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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • daverock
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    Credit where credits due

    Frank on the Bickershaw review below.....much as I'd like to take credit, its Simon, not me, what wrote it.

    I also attended a mud bath, though-Reading 1977. After three days or so of trekking through the mud, the soles of my shoes literally fell off. Hawkwind-also veterans of Bickershaw 1972- played mid afternoon one day, but it was a bit of a mess all round. I can remember Wayne/Jayne County and the Electric Chairs tried to play and got bottled off. The same thing happened with a reggae band-possibly Steel Pulse. The atmosphere was dominated by loud ,drunk, white, men in their late teens and early 20s-and anything they didn't like they smashed or bottled. Heavy metal and punk were the defining sounds.
    Round about that time it became very unhip to be tolerant of anything. And that mood, as far as I could tell, permeated the 1980s, too. That's in England, I should say- I am not assuming it was like that in America.

  • frankparry
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    Bickershaw

    Great write up Daverock! The closest I ever came to such a scene was a Genesis ‘reunion’ at Milton Keynes Bowl which was a fundraiser for Peter Gabriel’s Womad which, in it’s first year lost a packet. It rained like there was no tomorrow and mud pies were thrown at anyone with a brolly. Got home soaked and caked in mud but very happy even though I had to listen to Talk Talk before Genesis came on.

  • simonrob
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    Bickershaw liner notes for Mustin and others...

    For Mustin123, who asked about how it was to be at Bickershaw and seemingly doesn't have the show on CD, here below are the liner notes that I wrote for that. Indeed Wilfred was correct in identifying me as the responsible party.

    There has been some discussion on here recently about bad shows, fun shows etc. Bickershaw was neither of these. Due to the meteorological combination of a monsoon and an ice age, being there certainly was not fun. I doubt that any of the attendees would say it was a fun experience, but there was some great music played so it certainly wasn't a bad experience either. That the weather had improved by the time the Dead got to play was a big bonus but their performance ensured that the climatic conditions could easily be forgotten. Incidentally, tickets for all three days cost a mere 2.25 pounds

    Anyway, here are the liner notes (note: I was asked to provide more a general overview of the festival than to focus specifically on the Dead's performance) :

    Bickershaw was a place that I had never heard of, but it was hosting a festival and the Grateful Dead were going to be there for the only festival appearance of their European tour. This was too good to miss. While the good-time peace-and-love festival ethos had come to an abrupt end in America at Altamont in late 1969 (indeed the Dead had been scheduled to play there but had declined shortly before their performance due to the situation), festivals in England were still pretty cool and relaxed.
    Bickershaw turned out to be a small coal-mining village that time had largely forgotten. The festival site was on the wrong side of the tracks, literally. Having crossed the colliery railway sidings it was immediately apparent that the site was a desolate swamp complete with reed beds and a lake. There was also a lake at Woodstock and we had all seen the beautiful people skinny-dipping in the sunshine. Here it was different. Here there was a sign by the lake with the terse warning “Crap in water, do not drink”. To make matters worse, the weather was bad. It was unseasonably cold with frequent rain that continued for most of the three days of the event and there was a bitter wind. At least nobody was likely to consider swimming in the toxic pond. As I recall, most of the site was covered in a layer of mud and in places it was seriously deep. There was no way the mud at Woodstock could compare with this stuff. This was going to be all about survival and it was obvious from the outset that only the music could provide salvation. We just had to hope.
    During the first two days there was enough good music and other distractions to keep the hypothermia at bay. The other distractions included such oddities as fire-eaters, acrobats, high-wire cyclists, an aerial display and high divers. Friday’s highlights included a fine performance from Dr. John who liberally sprinkled the audience with mystical gris-gris powder. The final act on Saturday was Captain Beefheart and his Magic Band who played an awesome and astonishing set the likes of which I had never seen before – or since. Large video screens on either side of the stage added to the experience. Finally Sunday – the day of the Dead – dawned, cold and grey. Still trying to come to terms with what the Captain had done to my brain, I evicted a frog from my wet sleeping bag and settled down to listen to the day’s musical offerings. In front of the stage things had taken a distinct turn for the worse when the tank used by the divers was simply emptied onto the already muddy ground creating a quagmire of unprecedented proportions. In the afternoon the New Riders of the Purple Sage played a fine set, but it was more suited to sunny California than the tempest that we were enduring in northern England. Despite the conditions, the crowd remained, defying the weather. It was obvious why most people stuck it out to the end – they wanted to see the Grateful Dead and a bit of inclement weather was not going to get in the way of that.
    At last it was time for the grand finale – and the Dead did not disappoint. The first set was powerful enough to drive away the rain clouds and for the first time in three days the sun appeared. Things were definitely looking good. Around this time the fences around the site disappeared, presumably blown down by the arctic winds or stolen for scrap metal. This allowed the villagers come and see what was happening and whole families showed up to gaze at the spectacle. It must have looked like Armageddon to them. By now the Dead were back on stage for their second set, playing to this surreal mixture of mud-caked long-haired freaks and coal miners in their best Sunday clothes with their wives and kids in tow. As the set progressed, the music ascended to ever higher planes. Cultural differences melted away as hippies and miners grooved together. Things got even better as Dark Star > The Other One was complimented by an impressive firework display. The band were obviously up for it as they played on and on despite the cold. Sadly, all good things must come to an end and after a seemingly endless performance it was all over and we were left standing in a dark, cold swamp trying to take in what we had just experienced. It was true – there really was nothing like a Grateful Dead performance. Due to the magic of the music and the resilience of the estimated 30,000 attendees, the vast majority appeared to have had a great time despite the conditions which, by the end, had paled into insignificance.

  • fourwindsblow
    Joined:
    DeadVikes - Warlocks Box Mix

    Mixing - Mike McGinn, He also did JFK '89 and maybe one other. These don't sound as good as they should have. The Don Pearson Ultramatrix cassettes sound way better.

  • carlo13
    Joined:
    Jasmine

    I was just burning some jasmine incense and remembered coming home in the mid eighties from a stretch of dead shows on the east coast and reeking of jasmine and patchouli sweat. I remember those religious fliers that were passed around with the cool illustrations even though I was always an atheist. also passing around Greenpeace fliers and stickers that
    we would get from donations to GP. I'm sure some of you guys remember those fliers. Everytime I smell jasmine and frankincense it reminds me of those days.

  • Vguy72
    Joined:
    😊🙃🙂😉❣✌🤙...

    ....Thank you Mustin. You are correct, kind sir. I stand corrected,, for all the right reasons. All lumped together though, but I can figure it out.
    Another reason why this is the kindest corner of the internet.

  • wilfredtjones
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    mustin321

    Sent you a PM.

  • mustin321
    Joined:
    VGUY

    All of the Road Trips are on Spotify as well. You gotta look under the compilations section.

  • Vguy72
    Joined:
    E72 is on Spotify....

    ....as Mustin said. DP's too. No Daves or Road Trips.

  • billy the kid
    Joined:
    Bob T / Cassidy

    The song Cassidy, is also written partly about Neal Cassidy, besides Cassidy Law. Also, some of the lyrics refer to the death of John Barlow's father. But your right the song is named after Cassidy Law.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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In reply to by CaseyJanes

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. How’s it hanging! Hope all is well 👌🏻

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In reply to by nappyrags

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So can we buy it or what?

I wanna keep it forever and ever...

Old school, I know but streaming isn't permanent.

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I wonder if they will put a physical copy out of this.

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In reply to by billy the kid

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....very interesting. Stream only format. 2 1/2 hrs. Only 4 minutes deadicated to Cumberland though :(

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In reply to by The Good Ole G…

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Agreed, don't see it anywhere.

I like physical copies also. NOTHING streams forever.

If it's being given away, send us a link to a mp3 location. (at minimum)

Maybe at the very minimum, send a link to DaP subscriptions. (oh, that maybe a little self serving, sorry)
But I have no fear, a link will be provided AND a resourceful Head will get them down and out.

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They said they found these in a bunch of unlabled boxes, maybe 6/17/75 and 6/11/69 were also in those boxes, or maybe more live 1970 shows.

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Nice synchronicity of having to listen to that slab of pure cheese in the dentist's office, because whenver I hear "Summer of '69" it's like having a tooth pulled.

I listen to classic rock radio in the background all day at work. I can't be too engaged in it, like constantly selecting and changing music, etc., so the local rock station just plays songs all day long. It's mostly ok, hell, they even play the Dead every once in awhile even if it's usually "Touch Of Grey."

Probably the cheesiest, absolutely most cringe-inducing vehicle of sonic crappiness has to be Bruce Springsteen's, "Born In The USA." The keyboards are the cheesiest ever, and the Boss wailing over it in that I've-really-got-to-take-a-dump voice of his is just too much, not to mention the full-on patriotic velveeta of the lyrics.

There are a few others that rankle me, like anything by Bon Jovi, but I think "USA" takes the cake.

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I fully agree with ledded. The most puke inducing music on the planet. Especially 'thunder road'.

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In reply to by carlo13

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....did you know he was a draft dodger? Born In The USA ok. But won't fight for it. My 2 cents.

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Ever see the Burns Doc 'The Vietnam War'? I wouldn't want to fight in that shit either. Government lies to you and knows it can't win, yet drafts it's young men into the meat grinder. Sign me up! :-P

Not a huge fan of Springsteen's music, but until your number comes up you never know what you will do.

This my country right or wrong jingo bullshit is how we ended up where we are now. Cough cough. USA!

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In reply to by wilfredtjones

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I would think that Bruce Springsteen has quite a few rivals in the awful record category in classic rock. Pity they don't have station for real rock n' roll. Or maybe surreal rock n' roll.

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Born in the USA....now I’m no Bruce fan, yes he’s a good entertainer, and he wrote some good songs, but his actual talent as a musician etc is limited, and that band sounded like a wedding band, not a R&R band. But.....But, I really enjoyed his mostly solo On Broadway special. You could actually hear the lyrics and he is a good entertainer and story teller. He ought to perform like that all the time. And I’m not sure, but I believe Born In USA is actually an anti USA song not a wave that flag,....I think?

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Yes, I have heard that it was subversively a protest song. Looking at the lyrics I don't know how that could have been. It's quite obvious when you read them. Maybe since the only words anyone could probably understand was the refrain was why it became misunderstood as a 'patriotic' song. :-)

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I would like to add, I respect Springsteen as a songwriter. Like it or not, feel a part of it or not, he has given voice to a great number of Americans. I'm kind of iffy about that voice in totality, but I'm a big fan of songs like Cover Me, I'm On Fire, Brilliant Disguise, State Trooper (chilling!), Radio Nowhere and others.

It's a mixed bag and he's so prolific, I'd probably say I'm a real fan of 5 to 10 percent of his recorded output. Saw him live right after 9/11, and he only played like two hits and they were the cheese! Born To Run and the aforementioned nationalist jingo "USA." He'd just released that political album and spent so much time on the soapbox. Yes, I agree with his politics, but it was such a drag! We bought those tickets to go rock out live not attend a partisan rally.

The best songs are full of ambiguities and sometimes the writers themselves change their mind about what the words mean over time, and this is a good thing. "USA" touches on the horrors of war, but also that chorus was like a redneck Chevy truck commercial.

No matter. You don't generally get where Bruce is without learning a hell of a lot about your craft, working very hard and earning your connection to your audience. No disrespect to the Boss or any of his fans - I just can't take the "cheese."

\m/

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Our 4th of July if you were wondering. Eh.

Have a grateful weekend averyone and stay safe.

PS. Sounds like hockey is on it's way for those still interested! Can't wait!

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In reply to by wilfredtjones

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Yeah, yeah, I agree, He supposedly has these great lyrics, but you can’t understand them especially over the smashing garbage can lids and Casio toy keyboard, or the overly eq’d piano., and three guitars mostly playing nothing....shit sounds like a wedding band to me, and no disrespect to the big man, but he wasn’t no Coltrane.... that’s why I dug that Solo On Broadway we saw on Netflix....you could actually hear the lyrics and he’d sometimes set up the songs or meanings. I’ve never been a fan, but in this format he was awesome!

EDIT: Happy Canada Day to our fine brothers and sisters in the great white north! (Cue the beer hunter music from the Great White North movie with Bob and Doug, hosers! ) Hey, I’m part Canadian so I can say that lol

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In reply to by Oroborous

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Hey Dennis & Billy The Kid...check your PM's....

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Today I had to drive into town (Flagstaff, AZ 90 miles one way) to pick up a new external Hard Drive as one of my drives ate it a couple of days ago...it was an 8TB drive that I've had for a few years...I learned the hard way about ten years ago of backing up the back ups so no music was lost, only time & Ca$h...my drive takes me through Ponderosa Pine forests as I climb up and over the south end of the San Francisco Peaks, but even at that altitude and forest we're pretty much considered high desert...so I played this anniversary show, a Hunter Seamons Matrix...

GRATEFUL DEAD
SEATTLE CENTER COLISEUM
SEATTLE, WA
JULY 1, 1979

JERRY GARCIA - Lead Guitar, Vocals
MICKEY HART - Drums
BILL KREUTZMANN - Drums
PHIL LESH - Electric Bass, Vocals
BRENT MYDLAND - Keyboards, Vocals
BOB WEIR - Rhythm Guitar, Vocals

CD ONE
1 - TUNING (3:47)
2 - MISSISSIPPI HALF-STEP UPTOWN TOODELOO > (8:31)
3 - FRANKLIN’S TOWER (13:33)
4 - MAMA TRIED > (2:34)
5 - MEXICALI BLUES (5:55)
6 - PEGGY-O (9:53)
7 - MINGLEWOOD BLUES (8:25)
8 - STAGGER LEE (8:12)
9 - EL PASO (5:50)
10 - BROWN EYED WOMEN (7:15)
11 - PASSENGER (5:51)

CD TWO
1 - TUNING (2:00)
2 - DON’T EASE ME IN (5:09)
3 - SAMSON AND DELILAH (11:32)
4 - SUGAREE (16:38)
5 - TERRAPIN STATION > (12:03)
6 - PLAYING IN THE BAND > (13:53)
7 - DRUMS > (9:27)

CD THREE
1 - SPACE > (3:43)
2 - STELLA BLUE > (10:42)
3 - TRUCKIN’ > (9:29)
4 - AROUND AND AROUND (11:10)
5 - SHAKEDOWN STREET (8:40)

Mission successful ...new drive in hand and my ears are ringing...

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Nappyrags, thank you for sending me that information on the Workingmans dead outakes. I tried to send you a pm back about it , but I don't know that it went through. I downloaded the file you sent me but my Kindle Fire would'nt let me open it. I'm not very computer savy, so it's probably something I did wrong. I'm much better with a pick and shovel then I am with a computer. Anyways, thanks again man.

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Thanks JRF,,,, let me wipe the tears, there, better. Great cover, great guitar by Tom. A few years back there was a special "music cares". They had people doing Bruce songs, while thanking him. Anyway, Tom Morello and Jim James (from My Morning Jacket), knock this bitch out of the park with jamming at the end. (Alabama Shakes did an incredible job on Adam Raise a Cain)

All the Bruce talk yesterday and it seemed not much Bruce love here :-) I like Bruce (I have to, I'm from Jersey), but really I found Bruce at a low point in my life and his songs gave me hope. And Darkness on the Edge of Town, maybe his best album. The River next. (is a dream a lie if it don't come true, or is it something worst). His happier songs (bouncy?) remind me of the roller rink, and I grew up there. :-)

Tonight I'll be on that hill 'cause I can't stop,
I'll be on that hill with everything I got,
With lives on the line where dreams are found and lost,
I'll be there on time and I'll pay the cost,
For wanting things that can only be found
In the darkness on the edge of town.

Nappy - Thanks for email, down and done. FYI - I too just bought a new HD. Got a 10tb Seagate. My old one didn't croak, but I outgrew (kinda). In any event, now I got some working room :-)

We got any old main frame computer people out there? IBM 360 days. The old 2314's disk units were 30 meg drives and they were about the size of a washing machine and ran 200,000 bucks each. Today 10TB sits on the corner of my desk!!! Progress!!

Final Jeopardy question - Is a 10 TB drive heavier when full?

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In reply to by Dennis

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I was actually watching a concert on blu ray with Bruce Springsteen in the band earlier this week - the so called Black and White Night by Roy Orbison. Bruce sings back up vocals and plays perfectly adequate rhythm guitar. He doesn't come off too well trading solos with James Burton-but apart from Albert Lee, I can't think of anyone who would.

He also co-wrote the immortal Because the Night with, and of course sung by Patti Smith. One of the great singles of the late 70s. I have never heard any of his albums though. The bits and bobs I have heard by him with his band don't sound too promising, I have to say.

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Well, you all have forced me to chime in. My first reaction to the negative Springsteen dialogue was to get defensive. Thankfully, I remembered that we all don’t have to like the same music all the time. I dislike a number of bands discussed here, but never felt a great need to bring it up.
I was mid-late teens when Bruce released his first few albums, so lyrically, I could relate( a LOT). Being an east coast kid helped also(I believe). He is not a technically great musician, but as a showman, I put him way, way up there. Some of my favorite parts of his shows were the between song stories he told. I could really relate. And this “wedding band” stuff. I don’t agree, but usually, when people slam stuff they don’t like or understand, they use these typically pejorative generalizations.
I always loved his use of organ & piano live, it sounded fantastic to me. And the band had at times, a stone heavy “Neanderthal” thump, which I also liked. In any case, after The River album, I was pretty much done with Bruce, I no longer related as much to the lyrics, and he did get REAL poppy.
Sometimes I think one has to hear an artist at just the right time & place to “get it”.
It was good to hear from DAVEROCK, who’s opinion I always respect. I believe that some bands don’t cross over well, UK to US, and vice-versa. Not sure why, but it may be culturally driven. I LOVE, LOVE, LOVE , a ton of UK & European bands, yet others, I just don’t get. No big deal I suppose.
We (thankfully) are all allowed to like & dislike whatever bands we choose. In this forum, we generally share a lot of the same likes. So, I don’t really feel the need to defend Bruce, I still pretty much only listen to the first 5 albums.
But it’s in the WAY that some folks deride, that shows a bias & maybe even a little bitterness.
When it comes to music, I’m only about beauty, love, and especially, discovery.
That Tom Joad clip gave me goose flesh, and the lyrics are so appropriate TODAY!!

P.S. one of my favorite things about music is I get to listen & love so many different styles. The Beatles, GFR, Black Sabbath, Miles Davis, Cream, Steppenwolf, John Coltrane, Terry Riley, XTC, The Grateful Dead(!!), Bill Frisell, Johnny Cash, The Carter Family, Steve Reich, Kraftwerk, Iron & Wine, James Gang, Deep Purple, Doc Watson, Steve Marcus, Jack DeJohnette...I really could go on for days.
Music is the BEST!!!!!!
C’mon WD 50th, and Dave’s 35!!
Stay safe and healthy all.

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Well said. I'll never understand why some feel the need to shit on things, especially something so subjective as music, ... other than they love to get a negative reaction from others. It's gotten pretty thorny around here lately.

We all learned it through fairy tales, but it still holds true today: Don't feed the trolls.

Peace

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Born In the U.S.A.--Incredibly powerful ANTI-jingoist song. The fact that it comes across as a wrap-your-head-in-the-flag anthem is part of its brilliance. The song is actually coming down on jingoists who exhort us into war, then crap all over the soldiers by voting for politicians who strip away veteran benefits.

Please listen to Bruce's first two albums, THEN tell me you don't care for him! :)

Has he gotten schlocky since Tunnel of Love? In my mind, yes. But to discredit everything through Tunnel is a bit drastic. Not many rockers put out great albums for decades and decades . . . and check out some of his 70s live shows. Wow.

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Dennis, thank you very much. I hope you have a great day.

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In reply to by Mr. Ones

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Mr Ones - spot on as usual. It seems true that music I have liked for decades is at least partly due to the time and place when I first heard it. Maybe great music needs a receptive listener to make it truly make it great. And to criticize an artist shows the limitations of the listener rather than the musician concerned.
A lot of music I liked as a teenager still sounds great to me - but if I played it to one of my friends who is over 60, who had never heard it before, I am sure they wouldn't get it. Albums like "Electric Warrior" Paranoid" and "Space Ritual" weren't made with retired people in mind. But if you were 16 and its 1973...
I would also agree that some music travels better abroad than others.

Billy the Kid...thanks for posting that clip showing Jerry jamming with James Burton. Great stuff - I have never seen that before.

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In reply to by stoltzfus

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Still waiting for Dap 34. It's a bummer. 63 days have gone since shipping.
Having a Hebedanz Anna-Fest Bier to compensate.
Just Listened to 1971-07-02, Fillmore West. It was also a great year. I really enjoyed!!!
Gerd

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In reply to by Deadheadbrewer

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Yes it is not really jingoist, Born in the U.S.A., and I do like Bruce S.. Yet I do understand that not everyone does. Criticism is fine and often funny. That Lee Greenwood song is not really jingoistic either but rather it is just kind of corny. No offense intended to anyone.

P.S. Bruce's Gypsy Biker is quite a good anti-war song (Iraq) and very moving.

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Good call! Man, it's been forever since I tuned that one in. Probably on tape, an early show to my collection.

Thanks for mentioning.

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Shipping notice 5/26. Actually shipped 6/22. I was watching the street, but missed the mail carrier, so it sat for a spell in a black mailbox in the direct sun on the hottest, sunniest MN day yet this summer. Hope the vinyl didn't melt! #2017.

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Hello, I recently got a Spring 1990 The Other One Box except it came without the 144 page book. I was wondering If anyone had an extra book they would be willing to sell me here. I see individual shows from this set posted on eBay from time to time so assume they may be out there. If you got an extra or know where to find one please PM me. Many thanks

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In reply to by Cactus_Jack

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Big Hello to JRF and thanks for that awesome TJ with Morello. One of those instances when it caught me off guard and just right.

BILLY THE KID: ditto, thanks for the awesome postS. Can you see how happy Jerry was? I swear as magnificent as the Dead is I sometimes feel I’d rather watch JG with other folks in low profile situations, which is what I did for a while after your Sweetwater songs. Los Lobos, Santana, you name it he could step in and just fly. Think back to all the awesome projects he was working on in the later years that had little or nothing to do with the Dead and it’s really quite a list of really great stuff. As has been speculated before.....have to wonder what might of been if they would have just taken some time off and/or not toured so much. Did the Dead inadvertently kill Jerry?...

6/21/84: I was there, and don’t recall much except we dropped right on the international border going over the peace bridge, and yeah, that was a blistering Scarlet/Fire, oh and the Band was good, and fun on the encores including I think my first Big Boss Man?

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