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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • #711
    wjonjd
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    Box Sets and Backups
    One of the few luxuries in which I indulge is the purchase of all music made available by GD and Jerry. Although the music is the most important thing (by a zillion times), I actually do like some of the extras they have thrown into some of the boxes. For instance, the repros of the sheets that went out with mail order tickets that listed campgrounds and had messages from the band on the other side. I never thought to save those things. On the other hand, if it adds much to the expense, I can appreciate how it makes it easier for many to purchase the releases if the cost were kept as low as possible, and I certainly wouldn't complain if the extras were eliminated. I'm just saying that I do like them, especially the books. I enjoy having as much documentation about the shows as possible and like reading about them from people who were there or whomever they get to discuss background stories, context, personal experiences, technical information about tape restoration or tape re-acquisition, etc ad nauseum :) Whichever way they decide to do, smaller boxes with less bling, or larger boxes with tons of do-dah, I'm going to be in. There really isn't any era of their music I don't enjoy. Sure, I don't particularly want lack-luster performances (from any era), but I find that it is rare to find no gems even in those. I freely admit that I am not a very critical deadhead. That does not mean I can't distinguish bad, fair, good, great, and magically-inspired. To me, it just means that I'm lucky that I pretty much enjoy the whole trip, warts and all. With that in mind, some other shows I was at that I would love to see released, not just because I was there but because each of these would make fine releases would include: The '84 shows in Cuyahoga Falls, OH and Indianapolis, IN. The 3/24/86 (middle show of 3) at the Spectrum in Philadelphia (on youtube) The '88 and/or '86 Alpine Valley shows; I enjoyed every Alpine run, but these and the '89 run were, I thought, particularly good. and a few of the '90's Soldier Field shows were really great (not all of them). 4/11/87 at the UIC Pavilion has one of the greatest Terrapin's every played, but for maximum enjoyment you need the crowd. During the ending part, the way the crowd erupted each time they came back for another go-round was incredible. They didn't just erupt all at once. As the music climaxed each time, the crowd climaxed right along with them, pushing them to keep going longer and further; any analogy that sentence brings to mind is quasi-intentional after the fact as well as being apropos. My sister, who was at this show also, recently reminded me (when I brought this show up in conversation) how Ms. Brightman had the lights swing out to directly point at the crowd each time they began to climax again, further instigating the crowd. It worked. You can hear the crowd and the band riding each other to the heights. There are decent copies of this show on the archive. I'm going to get back to some '90's now. Oh, one more thing about backups. If you backup to something like an external drive, or anything that resides in your home/apartment. It is a good idea to make a duplicate to keep offsite somewhere. If your collection AND backup are destroyed in a fire, flood, or simply stolen, then your backup won't do you any good at home.
  • #712
    cub
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    Joined:
    So Glad I Made It-revised
    There are some Grateful Dead releases that give me a "Gotta Get This One, Other One Feeling" that sez: Please Order NOW! It pulls a trigger that allows me rationalize a rare credit card purchase v.s. having the most recent, best sounding available Dead show that I want. I think all of the Spring '90 shows are keeper's. When I saw how soon this box-set ship's to me I got excited. Usually I order then forget that I ordered until it shows up in the mailbox. However these show's arrive in just 4 short weeks !!! My last Brent shows were Cal State U. Dominguez Hills LA, May 5th and 6th 1990. I always dig bands that would use a B-3 organ plus Brent's 4 leslie speaker cabinets filtering that distinct organ sound in stereo all around the stage. These were all Jerry n Brent's last shows. After Brent passed, the bands number of song's selected for a tour was slashed in half. So for me I will look forward to having a lot of fun digesting this release. At Nassau Coliseum we would see the remote truck, daily parked just around the corner from the truck ramp. I believe the crew stayed at our Marriott in the Coliseum's parking lot. So now 24 years later (pinch-me), I have just placed an order to own the actually disc, from the 24-track Master tapes made in that remote truck. I listened to one of these teaser-tracks on GD radio and the sound CRUSHED on internet 64kb radio. Also on here too! (Pasted from Dead.net) HDCD provides higher resolution when played in an HDCD-equipped CD player, and offers superior sound when played in regular CD players. HDCD CDs can be played in all CD players. Cub sez: but why would you?
  • #713
    Mr. Jack Straw
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    Joined:
    Right on, hbob
    "The reason the SSDD has not sold out is because you can buy it on Amazon for less then Dead.net. You do not get any of the extras, but you get the music in its entirety and the dvd. For many, that is all they want." Very, very true. There's an unlimited version out there, with no cap on sales, since this is a release that the folks at Rhino must have deemed to be in high demand and that would appeal to non-Deadheads. I'm not surprised that the 30,000 SSDD special edition CD/DVD pack hasn't sold out. I mean, I'm someone who has bought everything they've put out since the days of Dick Latvala, but if I had known that there was going to be a unlimited, less expensive CD/DVD SSDD set that just didn't have the cool packaging, I would have certainly bought that one. Instead, I dropped over 50 bucks on 3 cds and a DVD, because they hadn't announced the wide release when I placed my order.
  • #714
    uv1
    Joined:
    Cost of Box Sets
    I, too, wish the cost of this box set was cheaper, but I'm not sure that the cost would decrease significantly without all of the schwag. Most of the releases here average $10 per disc, whether it's Dave's Picks ($29 for three CD's), or Spring 1990 TOO ($240 for 23 CD's). So that's about $10 or so for the extra trinkets. I agree that they're a novelty, and not necessary, but it doesn't look like they add that much to the cost. I've held off on ordering the new Spring 1990 box set. It is expensive. Then I heard the songs... WOW! They sound OUTSTANDING! So I picked up a little extra summer work and now I'm going to order it.
  • #715
    boblopes
    Joined:
    @ Spacebro - there's online backup services
    Spacebro - Like you I prefer the physical media. I care more about the music than the trinkets. I would prefer to have just music versions. I'll thumb through the book once. In fact, for Spring90 I copied the music to my pc and put everything back in the shipping box, since that was cool. It wasn't until recently where I re-organized my cabinet in prep for S90TOO, that I took the box out of the shipping box and pulled the CD cases out and added them to the rest of the Dead CDs in chronological order. What I was initially replying to is that there are cloud services - amazon, apple, etc. But there are also backup specific services like carbonite, mozy, dropbox, idrive. People might want to check it out. But note to most users they take a long time to copy unless you want to spend some scratch... I have my music on a pair of mirrored hard drives. I periodically back them up to a couple of USB drives and also a Seagate Central (like USB drive, but has ethernet cable too for a cheap network attached solution). I suspect I will probably eventually go to an online service if I don't build or buy some more robust NAS systems with RAID6 parity protection.
  • #716
    deadegad
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    Smaller Boxes, Sell Outs & Rewards.
    I think they planned well with Spring 90 Part 2 with downloads, a single hard copy show, and the big box so I am not surprised that it is not sold out yet. It will. Come December there will be holiday purchases. Having said all of that, small boxes are the way to go with the Winterlands, Fillmore West 69 being larger with a book, Spring 77 in an even larger and a more handsome box with bigger book too. The Spring 90s and E72 Titanic Box are great but being somewhat of a completist and sympathetic to those Heads with less money for everything I vote for more like The Winterlands yet favoring Spring 77 for a future release model. Spring 77 was a compromise and a very beautiful one at that! As others have noted -- eventually all limited releases sell out. Smaller boxes could mean more variety of years and decades? Yes, yes, yes, customer rewards discounts are a fabulous idea. And Now I urge Dave to consider N.Y.C. MSG September 1979 as a box set with Claney's (?) Alaska 1980 Land of the Midnight Sun Box. Many here would be very, very happy with those releases. Space Bro gets a box of his choosing as well,but, after the two boxes above. God Bless Bobby and his wife and children. Heal, brother, heal.
  • #717
    hbob1995
    Joined:
    Sell outs
    The reason the SSDD has not sold out is because you can buy it on Amazon for less then Dead.net. You do not get any of the extras, but you get the music in its entirety and the dvd. For many, that is all they want. I myself bought the first Spring '90 Box and I jumped on TOO as soon as I received the email notice. I cannot wait! Judging by the Listening Parties, the sound is going to be phenomenal. But other then the book that is included, I really have no use for the other doodads, ticket stubs, etc. that are included. And I know that I will read the book once and then put it away for many, many years. I would like to see the price of these box sets kept lower by eliminating all of the extras. Just give us the music in a nice case, like they do with the DaP releases and let it go at that. I have a few downloads but I prefer to have the physical discs. As SB pointed out, I burn all of my downloads to discs anyway. I love my iPod, but I have had two of them shit the bit with no notice and watched thousands of hours of music disappear in an instant. Rock on
  • #718
    SPACEBROTHER
    Joined:
    Eras, Sell Outs and Suprises
    I would agree that the download options make the "rush to buy" priority for some a little lower than previous limited edition sets where no download options were offered. In regards to comparisons from the Dead from the era of this set to '69 or even '77 in particular, and line-up performance quality and sales figures, I can point to the May '77 box as one specific example. That box, which was released June 11th 2013 and significantly less expensive than this set has only recently sold out. One could even take the 8/27/72 Sunshine Daydream release, and being a show that is widely considered as THE most popular show the Dead ever played (I would say definitive), which btw was/is even far less expensive yet, was released 11 months and a day ago or so and still hasn't sold out of the limited editions. Certainly that release and it's availability in multiple formats and volume could again dictate why that particular show, and one of such a highly regarded caliber for many, and from the most saturated year release wise, is still available to purchase. That one, I am surprised hasn't sold out of the 30,000 units. The vinyl version did sold out quickly though at 5000 units. This leads to a question. Does era, price and volume play a role in how fast and why certain releases have sold out faster? I would say, both none of the above and all of the above. I go back to the Road Trips series and point out that April Fools '88 was one of the very first of that series to sell out right along with Fillmore 5/15/70 and Denver '73. Many of the '70s era RTs releases still have yet to sell out. Even the '93 Cal Expo release has sold out. Perhaps there are other factors as to why some eras and/or particular releases sell out faster than others, and perhaps not. The Dave's Picks series subscriptions, which have heavily slanted heavily towards the '70s, and even cheaper yet individually, after three years has yet to sell out. Perhaps the subscriptions will set out for 2015. Another factor to consider is that there are likely many people who buy up multiple copies, whether to give them to friends and acquaintances and/or to resell. So am I surprised that S'90 (TOO) hasn't sold out yet? No, not really, but it will. On another sort of related point... Would I purchase downloads of releases? I have but would rather not. The real estate that physical media takes up versus electronic storage is an acceptable trade-off for me. If I have physical media taking up storage space, I'd rather it be factory manufactured with the sleeves and artwork rather than CDRs or recordable DVDs, especially if I spend money on them. A recent incident happened where about 70% of the music on my computer just suddenly vanished. I have disc back-ups of most of it o am ok, but am bummed that the handful of purchased downloads on my hard drive have vanished. Thankfully I haven't invested much into downloadable media, but if a $100 plus dollar download disappeared before getting a chance to make back-ups, I would be extremely pissed. A lesson here. If you do purchase downloads, you damn well better make disc back-ups or on other hard drives. They will eventually crash at some point. Manufactured obsolescence at it's worst, but that another debate...
  • #719
    wjonjd
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    Synchronicity
    I'd been putting off that "chore" (assembling 3/24/90) ever since I got the first spring 90 box, and was doing that while listening to the 3/15/90 show I mentioned below. Finally have it in iTunes as a full album and burned CDs; for some reason I still like to have physical copies. When I said "unfortunately" I just meant that I didn't get to go to any of the spring shows in 90. I did have a great time at the Tinley Park shows, but the last run of shows I had gone to prior to that was the alpine valley 89 run which were x-factor heavy and full of all the golden yummies. Tilnley Park as a venue was awful, and for some reason I didn't move to the lawn where I understand the sound was much better. It was still a great time, and realizing a couple of days later that I would never get to see Brent again made me realize how lucky I was to have been at those shows. My first show was 7/4/81 Manor Downs, Texas. There are decent copies of this show on the archive. If you haven't heard it check it out. Very wild and strange jamming; the PITB is very unique, and it has one of the last (maybe the last) of the really extended NFA's. A lot of folks mention the next year's Manor Downs show which went past midnight into Jerry's birthday and was a great show also, but the '81 show was x-factor from start to finish. The sugar mags is one of the most rocked out you will ever hear - I think I remember the taping compendium describe it as "ludicrously powerful". Understatement.
  • #720
    mpace
    Joined:
    Just Like Frankenstein
    Listening to my recently assembled 3/24/90 and just received 3/15/1990 this week- making sure there are no bugs with anteni on 3/24 before the full tour in September. Can't wait! Before tonight I have been listening to DVP 11 and though I still think the '70s Dead is overall more powerful and can better turn on a dime with just one drummer- there is no denying what Brent brought to the table and the band as a whole has a more party vibe. Anyway not trying to start a debate, we've been down that road before. Just goes to show that each era should be appreciated on its own for its own vibe- I really need to remember that the next time I feel all estimated prophet about the '70s hahaha its all good. I even go back to dicks pick 27 with Vince every so often for that first set especially.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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17 years 5 months

Submitted by antonjo on Tue, 09/16/2014 - 07:14

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LOVE the box. Nice Baltimore-centric art for Landover ; ) (Orioles are about to clinch the division, speaking of...) Being one who mostly loves the live feed sound on the first box, I can't argue that Jeffrey's mixes on this are just something to revel in as you listen. 3/14 never sounded so good--though I can't yet bring myself to listen to Memphis Blues. Quite the letdown song choice after Jerry busts out Loose Lucy (!) Jerry seemed to agree, and didn't sing many, if any, harmonies on the choruses (my favorite element) as I recall. All was forgiven two nights later with BTW, of course : ) The E72 box listed all the songs and how many times played, so since the new box doesn't have that, here it is, albeit horizontally so it fits on one post: All Along the Watchtower (2), And We Bid You Goodnight (2), Althea (2), Around and Around (3), Attics of My Life (1), Beat It On Down the Line (1), Believe It Or Not (1), Bertha (2), Big Railroad Blues (1), Big River (2), Bird Song (3), Black Muddy River (2), Black Peter (2), Black Throated Wind (2), Blow Away (2), Box of Rain (1), Brokedown Palace (2), Brown-Eyed Women (2), Built To Last (1), Candyman (1), Cassidy (2), China Cat Sunflower (3), China Doll (2), Cold Rain and Snow (2), Crazy Fingers (4), Cumberland Blues (2), Dark Star (1), Deal (2), Dear Mr. Fantasy (4), Death Don't Have No Mercy (1), Desolation Row (1), Dire Wolf (1), Don't Ease Me In (3), Dupree's Diamond Blues (1), Easy to Love You (4), Estimated Prophet (4), Eyes of the World (3), Far From Me (1), Feel Like a Stranger (3), Fire On the Mountain (1), Foolish Heart (3), Franklin's Tower (2), Friend of the Devil (1), Gimme Some Lovin (3), Goin Down the Road Feeling Bad (3), Good Lovin (2), Greatest Story Ever Told (1), He's Gone (3), Hell In a Bucket (3), Help On the Way (2), Hey Jude/verses (1), Hey Jude/finale (2), Hey Pocky Way (2), High Time (1), I Know You Rider (3), I Need a Miracle (4), I Will Take You Home (3), Iko Iko (2), It's All Over Now (2), It's All Over Now Baby Blue (2), It Must Have Been the Roses (1), Jack Straw (2), Jack-a-Roe (2), Just a Little Light (2), Just Like Tom Thumb's Blues (2), Knocking On Heaven's Door (2), The Last Time (3), Let It Grow (3), Let the Good Times Roll (2), Little Red Rooster (2), Looks Like Rain (3), Loose Lucy (3), Loser (2), Lovelight (3), Mama Tried (1), Man Smart Women Smarter (3), Me and My Uncle (2), Mexicali Blues (1), The Mighty Quinn (1), Mississippi Half-Step (2), Morning Dew (2), The Music Never Stopped (2), New Minglewood Blues (3), Never Trust a Woman (2), Not Fade Away (4), One More Saturday Night (1), The Other One (4), Peggy-O (1), Picasso Moon (5), Playing In the Band (5), The Promised Land (3), Queen Jane Approximately (4), Ramble On Rose (2), Revolution (2), Row Jimmy (3), Samson and Delilah (2), Scarlet Begonias (3), Shakedown Street (2), Ship Of Fools (2), Slipknot! (2), Spoonful (2), Stagger Lee (1), Stella Blue (3), Sugar Magnolia (3), Sugaree (2), Standing On the Moon (2), Stuck Inside of Mobile (1), Tennessee Jed (3), Terrapin Station (3), Throwing Stones (4), To Lay Me Down (1), Touch of Grey (3), Truckin' (4), Uncle John's Band (3), U.S. Blues (1), Victim Or the Crime (3), Walking Blues (3), Wang Dang Doodle (1), We Can Run (3), The Weight (2), West LA Fadeaway (1), Wharf Rat (3), The Wheel (3), When I Paint My Masterpiece (4) 16 shows 123 different songs (only counted Hey Jude once ; ) 3 breakouts after 10+ year hiatuses average 17 songs per show (+ jams, drums & spaces) 31 songs played just once each. 3 Scarlets, but only 1 Fire. 4 Crazy Fingers in one tour, previously unheard of. And 2 Jack-a-Roes! Just one US Blues and only 3 shows with Bob cowboy medleys--pretty surprising. All in all, quite a vast & tasty repertoire for one little tour. Some songs not played: Alabama Getaway, CC Rider (Walkin kind of stole its slot), Comes a Time, El Paso, Johnny B. Goode, Might As Well, Saint of Circumstance, Smokestack Lightning, They Love Each Other, Tons of Steel, When Push Comes to Shove. Dancing In the Streets & Brother Esau, like a few of the preceding MIAs, were gone for good, though that wasn't certain just yet. Currently enjoying the Knick show. Yes, the Eyes is sublime (even with requisite beaches/seasons flubs), and the first set is WONDERFUL. Gotta love a Greatest Story opener.
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17 years 4 months

Submitted by Vguy72 on Mon, 09/15/2014 - 21:01

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.....nice stats antonjo.....quite the tour indeed. Love that they only repeated an encore once. Getting ready to spin Copps 3/21, second set. So far, except for a flub during Ramble On in Hartford, I can't single out a sour note. So much music, so little time. Nice intro into Pocky Way BTW... Now, onto the artwork. Quite impressive Dressler. Top three covers... Omni 4/3....Terrapin Tambourine, plus a slot machine...go Vegas!!! Cap Center 3/14....love the yo-yo Nassau 3/28.....regal.... There's my 2 cents...feel free to reply...
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17 years 4 months

Submitted by Vguy72 on Mon, 09/15/2014 - 21:44

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...and into Drumz, Billy & Mickey break out those church bell samples that I remember so well...I refer to the Hamilton version of course....good times...
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11 years 2 months

Submitted by jrf68@hotmail.com on Tue, 09/16/2014 - 00:55

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Only about 1/2 way through the set. Man does it bring vivid memories of days gone by.Thanks to all that made this happen again..... :) Who says time machines aren't real?!?
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11 years 2 months

Submitted by jrf68@hotmail.com on Tue, 09/16/2014 - 01:21

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this deep into it and I keep going back to 3-29.:0)
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13 years 2 months

Submitted by mustin321 on Tue, 09/16/2014 - 04:13

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There were at least two "Spoonful's"
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17 years 4 months

Submitted by brianhahne on Tue, 09/16/2014 - 05:36

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and up to 3/28/90.... SOUNDS AWESOME. Almost as good as being there... and I was AT this show. Granted now that I'm listening at work, I was in a bit different mental state, being 18 at the time of this show... and 42 now... and my BAC was different during New Minglewood (playing now) than it is here at 8:35am today... but oh well... sounds great... what memories. This is STELLAR. and I stand by my statement that this may be the best box they've released. It' definitely comparable to the E72 trunk... personally I'm thinking I like it better. Can't wait to hear 3/29/90 later on... was at that one too.
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14 years 6 months

Submitted by dajokr on Tue, 09/16/2014 - 06:03

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Really bummed that both 3-25 and 3-26 from Dozin' got full show releases between the two boxes, but 3-24 (one of my favorites) is still spread across 4 releases with different mixes/mastering. Can we start a campaign to have Jeffrey Norman rework 3-24 from the multis and release it as a digital only in HD Flac to really complete the Spring 1990 tour?
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15 years 4 months

Submitted by DJMac520 on Tue, 09/16/2014 - 06:56

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YES! on 3-24. That is in most people's minds, one of the top five shows from this tour (I have it in the top 2), yet it has to be spliced together to enjoy. There was part of me hoping that it was going to be included as a secret part of this, or even a free download to those who purchased the box set. Alas. We have to go to the grass roots approach
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15 years 6 months

Submitted by kevjones on Tue, 09/16/2014 - 10:50

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This is a very classy release. I have to recommend it to anyone who might be on the fence. It is beautifully presented, and the music sounds unbelievable. The multi-track mixes added in my decision to purchase it! Sounds beautiful.
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10 years 9 months

Submitted by Boruta on Tue, 09/16/2014 - 11:41

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I agree on 3-24. They should re-do it as a stand alone release mixed from the multi-tracks. I would prefer buying it as a physical product, however it's hard to see them doing anything other than a download.
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13 years 5 months

Submitted by One Man on Tue, 09/16/2014 - 15:08

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Y'all musta somehow read my mind today. When I got home from work I was all ready to compile 3/24/90 and insert it next to all the Spring '90 goodies in my iTunes. But then I realized how choppy it would be with so many fades and breaks. I do have the technology to knit it all back together, but it would be a ton of work and I'm not quite that obsessive. So, like you, I hope there is a full release of this show. I would buy it if reasonably priced (not like that Terrapin Limited b.s. that I paid way too much for, thinking the revenues were going toward a worthy cause).
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14 years

Submitted by nitecat on Tue, 09/16/2014 - 20:40

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And I am happily listening to 3/14, pretty hot Stranger. OMG all the tunes I have to listen to in this box! Unlike many of you, I heard some of this tour when it first happened, and now it's discovery time cause I haven't heard these shows in a while, so I am totally psyched! The SOUND is incredible!!
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14 years 7 months

Submitted by Zuckfun on Tue, 09/16/2014 - 20:28

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It's been said before, though still not enough. This Box is one of Norman's greatest achievements- A brillant illustration of his mastery. The sound quality achieved here sets the standard- the high water mark of live concert recordings. Thanks for all the efforts- Just exactly perfect is an understatement.
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15 years 9 months

Submitted by boblopes on Tue, 09/16/2014 - 22:06

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Just got back from the show, three drummers with full kits at the front of the stage and the rest of the band on risers behind - nice! Latest Crimson lineup (Mark VIII) – Fripp, bassist Tony Levin, singer-guitarist Jakko Jakszyk, saxophonist Mel Collins and drummers Gavin Harrison, Pat Mastelotto and Bill Rieflin. Here's the dates: Thu 18 Sep New York, NY Best Buy Fri 19 Sep New York, NY Best Buy Sat 20 Sep New York, NY Best Buy Tue 23 Sep Madison, WI Barrymore Theatre Thu 25 Sep Chicago, IL The Vic Theatre Fri 26 Sep Chicago, IL The Vic Theatre Tue 30 Sep Los Angeles, CA Orpheum Theatre Wed 01 Oct Los Angeles, CA Orpheum Theatre Fri 03 Oct San Francisco, CA The Warfield Sat 04 Oct San Francisco, CA The Warfield Mon 06 Oct Seattle, WA Moore Theater For the limited shows I've seen this year -> Better than Ratdog show 2nd nite in Boston (very good show) and the Jerry Garcia Symphonic also 2nd nite in Boston. And a lot of the music was first listens for me. Very good show - check out the RS review (set list spoiler alert)... (sorry for the duplicate post - posted on DaL11 page)...
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10 years 6 months

Submitted by Mr.Dc on Tue, 09/16/2014 - 23:31

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This box sounds great! That first Loose Lucy is awesome. Just finished getting through all of it for the first time round, and I am happy with this release. It does make one wonder how the first box might have sounded, though I enjoy that ones mix also. Tried to order tickets to King CRimson in Seattle but was too late, sold out. Oh well the King Crimson I listen to the most was only together for like 2 years back in the 60s hahaha. Fripp is awesome though.
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14 years 9 months

Submitted by Deadheadbrewer on Wed, 09/17/2014 - 08:16

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#494 in Saint Paul is wow. Just wow. What a treasure for the eyes, ears, and hands. I have realized just how special this tour was, even if it has made my 23 shows from 1991-1993 much less interesting. p.s. I thought that the first 1990 box set sounded great, too; that one is very warm and analog-sounding, and how it might have sounded in the auditoriums. The new one is crystal clear and sounds wonderful in a different way.
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16 years 8 months

Submitted by Underthevolcano on Wed, 09/17/2014 - 08:39

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sound quality-maybe the best job to date? King Crimson-yes looks like something important is happening again with Fripp and new configuration-I am hoping some studio release or live release of this band ( studio may be out of question given Fripp's recent comments)-also The "lost" spring 90 show-release on vinyl for back to Black Friday record event? Out of thread-for those classical fans out there-big box coming out in a couple of months commemorating Vienna Philharmonic on Decca-this one to be done right unlike the previous DG box
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17 years 4 months

Submitted by rogo on Wed, 09/17/2014 - 09:14

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After listening to this, is it any wonder that they wanted him to play the second set - I am surprised they didn't offer him every penny they had to stay in the band - wonderful. Can we have David Murray and Ornette Coleman collaborations next?
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12 years 2 months

Submitted by Chris Grand on Wed, 09/17/2014 - 10:35

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not because of the money (though it is a factor) but because i'm afraid i wont listen to it as much as i would all the 60's/70's stuff i have. y'all are making it hard to resist however. is the sound really that good?
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12 years 1 month

Submitted by Chitown rider on Wed, 09/17/2014 - 12:09

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...Yes it is really that good. I enjoy the older stuff too but it is definitely worth having in your collection. If you want the box id buy now but get the download you will be happy you did.
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17 years 4 months

Submitted by hbob1995 on Wed, 09/17/2014 - 12:17

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The sound is phenomenal, period. Worth every penny. I too would say I am primarily a '70's guy, but I love all Dead, and this is just pristine and amazing. Not to be missed.
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15 years 1 month

Submitted by rrot on Wed, 09/17/2014 - 12:37

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David Murray of course has a world of non-Dead-related jazz worth checking out: "Home" -- an older one by his Octet -- is wonderful. But... If you haven't heard his disk "Dark Star" you have missed out; rectify that ASAP!!!
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16 years 6 months

Submitted by matchewy on Wed, 09/17/2014 - 12:45

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I saw King Crimson twice in 1995 during the double trio line-up with Mastelotto and Bruford on drums, Adrian Belew and Fripp on guitars, and Trey Gunn and Tony Levin on bass and stick. Man! The Cincinatti show at Taft (Belew's home town) was one of the best shows I've ever attended. I was 2nd row in Atlanta at the Fox Theatre. Had tix for Columbus, and realized when I was getting ready to leave, the show had been the night before. I was devastated. I was going to try to see them at the Vic in Chi Town, but the tix are steep and I haven't got the scratch. I would love to see Bill Rieflin (Ministry) with KC! Fripp says no dice on a studio release. High hopes for live downloads on the Discipline Global Mobile website.
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13 years 5 months

Submitted by One Man on Wed, 09/17/2014 - 15:00

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I had the luxury of working from home today and my soundtrack was 3 complete shows from this new box. I am a GD 70s snob AND an audio nut, and I still was bowled over by these shows. Granted, I may not listen to these as much as my 70s collection, but I will certainly re-visit them pretty regularly. There is something about having the songs in context that helps the appreciation of them. The sets vary widely. And Jeff Norman hit it out of the park this time. I am critical of the E72 box (mixed by JN in a rush) and Formerly the Warlocks (mixed by some other guy at TRI), but this one is about perfect.
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14 years 4 months

Submitted by hseamons on Fri, 09/19/2014 - 00:31

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If you purchased the last box set and experienced some serious "wow" factor there, this release has the same amount and more that is indeed worth the additional price of admission. These two volumes are like yin and yang together, with TOO being more like the yang - laced with some ultra-pure White Lightning! All of these shows are just as good as the first Spring 1990 collection performance-wise. Major pluses of TOO have already been noted here: *Utterly fantastic 24-track mix by Jeffrey Norman *Two additional shows in the box, which includes the epic Branford Marsalis show on 3/29 *Very beautiful artwork and design that complements the other box well, with an individually numbered Tiger Coin! (#4501 here) If there have been any comments regarding what the box needs more of - as if there was not enough already - they have been around the sound not being as ambient or spacious as the first box. That being said, the mix is significantly better produced and sounds a lot nicer; there is much more clarity and separation between the instruments, with a very nice warmth to it. The results are stunning. Saying this is one of the best sounding GD releases ever is hardly an understatement, so there's nothing to be unhappy with or any reason to have buyer's remorse. My only quibble, if I had to have one, would be with the CD cases. Why not put the whole set list on one panel and use the extra panel for a great photo from the show itself or some other archived material? That little, flipping-over motion to read the whole set list is...wholly inconvenient. Unwholly. One All-TOO Satisfied Buyer
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17 years 4 months

Submitted by Vguy72 on Wed, 09/17/2014 - 15:25

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....it's minor, but I'm going to throw it out there. What is the blue ribbon/bookmark for? That's all.....otherwise, absolutely perfect...
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13 years 5 months

Submitted by One Man on Wed, 09/17/2014 - 16:52

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Mine is attached at one end. It's to help pull the cardboard sleeves out of the box. Maybe yours came loose. That happened to mine on the first box.
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17 years 4 months

Submitted by Vguy72 on Wed, 09/17/2014 - 18:55

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.....I thought that too one man, but in the first box, each compartment for the cases had their own ribbon to help pull them out, but TOO only has one ribbon for all four. Not practical, at least to me....so what is the blue ribbon for? Oh yeah, first place...Winner, Winner, Chicken dinner.......
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13 years 5 months

Submitted by One Man on Wed, 09/17/2014 - 19:16

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Not to belabor this, but the first box had one ribbon for each of the two disc wells. This box has only one ribbon for the cardboard stuff ABOVE the disc wells.
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17 years 4 months

Submitted by Vguy72 on Wed, 09/17/2014 - 19:23

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....and it came together like a thunderclap....ohhh, it lifts the cardboard inserts!!....(palm of hand smacking forehead motion). Disregard my last two posts. The set IS perfect!! Blue Ribbon Redux would be a cool name for a band...
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10 years 3 months

Submitted by Tippy T on Wed, 09/17/2014 - 19:23

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This box is great. If only as much care had gone into the Europe '72 box (not complaining too much given how unbelievable the music is.) Yes, the mix is better than the first Spring 1990 box but it's like two sides of the same coin. I'm much more of a 60's/70's head but this box has made me appreciate later Dead a lot more. I will be coming back to these shows often in the coming years. Can you believe all the great shows released in the last 5 years alone? And never did I think I would own the FW '69 shows, E '72 complete tour, SSDD and Spring '90 tour all in outstanding fidelity. GRATE time to be a Deadhead!
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15 years 9 months

Submitted by boblopes on Thu, 09/18/2014 - 06:24

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I thought the ribbons were a pain in the butt on the first set. Liked how they cutout a slot to slide them up with a finger. Ribbon was good so you don't bend the prints on the second box...
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17 years 4 months

Submitted by DogStar on Thu, 09/18/2014 - 06:55

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As I listen to #2229 here in Mass. I have to Marvel at how Brent Mydland played and the justice that is done by the mix of this Box Set, to him. He simply is amazing on this set..the hot hand indeed. I even balanced the stereo far right just to hear more of him. His Hammond sounds beefy,and right in your face, even nuanced. What a player, they should have kissed his ass for being in the band. Overall this is the best box I have and I own most. Please do more like theis...AMEN
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10 years 11 months

Submitted by Johnny b good on Thu, 09/18/2014 - 12:18

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I have to put my 2 cents in as I have been reading this forum for a month and could not agree more with what people are saying. I am more of a 70s fan but my first show was not until Buckeye Lake on 6/25/88. This box set speaks to me as this is the Grateful Dead I saw in concert. It brought tears to my eyes listening to these shows. Damn how I miss seeing these guys! These were some of the best times in my life, hands down. This box sounds amazing and I echo what others have said, Brent is the man! The rest of the guys are in fine form as well, to say the least. What a sound. Please keep them coming.
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13 years 9 months

Submitted by Mar-T on Thu, 09/18/2014 - 08:43

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I am in utter awe of this box set. Not only is it from one of my top 3 favorite tours (spring 77 and E72 being my other 2 faves), the sound is truly unparalleled in the embarrassment of riches of releases that we've enjoyed. I've only been through the first show, and despite what I'd normally chalk up as a pretty pedestrian set list, I'm FLOORED! I picked up moments that would normally be passed over with only mild interest - Brent oozing blues with his perfect Hammond/voice scatting on Never Trust a Woman. You can feel Brent's spit coming through the speakers - Phil's astonishing Bass lines in Crazy Fingers is among the best documents of his abilities I've heard - Jerry's poignancy in both Black Peter and Black Muddy River, heartfelt and heartbreaking - the interplay during the Jam... The mix is so damn IMMEDIATE and accessible, it makes the listening of the music a much more emotional experience for me. I feel like I'm on the stage with them, watching their eyes and intuiting their non-verbal communications. Really a whole new way to listen to the band. Anyone else having such a profound listening epiphany? That being said, I'm a greedy (but grateful) completist and having predicted this release on these boards a while back, I'm wondering if anyone else feels like spring '77 (or at least May '77) is next in line for the "fill in the gaps" box set treatment. I have this sneaky suspicion that TPTB finally negotiated for the missing Betty Boards, including Barton Hall, and will give them their due in 2015. After all, they need to dazzle us with something stunning for the 50th anniversary, and they're running out of high demand classics that all the masses want. Sure, they will continue to release surprising one off gems that none of us have heard before as DaP's, but really, what other tour is left that would command such attention... and sales? If they want to complete the May shows, that would be 9 full shows to release, which is pretty much in line with recent box sets. If they want to complete the spring tour (and wouldn't we all love it), it would be 15 more shows to release. So, if I were a Vegas odds-maker, I'd say the next box set will be the remaining 9 shows from May '77. It's within reach and it's high time. That would be 5/1-4 Palladium, 5/5 - New Haven, 5/7 - Boston, 5/8 - Barton f'in Hall, 5/9 - Buffalo, 5/18 Atlanta and 5/26 - Baltimore. In the meantime, bring on something REALLY rare for DaP 12, like from 79-81. Spring '77 4/22 - philly 4/23 - springfield 4/25 - passaic 4/26 - passaic 4/27 - passaic 4/29 - palladium - 3 songs, download series 1 4/30 - palladium - whole show, download series 1 5/1 - palladium 5/3 - palladium 5/4 - palladium 5/5 - new haven 5/7 - boston 5/8 - barton 5/9 - buffalo 5/11 - st. paul - '77 box set 5/12 - chicago - '77 box set 5/13 - chicago - '77 box set 5/15 - st. louis - '77 box set 5/17 - tuscaloosa - '77 box set 5/18 - atlanta 5/19 - atlanta - dp 29 5/21 - lakeland - dp 29 5/22 - pembroke - dp 3 5/25 - richmond - DaP 1 5/26 - baltimore 5/28 - hartford - To Terrapin
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15 years 9 months

Submitted by boblopes on Thu, 09/18/2014 - 10:57

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speaking of 77, I'd like them to put out the Swing Auditorium 2/26 show... Terrapin Station - First Play and starts the show - people in the crowd must have been blown away... Wonder what the people at the show called Estimated Prophet as they were writing down the set list - "California"???
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17 years 5 months

Submitted by SPACEBROTHER on Thu, 09/18/2014 - 11:17

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...on this set sounds amazing. I can't think of enough adjectives to describe the sound, so I'll just stick with "sexy". Possibly the best Organ sound mix I've ever heard on any recording by any band, and I've heard many for many years. Dialed in perfectly. Just amazing!
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14 years 4 months

Submitted by hseamons on Thu, 09/18/2014 - 16:49

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I see, the CD cases are meant to be experienced fully opened, so it reads that way. The box is perfect. I suppose they broke up the setlists to different panels in the cases to accommodate the "hand-writing" size. It's just that every time I want to read the setlist on a case, I get faked out by reading only set two first on the back, which is taxing.
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16 years 2 months

Submitted by Roland Bruynesteyn on Thu, 09/18/2014 - 11:29

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Good call / prediction on 50th anniversary. Nice list. I checked DP 3, because I knew there was something missing. That 'something' is: El Paso Peggy-O New Minglewood blues FotD Ramble on Rose BE Woman Good lovin' Sugar Magnolia There's a bonus disc for you, and the same problem as with 3/24/90...
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15 years 4 months

Submitted by DJMac520 on Thu, 09/18/2014 - 12:48

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So the band releases a 24-year old, 8 show box set that is mixed impeccably and sounds better than anything that could be recorded today, by any band, and, well to paraphrase Allen Iverson we're talking ribbons? Ribbons? We talkin Ribbons?? Ribbons?? Ribbons??!?!? Not even the shows, but Ribbons?!?!?! An odd lot are we Deadheads. And I love it!
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12 years 1 month

Submitted by Chitown rider on Thu, 09/18/2014 - 14:02

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...its been said that putting together the first spring 90' box, dozin, and without a net the entire 3/24 show has been released with OMSN from whithout a net and Desolation row from Postcards of the Hanging. What about Walkin Blues? was the version on Without a net taken from 3/24 too? Thanks all. lovin the box. I had to take a 90's break and im listing to Dave's 11 again, its good to be a HEAD!
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15 years 1 month

Submitted by rrot on Thu, 09/18/2014 - 14:33

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Meh. Lots of DP shows were missing tunes. DP3 of 5/22/77 is really one of the least troubling examples -- that would be a mighty big disappointment to me as a bonus disc: no songs with any real jamming to them at all. We already got the cream from that show, without any question. The very first pick, 12/18/73 is missing much more material, but even a dyed-in-the-wool Fall-73-o-phile such as me would think that there are many, MANY, better things to do than revisit that pick to get the missing pieces, which are mostly first-set material that honestly differed quite little from one performance to another in that era. I really hope Barton Hall (and Buffalo, which is astounding in its own right) can get official release. It did almost sound as though something was cooking on those Bettys, sub rosa, so it would be great to get them for the band anniversary. My fingers are definitely crossed for luck. But at the risk of heresy, aren't we getting our fill of Spring '77 yet??? The fall of that year is relatively neglected in comparison -- in spite of gems like Colgate U. that just beg for release. And then there's everything that isn't 1977, too...
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14 years 4 months

Submitted by hseamons on Thu, 09/18/2014 - 16:21

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On second thought, no, they reduced the handwriting size for under the CD's and on them, so they were not adhering to "real-life" size standards for the CD cases. They really could have done something a little extra visually on one full panel that would have also taken care of the out-of-order setlist reading problem I have had. This is minus points in my book, but that does not mean it is no longer the best box set the GD have released.
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14 years 11 months

Submitted by bolo24 on Thu, 09/18/2014 - 15:08

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We have one report so far of a "Miracle" coin - any others? Also, I'm wondering if the little cardboard square covering the coin has variations. Mine has a jewelled (and diced) crown with "The Golden Road To Unlimited Devotion" inscription. Any different ones?
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15 years 9 months

Submitted by boblopes on Thu, 09/18/2014 - 17:08

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I have the same cardboard message. The cover is very heavy - was wondering if there was hidden secret... I tried the dice on the cover, but all the rolls were random, so my thought that the cover would show the dice were loaded was wrong. Musically this release is awesome.
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10 years 1 month

Submitted by sinelex on Thu, 09/18/2014 - 17:30

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The music is awesome and the box is great, but I have no coin. Anyone else missing a coin? I'm assuming it would be under the crown tab in the cover.
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17 years 4 months

Submitted by Vguy72 on Thu, 09/18/2014 - 20:03

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....back in the day, I had a great source of tapes from a brother who has since passed on. (RIP Tom). There was a cool little clique of heads at UNLV back then, and good quality tapes abounded. This was before the Sam Boyd shows arrived. Anyway, 3/28 was a show that we all treasured. I remember playing that in my deck over and over. Especially the pre-drumz. That show got somewhat lost in my gray matter over time. But, now, in my relishing of the box, it rears it's majestic head. In all it's 24-track glory nonetheless. Bravo!! Atlanta is around the corner. Of all the Spring 90 shows, I never had any of the Omni. They look great on paper. I'm sure I won't be disappointed. Grate, grate box. As far as the coin, mine was there, has a tiger on one side, and the Golden Road quote w/ crown is on my cardboard flap as well... edit....The Atlanta Falcons are whipping Tampa Bay tonight. Ergo, bring on some ass-kicking Omni....
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17 years 4 months

Submitted by Anttheknee on Fri, 09/19/2014 - 10:59

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The 3/24 set can be cobbled together in the following order and from the indicated sources: Disc 1 1)Let The Good Times Roll -Spring 1990 2)Help on The Way -Spring 1990 3)Slipknot -Spring 1990 4)Franklin's Tower -Spring 1990 5)Walkin' Blues -Dozin' At The Knick 6)Loser -Spring 1990 7)Desolation Row -Postcards Of The Hanging 8)Tennessee Jed -Spring 1990 9)One More Saturday Night -Without A Net Disc 2 1)Playin' In The Band -Dozin' At The Knick 2)Uncle John's Band -Dozin' At The Knick 3)Lady With A Fan -Dozin' At The Knick 4)Terrapin Station -Dozin' At The Knick 5)Mud Love Buddy Jam -Dozin' At The Knick 6)Drums -Dozin' At The Knick 7)Space -Dozin' At The Knick Disc 3 1)Space -Dozin' At The Knick 2)The Wheel -Dozin' At The Knick 3)All Along The Watchtower -Dozin' At The Knick 4)Stella Blue -Dozin' At The Knick 5)Not Fade Away -Dozin' At The Knick 6)And We Bid You Goodnight -Dozin' At The Knick I put the first disc together with a little bit of editing, fading in and out, and volume adjustment. I also appended Bobby's "We'll be back in a little bit," from one of the Spring 1990 [The Other One] sets after One More Saturday Night, since the track from Without A Net ends rather abruptly. The disc flows together pretty good. The second and third discs can be directly copied from Dozin' At The Knick.
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17 years 4 months

Submitted by Vguy72 on Thu, 09/18/2014 - 21:37

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...when I was first getting into the Dead, I saw a lot of Nassau tapes. The only Nassau I knew back then was the capital of the Bahamas. I thought to myself, "man, they sure like playing that little island a lot". Seriously....I did....
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