Dave’s Picks Volume 34: Jai Alai Fronton, Miami, FL 6/23/74

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April 21, 2020 - 9:32am

2,197 replies

clayv

Joined:
March 14, 2018

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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April 30, 2020 - 1:08pm

#1841

simonrob

Joined:
June 7, 2007

Europe '72 Dark Stars...

5/11/1972 Rotterdam is one of my all time favourites.
5/7/1972 Bickershaw was the one I was fortunate enough to to witness.
April 30, 2020 - 12:51pm

#1842

Sixtus_

Joined:
November 8, 2014

Ok, All This Talk

...about Europe '72 Dark Stars. It's time to share this one again. I amassed detailed listens to all of them a few years back as I awaited Boxzilla:

4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.

Final Verdict(s): It is a very close tie between 4/14 and the second half from 5/4. I put these on the pedestal due to the crazy, intense jams surrounding the Feelin Groovy sequences. They are just interstellar. Part of me also wanted to simply catalog which Dark Stars included a Feelin Groovy jam from the '72 trunk, so I feel my work is done and I can rest easy. I'd be delighted to hear if any others had similar, or more excitingly, differing thoughts.

Sixtus
April 30, 2020 - 12:12pm

#1843

farhansaqib444

Joined:
April 29, 2020

Update about Corona April 2020

Nice overview about corona and I've found number about corona april 2020

http://www.careermalls.com/corona-live-update-april-2020-death-rate-liv…
April 30, 2020 - 11:43am

#1844

Dennis

Joined:
November 1, 2012

Stoltz & Coworkers

To the coworker for whom without the rest of us would have no one to blame.

5-Branch - nice summing up on last paragraph about Dark Star, Denmark.
April 30, 2020 - 11:35am

#1845

stoltzfus

Joined:
January 13, 2010

some coworkers...

get on my FUCKING NERVES.

just had to say that.
April 30, 2020 - 11:35am

#1846

stoltzfus

Joined:
January 13, 2010

Rubber Bowl

or Bowl of Rubbers

just so easy
April 30, 2020 - 11:34am

#1847

stoltzfus

Joined:
January 13, 2010

Dark Star

the apex of GD
April 30, 2020 - 11:23am

#1848

Angry Jack Straw

Joined:
October 2, 2012

4/14 Dark Star

In my journey through the entire E72 tour, that has been the one song that has moved up considerably on my "favorites" list. I somehow forgot how good it was. I've taken to listening again on the off nights.

One thing I find cool about this tour is the actual theaters in which the band played. I've spent a good deal of time this go-around reading more about the venues and looking at photos. Truly amazing places. That must have made the experience all the more special for those in attendance. They sure are nicer than the Rubber Bowl in Akron.

The other thing I find interesting is the location of the shows. Aside from Denmark and Munich, all the shows are heavily concentrated in the Northeast corner of Europe. It seems as though they could have spread out a bit more.
Hell, if you are going to play Munich and have five days off before your next show, you might as well play Salzburg.
April 30, 2020 - 11:02am

#1849

Charlie3

Joined:
September 21, 2015

Interludes of Chaos

For me, the chaotic interludes in Dark Stars just serve to make the return of the melody that much sweeter a release after the tension of the chaos. Sort of like that transition from slipping around in your own skin peaking to that sweet feeling afterglow for the last few hours, when it feels like your skin fits again and you recognize that person in the mirror.
April 30, 2020 - 10:34am

#1850

Deadheadbrewer

Joined:
February 2, 2010

10/16: LIG, Deal, and that second set!!

:-O

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

Ohhhh okay kcj

. How’s it hanging! Hope all is well 👌🏻

Mas info...

https://lnk.to/theangelsshare?eml=2020July1/5029660/6131962&etsubid=394…

The Angel's Share

So can we buy it or what?

I wanna keep it forever and ever...

Old school, I know but streaming isn't permanent.

Dead outakes

I wonder if they will put a physical copy out of this.

The Angel's Share....

....very interesting. Stream only format. 2 1/2 hrs. Only 4 minutes deadicated to Cumberland though :(

Angel or Devil!?!

Agreed, don't see it anywhere.

I like physical copies also. NOTHING streams forever.

If it's being given away, send us a link to a mp3 location. (at minimum)

Maybe at the very minimum, send a link to DaP subscriptions. (oh, that maybe a little self serving, sorry)
But I have no fear, a link will be provided AND a resourceful Head will get them down and out.

Dead outakes

They said they found these in a bunch of unlabled boxes, maybe 6/17/75 and 6/11/69 were also in those boxes, or maybe more live 1970 shows.

Wish list for lost Soundboards

8/18/70
8/19/70

I’d be beyond thrilled if soundboards of these exist in our universe

Soundboard pipe dream

Port Chester November 70

Sitting in dentist office

Want to check out Angels Share
But gotta hear Bryan Adams muzak instead

"SUMMER OF '69"

GD 69 yes

Summer of '69

Nice synchronicity of having to listen to that slab of pure cheese in the dentist's office, because whenver I hear "Summer of '69" it's like having a tooth pulled.

I listen to classic rock radio in the background all day at work. I can't be too engaged in it, like constantly selecting and changing music, etc., so the local rock station just plays songs all day long. It's mostly ok, hell, they even play the Dead every once in awhile even if it's usually "Touch Of Grey."

Probably the cheesiest, absolutely most cringe-inducing vehicle of sonic crappiness has to be Bruce Springsteen's, "Born In The USA." The keyboards are the cheesiest ever, and the Boss wailing over it in that I've-really-got-to-take-a-dump voice of his is just too much, not to mention the full-on patriotic velveeta of the lyrics.

There are a few others that rankle me, like anything by Bon Jovi, but I think "USA" takes the cake.

Bruce/ledded

I fully agree with ledded. The most puke inducing music on the planet. Especially 'thunder road'.

Bruce the Juice....

....did you know he was a draft dodger? Born In The USA ok. But won't fight for it. My 2 cents.

Draft Dodger

Ever see the Burns Doc 'The Vietnam War'? I wouldn't want to fight in that shit either. Government lies to you and knows it can't win, yet drafts it's young men into the meat grinder. Sign me up! :-P

Not a huge fan of Springsteen's music, but until your number comes up you never know what you will do.

This my country right or wrong jingo bullshit is how we ended up where we are now. Cough cough. USA!

classic rock..ugh

I would think that Bruce Springsteen has quite a few rivals in the awful record category in classic rock. Pity they don't have station for real rock n' roll. Or maybe surreal rock n' roll.

Just a thought about..

Born in the USA....now I’m no Bruce fan, yes he’s a good entertainer, and he wrote some good songs, but his actual talent as a musician etc is limited, and that band sounded like a wedding band, not a R&R band. But.....But, I really enjoyed his mostly solo On Broadway special. You could actually hear the lyrics and he is a good entertainer and story teller. He ought to perform like that all the time. And I’m not sure, but I believe Born In USA is actually an anti USA song not a wave that flag,....I think?

oro

Yes, I have heard that it was subversively a protest song. Looking at the lyrics I don't know how that could have been. It's quite obvious when you read them. Maybe since the only words anyone could probably understand was the refrain was why it became misunderstood as a 'patriotic' song. :-)

Jingoistic-Cringe?!?!

Lee Greenwood: I'm Proud to be an American.

Atlantic City

I would like to add, I respect Springsteen as a songwriter. Like it or not, feel a part of it or not, he has given voice to a great number of Americans. I'm kind of iffy about that voice in totality, but I'm a big fan of songs like Cover Me, I'm On Fire, Brilliant Disguise, State Trooper (chilling!), Radio Nowhere and others.

It's a mixed bag and he's so prolific, I'd probably say I'm a real fan of 5 to 10 percent of his recorded output. Saw him live right after 9/11, and he only played like two hits and they were the cheese! Born To Run and the aforementioned nationalist jingo "USA." He'd just released that political album and spent so much time on the soapbox. Yes, I agree with his politics, but it was such a drag! We bought those tickets to go rock out live not attend a partisan rally.

The best songs are full of ambiguities and sometimes the writers themselves change their mind about what the words mean over time, and this is a good thing. "USA" touches on the horrors of war, but also that chorus was like a redneck Chevy truck commercial.

No matter. You don't generally get where Bruce is without learning a hell of a lot about your craft, working very hard and earning your connection to your audience. No disrespect to the Boss or any of his fans - I just can't take the "cheese."

\m/

In case you missed it...

https://www.rollingstone.com/music/music-features/grateful-dead-working…

Happy Canada Day!

Our 4th of July if you were wondering. Eh.

Have a grateful weekend averyone and stay safe.

PS. Sounds like hockey is on it's way for those still interested! Can't wait!

WTJ

Yeah, yeah, I agree, He supposedly has these great lyrics, but you can’t understand them especially over the smashing garbage can lids and Casio toy keyboard, or the overly eq’d piano., and three guitars mostly playing nothing....shit sounds like a wedding band to me, and no disrespect to the big man, but he wasn’t no Coltrane.... that’s why I dug that Solo On Broadway we saw on Netflix....you could actually hear the lyrics and he’d sometimes set up the songs or meanings. I’ve never been a fan, but in this format he was awesome!

EDIT: Happy Canada Day to our fine brothers and sisters in the great white north! (Cue the beer hunter music from the Great White North movie with Bob and Doug, hosers! ) Hey, I’m part Canadian so I can say that lol

Whoopeee....

Hey Dennis & Billy The Kid...check your PM's....

and by the way...

I prefer "Born In East L.A." ...because i was...

And by the way again...

Today I had to drive into town (Flagstaff, AZ 90 miles one way) to pick up a new external Hard Drive as one of my drives ate it a couple of days ago...it was an 8TB drive that I've had for a few years...I learned the hard way about ten years ago of backing up the back ups so no music was lost, only time & Ca$h...my drive takes me through Ponderosa Pine forests as I climb up and over the south end of the San Francisco Peaks, but even at that altitude and forest we're pretty much considered high desert...so I played this anniversary show, a Hunter Seamons Matrix...

GRATEFUL DEAD
SEATTLE CENTER COLISEUM
SEATTLE, WA
JULY 1, 1979

JERRY GARCIA - Lead Guitar, Vocals
MICKEY HART - Drums
BILL KREUTZMANN - Drums
PHIL LESH - Electric Bass, Vocals
BRENT MYDLAND - Keyboards, Vocals
BOB WEIR - Rhythm Guitar, Vocals

CD ONE
1 - TUNING (3:47)
2 - MISSISSIPPI HALF-STEP UPTOWN TOODELOO > (8:31)
3 - FRANKLIN’S TOWER (13:33)
4 - MAMA TRIED > (2:34)
5 - MEXICALI BLUES (5:55)
6 - PEGGY-O (9:53)
7 - MINGLEWOOD BLUES (8:25)
8 - STAGGER LEE (8:12)
9 - EL PASO (5:50)
10 - BROWN EYED WOMEN (7:15)
11 - PASSENGER (5:51)

CD TWO
1 - TUNING (2:00)
2 - DON’T EASE ME IN (5:09)
3 - SAMSON AND DELILAH (11:32)
4 - SUGAREE (16:38)
5 - TERRAPIN STATION > (12:03)
6 - PLAYING IN THE BAND > (13:53)
7 - DRUMS > (9:27)

CD THREE
1 - SPACE > (3:43)
2 - STELLA BLUE > (10:42)
3 - TRUCKIN’ > (9:29)
4 - AROUND AND AROUND (11:10)
5 - SHAKEDOWN STREET (8:40)

Mission successful ...new drive in hand and my ears are ringing...

I had to come out of hiding...won't bother you, but for this...

https://www.youtube.com/watch?v=B-c6GphpAeY
I'm not a huge Springsteen guy, but this rocks...
Be safe, be smart, be kind.

Nappyrags/ Workingman's Dead outakes

Nappyrags, thank you for sending me that information on the Workingmans dead outakes. I tried to send you a pm back about it , but I don't know that it went through. I downloaded the file you sent me but my Kindle Fire would'nt let me open it. I'm not very computer savy, so it's probably something I did wrong. I'm much better with a pick and shovel then I am with a computer. Anyways, thanks again man.

Angle Band/ The Stanley Brothers

https://m.youtube.com/watch?v=WIHFxIQfSxc I saw Ralph Stanley open up for Bill Monroe back in 1980, very cool show . David Nelson and Sandy Rothman were both in the audience and Sandy Rothman got up and played with Bill Monroe.

JRF, Bruce & Nap-Man

Thanks JRF,,,, let me wipe the tears, there, better. Great cover, great guitar by Tom. A few years back there was a special "music cares". They had people doing Bruce songs, while thanking him. Anyway, Tom Morello and Jim James (from My Morning Jacket), knock this bitch out of the park with jamming at the end. (Alabama Shakes did an incredible job on Adam Raise a Cain)

All the Bruce talk yesterday and it seemed not much Bruce love here :-) I like Bruce (I have to, I'm from Jersey), but really I found Bruce at a low point in my life and his songs gave me hope. And Darkness on the Edge of Town, maybe his best album. The River next. (is a dream a lie if it don't come true, or is it something worst). His happier songs (bouncy?) remind me of the roller rink, and I grew up there. :-)

Tonight I'll be on that hill 'cause I can't stop,
I'll be on that hill with everything I got,
With lives on the line where dreams are found and lost,
I'll be there on time and I'll pay the cost,
For wanting things that can only be found
In the darkness on the edge of town.

Nappy - Thanks for email, down and done. FYI - I too just bought a new HD. Got a 10tb Seagate. My old one didn't croak, but I outgrew (kinda). In any event, now I got some working room :-)

We got any old main frame computer people out there? IBM 360 days. The old 2314's disk units were 30 meg drives and they were about the size of a washing machine and ran 200,000 bucks each. Today 10TB sits on the corner of my desk!!! Progress!!

Final Jeopardy question - Is a 10 TB drive heavier when full?

The big O

I was actually watching a concert on blu ray with Bruce Springsteen in the band earlier this week - the so called Black and White Night by Roy Orbison. Bruce sings back up vocals and plays perfectly adequate rhythm guitar. He doesn't come off too well trading solos with James Burton-but apart from Albert Lee, I can't think of anyone who would.

He also co-wrote the immortal Because the Night with, and of course sung by Patti Smith. One of the great singles of the late 70s. I have never heard any of his albums though. The bits and bobs I have heard by him with his band don't sound too promising, I have to say.

Billy the Kid

check you pm's

Good Music

Well, you all have forced me to chime in. My first reaction to the negative Springsteen dialogue was to get defensive. Thankfully, I remembered that we all don’t have to like the same music all the time. I dislike a number of bands discussed here, but never felt a great need to bring it up.
I was mid-late teens when Bruce released his first few albums, so lyrically, I could relate( a LOT). Being an east coast kid helped also(I believe). He is not a technically great musician, but as a showman, I put him way, way up there. Some of my favorite parts of his shows were the between song stories he told. I could really relate. And this “wedding band” stuff. I don’t agree, but usually, when people slam stuff they don’t like or understand, they use these typically pejorative generalizations.
I always loved his use of organ & piano live, it sounded fantastic to me. And the band had at times, a stone heavy “Neanderthal” thump, which I also liked. In any case, after The River album, I was pretty much done with Bruce, I no longer related as much to the lyrics, and he did get REAL poppy.
Sometimes I think one has to hear an artist at just the right time & place to “get it”.
It was good to hear from DAVEROCK, who’s opinion I always respect. I believe that some bands don’t cross over well, UK to US, and vice-versa. Not sure why, but it may be culturally driven. I LOVE, LOVE, LOVE , a ton of UK & European bands, yet others, I just don’t get. No big deal I suppose.
We (thankfully) are all allowed to like & dislike whatever bands we choose. In this forum, we generally share a lot of the same likes. So, I don’t really feel the need to defend Bruce, I still pretty much only listen to the first 5 albums.
But it’s in the WAY that some folks deride, that shows a bias & maybe even a little bitterness.
When it comes to music, I’m only about beauty, love, and especially, discovery.
That Tom Joad clip gave me goose flesh, and the lyrics are so appropriate TODAY!!

P.S. one of my favorite things about music is I get to listen & love so many different styles. The Beatles, GFR, Black Sabbath, Miles Davis, Cream, Steppenwolf, John Coltrane, Terry Riley, XTC, The Grateful Dead(!!), Bill Frisell, Johnny Cash, The Carter Family, Steve Reich, Kraftwerk, Iron & Wine, James Gang, Deep Purple, Doc Watson, Steve Marcus, Jack DeJohnette...I really could go on for days.
Music is the BEST!!!!!!
C’mon WD 50th, and Dave’s 35!!
Stay safe and healthy all.

Jerry Garcia/ Sammy Hagar at the Sweetwater

https://m.youtube.com/watch?v=ZY6-kJlxwZc. The Sweetwater was a small bar up in Mill Valley, I saw Elizabeth Cotton play there once. Mitch Woods is on the piano, what a memorable night this would have been.

Dave Rock/ Jerry Garcia & James Burton

https://m.youtube.com/watch?v=ZAJuRK9x4No. There is one guy who can trade solos with James Burton.

@ Mr. Ones

Well said. I'll never understand why some feel the need to shit on things, especially something so subjective as music, ... other than they love to get a negative reaction from others. It's gotten pretty thorny around here lately.

We all learned it through fairy tales, but it still holds true today: Don't feed the trolls.

Peace

The Boss

Born In the U.S.A.--Incredibly powerful ANTI-jingoist song. The fact that it comes across as a wrap-your-head-in-the-flag anthem is part of its brilliance. The song is actually coming down on jingoists who exhort us into war, then crap all over the soldiers by voting for politicians who strip away veteran benefits.

Please listen to Bruce's first two albums, THEN tell me you don't care for him! :)

Has he gotten schlocky since Tunnel of Love? In my mind, yes. But to discredit everything through Tunnel is a bit drastic. Not many rockers put out great albums for decades and decades . . . and check out some of his 70s live shows. Wow.

Dennis

Dennis, thank you very much. I hope you have a great day.

Guten Tag y'all

6 21 84
4 27 84
9 2 68
3 3 68

Very good music

Mr Ones - spot on as usual. It seems true that music I have liked for decades is at least partly due to the time and place when I first heard it. Maybe great music needs a receptive listener to make it truly make it great. And to criticize an artist shows the limitations of the listener rather than the musician concerned.
A lot of music I liked as a teenager still sounds great to me - but if I played it to one of my friends who is over 60, who had never heard it before, I am sure they wouldn't get it. Albums like "Electric Warrior" Paranoid" and "Space Ritual" weren't made with retired people in mind. But if you were 16 and its 1973...
I would also agree that some music travels better abroad than others.

Billy the Kid...thanks for posting that clip showing Jerry jamming with James Burton. Great stuff - I have never seen that before.

Stoltzfus - Guten Abend - Happy You

Still waiting for Dap 34. It's a bummer. 63 days have gone since shipping.
Having a Hebedanz Anna-Fest Bier to compensate.
Just Listened to 1971-07-02, Fillmore West. It was also a great year. I really enjoyed!!!
Gerd

@Deadheadbrewer

Yes it is not really jingoist, Born in the U.S.A., and I do like Bruce S.. Yet I do understand that not everyone does. Criticism is fine and often funny. That Lee Greenwood song is not really jingoistic either but rather it is just kind of corny. No offense intended to anyone.

P.S. Bruce's Gypsy Biker is quite a good anti-war song (Iraq) and very moving.

7/2/71

Good call! Man, it's been forever since I tuned that one in. Probably on tape, an early show to my collection.

Thanks for mentioning.

Passenger 7" single finally arrived!

Shipping notice 5/26. Actually shipped 6/22. I was watching the street, but missed the mail carrier, so it sat for a spell in a black mailbox in the direct sun on the hottest, sunniest MN day yet this summer. Hope the vinyl didn't melt! #2017.

Hard to Handle /1970 festival express

https://m.youtube.com/watch?v=2PdTeIx04pI. 1970, my favorite year for the Dead, hands down.

1970

I got out 1 2 70 yesterday

GD70 is a top 5 year for sure

Rolling Stone made a list "we have a LIST"

Phil is #11 (the Eleven) on their "top 50 bassists"

Bonus points if you can name the sitcom quoted above

6 21 84 Scarlet Fire

Soooooo good

2 21 71 release with WD bonus disc

Getting closer

I shiver with antici........

pation

Box Set Book S90TOO

Hello, I recently got a Spring 1990 The Other One Box except it came without the 144 page book. I was wondering If anyone had an extra book they would be willing to sell me here. I see individual shows from this set posted on eBay from time to time so assume they may be out there. If you got an extra or know where to find one please PM me. Many thanks

First

Big Hello to JRF and thanks for that awesome TJ with Morello. One of those instances when it caught me off guard and just right.

BILLY THE KID: ditto, thanks for the awesome postS. Can you see how happy Jerry was? I swear as magnificent as the Dead is I sometimes feel I’d rather watch JG with other folks in low profile situations, which is what I did for a while after your Sweetwater songs. Los Lobos, Santana, you name it he could step in and just fly. Think back to all the awesome projects he was working on in the later years that had little or nothing to do with the Dead and it’s really quite a list of really great stuff. As has been speculated before.....have to wonder what might of been if they would have just taken some time off and/or not toured so much. Did the Dead inadvertently kill Jerry?...

6/21/84: I was there, and don’t recall much except we dropped right on the international border going over the peace bridge, and yeah, that was a blistering Scarlet/Fire, oh and the Band was good, and fun on the encores including I think my first Big Boss Man?

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