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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • danc
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    bubblehead
    that's you unkle... entitled and really out of line...
  • FloridaBobalooToo
    Joined:
    Thank you Wharfrattx
    Kind words......in all honesty, what I know of the Dead came from your tutor skills. I'm still learning and hope to always be.Your capacity to remember each nuisance of hundreds of shows is incredible. A skill I will never have the capacity to do, but enjoy the ride on the bus none the less. Cheers........
  • wharfrattx
    Joined:
    DS Musings
    11-11-73 is a jazz monster that drips into deep space and a lovely Feelin Groovy. Currently in 7-31-71 Yale Bowl DarkStar>Birdsong. Damn, with music like this, I really didn't need this box but just can't get over how good those Bettys sounded in the 78 box. Extraordinary. Loved these shows for years. And yeah, Bobaloo's a cool cat, knows his Dead.
  • tsmoore00
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    I see this kind of comment
    I see this kind of comment routinely. I'm not sure how much it reflects a common view, but I think its not contained to one person. Personally, I don't feel ripped off. Spending money on things comes down to what you can afford and what you value. I value the GD releases as a fan. I used to think that since I already have soundboards, why would I bother ever purchasing another GD release. Somewhere in the last 5 years that changed for me, and I'm not exactly sure why other than listening to the GD releases provides me with pleasure that I can't put a limit on. So for me, these are invaluable. I like to look over at my CD section and see all the GD stuff. In the end, no one forces anyone to buy anything. You can pass, you can buy...you can feel ripped off, you can feel fulfillment...so to counter this argument, I am feeling fulfilled and I really look forward to receiving this release.
  • gd1294
    Joined:
    Yes for 69 box set
    The 69 box set hurt me the most as they broke up the Europe 72 shows. Like I stated up above why are downloads so expensive. They might be a higher resolution but it's a download that is only a a few bucks cheaper than the cds
  • gd1294
    Joined:
    Shows money blagh blagh
    I can't feel bad for greedy people trying to make a profit on a limited release then getting burned. I feel the same way for people that buy up tickets via rock groups site only to sell them as a profit. This only frustraights the true fan from getting to see the show or owning the music. I like the fact they broke up europe 72 shows I am still trying to purchase those. I would like them to breaks up the 69 box set. I guess my only take from all of this is why are downloads pretty expensive compared to the physical media. No box no shipping no physical store. You would think that downloads would be half the price. Just saying
  • Roland Bruynesteyn
    Joined:
    FW69 etc.
    I own FW 59, and I'm completely fine with a rerelease of FW69: whether it's - digital only, or - simple packaging, or - similar packaging but unnumbered, or - a complete new set numbered, with a prefix ('2nd run') or - no prefix. I think most FW69 owners think like this but apparently there is some legal issue why they can't. If they could, they would, to please customers, and to make money. Which is why I think they phrase things carefully nowadays, and there is nothing illegal about the all music edition of May 1977 (and E72) as such. And your moral judgment will vary. I for one do not feel 'burned' that there will be more people who can buy this music in hard copy! However, one could argue that a new improved version of FW69 (through the plangent process, whatever that is) would not consititute an infringement of rights.
  • unkle sam
    Joined:
    here we go again
    Hey deadheads, hope you are not all feeling the burn from this announcement. This is the exact same thing that they did for the E72 box. This is false advertisement in its purest form. Why do they do this? Tell everyone on line that there is a limited number of copies, get those sold super fast, then tell everyone that there are more, just different. But it's the same. What a ripoff. They will continue to do this if the demand is there and I for one will not buy into this scam. I have pristine copies of all of these shows, have had them for years and I enjoy everyone of them, why would I pay 140.00 for 4 shows that I all ready have? Then they turn around and burn everyone who bought the first series. I suggest that everyone who bought the first set, the numbered ones, not to pay for them, this set is tainted and will always leave a bad taste in my mouth, just like E72. Stop payment on all credit cards, your reason is "Not as Advertised", therefore, not libel to pay for it. It's time we deadheads stood up to the greed that is taking over this site and the world. I shall shout this from the rooftops for years, ripoff rhino and the tainted betty's. I guess 2 million wasn't enough. I wonder how many of the surviving members are thinking about how their brand name is being shat on. I wonder if they even care. The words to "Throwing Stones" kinda fits here "I got mine...."
  • danc
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    Joined:
    stop buying everything....
    It's a lot to carry through life, and there is a ton of all kinds of music to enjoy. One of the best things I did in recent years was to stop buying all the GD releases, and not subscribe reflexively to Dave's series every year. As it turned out, I am not a Dave customer this year. It's feels good and healthy to relax and say you can take it or leave it. What else can you do with your money? Or that less may be more. And besides, tapes, the archive, and CDRs provide joy unmatched by "product."
  • FloridaBobalooToo
    Joined:
    Maybe a parallel from the art world
    Maybe this is an observation.Lets say you are a fan of Renoir. To own a genuine painting, well you know the score right? BIG money!! But how many prints of say "Luncheon of the Boating Party" are there? They are NOT anything but copies, mass produced to let people enjoy the painting or the "visual". To me I see a same example with this box. I did go nuts for 5 hours to secure one of 15k. That can make me a fool, or a fan. Thats up to interpretation. But I made the choice and thats how it is in our economic way of life I suppose.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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9 years 2 months
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

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In reply to by schrodd234

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16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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17 years 6 months
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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