don't know a lot of versions from either year 77 or 78, just a general observation I'm making on this one.

    A really hot blonde just passed me.

    The music never stopped. They got incredibly sloppy on a lot of versions in 1978, however they have this extended Jam that they started doing that went from 20 seconds to 2 minutes almost, starting at about 3 1/2 minutes into the song. Dave's Picks 7 is an excellent example. And of course there is the lone wheel from 1978 on Dick's Picks 18.

    All in all I think 1978 may have been there most inconsistent year of the 70s. Truly a hit-or-miss affair. affair

    Anyway it's not what I came here for. The China Rider from Dave's Picks 21, which I affectionately refer to as recommendations from the dead since the man himself dick latvala said that some of the best jamming of 73 occurred in the second set, especially after Here Comes sunshine. Recommendations from the dead. But yeah the China Rider is up there. If road trips and Dick's Picks 12 chinariders are a 10 out of 10 oh, this is at least a nine. Kind of along the same lines of skeleton skaters AKA Dave's Picks 13. Sorry about the mess. Driving with Google Voice.

  • Dennis
    Joined:
    warfield cd's here

    Just finished ripping in. VERY nice recording, one might even say "primo" :-). But really very nice recording. But now I just realized I don't have EXPANDED Reckoning! And so goes the search.

    Well that was a short search! Barnes & Noble had it in stock for less than the Dead site and 1/3 less than Amazon! So I got it for 30 bucks, delivered, express shipping.

  • Gratefulhan
    Joined:
    @JeffSmith thanks!

    Jeff thanks for that. Also thank you all again. I should get my box by next week, hopefully in time for a little road trip I have coming up. I am looking forward to digging in to it.

  • daverock
    Joined:
    1978-1974-1968

    1978 shows are great if you don't expect them to sound like 1974's. 1974 shows are great if you don't expect them to sound like 1968's. 1968 shows sound great which ever way you look. As long as you aren't expecting them to sound like 1972's.

    Apart from Estimated Prophet, the other song they play with real bite in 1978 seems to be Tennessee Jed. Every version I hear from this year swings in a way it never did before. And probably never did again.

  • Lovemygirl
    Joined:
    *Re/78’

    ...I’ve really been enjoying the ‘road trip’ vol1 #4, “from Egypt with love” plus the Bonus CD, from 1978, Winterland 10/21-22/78. There’s a lot of primo performances included within this release. If anyone can give it a listen I’m pretty sure your gonna find some golden nuggets held within.
    Have a grateful day everyone, the third week of July is almost upon us deadheads & fans.😉
    Peace be with you all, god bless! 🙏❤️🤠

  • jrf68@hotmail.com
    Joined:
    Started with Dead & Company this evening...

    ...and got stuck in the D's...
    therefore my last 5 + 1 was...
    Dead & Co. 7-9-16 Alpine Valley
    Diga Rhythm Band 5-30-75 Golden Gate Park
    Dirk Powell & Tim O'Brien~Songs From The Mountain
    Doc & Merle 5-1-74 The Boarding House, San Fran.
    Doors 9-20-68 Stockholm, Sweden (late show)
    Duke Ellington 2-2-1932 American Record Corporation Studios~New York
    :O)

    Hey Phil. Welcome to the asylum...

  • Infinitejest3
    Joined:
    Casey Jones sent me to this…

    Casey Jones sent me to this party! I’ve been meaning to get on this thread for awhile but you know...well... here I am. I finally pulled the trigger on the July 78 box set! It was easy for May 77 & PNW 73&74 to get ordered immediately, my favorite years being 73 & 77 . But man when I hear a 78 show that’s hot , goddamn it’s rollicking hot! DaP23 is nuts, the segue from drums into the other One is
    the hottest rocking spaceship 🚀 stuff I’ve ever heard!( on a side note I saw widespread at red rocks a couple weeks ago, never miss a Sunday show lol! & Speaking of rocking hot , Jimmy Herring blew my brains into the night sky ! Incredible is an understatement of that man, in a hundred years musicians will be listening to live archives of him & still be floored) , but yeah that transition literally sounds like some spaceship taking off. But 78 can also be extremely sloppy. I had to really listen to the archives before pulling the trigger, another thing was that it hadn’t sold out, thought there might be some merit to it but I think I’ll be happy with my purchase, of course I will! Listening to new haven 5/5/77 , love this tight condensed show:). Call me a glutton but I’m really 🙏ing for a 74 DaP31, why? Why the fuck not!

  • marye
    Joined:
    Brewer
    Love that story.
  • stoltzfus
    Joined:
    Its not complaining about daves31...

    If you are griping about old cover art, and just making a hopeful wish.

    Sincerely,

    The Great Shneezle of Fuxworth

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by carlo13

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Two Suns in the Sunset

And as the windshield melts
My tears evaporate
Leaving only charcoal to defend.
Finally I understand the feelings of the few.
Ashes and diamonds
Foe and friend
We were all equal in the end.

I always feel ……. wow, followed by the tear

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In reply to by Dennis

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....but i bought it because i thought the album cover was cool and that he had a cool name (hey. give me a break. I was twelve). Then I got The Wall, Then The Final Cut, then Dark Side, then the rest.
The first time I heard Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict, my world was opened to a whole nother side of what music could be.

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Check your PM

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On a Brent box set. I would be disappointed if it's not something from the 60s or 70s. I would buy something with Bruce and Vince.

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Not a fan of Brent's. I could deal with a Bruce Vince set if the performances are really knockout. Yeah I'd be bummed. That would put me at 2 years between box sets that I would really really enjoy. They could just do both. While I would like to see a huge 1972 box, I'd settle for a 3 show job.

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The one time I saw Quicksilver Messenger Service they were the headliner at Winterland, December 28, 1975. One of those one time passing moments of luck. Ken Kesey wrote a glowing piece about them in the Last Supplement to the Whole Earth Catalog back in 1971 . The first QMS album with the Rick Griffin lettering and scroll work on the cover was reflective of the times in more ways than one. Stand out songs would be Gold and Silver and The Fool. In fact to say that some their music exuded and personified the psychedelic experience would be putting it lightly. (Light-lee) Also of great note would be their second album "Happy Trails' that includes psychedelic bolero riffs. Very tripped out.
When Gary Duncan jammed with the Grateful Dead in October 1991 I thought something remarkable was going down. The jam (Hey Bo Diddley-Mona) on the first night of that run at the Oakland Colosseum that included Carlos Santana and Gary Duncan was perhaps the closest feeling to old time jam sessions at the Fillmore transported 25 years into the future. As readers well know that night took place right after Bill Graham died in the helicopter crash.
Then the jam on Halloween night of that same run with Gary during Dark Star that included Ken Kesey performing a "Beat" eulogy was so fucking over the top that included Kesey reciting the E.E. Cummings poem "Buffalo Bill" had to have been one of the last great defining moments of the Grateful Dead in their waning days and the spirit of times gone by. Gives me chills thinking about it.
One other extremely "outer/inner space" song by the amazing Quicksilver Messenger Service was"the Flute Song". Including the skeleton keys of Nicky Hopkins. Gary Duncan was a man of extremes. Read the interview with Gary in Uncut Magazine from a couple years back. He was intensity personified.
So "Trip the light fantastic" while you still can.

That would be quite nice. Those shows smoke.

DaP 31
7-1-85
Playing Scarlet/Fire right now.

Pink Floyd discussion - it’s because we’ve been left high and dry regarding the next GD Box announcement.
I bought all of the individual PF Boxes for about half the price of the Complete Box. Only missed out on some bonus stuff that wasn’t really that enticing - the 2 movies are available separately.
I had that Wembley 74 show on cassette. I bet the official release sounds way better.

2-28-69 vinyl coming out soon, along with some JGB.

But, what about Gainesville?.....

...as for me I wouldn't buy anything after '89....had a hard time at the shows seeing Jerry's decline and didn't go to much after that...I did attend some that i worked, especially the '94 LA Sports Arena shows (To quote Bette Davis "What a dump")...I was helping a friend's catering company at those shows and the one that had the "Dark Star" with Branford Marsalis was pretty good....but still, some of the cover choices were pretty bad for me...but hey, that's life! As for Floyd I was lucky enough to catch both the Meddle tour and the Atom Heart Mother show at the Santa Monica Civic Auditorium...AHM was with a small brass orchestra and choir...I can't remember which show it was but someone sitting in the orchestra pit freaked out during the intro to "Careful..." and jumped up with his hands over his ears yelling stop!!! His friends took him out of the hall...pretty trippy...I missed Dark Side at the Hollywood Bowl but caught the Wish You Were Here tour stop at the aforementioned dive Sports Arena...these were the famous gigs were the LA Police threw raids in the parking lot and inside the arena, arresting dozens of poor loaded concert goers...there were signs everywhere saying "THIS IS NOT A SANCTUARY" set in motioon by Police Chief "Crazy Ed" Davis...they pulled the same stunts at the Shrine Audtorium Dead shows in '76 busting a whole lot of folk both inside and outside the gig...well I'll stop rambling now...gotta finish these chilaquiles...

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In reply to by nappyrags

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Wow, to have seen Atom Heart Mother with the orchestra and choir would have been amazing, as well as the Meddle tour, even with a freakout in Careful. Even though you missed the Dark Side tour, weren't they still playing it and Wish You Were Here along with Raving and Drooling and You Gotta Be Crazy as well as Echoes most shows in 1975?

6/30/95 is one of the last good Dead shows that I've listened to, love the Rain sequence, especially Rain itself, which is probably my favorite Beatles song and their first real psychedelic song, an awesome bassline by Paul, and Ringo's best performance. Deadheads didn't live up to Lennon's prediction on that day: "If the rain comes, they run and hide their heads." My buddy that was there told me even Samba in the Rain was well received due to the downpour.

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I see two, no four! mentions that a fall '72 box would be well rec'd! a virtual trend...

And DaP 31 will be from '79.

You heard it here ... repeatedly.

Gonna paddle 40 miles of the Yampa River this weekend in a packraft, with a soft cooler and a Pax, oh and maybe a tent and sleeping bag. And when I return Monday, the box set announcement will have been made. Or DaP 31. Or both!

I can feeeeel it...... (God bless sativa)

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My first of 50 Dead shows was 7/1/84 at Pine Knob during a nice little Summer run. He's Gone through to the show was pretty cool. Didn't realise how cool until several years later when I scored tapes.

Did somebody say Brent box? I need to have it. Hope it's not too outlandishly priced. I like the smaller 2 to 5 show sets.

Hoping it's Giants Stadium 91 to coincide with the theatrical release.

Radio City Music Hall would be awesome.

85 box would be sweet.

RFK 73 Allman/Dead box is a dream that would make for an awesome reality.

Alpine box is always a wish.

Oh yeah, next Dave's Picks announcement a couple of weeks away. My how time goes by fast. Could go anywhere. Hopefully a road and era less traveled just to mix things up.

It stopped me in my tracks reading that Gary Duncan has recently died. Quicksilver's Happy Trails was the first West Coast album I heard, following a retrospective review in the music paper known as the N.M.E. round about 1974. It sounded like my kind of album, and it was and is. Wonderful shimmering guitar playing, and Calvary on side two is one of the best psych tracks ever recorded.

Round about 1983, a double live album, also from 1968, was released, called "Maiden of the Cancer Moon". It features much of the same material as "Happy Trails", minus Calvary, but includes some tracks off their first album-including The Fool and Gold and Silver, plus great versions of Back Door Man and Smokestack Lightning. The sound isn't as good as on "Happy Trails", but it is much more rocking-both albums are indispensable. "Maiden" has been re-released numerous times on cd-it makes up half of the double "Lost Gold and Silver".

To see specifically how great Gay Duncan was-you could do a lot worse than look at the Winterland 12/1/73 version of Who Do You Love at Winterland. Although he had left by this time, John Cipollina is also playing-but all the heavy guitar shots are played by Gary. Its over 19 minutes long, and every second is stellar. I just watched it again... this version might just be better than the ones they played in 1968. It's THAT good!

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Pre-orders available from many places, I put one in from a local record chain in Maine & NH.

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Dylan opened backed by Tom Petty... Then a Petty set... Then the Dead, with Dylan coming out for Don't Think Twice, and it's All Over Now Baby Blue in the first set. Also got to hear Desolation Row go into Drums... I think the ticket cost 20 bucks... Haven't seen a board for this show, just the audience tape I've had since then... This is a candidate for Dave's Picks 1613 due to Jerry impending diabetic coma a week later. You don't know what you got till it's gone...

Hey Bob.. I have a very nice sounding board of that show. PM me and I'll get it to you.

I have never met a Desolation Row wouldn't invite over for dinner. Their take on that song is almost exactly perfect. I have to think they made Dylan proud.

Happy 4th all..

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I don't know how many of you listen to music on your Android, but if you do, and you really want to enhance the sound of your Grateful Dead collection, I highly recommend downloading and installing the Poweramp app. I use my phone all the time to listen to the Dead, simply because I can fit my entire collection on a 250 GB memory card in the phone.

I bought Poweramp 5 years ago for $1. I think it's up to 399 now. I have been able to install it across multiple phones without ever having any problems with registration or anything like that. They constantly update their software to fix bugs and adapt to the latest Android releases. The graphical display for album artwork is incredible. You can do unlimited playlists. You can list all of your Grateful Dead shows in chronological order or really any order you want. The biggest benefit is the sound quality. The Equalizer allows you to tune all of these old recordings into really fresh crisp High Fidelity Musical experiences.

I mention it now because their customer support did me a solid today. I've been dealing with a bug with MP3s where gapless play wasn't exactly gapless; between songs like China cat and Rider you used to be able to hear a slight pause which was very very annoying. This bug was introduced in version 3 back in December. It had never been a problem in the previous version, but for whatever reason it reared its ugly head in version 3. It didn't impact wav files or other lossless formats, but it was killing me because I have 320kbps MP3 s, which audiophiles know is basically a lossy format that your ears can't detect. I worked around it by implementing crossfading between tracks. I would set the Crossfade duration to the lowest setting which is barely Audible, and much more tolerable then the pause I was getting between every song in every Grateful Dead medley on the planet. This morning I received an email from the owner and lead developer indicating that the issue should be fixed in version 3 build 836. Sure enough it's fixed.

When I hit the lottery, in parallel with the Vault Museum I will be building around the Grateful Dead Vault tapes, I will send everyone of you an Android phone with all of the Grateful Dead music pre-loaded on it, along with a pair of Plantronics BackBeat Pro Bluetooth headphones. This is where you get the real bang for your buck, and a facet of Dead music listening that none of us should be without - headphones.

The phone is also good to use with your surround system or any home system with HDMI inputs. I run an HDMI cable from my Samsung phone to my surround sound system and play right through the surround sound at those times when I don't feel like listening on headphones. Or if you don't have something that takes an HDMI input, you can also go from the headphone jack on the phone two RCA inputs in the back of your receiver; you can get one of those wires for real cheap on eBay, or Best Buy, but I'll never buy anything from Best Buy again.

So yeah, it was waking up with an email from Poweramp's CEO and lead developer that he believed a problem I reported a few months ago was finally fixed. Best dollar I've spent in my life.

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It is an interesting Desolation Row..... no Jerry... I think we have spoke about the 7/19/89 Desolation Row before... so good!! Louisville 7/6/90 has a good one also!! Thanks again... bob t

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My assumption is that many of us once had at least one of these; it certainly was a go-to for me all the way through the CD version up until my first iPod. What a revolution - making the best use of our beloved Maxell XL II's.
And an interesting juxtaposition to KeithFan's post.
How far we've come....

https://www.surfacemag.com/articles/sony-walkman-40th-anniversary/

Sixtus

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12 years 1 month
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Still have mine: Sony WM D6C
Used this one a lot for recording shows with sometimes excellent result.
But times has changed since then. Tried Mini-Disc, DAT and others but
were not satisfied. Now I'm using a Tascam DR07 with OKM-Mikes and
got really good recordings - last one was Eddie Vedder in Berlin.
Tomorrow we will got back to Berlin to see Uncle Neil. Hopefully a similar
setlist to Odense (DK) some days ago.
Gar-see-ya
JJ

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In reply to by bob t

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I was at this show but don’t recall much? My recollection was it was sorta meh? But of course that could of been experentially influenced....After Alpine, and the mind Blowing River bend shows perhaps I was just to out out of it? I’m sure the environment played a part.....again after those other nice venues I remember pulling into the place and thinking it was weird, and not in a good way......I think I recall like burning tires or some kind of Smokey, nasty, industrial vibe?? And I believe it was some kind of smaller stadium?? Was able to get in front of the board, which was our usual prime choice spot, but even so?
We had high expectations about Bob Sitting in with the boys but I recall they didn’t seem to mesh too well, and thus sort of a let down. Think that was part of why JG skipped out early? unfortunately, have never heard this show, probably didn’t pursue because of my hazy recollections? Always assumed it was so-so? The great next show in Buffalo probably overshadowed this one also.
Honestly, 86 was one big veggie binge, perhaps the peak (yuck, yuck) of my psychedelic career, so unfortunately much of it is very hazy and it’s also a year I have only a couple of sets on tape out of the 11 shows I caught, so haven’t yet been able to reevaluate.
So would love to hear anyone else’s recollections from this tour!

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I'm betting on the complete Warfield shows, minus the two acoustic sets released earlier this year; it would mirror the timeline of the original releases, acoustic Reckoning in April, electric in late August. That would mean 45 - 50 discs, in the $300 - 400 range...might be a good move for Dead/Rhino, all the big boxes have sold out I believe.

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Well, lots of comments on these two subjects...so time to chime in. Seems almost absurd that we don't at least know what the BOX SET is going to be?!?! I mean it has been guessed & wished for on this board for 6 months!! Can they not at least announce it, or are they seriously going to wait until 8/1 at the MUATM showing to announce the BOX SET. The way the MUATM info has read with Jeff Norman mentioned as doing his sound magic on 6/17/91 show, and also mentioning only one other show recorded 48- multitrack makes me think we have a 1991 box coming. Not my go to choice as I was hoping for a Warfield 1980 BOX SET. I still have some hope that the RSD WARFIELD 10/9-10/80 acoustic release was a teaser for the BOX SET...we'll see. The problem with any BOX SET or any show release after Brent's passing is simple -VINCE was not good. Now shows in 1991 with Hornsby well into the mix would be enticing....we'll see, but bottom line - BOX SET is way overdue!!

Dave's Picks #31 - this is typically the 1980s slot of the year for us 80s fans, I'm thinking this year will be no different. My guess is : a way overdue SPRING 1981 show, 7/13/84, or SUMMER 1985...either way July into August 1st brings the news

There are some moments.. but it was a tough year. On the bright side, some of the recordings seem to sound better.. there was a gradual progression of sorts.. from 81 through 86 (I think).

I was at those RFK shows, and besides the heat and dust.. (did I say it was really freaking hot).. that second show was tough to take, and then a few days later we got the coma news. Such a bleak end of the summer.. but the time 87 came around I decided I needed to see more shows. In hindsight, that turned out to be a good decision.

I did listen to the China>Rider Playing Desolation Row from the Rubber Bowl and it sounded pretty good considering. What a difference a decent recording makes.. I have said this before, I think the Brent years would get more respect if they were better recorded. The 86 show from 30 Trips was surprisingly well played and well recorded too.. but admittedly I have a soft spot for a well played Comes a Time.

Ok.. back to your regularly scheduled Drums and Space.. this is the lead into a swinging holiday weekend (for those in the states anyway).. wishing everyone a great rest of the week and a great weekend..

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In reply to by Cousins Of The…

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I am with you 100% on the hope for the Warfield Box. 40-45 CDs would be great, but why stop there. Include the Radio City Music Hall shows as well and now we are talking, maybe into the 70 cd range. Would love it! And if the sound quality is anything like the the RSD release, we would be in for maybe one of their best boxes to date.

Week of July 8, I am hoping.

Of course........

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front porch moonshine-swilling backwoods yahoo... I post like one!

Of course, I'm a subscriber to DaP, not THAT stupid. And the box announcement will come way before they do the preorder routine. When I know that date, if I'm possibly in the backcountry, I arrange to have my accomplices place my purchase order for me. That is, if it's in my zone. Never thought it would come to this, but I've got hundreds and hundreds of GD shows, the shelves are groaning from the Hendrix and Buchanan collections and the Allmans, Dylan, Band, Butterfield, Bloomfield, Beatles, blues, jazz, Janis, eeegawd, has me holding back just a wee bit to see if the pending box really rings my bell.

Crickey, I'm still working through the Dylan live '66 box and returning to PNW 73-74 to squeeze some mo juice out of it before shelving it. Not to mention Owsley's ABB triple-CD set.

'73 was a big year for my young self: RFK, double Watkins, double Roosevelt, fall Nassau: six big ones for this 15-yr-old. WHAT THE HELL HAPPENED??!!! I was such a good kid before all that!

Now, as a greybeard, I sit here at the laptop banging out my living and taking breaks to post ridiculous shit about my positive yearning for a fall '72 box... (See how I sneaked that in one more time? Could be counter-productive juju, but we all know they're long past the decision and now approaching production as they get closer to the announcement and preorder reaction. So I just can't resist!)

The rockets' red glare has been sailing overhead for a few days. Everyone have a safe Fourth (or fifth/750 ml)!

I am fully on board with this.

All 3 of our tykes (ages 5, 3 & 1) have ALL responded very positively to me putting on the GD from Day 1.
The two older tots can sing along to a few songs, know the names of many songs (and even have their favorites), can name all of the band members (from all eras) and know the emblems on-sight (i.e. stealies, dancing bears, Jerry's Face, etc.). For our littlest guy, he's crawling now - any time he's around and I put on the GD (or put a webcast up) he IMMEDIATELY starts to climb onto me and start dancing and grooving.
He's just short of obsessed, as far as I can tell.

I'm doing something right, and agree with that article 100%.

Sixtus

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7 years 1 month
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So I noticed that the Outlaw music festival which last night and for most of tour has brought Phil Lesh and Friends to the stage, will be at the Dos Equis Pavilion in Dallas tomorrow night minus Phil Lesh and Friends. Just so happens that Dead and Co are performing the Dos Equis Pavilion tonight! Coincidence? Maybe.....but sure would be cool to have a Phil sighting tonight!!!

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7 years 1 month
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Fuck em....think they would or should get over it....bring on Phil!!!

Not that I don’t love Oteil, b/c he rocks as well, but Phil is Phil!

Jazz Vinyl Recommendation: Blue Note recent re-release of Cornbread: Jackie McLean, Hank Mobley, Herbie Hancock, Larry Ridley & Billy Higgins....phenomenal, maybe my new favorite in my jazz collection!!!

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17 years 6 months
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are at the Oregon Country Fair next week, which should be pretty great.
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15 years
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Every once in a while,
my wife reminds me to
put my Dead CDs away,
OR ELSE! I’m hoping she is not
really threatening actual harm, but
I can’t be too careful. So they go
under the bed ‘til the
morning comes, when they again emerge
safe and sound, ready for high
fidelity enjoyment for hours!

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9 years 3 months
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Well, bolo's clue meant nothing to me, but it did lead me to google to see if I could find out at which shows the Dead played Till the Morning Comes. I didn't find that, but I did find a cool youtube video of a young lady dancing with a hula hoop to Till the Morning Comes and that was somehow mesmerizing in a cool way. So thanks.

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16 years 2 months
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Yeah!

I imagine Dave is right now standing on the
rocks by the sea waiting so patiently for the wind to die down.

Bolo, What kind of clue is that? HaHa Just kidding.

What ever is coming it must have a Stuck Inside of Mobile with the Memphis Blues

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16 years 3 months

In reply to by fourwindsblow

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1970?
1970 BCE? (Before Common Era)

Another show from 1995* - a very slim chance.
* a runner-up for the 30 Trips box.

Bolo24 clue(s) here are Good Clean Fun.
Thank you very much for them, whether you're correct or not, thanks.

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9 years 2 months

In reply to by Born Cross Eye…

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7-2-85 anniversary

4 years ago today there were over 70,000 people with ‘high anticipation’ of getting a glimpse of past glory during the following 3-day celebration of the greatest rock n roll band in the universe for all eternity.

A Box with hours or high fidelity music which happens to include ‘Til The Morning Comes (played 5 times, all during Sept-Dec 1970, according to DeadBase IX).

Don’t waste your time with the internet, get a DeadBase.

https://www.amazon.com/DeadBase-50-Celebrating-Years-Grateful/dp/069247…

That’s a good price!
Way less than I paid a few years ago.

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Checking Till the Morning Comes in Deadbase told you when they played it. Checking Till the Morning Comes on the internet led me to a youtube video of a cute girl doing tricks with a hula hoop to Till the Morning Comes...I'm sticking with the internet for now.

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I want a 1995 box, with John Mayer going into the studio and overdubbing all of Jerry's lines.

After all, most live albums have a shit ton of touch-up done in the studio anyway.

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"So they go
under the bed ‘til the
morning comes, when they again emerge
safe and sound, ready for high
fidelity enjoyment for hours"!

Did Bear store his recordings under the bed?

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