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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • reggiegrady
    Joined:
    yahoo!!!!

    yahoo!!!!

  • itsburnsy
    Joined:
    Streaming is the Future

    For sure streaming is the future. Ironically, my 16 year old daughter the other day said she wanted a record player though, so go figure.

    I do iTunes personally, meaning I purchase the albums I want digitally (maybe 2 or 3 a month) and download all my GD CDs using their version of lossless. Works GRATE, using a Bose wireless speaker I play what I want from the laptop and the speaker can follow me from room to room.

    If I want something more mindless, I stream the two best public radio stations in the world, KEXP in Seattle and KXCI in Tucson using Alexa. Add to that daily NPR and about 5 podcasts I listen to every week and there is almost too much to listen to these days! It's a good time to be a deadhead.

  • JimInMD
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    Re: ConeKid & Recent Comments

    Agree. For what it's worth. I think dreading provided some valuable insights, actually all the comments the last two days were quite good and had valid points.

    Finished my work for the day, off for a little adventure, a mildly difficult one today, I have butterflies in my stomach just thinking about the first drop.. It's a bastard if you get it wrong. Picking some tunes.. and away I go.

    Have a great day all.. Some 69 is probably in order, either for #51, #52 or a box. They have plenty from this year to chose from and the timing is right. Man.. it is a wonderful Spring day in the mountains East.. 68 degrees, a high of 72, beautiful clarity - I can see for miles and miles and sun. Time to put away the skis. :D

  • icecrmcnkd
    Joined:
    Video

    I like seeing the band at work.

    When Long Strange Trip was announced as a streaming movie I posted on this site (the previous version with the non-white background) that I would watch the movie when it came out on Blu-ray. Well, my patience paid off because I bought the Blu-ray and got a bonus disc with video that wasn’t part of the original stream.
    And I can watch the video as much as I want without paying any membership fees.

    Keep in mind that a lot of the general population who think streaming music is great are also the people who can only listen to 3-minute songs with a catchy beat and lyrics. They would never listen to a live concert, and would run away screaming with their fingers in their ears when they got about 5 minutes into a 30-minute Dark Star.

  • bob t
    Joined:
    Alpine Valley June 17, 1989

    I found it ironic after reading the comments yesterday and Sunday that Sirius would have that show on at noon yesterday. And with all the rain in CT yesterday 95 was a crawl so i got to listen to the whole show... I still get goose bumps when they break out We Bid You Goodnight.. Favorite run of shows that I saw... be good everyone bob t

  • stoltzfus
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    mo' video and getting yer hands on Dave's Picks

    MUATM is one way I can sit still and enjoy a show on video. No complaining from family.

    re: Dave's Picks: subscribe subscribe subscribe. That's truly the only way to guarantee a copy of each. again, to paraphrase Jim Morrison: "a la carte is dead!"

    aaaaaand, you don't have to stress, get to the site, order....

    it's all done at one time in November/December, and you have the rest of the year to enjoy the GD (and whatever else you like.)

  • Sixtus_
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    Formats

    I have to say, this is one impassioned discussion - and I am not surprised. We are all of the sort who are a bit rabid about our music - this is a relatively rare attribute across humanity one might think, so in this regard it also makes us extra special.

    I get all sides of the discussion going on here - from people who like to have hard copies that can't be destroyed by a solar flare, to people who want nothing at all other than a slick box playing the music they love with no strings attached. Then there is everyone in between, ranging from limited access to certain technologies that could take them over a hump to others who have every imaginable setup so they can like their cake in any format and eat it too.

    In my opinion, all of it is reasonable and to each their own. Personally, I love the CDs and box sets for the "being able to hold and smell them" aspect. For a long time I was not truly understanding the draw toward streaming. But, a few Christmas's ago we were gifted a Sonos speaker, and now we have 5 of them throughout the house. And this system has grown on me TREMENDOUSLY.

    Not only can you link Sirius to Sonos (which we've done - GD radio, 24/7 baby), there are also a bazillion other channels that I've found (Spotify anyone?) where you can literally find every officially released GD show save the Dave's Pick's (I'm talking ALL Dick's picks, all of E'72, the entire Road Trips series, etc.). Furthermore, and this is the real kicker, I can also access the relisten app from Sonos, which of course mirrors the complete archive.org GD show history. So in reality, simply with sonos, I can play any GD show throughout the house (and any format of show, but of course I gravitate toward the C. Millers and Betty's) - hell I could play 5 different GD shows on each speaker if I wanted to. But then of course I have the big boy stereo, which in fact I Have two such setups in two different rooms, so I can spin CDs pretty much anywhere too. And, lately, I've been doing a bit of dipping into You Tube for some GD shows - there is a lot of stuff out there and people have put in the time to match up video (albeit grainy, yes, but I more see it as a historical time capsule) with the best audio source so the end result if fairly satisfying. And to conekid's point, I don't feel I need to be staring at the TV 100% of the time, but if something cool is happening with a tune, you at least can get a visual to go along with it. And I watch You Tube via my XBOX, which is hooked up to my 80-inch TV and big boy stereo #2 so it's not like I'm watching via a laptop with $hitty speakers and 12 inch screen.

    Regardless - the takeaway for me is that a Deadhead's listening preference is likely to be as variable as us Deadheads ourselves. And that's not a bad thing at all - if anything its a testament as to the steadfast dedication to LISTENING that will continue to exist and thus ensure this valve of awesomeness never shuts off.

    Sixtus

  • Dennis
    Joined:
    so many things

    Jim - yeah,,,, what is it with 10 per page? I usually check in the morning and today I had to back up 3 pages.

    Video - never cared for it. I too can only handle a few songs. Hard to just sit on the couch.

    8 Tracks,,,, never had one. Installed a shitload of them for people back in the early 70's when everyone wanted Led Zep 2 (in stereo) since most cars only had 6 watt mono am radios. I was the odd ball. I had a cassette recorder I got for Christmas one year, maybe I was 14. When I started driving and had my first car I routed a wire from my dash speaker to under the drivers seat. There it terminated in a 1/4" mini jack, I could plug this into my cassette recorder(mono recorder!!!!) and play tapes. This system also allowed me to turn on the radio and my wire would pump the sound to my mini jack, this I could jack into my cassette RECORDER jack are record songs off the radio. This was in 72 with my 66 Chrysler Newport!

    I am also not in favor of this rent, no own world. You can't buy Word no more (right?), now you just rent it. Don't think you can buy any of the Microsoft software anymore, only rent.

    On this streaming music front, no interest here. We seem to have every streaming service at work and someone always has some "station" on. They have a world of music available, but if you just let it play, it's the same shit everyday. The other problem (imo) with cloud storage/streaming models (plus the data cost of the downloading) is maybe today it's cheap, but a few years down the road it cost a fortune. Look at your cable bills, started off cheap-ish, now days my bill is 250 a month (cable, landline, internet) Whatever my physical media cost, I have the media. I have it backed up nine ways to Sunday (never understood that expression)

    Also in the end, I just plain collect music. I have 16 banker boxes filled with cd's, all the big box sets (dead and others). Have about 15 feet of lp's (and have started buying more, even though I don't have a turntable setup,,,stupid huh?) Got about 400 45's and about 700 78's. It's a stupid trait I have,,,,, most don't understand.

    oh yeah, on the streaming front, most of the kids I work with, don't have a tv, a stereo, internet connections, cable,,,etc. They have smart phones with unlimited data plans and use their phones for everything. How they can watch tv on those little screens is beyond me? A chunk use their game platform for internet access, for services like Netflix/hulu. Also most can spend a evening watching youtube stuff. There's a service that's gonna cost money down the road :-)

  • kjmcdonagh
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    Streaming

    As I read these posts, I come to the conclusion that I am, in some ways, "that guy." I still love having the CD in my collection, the booklets that come with it, and the music laid out together as the artist intended. I don't see technically how CD's will become obsolete, nor will the sound become degraded over time. For those of us that still enjoy putting the media in, and digging it the way the artists intended, CD's are still cool. I also love all the concert DVD's you can get now, so you can watch and listen!
    That said, I also have a large memory card in my phone, which currently has over 500 of these CD's ripped to it, so I can listen to songs, make playlists, pick and artist and shuffle, etc. Lots of ways to tunes via Blue Tooth.
    Also, I have SiriusXM in my car, so when driving I can still see whats happening on the Grateful Dead channel and others.
    In addition, I use Pandora for streaming. Here I have created my own channels so I can listen to everything from Zappa, to The Dead and other 60's stuff, to New Wave, so guitar virtuoso's. I have channels created for all of these.
    So, I am "that guy" that still buys CD's, but I'm also "this guy" that streams, uses Bluetooth from my phone, and can go for Satellite radio as the mood moves me.
    My point here, is diversify!!! There are many ways to listen to music, and I love music enough to use them all. Don't limit yourself, use the technology to expand your listening realm, but don't give up on buying CD's just because streaming is available. If you love CD's, as many of us still do, buy them, if you're streaming your way to your favorite tunes, go for it. The point is, you have many ways to access music, and if you love music, this is an awesome time to be alive! Live. Love. Laugh, Listen. Peace!!

  • Thin
    Joined:
    Charlie 3 re streaming

    Man, sounds like you live in a cool place!

    All good points. There are still advantages to physical product - they'll linger a long time. My wife's folks still have a VCR player and a wall full of bulky movies. But from a commercial standpoint, DVD/BlueRay's is in a death-spiral.

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6 years 9 months

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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13 years 7 months

In reply to by KeithFan2112

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Those scans look great!

#18946/20000 made it here yesterday... Whew! Looks like I just made the cut!

Peace

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DP 30 #3877 landed in D-Ville Georgia late this afternoon, had been watching the mailbox from my window for hours. Got my yard work done and am now enjoying a cold beverage and That’s It For The Other One is sounding stellar. Every year I think I won’t subscribe and then the bonus disc shows up in all its glory and I know I will belly up and do it again. Enjoy this one everybody!

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DP30 #3877 landed in D-Ville, Georgia late this afternoon, I’d been eyeing my mailbox for what seemed like days. Got all my lawn work done and am now enjoying a cold beveridge and That’s It For The Other One is sounding stellar. Every year I think I won’t subscribe and then the bonus disc shows up on all its glory and I know I will. The cover is wicked cool. Enjoy this one everyone.

....no bills. Yay! No Fillmore. Boo! Evens out. I have Monday and Tuesday off because I needed a break from work. All good things in all good time.

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14 years 11 months

In reply to by nappyrags

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Theres a package in there
The exact same size as a daves pick
same weight
Unusual address, but hey they are changing warehouses

Its not daves picks
Some bs electronic clock as advertising ploy

Duhphuq bro

Waiting at great clips for freakin haircut

"Whoop there it is" plays for about 12 minues

Aaaaagh

Other lame-o pop

Why cant they ever play Motorhead?

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17 years 6 months
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Thank you VGUY72 ... the Archives I saw didn't have the same details. Greatly appreciated

...my man, I love the ‘Three Blind Boys From Alabama’ , what an amazing group of gentlemen in this band of the years gone by. I have quit a few LPs and CDs made available to get your hands on. I had the privilege to attend a few of the bands past performances. This was around the same time Paul Simons release his ‘Graceland’ LP which is a primo record! Big fan of Paul’s work over the years but I fell in love with his Graceland album. I even saw the group performe minus Paul in Newark nj over 12-14 years ago if I’m remembering correctly. Beautiful music and song from this pecticular group of performers. 🙏❤️😎

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In reply to by bluecrow

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Hey now Blue Crow,

Just wanted to say that I really enjoyed your recent Dead Concert story. I never got to see Jerry...too young or more Likely naive at his end .....and had no idea what was going on at that time. Wish I would have had the chance...anyways peace dude and rock On....more stories if you have them please?!?’ Same to the rest of you who have stories...bring em on!!!

I finally got my copy of Daves plus bonus disc earlier today. I haven’t listened to all of it, but I can already say that this one ranks as one of the best in the series so far. The recording sounds slightly upgraded and more crisp and as others have said the banter is warm and present which makes it feel that the boys are in your living room revving up Jim’s lawn contraption for interstellar galactic travel...or possibly a carpet ride!

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10 years 4 months
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No Dave's Picks yet, although it looks as though there have been a few sightings in Britain over the last day or so.

Not really the time or place, but I did see Nick Mason's Saucerful of Secrets last Friday. Amazing set list, covering the albums from Piper at the Gates of Dawn to Meddle, with a generous helping of music from the Syd Barret era. Set The Controls for The Heart of The Sun was one of many highlights-and it occurred to me that that track may be the bands equivalent of Dark Star. Its starts out with a simple riff, features lyrics that point star wards, followed by a free space in the middle and then back home again. Sadly it was dropped by the Floyd when they went big time-but its all there in those 1967-1972 versions, and now in this Nick Mason's Saucerful of Secrets version. But every song and instrumental they played was stellar.

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Woah! What a beautiful journey I took via headphones and excellent sound into the mind expanding music of the Dead at Fillmore East 1.2.70!! There are so many highlights. I will not bore you with my geeked opinion of this show and how it sounds. I really just write this morning to express my awe and gratititude for the music of the Dead and the team behind making these shows available to us in the 21st century. I am grateful. Thank you Jerry and the boys for providing a truly incredible soundtrack to my journey... peace and love brothers and sisters! Enjoy the day and let there be songs to fill the air.

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12 years 2 months
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FYI - This is the order I went with for the bonus material (1/3/70),,,, opinions or objections.

Vol 30 - Bonus Disc - 1970-01-03 - Fillmore East - NYC, NY

01 - Morning Dew
02 - Cold Rain and Snow
03 - Alligator ->
04 - Drums ->
05 - Alligator ->
06 - Feedback
07 - Casey Jones
08 - Big Boss Man
09 - Mason's Children
10 - That's It for the Other One
11 - Cosmic Charlie
12 - Uncle John's Band
13 - Dancing in the Street
14 - St. Stephen ->
15 - In the Midnight Hour

edit - is UJB early or late show? I got it down as late

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9 years 2 months

In reply to by Dennis

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Thanks Dave and crew for getting it to us.

Made it once through the CDs yesterday, then reordered the 1/3 tracks and put copies on my music player.
Just started my second pass through 1/3.
I reordered 1/3 based on what is in Dead Base 50 (note that Dead Base IX has 1/2 early and late shows reversed).
UJB goes after Feedback as it is the encore for the early show. It does not go into another song, unlike the UJB>Black Peter in the late show (unless it was modified to sound like it doesn’t go into Black Peter)

1/3 Early
Morning Dew
Cold Rain
Alligator>Drums>Alligator>
Feedback
UJB

1/3 late
Casey
Big Boss
Masons
That’s It>
Cosmic
Dancin
St Stephen>
Midnight

There’s a lot of riffs of other songs buried in Alligator.

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well I slipped away from the salt mine to grab a bit of breakfast and put in the bonus disc for the drive...me oh my, Alligator alone is worth the price of admission folks...when they come back to it for the post drum jam and then tease the China Cat intro and then work their way into the GDTRFB Coda I just about had a stroke from yelling out...what a great great bit...and I guess I'll have to take the long way home so i can finish it...it's only a 13 minute drive to home...

Thanks. Upon closer inspection I believe you are correct and have modified my order.

Upon quick inspection found my copy of 1/2 to be damn near as good as "official", but 1/3 stuff sound much nicer than what I have in stock.

....last night's set list.
Set One: Big Railroad Blues, I Ain’t Superstitious, The Same Thing, Tennessee Jed, New Speedway Boogie, People Get Ready, Way Down In The Hole, Nobody’s Fault but Mine, Pray For Peace, Sugaree

Set Two: I’m A King Bee, Deep Elem Blues, You Don’t Love Me, Mystery Train, Little Red Rooster, Amazing Grace, Higher Ground, Death Don’t Have No Mercy, Wang Dang Doodle, Deal, Friend of the Devil, Down by The Riverside

Encore: Going Down the Road Feelin’ Bad
.... definitely worth fifty bucks ✌️. High lights? Wang Dang. King Bee. Way Down In The Hole.
Low lights? Beers were $15. Shame....
https://www.jambase.com/article/phil-lesh-friends-blind-boys-of-alabama…

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13 years 6 months

In reply to by Vguy72

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Jealous, thanks for the trip report. Always a big Phil fan and appreciate Jackie Greene's take on all things Grateful Dead.

Keep up the good work, Senator.

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17 years 6 months
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I hope the glasses were huge.

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17 years 6 months

In reply to by simonrob

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....but still. Goose Island IPA. Some peeps paid that much for Coors Light. Do your homework. Beer math.

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13 years 6 months

In reply to by simonrob

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At the time of my first show, it was $2 a hit.

Oh, and happy Cinco de Mayo everyone. In the spirit of Europe 72, I recommend 72 Par Elegance Extra Anejo. Yummy. :D

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7 years 10 months
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Loser... one of my absolute Dead faves and quite possibly the best song on gambling ever. Kenny Rogers, eat your heart out.

I walked out of the Golden Nugget with an easy $500 and a grand, courtesy the Excalibur, off Wheel Of Fortune slots. Fortunate, indeed. As far as table games I have found the Fremont to be most favorable. I taught my wife to throw craps there and she threw 20 times in a row, exactly, before busting. That paid for the weekend and then some.

But, as Kenny says, you got to know when to hold them and when to fold them. Take the easy money and run, and as soon as it goes cold, stop immediately. Difficult for some.

\m/

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DaP 30 landed in my mailbox Saturday, and I've listened to the first three discs once each so far, with the bonus yet to come.

My reaction is somewhat mixed. I had pretty high expectations given Dicks Picks 4 and 8 and road trips 5-15-70, all of which are excellent. I had somewhat of a hesitation because this one is closer in timeframe to DaP 19, which is more of a mixed bag of good and average. Warranted, as it turns out, at least on first listen.

Disc 3 is excellent, as others have said. I think the DS>SS>Eleven>LL is the greatest string of tunes in rock music, in my opinion. It's different every time, and they'd had several years to perfect it by 1970. Can you imagine anyone else even attempting such a thing, other than some of the jam bands that followed (though I don't put them in the same league)? Maybe the Allman Bros. or Yes could pull off such a long jam string, but I doubt they'd make it so different every time.

Now on to disc one and two. Ok, many of the tunes were new, and were still being worked out. Still, there is a sloppiness to several of them. Phil's harmony vocals are too high in the mix on some, and that nearly makes my ears bleed at times. Not just out of tune, but something about his voice just wasn't meant to sing except very subtly in the background. TC is great on the Dark Star psychedelic sequences, but I can see how he didn't fit into the short tune based direction that they were heading with Workingman's and American Beauty. Finally, throwing in a few of my least favorite early tunes like Mason's Children and High Times (where Bobby seems to stretch beyond his capabilities on the harmony vocals) brought it in at a bit less than I'd hoped as well.

Other than the Dead, I mostly listen to jazz, classical, and bluegrass/folk/americana. So most of that other stuff is usually tight, on-key, played by virtuosos, and in tune. I look past the Dead's sloppiness and off-key moments because so much of the rest can be transcendent like nothing else. But sometimes, you just have to take the average with the extraordinary on a Dave's Pick.

Usually I hear more nuances and change my opinions on subsequent listenings, so I think disc 1 and 2 may grow on me more in time. Overall I'm happy with it, and time will tell on my longer range opinion.

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For some reason I just love how the first disk starts at the very beginning of the master reel, it just shows every inch counts in these Dap's...... and in other things as well.

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In reply to by carlo13

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....best odds in the house. Bar none. But you gotta bet smart. Six and eight all night long. Hard ways is how they keep the lights on.
When a player gets on a roll, it's amazing. Gotta strike when the irons hot. You can make some cheddar if you pay attention.
Passed some tables last night, but I didn't feel it.

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In reply to by Vguy72

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....I would cut and paste it, but why should it do all work? Get some. Still in bluuuuses mode here.
....I'm I bit jealous that I wasn't able to cut a rug at a juke joint. It's all about sliding your feet. Move on from there. It comes naturally....

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I must've got a very special edition of the bonus disc. When I popped it into Media Player, track 9 came up as "Cosmic Keithfan." According to Deadbase this was the only time they ever played Cosmic Keithfan. :)

Do we know if the UJB is from the early or late show? This matters for those of us who like to splice these tracks together with the rest of the show.

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In reply to by frosted

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I am still waiting for Dave's Picks-at that familiar stage of reading reviews without having heard the music. I must say, though, that Frosted's review chimes with my own experience of listening to live shows from mid 1969 and throughout 1970. Stellar jams on Dark Star-St Stephen-The Eleven-also on The Other One, Dancing in the Street, Viola Lee Blues-maybe others. But somewhat awkward renditions of shorter songs. This is what I am expecting to be the case with this here release, too. Which is okay by me. I have just been listening to the first set of 5/9/77-which may be the same situation as described above, regrading short songs and jams, but in reverse.

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In reply to by daverock

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With the exception of 1972 and 1977, I think there was always an aspect of hit or miss when listening to or seeing the GD. I enjoyed reading someone's post here recently (I forget who it was) where they said something to the effect that the 1977 charm had worn off.. they were too perfect that year and there weren't enough surprises. A funny comment there is some truth in it.

It's a dual edged sword really.. you never knew what you were going to get. 1970 is certainly one of my favorite years, but there was this big learning curve as they brought on not only a lot of new material, but an entirely different approach to songwriting than we saw in Aoxomoxoa and Anthem. ..and yes, Phil's harmonies sometimes sound more like an Amber Alert for abducted ducks then singing, especially in the early and later years. ..but I forgive him.

1973 was the same way as they brought on all this new material. Wave That Flag must certainly have been about the white flag of surrender. ..but as they began to fold all this new material into the mix it usually got better and better.. so songs that didn't congeal were set aside and the ones that fit grew and strengthened.

I guess I have a lot of patience in these periods because usually.. if you had a little faith, the stuff that didn't work began to click a few months later and the songs that never really worked faded into history.

Except for the first three or four shows I saw where it was so new to me and I didn't really get it.. at the beginning of each show I had an unsettling feeling in my stomach. It was the feeling of what are they going to play, are they going to be good, are they going to blow it.. are they going to play St. Stephen, Morning Dew, No.. not Day Job! It was the feeling of GD anxiety, I bet they felt it too.

I guess that's one of the hidden charms.. you just never knew exactly what you were going to get. I get the feeling they didn't know either. When they delivered, you left with feeling fortunate, perhaps lucky. 1970? Yes please.. I wish they would have recorded more shows that year.

I should get mine today.. can't wait.

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In reply to by JimInMD

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while I wait for DaP30...

listened to 3/5/72 (most of what exists) yesterday. my sense is that a reel is missing.

first disc is like a rehearsal. straight up songs.

disc 2 starts with a liquidy, in-the-zone Good Lovin'.

NFA > GDTRFB...exited car.

The rest today.

Good Lovin' is worth a listen.

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10 years 5 months
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How on Earth did that happen...

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9 years 8 months

In reply to by KeithFan2112

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The new Dave's should be waiting for me when I get home.

In the meantime I've been listening to Pure Jerry 1 (July 77 I think) all morning as a way to ease my way into the work week. A 30 min Don't Let Go to start the day puts me in exactly the mood I want to be in today....

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The liner notes for this DaP30 says it is one of Bear's Sonic Journals. I thought all of Bear's known tapes were in the Grateful Dead vault and owned by the Dead. Is this correct? Or is there a whole cache of unknown GD recordings owned by Bear's family (Owsley Foundation) that GD have to negotiate in order to get released (ie: DaP30)?

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8 years 8 months

In reply to by daverock

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...a grateful Monday to all! Daverock no joke, I was playing 5/9/77 from the Grateful Dead boxset Release ! Wow, when you wrote that my hair raised with cosmic activity & connect, hot damn that was so cool! Deffently put a smile on this deadheads face. Thank you brother for all your imput, I dig it! 🙏❤️😎 rock on my brothers & sisters! ✌️🤠
PS. 1/2/70 - ‘Monkey and the Engineer’ performance was a grateful highlight delight from Weir. I wish Tom C. would have performed/played along with Bill & Mickey on this song, it would of been extra primo! 😉

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10 years 4 months

In reply to by JimInMD

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I liked your summary of the band live. It made me think of the fact that they were growing and changing on stage, for all to see and hear. This wasn't a presentation of performance that was tried and tested and guaranteed to work every time. Late 1969-1970 was very transitional as they moved from the acid jams to the songs, while retaining large elements of the former. But it stands to reason that the newer approach, the songs, would be more hit and miss than the acid jams, which had been played for a year or two already. Certainly by 1971 they had the short songs approach down pat. And then they changed again.

I seem to like 1977 this year-but I also feel that sometimes its all just too smooth and...perfect. Coincidence that you also played 5/9/77 this morning Lovemygirl! Its a small world.

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10 years 3 months
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I see I'm not the only one to get that on the id3 tags. Represent, Keith.

Only just received and ripped, haven't listened yet. Anything with a Monkey & The Engineer is OK with me. Did 90 miles an hour down the mainline run.

Anyone pre-order the Rolling Thunder box?

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13 years 2 months
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no email. no tracking number.

customer service is useless.

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12 years 2 months

In reply to by muleskinner_blues

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thanks for the heads up, just preordered my copy. I thought good deal, 14 disc for 75 bucks.

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17 years 1 month
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Hello everyone... any recommendations for awesome Smokestack Lightnings sung by Pigpen... I know 2/13/70 seems to be the consensus as one of the best. I like the one from the Felt Forum from 12/7/71 and 2/19/71 at the Capitol Theatre.... Thanks for any advice... Bob t

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8 years 8 months
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Anybody else hear melody run a lot like Sugar Magnolia around 22:30 in the Bonus Disc Dark Star jam? First Sm is 6 months later.

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