• 955 replies
    lilgoldie
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    Joined:

    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • Underthevolcano
    Joined:
    thismike
    exhibit a-double post screw-up
  • Underthevolcano
    Joined:
    thismike
    I will listen using HDCD enabled disc player-my Denon 100 year anniversary player. I will probably at some point transfer the data to my Olive server to join other GD data there-its fun to push the artist button and start the GD jukebox but the HDCD part will be gone-it does not translate into the server. With ipod my understanding is that you lose HDCD as well because of the allowed formats recognized by itunes. also with itunes you don't get artwork if you use WAV format-you lose the tab so you can't even capture it and paste it in. MP3 sucks no matter what as far as I am concerned-I can't listen to it-too much nuance missing from the music. I use 160 gig ipod classic so I can use lossless format in my itunes library. All in all though I am with you in preferring hard copy discs and real players with good sound on a decent stereo with efficient-live music friendly speakers-in my case Klipsch LaScala. And yeah, I learned some of this stuff about digital the hard way-screwing up more times than I remember and I'm sure I am still in ignorance about a lot of this stuff-but I will get by, I will survive.
  • mrmike5
    Default Avatar
    Joined:
    Re CDs
    I mostly listen to the CDs in my car and totally agree they sound better than ripping them to mp3 and using my iPod and various docking station options. I have Bose headphones for running but there's still some punch missing. I sort of plan on listening to these everywhere for a while!
  • outpost
    Joined:
    May '77 AAC or Flac
    If you've got a decent download speed, then I would go for the FLAC (Lossless) files.This way you can keep them archived in that format, and then convert them (I recommend XLD) to mp3, Apple Lossless, AAC, or whatever, for using in iTunes. Sorry 'bout the double post .... not sure what happened there !
  • outpost
    Joined:
    May '77 AAC or Flac
    If you've got a decent download speed, then I would go for the FLAC (Lossless) files.This way you can keep them archived in that format, and then convert them (I recommend XLD) to mp3, Apple Lossless, AAC, or whatever, for using in iTunes.
  • thismikebenz
    Joined:
    Techno advanced folks
    Oh, and I know that I am somewhat ignorant about some of the technology involved in digital sound files, so I hope that those who know more about this sort of thing than I do will chime in with lots of advice and discussions. However, I ask that you please be nice, and not be snotty or condescending. I'm trying to learn about it, and am already paying you respect by seeking opinions. I know I am ignorant.
  • thismikebenz
    Joined:
    cd vs mp3
    I see folks saying talking about ripping their cds from this set like, right away. I wonder, how many of you are like me and plan the first listen to be on a CD player which can take advantage of the HDCD process, and a decent amplfier and speakers? Of course it will make it into my Dead-only Zune 120 (it's a dinosaur, but is reliable, and only has Grateful Dead and alums on it) foroffice, car, and headphone use. However, in our living room, bedroom, and basement workshop, it's CDs all the way. I will actually do a test with these new discs, and play mp3 player of a song then play the CD, through the same home stereo, and see how muh difference there is between the HDCD and the 320 Zune and ipod MP3. (wife uses iPod) So anyway, how many of you plan to really enjoy listening to the HDCD? Also, does anyone know whether ripping a 320 MP3 from HDCD differs from a 320 MP3 ripped from a standard CD? I'm a little worried that if everyone's just ripping and iPodding, they'll figure it's a waste to make the nice HDCDs, and start offering download only.
  • marye
    Joined:
    mayormarion...
    The tracks are showing all their info (title, artist, album) for us in both formats. What player are you using, if you're still having this issue? Also, link to cover art now listed above.
  • The Weve
    Joined:
    Surprised no 2 CD set
    Surprised no 2 CD set is offered in the May77 store as were done for the last 2 Box Sets (Europe72 & Spring90). Boy, they do have everything else from tee shirts to coffee mugs.
  • greendude1974
    Default Avatar
    Joined:
    Downloads
    Many thanks for offering these as downloads!!! I hope you continue to embrace the digital age in future releases! Very much appreciated! Unfortunately, this is too much for my blood. Please continue with the digital releases. :) :) :) :) Much Love!!! XOXOXOXO Greendude :)
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Member for

15 years 7 months

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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7 years 4 months
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When will this be available as downloads again? I own the high-res digital download of Get Shown the Light and it is spectacular.
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Member for

7 years 9 months
Permalink

Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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Member for

7 years 9 months
Permalink

Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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Member for

6 years 3 months
Permalink

I think a fundraiser for the tapes is the dumbest idea Ive ever heard.
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