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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • CaseyJanes
    Joined:
    Phil 30386

    So glad you made it man....yep, As he mentioned, Phil was at Red Rocks last week and then somehow got transported back to 1978. Sounds like the Jimmy Herring spaceship got him. I spotted him calling out into the abyss while doing perimeter rides on the carpet, and told him where to go....curious though Phil, if you were able to see the Dead & Co Boulder shows in Boulder before you were teleported? If you did, that must have been one hell of a run?

    Widespread Panic - Have always loved these guys, and IMO one of the best live bands around, but they don’t seem to get talked about much on these boards? Anyone have thoughts on that?

    2/28/69 Vinyl - it was worth the wait. First of all, any show that’s starts with Morning Dew, followed by a nice run of Pigpen songs is just fine by me. The art work blown up on the box is beautiful with liner notes about the recording and recorder (named Prototype #2, but referred to as a time machine....any thoughts on construction Jim?). The sound is of course excellent recorded on 16Track, with the highlight being for the Jam>Caution towards the end.

    KF - meant to say earlier that I loved your Fourth of July post....wish I had your skills! Can I just call you Uncle Gary from now on?

    Stoltzfus - glad you got your avatar going

    Dennis: Warfield sound is amazing enjoy! I’m hoping for the box set to be the complete run from Warfield. If the sound is that good then Holy Moly!!!

    Carlo13 - about spit up my beer with your Strohs comment

    DaveRock: Love it, but how do the 80s and 90s fit into your expectations synopsis?....never mind don’t answer that....expectations are just opportunities for disappointment. Something I’m not into either!!!!

    Oroborous: more on the Sasquatches in Part 2 of Tales from the Gorge...promise it’s coming soon...stay tuned!

    LMG: don’t think I have ever listened to that RT Egypt show.....today perhaps!

    Deadhead Brewer: Awesome story....here’s a thought. Being a Deadhead leads me to more real interaction with real people (many times random strangers), than anything else I do, other than work maybe. This is rare these days with all of the technology that we swim in everyday. Harkens back to the “Finding Home” article that I posted the other day. Love the synchronicity stories....like a constant reminder of where home is!

    1978 Box - still haven’t opened mine as I still don’t own a CD player, and I already have the digital copies....did listen to the Arrowhead show a day ago, which IMO is the best show of the box....(I may have a little bit of KC bias)....Just love that Wharf Rat...Jerry soars....And the long set in the middle of that heat? Arrowhead was absolutely baking that day, and being the festival type atmosphere with multiple acts the time for them I’m sure was limited, but they delivered in spades. One more thing about this show...I’m not 100% positive but I think my mom may have attended this show. She left us in 2014 so I can’t ask her, but I vaguely remember her talking about being there or maybe others she knew who went. She’s liked music and enjoyed going to concerts, and we talked about this often when I started attending various shows while in high school. She liked the Dead’s music OK, but more casually, just songs she heard on the radio or something...she was never really into the scene so this would have been her only show. I’m going to ask my dad about this, but he never remembers this kind of shit so maybe SOL...LOL!!!

    I’ll echo Grateful Han in telling y’all thank you for hanging out...I’m Grateful!!!!

    Be kind and Rock On!

    KCJ

    One more thing....if you haven’t already, don’t forget to pickup your copy of DeadHead Stories from Deadheadstories.org ...best $45 you will ever spend and all goes to charity. I’m about 200 pages in, and the stories are amazing. This beer guzzling hard ass has teared up numerous times.....a couple good Phil stories so far....one lucky Head even had Phil stop and sing him Happy Birthday. He had randomly run into Phil, and all he could think to say is, “Hi Phil, today is my birthday”.....Phil almost walked away but then at the last minute turned around and gave this Deadhead the thrill of their life ....how cool is that......I’m paraphrasing the story. Please pick up a copy and read it for yourself!

  • KeithFan2112
    Joined:
    '78 Bite

    Dave Rock I'd like to add the other one to the 1978 bikes. Especially early in the year. Dick's Picks 18 is unparalleled in my mind as far as the post hiatus performances go. MacArthur Court AKA close encounters with the Grateful Dead is also excellent. I think the wolf had something to do with that.

    I also think lazy lightning supplication started jamming out a bit more in 78. To be honest though I don't know a lot of versions from either year 77 or 78, just a general observation I'm making on this one.

    A really hot blonde just passed me.

    The music never stopped. They got incredibly sloppy on a lot of versions in 1978, however they have this extended Jam that they started doing that went from 20 seconds to 2 minutes almost, starting at about 3 1/2 minutes into the song. Dave's Picks 7 is an excellent example. And of course there is the lone wheel from 1978 on Dick's Picks 18.

    All in all I think 1978 may have been there most inconsistent year of the 70s. Truly a hit-or-miss affair. affair

    Anyway it's not what I came here for. The China Rider from Dave's Picks 21, which I affectionately refer to as recommendations from the dead since the man himself dick latvala said that some of the best jamming of 73 occurred in the second set, especially after Here Comes sunshine. Recommendations from the dead. But yeah the China Rider is up there. If road trips and Dick's Picks 12 chinariders are a 10 out of 10 oh, this is at least a nine. Kind of along the same lines of skeleton skaters AKA Dave's Picks 13. Sorry about the mess. Driving with Google Voice.

  • Dennis
    Joined:
    warfield cd's here

    Just finished ripping in. VERY nice recording, one might even say "primo" :-). But really very nice recording. But now I just realized I don't have EXPANDED Reckoning! And so goes the search.

    Well that was a short search! Barnes & Noble had it in stock for less than the Dead site and 1/3 less than Amazon! So I got it for 30 bucks, delivered, express shipping.

  • Gratefulhan
    Joined:
    @JeffSmith thanks!

    Jeff thanks for that. Also thank you all again. I should get my box by next week, hopefully in time for a little road trip I have coming up. I am looking forward to digging in to it.

  • daverock
    Joined:
    1978-1974-1968

    1978 shows are great if you don't expect them to sound like 1974's. 1974 shows are great if you don't expect them to sound like 1968's. 1968 shows sound great which ever way you look. As long as you aren't expecting them to sound like 1972's.

    Apart from Estimated Prophet, the other song they play with real bite in 1978 seems to be Tennessee Jed. Every version I hear from this year swings in a way it never did before. And probably never did again.

  • Lovemygirl
    Joined:
    *Re/78’

    ...I’ve really been enjoying the ‘road trip’ vol1 #4, “from Egypt with love” plus the Bonus CD, from 1978, Winterland 10/21-22/78. There’s a lot of primo performances included within this release. If anyone can give it a listen I’m pretty sure your gonna find some golden nuggets held within.
    Have a grateful day everyone, the third week of July is almost upon us deadheads & fans.😉
    Peace be with you all, god bless! 🙏❤️🤠

  • jrf68@hotmail.com
    Joined:
    Started with Dead & Company this evening...

    ...and got stuck in the D's...
    therefore my last 5 + 1 was...
    Dead & Co. 7-9-16 Alpine Valley
    Diga Rhythm Band 5-30-75 Golden Gate Park
    Dirk Powell & Tim O'Brien~Songs From The Mountain
    Doc & Merle 5-1-74 The Boarding House, San Fran.
    Doors 9-20-68 Stockholm, Sweden (late show)
    Duke Ellington 2-2-1932 American Record Corporation Studios~New York
    :O)

    Hey Phil. Welcome to the asylum...

  • Infinitejest3
    Joined:
    Casey Jones sent me to this…

    Casey Jones sent me to this party! I’ve been meaning to get on this thread for awhile but you know...well... here I am. I finally pulled the trigger on the July 78 box set! It was easy for May 77 & PNW 73&74 to get ordered immediately, my favorite years being 73 & 77 . But man when I hear a 78 show that’s hot , goddamn it’s rollicking hot! DaP23 is nuts, the segue from drums into the other One is
    the hottest rocking spaceship 🚀 stuff I’ve ever heard!( on a side note I saw widespread at red rocks a couple weeks ago, never miss a Sunday show lol! & Speaking of rocking hot , Jimmy Herring blew my brains into the night sky ! Incredible is an understatement of that man, in a hundred years musicians will be listening to live archives of him & still be floored) , but yeah that transition literally sounds like some spaceship taking off. But 78 can also be extremely sloppy. I had to really listen to the archives before pulling the trigger, another thing was that it hadn’t sold out, thought there might be some merit to it but I think I’ll be happy with my purchase, of course I will! Listening to new haven 5/5/77 , love this tight condensed show:). Call me a glutton but I’m really 🙏ing for a 74 DaP31, why? Why the fuck not!

  • marye
    Joined:
    Brewer
    Love that story.
  • stoltzfus
    Joined:
    Its not complaining about daves31...

    If you are griping about old cover art, and just making a hopeful wish.

    Sincerely,

    The Great Shneezle of Fuxworth

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6 years 9 months

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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13 years 7 months

In reply to by KeithFan2112

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Those scans look great!

#18946/20000 made it here yesterday... Whew! Looks like I just made the cut!

Peace

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DP 30 #3877 landed in D-Ville Georgia late this afternoon, had been watching the mailbox from my window for hours. Got my yard work done and am now enjoying a cold beverage and That’s It For The Other One is sounding stellar. Every year I think I won’t subscribe and then the bonus disc shows up in all its glory and I know I will belly up and do it again. Enjoy this one everybody!

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DP30 #3877 landed in D-Ville, Georgia late this afternoon, I’d been eyeing my mailbox for what seemed like days. Got all my lawn work done and am now enjoying a cold beveridge and That’s It For The Other One is sounding stellar. Every year I think I won’t subscribe and then the bonus disc shows up on all its glory and I know I will. The cover is wicked cool. Enjoy this one everyone.

....no bills. Yay! No Fillmore. Boo! Evens out. I have Monday and Tuesday off because I needed a break from work. All good things in all good time.

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14 years 11 months

In reply to by nappyrags

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Theres a package in there
The exact same size as a daves pick
same weight
Unusual address, but hey they are changing warehouses

Its not daves picks
Some bs electronic clock as advertising ploy

Duhphuq bro

Waiting at great clips for freakin haircut

"Whoop there it is" plays for about 12 minues

Aaaaagh

Other lame-o pop

Why cant they ever play Motorhead?

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Thank you VGUY72 ... the Archives I saw didn't have the same details. Greatly appreciated

...my man, I love the ‘Three Blind Boys From Alabama’ , what an amazing group of gentlemen in this band of the years gone by. I have quit a few LPs and CDs made available to get your hands on. I had the privilege to attend a few of the bands past performances. This was around the same time Paul Simons release his ‘Graceland’ LP which is a primo record! Big fan of Paul’s work over the years but I fell in love with his Graceland album. I even saw the group performe minus Paul in Newark nj over 12-14 years ago if I’m remembering correctly. Beautiful music and song from this pecticular group of performers. 🙏❤️😎

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In reply to by bluecrow

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Hey now Blue Crow,

Just wanted to say that I really enjoyed your recent Dead Concert story. I never got to see Jerry...too young or more Likely naive at his end .....and had no idea what was going on at that time. Wish I would have had the chance...anyways peace dude and rock On....more stories if you have them please?!?’ Same to the rest of you who have stories...bring em on!!!

I finally got my copy of Daves plus bonus disc earlier today. I haven’t listened to all of it, but I can already say that this one ranks as one of the best in the series so far. The recording sounds slightly upgraded and more crisp and as others have said the banter is warm and present which makes it feel that the boys are in your living room revving up Jim’s lawn contraption for interstellar galactic travel...or possibly a carpet ride!

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No Dave's Picks yet, although it looks as though there have been a few sightings in Britain over the last day or so.

Not really the time or place, but I did see Nick Mason's Saucerful of Secrets last Friday. Amazing set list, covering the albums from Piper at the Gates of Dawn to Meddle, with a generous helping of music from the Syd Barret era. Set The Controls for The Heart of The Sun was one of many highlights-and it occurred to me that that track may be the bands equivalent of Dark Star. Its starts out with a simple riff, features lyrics that point star wards, followed by a free space in the middle and then back home again. Sadly it was dropped by the Floyd when they went big time-but its all there in those 1967-1972 versions, and now in this Nick Mason's Saucerful of Secrets version. But every song and instrumental they played was stellar.

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13 years 6 months
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Woah! What a beautiful journey I took via headphones and excellent sound into the mind expanding music of the Dead at Fillmore East 1.2.70!! There are so many highlights. I will not bore you with my geeked opinion of this show and how it sounds. I really just write this morning to express my awe and gratititude for the music of the Dead and the team behind making these shows available to us in the 21st century. I am grateful. Thank you Jerry and the boys for providing a truly incredible soundtrack to my journey... peace and love brothers and sisters! Enjoy the day and let there be songs to fill the air.

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12 years 2 months
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FYI - This is the order I went with for the bonus material (1/3/70),,,, opinions or objections.

Vol 30 - Bonus Disc - 1970-01-03 - Fillmore East - NYC, NY

01 - Morning Dew
02 - Cold Rain and Snow
03 - Alligator ->
04 - Drums ->
05 - Alligator ->
06 - Feedback
07 - Casey Jones
08 - Big Boss Man
09 - Mason's Children
10 - That's It for the Other One
11 - Cosmic Charlie
12 - Uncle John's Band
13 - Dancing in the Street
14 - St. Stephen ->
15 - In the Midnight Hour

edit - is UJB early or late show? I got it down as late

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9 years 2 months

In reply to by Dennis

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Thanks Dave and crew for getting it to us.

Made it once through the CDs yesterday, then reordered the 1/3 tracks and put copies on my music player.
Just started my second pass through 1/3.
I reordered 1/3 based on what is in Dead Base 50 (note that Dead Base IX has 1/2 early and late shows reversed).
UJB goes after Feedback as it is the encore for the early show. It does not go into another song, unlike the UJB>Black Peter in the late show (unless it was modified to sound like it doesn’t go into Black Peter)

1/3 Early
Morning Dew
Cold Rain
Alligator>Drums>Alligator>
Feedback
UJB

1/3 late
Casey
Big Boss
Masons
That’s It>
Cosmic
Dancin
St Stephen>
Midnight

There’s a lot of riffs of other songs buried in Alligator.

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well I slipped away from the salt mine to grab a bit of breakfast and put in the bonus disc for the drive...me oh my, Alligator alone is worth the price of admission folks...when they come back to it for the post drum jam and then tease the China Cat intro and then work their way into the GDTRFB Coda I just about had a stroke from yelling out...what a great great bit...and I guess I'll have to take the long way home so i can finish it...it's only a 13 minute drive to home...

Thanks. Upon closer inspection I believe you are correct and have modified my order.

Upon quick inspection found my copy of 1/2 to be damn near as good as "official", but 1/3 stuff sound much nicer than what I have in stock.

....last night's set list.
Set One: Big Railroad Blues, I Ain’t Superstitious, The Same Thing, Tennessee Jed, New Speedway Boogie, People Get Ready, Way Down In The Hole, Nobody’s Fault but Mine, Pray For Peace, Sugaree

Set Two: I’m A King Bee, Deep Elem Blues, You Don’t Love Me, Mystery Train, Little Red Rooster, Amazing Grace, Higher Ground, Death Don’t Have No Mercy, Wang Dang Doodle, Deal, Friend of the Devil, Down by The Riverside

Encore: Going Down the Road Feelin’ Bad
.... definitely worth fifty bucks ✌️. High lights? Wang Dang. King Bee. Way Down In The Hole.
Low lights? Beers were $15. Shame....
https://www.jambase.com/article/phil-lesh-friends-blind-boys-of-alabama…

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13 years 6 months

In reply to by Vguy72

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Jealous, thanks for the trip report. Always a big Phil fan and appreciate Jackie Greene's take on all things Grateful Dead.

Keep up the good work, Senator.

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17 years 6 months
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I hope the glasses were huge.

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17 years 6 months

In reply to by simonrob

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....but still. Goose Island IPA. Some peeps paid that much for Coors Light. Do your homework. Beer math.

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13 years 6 months

In reply to by simonrob

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At the time of my first show, it was $2 a hit.

Oh, and happy Cinco de Mayo everyone. In the spirit of Europe 72, I recommend 72 Par Elegance Extra Anejo. Yummy. :D

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7 years 10 months
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Loser... one of my absolute Dead faves and quite possibly the best song on gambling ever. Kenny Rogers, eat your heart out.

I walked out of the Golden Nugget with an easy $500 and a grand, courtesy the Excalibur, off Wheel Of Fortune slots. Fortunate, indeed. As far as table games I have found the Fremont to be most favorable. I taught my wife to throw craps there and she threw 20 times in a row, exactly, before busting. That paid for the weekend and then some.

But, as Kenny says, you got to know when to hold them and when to fold them. Take the easy money and run, and as soon as it goes cold, stop immediately. Difficult for some.

\m/

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DaP 30 landed in my mailbox Saturday, and I've listened to the first three discs once each so far, with the bonus yet to come.

My reaction is somewhat mixed. I had pretty high expectations given Dicks Picks 4 and 8 and road trips 5-15-70, all of which are excellent. I had somewhat of a hesitation because this one is closer in timeframe to DaP 19, which is more of a mixed bag of good and average. Warranted, as it turns out, at least on first listen.

Disc 3 is excellent, as others have said. I think the DS>SS>Eleven>LL is the greatest string of tunes in rock music, in my opinion. It's different every time, and they'd had several years to perfect it by 1970. Can you imagine anyone else even attempting such a thing, other than some of the jam bands that followed (though I don't put them in the same league)? Maybe the Allman Bros. or Yes could pull off such a long jam string, but I doubt they'd make it so different every time.

Now on to disc one and two. Ok, many of the tunes were new, and were still being worked out. Still, there is a sloppiness to several of them. Phil's harmony vocals are too high in the mix on some, and that nearly makes my ears bleed at times. Not just out of tune, but something about his voice just wasn't meant to sing except very subtly in the background. TC is great on the Dark Star psychedelic sequences, but I can see how he didn't fit into the short tune based direction that they were heading with Workingman's and American Beauty. Finally, throwing in a few of my least favorite early tunes like Mason's Children and High Times (where Bobby seems to stretch beyond his capabilities on the harmony vocals) brought it in at a bit less than I'd hoped as well.

Other than the Dead, I mostly listen to jazz, classical, and bluegrass/folk/americana. So most of that other stuff is usually tight, on-key, played by virtuosos, and in tune. I look past the Dead's sloppiness and off-key moments because so much of the rest can be transcendent like nothing else. But sometimes, you just have to take the average with the extraordinary on a Dave's Pick.

Usually I hear more nuances and change my opinions on subsequent listenings, so I think disc 1 and 2 may grow on me more in time. Overall I'm happy with it, and time will tell on my longer range opinion.

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For some reason I just love how the first disk starts at the very beginning of the master reel, it just shows every inch counts in these Dap's...... and in other things as well.

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In reply to by carlo13

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....best odds in the house. Bar none. But you gotta bet smart. Six and eight all night long. Hard ways is how they keep the lights on.
When a player gets on a roll, it's amazing. Gotta strike when the irons hot. You can make some cheddar if you pay attention.
Passed some tables last night, but I didn't feel it.

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In reply to by Vguy72

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....I would cut and paste it, but why should it do all work? Get some. Still in bluuuuses mode here.
....I'm I bit jealous that I wasn't able to cut a rug at a juke joint. It's all about sliding your feet. Move on from there. It comes naturally....

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I must've got a very special edition of the bonus disc. When I popped it into Media Player, track 9 came up as "Cosmic Keithfan." According to Deadbase this was the only time they ever played Cosmic Keithfan. :)

Do we know if the UJB is from the early or late show? This matters for those of us who like to splice these tracks together with the rest of the show.

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In reply to by frosted

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I am still waiting for Dave's Picks-at that familiar stage of reading reviews without having heard the music. I must say, though, that Frosted's review chimes with my own experience of listening to live shows from mid 1969 and throughout 1970. Stellar jams on Dark Star-St Stephen-The Eleven-also on The Other One, Dancing in the Street, Viola Lee Blues-maybe others. But somewhat awkward renditions of shorter songs. This is what I am expecting to be the case with this here release, too. Which is okay by me. I have just been listening to the first set of 5/9/77-which may be the same situation as described above, regrading short songs and jams, but in reverse.

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In reply to by daverock

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With the exception of 1972 and 1977, I think there was always an aspect of hit or miss when listening to or seeing the GD. I enjoyed reading someone's post here recently (I forget who it was) where they said something to the effect that the 1977 charm had worn off.. they were too perfect that year and there weren't enough surprises. A funny comment there is some truth in it.

It's a dual edged sword really.. you never knew what you were going to get. 1970 is certainly one of my favorite years, but there was this big learning curve as they brought on not only a lot of new material, but an entirely different approach to songwriting than we saw in Aoxomoxoa and Anthem. ..and yes, Phil's harmonies sometimes sound more like an Amber Alert for abducted ducks then singing, especially in the early and later years. ..but I forgive him.

1973 was the same way as they brought on all this new material. Wave That Flag must certainly have been about the white flag of surrender. ..but as they began to fold all this new material into the mix it usually got better and better.. so songs that didn't congeal were set aside and the ones that fit grew and strengthened.

I guess I have a lot of patience in these periods because usually.. if you had a little faith, the stuff that didn't work began to click a few months later and the songs that never really worked faded into history.

Except for the first three or four shows I saw where it was so new to me and I didn't really get it.. at the beginning of each show I had an unsettling feeling in my stomach. It was the feeling of what are they going to play, are they going to be good, are they going to blow it.. are they going to play St. Stephen, Morning Dew, No.. not Day Job! It was the feeling of GD anxiety, I bet they felt it too.

I guess that's one of the hidden charms.. you just never knew exactly what you were going to get. I get the feeling they didn't know either. When they delivered, you left with feeling fortunate, perhaps lucky. 1970? Yes please.. I wish they would have recorded more shows that year.

I should get mine today.. can't wait.

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In reply to by JimInMD

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while I wait for DaP30...

listened to 3/5/72 (most of what exists) yesterday. my sense is that a reel is missing.

first disc is like a rehearsal. straight up songs.

disc 2 starts with a liquidy, in-the-zone Good Lovin'.

NFA > GDTRFB...exited car.

The rest today.

Good Lovin' is worth a listen.

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How on Earth did that happen...

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9 years 8 months

In reply to by KeithFan2112

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The new Dave's should be waiting for me when I get home.

In the meantime I've been listening to Pure Jerry 1 (July 77 I think) all morning as a way to ease my way into the work week. A 30 min Don't Let Go to start the day puts me in exactly the mood I want to be in today....

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The liner notes for this DaP30 says it is one of Bear's Sonic Journals. I thought all of Bear's known tapes were in the Grateful Dead vault and owned by the Dead. Is this correct? Or is there a whole cache of unknown GD recordings owned by Bear's family (Owsley Foundation) that GD have to negotiate in order to get released (ie: DaP30)?

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In reply to by daverock

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...a grateful Monday to all! Daverock no joke, I was playing 5/9/77 from the Grateful Dead boxset Release ! Wow, when you wrote that my hair raised with cosmic activity & connect, hot damn that was so cool! Deffently put a smile on this deadheads face. Thank you brother for all your imput, I dig it! 🙏❤️😎 rock on my brothers & sisters! ✌️🤠
PS. 1/2/70 - ‘Monkey and the Engineer’ performance was a grateful highlight delight from Weir. I wish Tom C. would have performed/played along with Bill & Mickey on this song, it would of been extra primo! 😉

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In reply to by JimInMD

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I liked your summary of the band live. It made me think of the fact that they were growing and changing on stage, for all to see and hear. This wasn't a presentation of performance that was tried and tested and guaranteed to work every time. Late 1969-1970 was very transitional as they moved from the acid jams to the songs, while retaining large elements of the former. But it stands to reason that the newer approach, the songs, would be more hit and miss than the acid jams, which had been played for a year or two already. Certainly by 1971 they had the short songs approach down pat. And then they changed again.

I seem to like 1977 this year-but I also feel that sometimes its all just too smooth and...perfect. Coincidence that you also played 5/9/77 this morning Lovemygirl! Its a small world.

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10 years 3 months
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I see I'm not the only one to get that on the id3 tags. Represent, Keith.

Only just received and ripped, haven't listened yet. Anything with a Monkey & The Engineer is OK with me. Did 90 miles an hour down the mainline run.

Anyone pre-order the Rolling Thunder box?

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no email. no tracking number.

customer service is useless.

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12 years 2 months

In reply to by muleskinner_blues

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thanks for the heads up, just preordered my copy. I thought good deal, 14 disc for 75 bucks.

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17 years 1 month
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Hello everyone... any recommendations for awesome Smokestack Lightnings sung by Pigpen... I know 2/13/70 seems to be the consensus as one of the best. I like the one from the Felt Forum from 12/7/71 and 2/19/71 at the Capitol Theatre.... Thanks for any advice... Bob t

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8 years 8 months
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Anybody else hear melody run a lot like Sugar Magnolia around 22:30 in the Bonus Disc Dark Star jam? First Sm is 6 months later.

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