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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • daverock
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    NRPS - Soft Machine

    I bought a budget box set of the first 5 NRPS albums last year, which is pretty good. Five albums for the price of one .Three bonus tracks for the first and four for Gypsy Cowboy. Prior to that, the only one I had from back in my youth was the first one-and that still seems the best. Its a very basic box - no information or booklet of any kind. But it must count as a good introduction.

    Soft Machine are great live to this day. Amazingly they played in Lowestoft last September as part of a jazz weekend, about 200 yards away for where I live. The time I saw them before that was at the celebrated Ronnie Scotts in London. I don't think the good people of Lowestoft knew how lucky they were ! Live album to follow next month, too.

  • hendrixfreak
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    Did you say NRPS???

    Man, nothing gets me out of lurking mode like Jim's mention of mushroom powder -- very difficult to figure dosage, and I tend to overshoot a bit -- and a question on NRPS.

    Jim's got it nailed: I'd say first three studio albums. Home, Home on the Road is good. The latest Owsley release is fantastic and as BillytheKid mentioned, Jer is all over it on pedal steel. Then there's the very new Thanksgiving in NYC (11-23-72), just after I saw them for the first time.

    Sept 19, 1972, I'm a freshly minted 15 yr old at my first GD show, with NRPS opening. Tripped my ass off in 3rd row Capitol Theater in, maybe May 1973 (still 15!), when NRPS went out on their own. Just great shit-kicking music, upbeat, fun -- just what the doctor ordered for a pandemic. Same month for my first Allman Bros show, MSQ with Marshall Tucker opening. Funny, then it was NRPS and Tucker (I think) opening for the GD at Englishtown in late summer '77.

    Was on another forum, which shall remain nameless, with folks commenting on the return of concerts. Frankly, I may be retired from shows. Hard to say. Started when I made my mom (RIP) drive me to The Chambers Brothers at a local ice rink in 1971. Then the Byrds in a field near Woodstock in spring '72, then the GD that fall and it was all over. Only caught the GD perhaps 75 times, but definitely including some key shows (RFK '73, Watkins, Englishtown, every Rocks show they played). And a zillion other shows. Literally, a zillion. Translation: say, 10-20 big shows a year for 50 years, so that's like a zillion, right? And so many artists in jazz, blues, rock, folk. And, truth be told, even if you get lucky with artist and the crowd they draw, the cost and the talking people have in the past 10-15 years made going to shows a gradually inferior benefit-cost ratio. Plus, a shit-ton of my go-to artists are gone. It's Tedeschi-Trucks, Hot Tuna and Los Lobos at this point for must-see. My last show was Feb 29 Hot Tuna electric in Boulder. Jorma going on 80!! And they killed it. Was ticketed to see Los Lobos in Boulder two weeks later when the poop hit the fan. So, although I missed Hendrix and Pigpen and Duane, I saw just about everyone else I'd ever want to see. I could retire with a pretty good resume.

    Okay, had to pop off on NRPS, then just started rambling. When one lives alone, one tends to get chatty.

  • billy the kid
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    NRPS

    I would get the NRPS box set from the Owsley Stanley foundation, that's were it all begins. You have Garcia playing all the pedal steel, how can you go wrong.

  • stoltzfus
    Joined:
    My first job

    McDonald's on weekends 1980-81

    I smelled like Quarter-Pounders burgers aaaaaallll weeeeeeeeek looooooong

    better than smelling like fish, I guess

  • Hey Pedro
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    NRPS

    Home, Home on the Road stands head & shoulders above all live NRPS releases. Nothing else comes close. Terrific sound. And Buddy Cage was THE man!

  • JimInMD
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    Re: 30 years ago, NRPS, How to get that job you want.

    I recognize a few of them.. A young Elon Musk, Jeff Bezos with hair and a very young Pharma Bro. :D

    Best of luck, Sixtus. If you don't get the job, send me a PM. A horse head in the bed sheets aught to do the trick.

    Be good all. The weekend is upon us.

    NRPS..
    Well, you have to start with the first (New Riders of the Purple Sage).. it's a classic. Get the re-issue and you get a couple bonus songs.
    The next, Powerglide, is the first with Buddy Cage and has Lochinvar, I Don't Need No Doctor, and Willie and the Hand Jive.

    There's tons of live stuff too. Check out Archive.org and see what era's you like, etc.

    After John Dawson died they put out a new studio album where Hunter wrote many of the tunes that I think is good called Where I Come From. He wrote a lot of the tunes on their next one too, 17 Pine Avenue. Then Buddy Cage started to get sick.

    Gypsy Cowboy, Panama Red are both good.

    This is how AllMusic rates their albums:
    https://www.allmusic.com/artist/new-riders-of-the-purple-sage-mn0000398…

    Up to the bitter end NRPS were touring hard, playing small venues in secondary cities and letting it rip. Ticket prices were quite reasonable and the band was more than approachable during set breaks, etc. If you get a chance, it's really worth seeing The David Nelson Band. Really good, and they won't be around forever.

    Edit: dhbrewer, I would start with the studio albums (plus the Owlsy intro) for NRPS. Think about Friend of the Devil, which was written for the New Riders. Garcia came in, wrote the bridge and called it his. ..but this is the kind of stuff where, at least in the early years, the studio efforts are really well done. My opinion, others will vary.

  • Deadheadbrewer
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    NRPS recommendation?

    For some reason, I have no NRPS, nor do I really know much of anything about them, nor have I really heard more than a snippet or two of their music. Those of you who are well-versed in all things Purple, which one release should I purchase, please? Sound quality is pretty high on my list, but if there is a low-fidelity recording that shines musically, well, then . . . I'll deal with the sound. Thanks in advance!

    p.s. I'm guessing that it's a live release I'm after?

  • Vguy72
    Joined:
    Go get em Sixtus....

    ....dead.net has your back.
    My son got a job right out of high school. Night stocking at Lowes. Did it all on his own. Cool first gig if you ask me. Cooler than mine (dishwasher at a seafood restaurant. Parents made me change clothes in the garage. Smelled like fish).

  • Oroborous
    Joined:
    30 years ago today...

    ....or was it yesterday? The gang eating breakfast on the Haight. I’m taking the picture so not in it....

  • frankparry
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    Soft Machine

    I love this band in all its variations. Lucky enough to see them twice recently near me - once at a venue in Derby called the Flowerpot which, while absolutely minute, was a great experience and the band on top form, and lastly at my local jazz venue in Nottingham called Jazz Steps where I managed to snag a copy of the album Dave is kindly offering.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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8 years 7 months

In reply to by CaseyJanes

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. How’s it hanging! Hope all is well 👌🏻

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In reply to by nappyrags

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So can we buy it or what?

I wanna keep it forever and ever...

Old school, I know but streaming isn't permanent.

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I wonder if they will put a physical copy out of this.

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In reply to by billy the kid

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....very interesting. Stream only format. 2 1/2 hrs. Only 4 minutes deadicated to Cumberland though :(

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12 years 1 month

In reply to by The Good Ole G…

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Agreed, don't see it anywhere.

I like physical copies also. NOTHING streams forever.

If it's being given away, send us a link to a mp3 location. (at minimum)

Maybe at the very minimum, send a link to DaP subscriptions. (oh, that maybe a little self serving, sorry)
But I have no fear, a link will be provided AND a resourceful Head will get them down and out.

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They said they found these in a bunch of unlabled boxes, maybe 6/17/75 and 6/11/69 were also in those boxes, or maybe more live 1970 shows.

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Nice synchronicity of having to listen to that slab of pure cheese in the dentist's office, because whenver I hear "Summer of '69" it's like having a tooth pulled.

I listen to classic rock radio in the background all day at work. I can't be too engaged in it, like constantly selecting and changing music, etc., so the local rock station just plays songs all day long. It's mostly ok, hell, they even play the Dead every once in awhile even if it's usually "Touch Of Grey."

Probably the cheesiest, absolutely most cringe-inducing vehicle of sonic crappiness has to be Bruce Springsteen's, "Born In The USA." The keyboards are the cheesiest ever, and the Boss wailing over it in that I've-really-got-to-take-a-dump voice of his is just too much, not to mention the full-on patriotic velveeta of the lyrics.

There are a few others that rankle me, like anything by Bon Jovi, but I think "USA" takes the cake.

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I fully agree with ledded. The most puke inducing music on the planet. Especially 'thunder road'.

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In reply to by carlo13

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....did you know he was a draft dodger? Born In The USA ok. But won't fight for it. My 2 cents.

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Ever see the Burns Doc 'The Vietnam War'? I wouldn't want to fight in that shit either. Government lies to you and knows it can't win, yet drafts it's young men into the meat grinder. Sign me up! :-P

Not a huge fan of Springsteen's music, but until your number comes up you never know what you will do.

This my country right or wrong jingo bullshit is how we ended up where we are now. Cough cough. USA!

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In reply to by wilfredtjones

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I would think that Bruce Springsteen has quite a few rivals in the awful record category in classic rock. Pity they don't have station for real rock n' roll. Or maybe surreal rock n' roll.

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In reply to by daverock

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Born in the USA....now I’m no Bruce fan, yes he’s a good entertainer, and he wrote some good songs, but his actual talent as a musician etc is limited, and that band sounded like a wedding band, not a R&R band. But.....But, I really enjoyed his mostly solo On Broadway special. You could actually hear the lyrics and he is a good entertainer and story teller. He ought to perform like that all the time. And I’m not sure, but I believe Born In USA is actually an anti USA song not a wave that flag,....I think?

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Yes, I have heard that it was subversively a protest song. Looking at the lyrics I don't know how that could have been. It's quite obvious when you read them. Maybe since the only words anyone could probably understand was the refrain was why it became misunderstood as a 'patriotic' song. :-)

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I would like to add, I respect Springsteen as a songwriter. Like it or not, feel a part of it or not, he has given voice to a great number of Americans. I'm kind of iffy about that voice in totality, but I'm a big fan of songs like Cover Me, I'm On Fire, Brilliant Disguise, State Trooper (chilling!), Radio Nowhere and others.

It's a mixed bag and he's so prolific, I'd probably say I'm a real fan of 5 to 10 percent of his recorded output. Saw him live right after 9/11, and he only played like two hits and they were the cheese! Born To Run and the aforementioned nationalist jingo "USA." He'd just released that political album and spent so much time on the soapbox. Yes, I agree with his politics, but it was such a drag! We bought those tickets to go rock out live not attend a partisan rally.

The best songs are full of ambiguities and sometimes the writers themselves change their mind about what the words mean over time, and this is a good thing. "USA" touches on the horrors of war, but also that chorus was like a redneck Chevy truck commercial.

No matter. You don't generally get where Bruce is without learning a hell of a lot about your craft, working very hard and earning your connection to your audience. No disrespect to the Boss or any of his fans - I just can't take the "cheese."

\m/

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Our 4th of July if you were wondering. Eh.

Have a grateful weekend averyone and stay safe.

PS. Sounds like hockey is on it's way for those still interested! Can't wait!

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In reply to by wilfredtjones

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Yeah, yeah, I agree, He supposedly has these great lyrics, but you can’t understand them especially over the smashing garbage can lids and Casio toy keyboard, or the overly eq’d piano., and three guitars mostly playing nothing....shit sounds like a wedding band to me, and no disrespect to the big man, but he wasn’t no Coltrane.... that’s why I dug that Solo On Broadway we saw on Netflix....you could actually hear the lyrics and he’d sometimes set up the songs or meanings. I’ve never been a fan, but in this format he was awesome!

EDIT: Happy Canada Day to our fine brothers and sisters in the great white north! (Cue the beer hunter music from the Great White North movie with Bob and Doug, hosers! ) Hey, I’m part Canadian so I can say that lol

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In reply to by Oroborous

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Hey Dennis & Billy The Kid...check your PM's....

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In reply to by nappyrags

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Today I had to drive into town (Flagstaff, AZ 90 miles one way) to pick up a new external Hard Drive as one of my drives ate it a couple of days ago...it was an 8TB drive that I've had for a few years...I learned the hard way about ten years ago of backing up the back ups so no music was lost, only time & Ca$h...my drive takes me through Ponderosa Pine forests as I climb up and over the south end of the San Francisco Peaks, but even at that altitude and forest we're pretty much considered high desert...so I played this anniversary show, a Hunter Seamons Matrix...

GRATEFUL DEAD
SEATTLE CENTER COLISEUM
SEATTLE, WA
JULY 1, 1979

JERRY GARCIA - Lead Guitar, Vocals
MICKEY HART - Drums
BILL KREUTZMANN - Drums
PHIL LESH - Electric Bass, Vocals
BRENT MYDLAND - Keyboards, Vocals
BOB WEIR - Rhythm Guitar, Vocals

CD ONE
1 - TUNING (3:47)
2 - MISSISSIPPI HALF-STEP UPTOWN TOODELOO > (8:31)
3 - FRANKLIN’S TOWER (13:33)
4 - MAMA TRIED > (2:34)
5 - MEXICALI BLUES (5:55)
6 - PEGGY-O (9:53)
7 - MINGLEWOOD BLUES (8:25)
8 - STAGGER LEE (8:12)
9 - EL PASO (5:50)
10 - BROWN EYED WOMEN (7:15)
11 - PASSENGER (5:51)

CD TWO
1 - TUNING (2:00)
2 - DON’T EASE ME IN (5:09)
3 - SAMSON AND DELILAH (11:32)
4 - SUGAREE (16:38)
5 - TERRAPIN STATION > (12:03)
6 - PLAYING IN THE BAND > (13:53)
7 - DRUMS > (9:27)

CD THREE
1 - SPACE > (3:43)
2 - STELLA BLUE > (10:42)
3 - TRUCKIN’ > (9:29)
4 - AROUND AND AROUND (11:10)
5 - SHAKEDOWN STREET (8:40)

Mission successful ...new drive in hand and my ears are ringing...

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Nappyrags, thank you for sending me that information on the Workingmans dead outakes. I tried to send you a pm back about it , but I don't know that it went through. I downloaded the file you sent me but my Kindle Fire would'nt let me open it. I'm not very computer savy, so it's probably something I did wrong. I'm much better with a pick and shovel then I am with a computer. Anyways, thanks again man.

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Thanks JRF,,,, let me wipe the tears, there, better. Great cover, great guitar by Tom. A few years back there was a special "music cares". They had people doing Bruce songs, while thanking him. Anyway, Tom Morello and Jim James (from My Morning Jacket), knock this bitch out of the park with jamming at the end. (Alabama Shakes did an incredible job on Adam Raise a Cain)

All the Bruce talk yesterday and it seemed not much Bruce love here :-) I like Bruce (I have to, I'm from Jersey), but really I found Bruce at a low point in my life and his songs gave me hope. And Darkness on the Edge of Town, maybe his best album. The River next. (is a dream a lie if it don't come true, or is it something worst). His happier songs (bouncy?) remind me of the roller rink, and I grew up there. :-)

Tonight I'll be on that hill 'cause I can't stop,
I'll be on that hill with everything I got,
With lives on the line where dreams are found and lost,
I'll be there on time and I'll pay the cost,
For wanting things that can only be found
In the darkness on the edge of town.

Nappy - Thanks for email, down and done. FYI - I too just bought a new HD. Got a 10tb Seagate. My old one didn't croak, but I outgrew (kinda). In any event, now I got some working room :-)

We got any old main frame computer people out there? IBM 360 days. The old 2314's disk units were 30 meg drives and they were about the size of a washing machine and ran 200,000 bucks each. Today 10TB sits on the corner of my desk!!! Progress!!

Final Jeopardy question - Is a 10 TB drive heavier when full?

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In reply to by Dennis

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I was actually watching a concert on blu ray with Bruce Springsteen in the band earlier this week - the so called Black and White Night by Roy Orbison. Bruce sings back up vocals and plays perfectly adequate rhythm guitar. He doesn't come off too well trading solos with James Burton-but apart from Albert Lee, I can't think of anyone who would.

He also co-wrote the immortal Because the Night with, and of course sung by Patti Smith. One of the great singles of the late 70s. I have never heard any of his albums though. The bits and bobs I have heard by him with his band don't sound too promising, I have to say.

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Well, you all have forced me to chime in. My first reaction to the negative Springsteen dialogue was to get defensive. Thankfully, I remembered that we all don’t have to like the same music all the time. I dislike a number of bands discussed here, but never felt a great need to bring it up.
I was mid-late teens when Bruce released his first few albums, so lyrically, I could relate( a LOT). Being an east coast kid helped also(I believe). He is not a technically great musician, but as a showman, I put him way, way up there. Some of my favorite parts of his shows were the between song stories he told. I could really relate. And this “wedding band” stuff. I don’t agree, but usually, when people slam stuff they don’t like or understand, they use these typically pejorative generalizations.
I always loved his use of organ & piano live, it sounded fantastic to me. And the band had at times, a stone heavy “Neanderthal” thump, which I also liked. In any case, after The River album, I was pretty much done with Bruce, I no longer related as much to the lyrics, and he did get REAL poppy.
Sometimes I think one has to hear an artist at just the right time & place to “get it”.
It was good to hear from DAVEROCK, who’s opinion I always respect. I believe that some bands don’t cross over well, UK to US, and vice-versa. Not sure why, but it may be culturally driven. I LOVE, LOVE, LOVE , a ton of UK & European bands, yet others, I just don’t get. No big deal I suppose.
We (thankfully) are all allowed to like & dislike whatever bands we choose. In this forum, we generally share a lot of the same likes. So, I don’t really feel the need to defend Bruce, I still pretty much only listen to the first 5 albums.
But it’s in the WAY that some folks deride, that shows a bias & maybe even a little bitterness.
When it comes to music, I’m only about beauty, love, and especially, discovery.
That Tom Joad clip gave me goose flesh, and the lyrics are so appropriate TODAY!!

P.S. one of my favorite things about music is I get to listen & love so many different styles. The Beatles, GFR, Black Sabbath, Miles Davis, Cream, Steppenwolf, John Coltrane, Terry Riley, XTC, The Grateful Dead(!!), Bill Frisell, Johnny Cash, The Carter Family, Steve Reich, Kraftwerk, Iron & Wine, James Gang, Deep Purple, Doc Watson, Steve Marcus, Jack DeJohnette...I really could go on for days.
Music is the BEST!!!!!!
C’mon WD 50th, and Dave’s 35!!
Stay safe and healthy all.

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Well said. I'll never understand why some feel the need to shit on things, especially something so subjective as music, ... other than they love to get a negative reaction from others. It's gotten pretty thorny around here lately.

We all learned it through fairy tales, but it still holds true today: Don't feed the trolls.

Peace

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Born In the U.S.A.--Incredibly powerful ANTI-jingoist song. The fact that it comes across as a wrap-your-head-in-the-flag anthem is part of its brilliance. The song is actually coming down on jingoists who exhort us into war, then crap all over the soldiers by voting for politicians who strip away veteran benefits.

Please listen to Bruce's first two albums, THEN tell me you don't care for him! :)

Has he gotten schlocky since Tunnel of Love? In my mind, yes. But to discredit everything through Tunnel is a bit drastic. Not many rockers put out great albums for decades and decades . . . and check out some of his 70s live shows. Wow.

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Dennis, thank you very much. I hope you have a great day.

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In reply to by Mr. Ones

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Mr Ones - spot on as usual. It seems true that music I have liked for decades is at least partly due to the time and place when I first heard it. Maybe great music needs a receptive listener to make it truly make it great. And to criticize an artist shows the limitations of the listener rather than the musician concerned.
A lot of music I liked as a teenager still sounds great to me - but if I played it to one of my friends who is over 60, who had never heard it before, I am sure they wouldn't get it. Albums like "Electric Warrior" Paranoid" and "Space Ritual" weren't made with retired people in mind. But if you were 16 and its 1973...
I would also agree that some music travels better abroad than others.

Billy the Kid...thanks for posting that clip showing Jerry jamming with James Burton. Great stuff - I have never seen that before.

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In reply to by stoltzfus

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Still waiting for Dap 34. It's a bummer. 63 days have gone since shipping.
Having a Hebedanz Anna-Fest Bier to compensate.
Just Listened to 1971-07-02, Fillmore West. It was also a great year. I really enjoyed!!!
Gerd

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In reply to by Deadheadbrewer

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Yes it is not really jingoist, Born in the U.S.A., and I do like Bruce S.. Yet I do understand that not everyone does. Criticism is fine and often funny. That Lee Greenwood song is not really jingoistic either but rather it is just kind of corny. No offense intended to anyone.

P.S. Bruce's Gypsy Biker is quite a good anti-war song (Iraq) and very moving.

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Good call! Man, it's been forever since I tuned that one in. Probably on tape, an early show to my collection.

Thanks for mentioning.

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Shipping notice 5/26. Actually shipped 6/22. I was watching the street, but missed the mail carrier, so it sat for a spell in a black mailbox in the direct sun on the hottest, sunniest MN day yet this summer. Hope the vinyl didn't melt! #2017.

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Hello, I recently got a Spring 1990 The Other One Box except it came without the 144 page book. I was wondering If anyone had an extra book they would be willing to sell me here. I see individual shows from this set posted on eBay from time to time so assume they may be out there. If you got an extra or know where to find one please PM me. Many thanks

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17 years 5 months

In reply to by Cactus_Jack

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Big Hello to JRF and thanks for that awesome TJ with Morello. One of those instances when it caught me off guard and just right.

BILLY THE KID: ditto, thanks for the awesome postS. Can you see how happy Jerry was? I swear as magnificent as the Dead is I sometimes feel I’d rather watch JG with other folks in low profile situations, which is what I did for a while after your Sweetwater songs. Los Lobos, Santana, you name it he could step in and just fly. Think back to all the awesome projects he was working on in the later years that had little or nothing to do with the Dead and it’s really quite a list of really great stuff. As has been speculated before.....have to wonder what might of been if they would have just taken some time off and/or not toured so much. Did the Dead inadvertently kill Jerry?...

6/21/84: I was there, and don’t recall much except we dropped right on the international border going over the peace bridge, and yeah, that was a blistering Scarlet/Fire, oh and the Band was good, and fun on the encores including I think my first Big Boss Man?

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