• 1,097 replies
    Anonymous (not verified)
    Default Avatar
    Joined:
    jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    • 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
    • 25th Anniversary Tour Program
    • Official Band Letters
    • 6 Ticket Stubs
    • 6 Cloth Sticker Backstage Passes
    • 1 Tour Laminate
    • Official 1990 Band publicity shot
    • 6 complete shows on 18 discs
          • 3/16/90 Capital Center, Landover, MD
          • 3/19/90 Civic Center, Hartford, CT
          • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
          • 3/26/90 Knickerbocker Arena, Albany, NY
          • 3/30/90 Nassau Coliseum, Uniondale, NY
          • 4/2/90 The Omni, Atlanta, GA

    Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
    Recorded and Mixed Live by John Cutler
    Mastered by Jeffrey Norman in HDCD
    Original art by Wes Lang
    Individually Numbered, Limited Edition of 9,000

    Introducing The Next Box: Spring 1990!

    And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

    In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

    Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

    The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

    And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

    Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

    Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

    Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

    With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

    So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

    If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

    -Blair Jackson

Comments

sort by
Recent
Reset
  • Underthevolcano
    Joined:
    DUH!
    Sorry for previous message-coffee hadn't kicked in-I'm watching for white jeep not brown truck.
  • jkl2000
    Default Avatar
    Joined:
    It's here! Listen to this...
    As I was sitting here registering so I could post a comment saying I'd gotten my new USPS tracking number but it wasn't here yet, the mail truck stopped at my house. All the guy left was a package for my son. Disappointed but I figured it'd come tomorrow. Then a few minutes later, he had circled back and I heard him leaving something else. I went and looked and...bingo! My GD box was there! Surprise! Nice looking shipping box too! I hope everyone else gets theirs soon too. FYI I had selected the basic shipping, which seems to have been USPS Priority mail. It really depends where you're located sometimes, some locations are further away from sorting facilities. I live only about 30 miles away from the sorting facility in a major metro area.
  • gratefaldean
    Joined:
    Corrected shipping email
    With the USPS link instead of UPS. Thanks, guys, for correcting the problem. My package is at the postal center 43 miles from my house. Delivery today or delivery tomorrow?
  • Underthevolcano
    Joined:
    question
    Why does shipping notice say"UPS Ground" but tracking fix is thru USPS-are those actually being shipped via US post and not UPS? I ask because UPS has always been reliable shipper in my experience-post office not so much. Can someone please post answer to this question.
  • gerhard
    Default Avatar
    Joined:
    odds and ends - bonus material
    zuckfun - I´m totally with you concerning bonus material for only half full cds. would have been very nice! but you can´t always get what you want but for future releases: a few bonus tracks here and there should not bother anyone!
  • jolie
    Joined:
    Albany 3/24, 3/25, & 3/26/90
    I can't wait for my order to arrive! These were my first East Coast shows in 11 years. It was really cold outside, even though it was the end of March. These were also the first shows ever played at this venue. The security people knew less about what was going on than usual. There were contradictions as to what items were allowed in (such as water bottles) & it seemed that the list of what was allowed in differed from show to show. Mellow crowd & lots of fun!
  • darkstartheoth…
    Joined:
    I wonder when...
    I wonder when those of us who paid for overnight shipping are going to get ours?
  • scott1129
    Joined:
    Spring 1990 Box Set and Spring 1990 Tour breakdown
    Just for fun, since I'm still waiting for my shipping announcement, I decided to see what we get and what's still out there.So I gathered the set lists and proceed to count. SPRING TOUR 1990 Box Set •Capital Centre - March 16, 1990 •Hartford Civic Center - March 19, 1990 •Copps Coliseum - March 22, 1990 •Knickerbocker Arena - March 26, 1990 •Nassau Veterans Memorial Coliseum - March 30, 1990 •The Omni - April 2, 1990 6 shows 12 sets 60 ones 19 repeats 3 threepeats 1 fourpeat 83 songs 111 performances plus 6 RhythmDevils First Set Openers Let the Good Times Roll 3/16 Hell In A Bucket 3/19 Feel Like A Stranger 3/22 Hell In A Bucket 3/26 Help On The Way 3/30 Feel Like A Stranger 4/2 Second Set Openers Scarlet Begonias 3/16 Box of Rain 3/19 Scarlet Begonias 3/22 Built To Last 3/26 Iko Iko 3/30 Foolish Heart 4/2 Encores Last Time, The 3/16 Brokedown Palace 3/19 It’s All Over Now, Baby Blue 3/22 Brokedown Palace 3/26 Attics Of My Life 3/30 Black Muddy River 4/2 SPRING TOUR 1990 •Capital Centre - March 14, 1990 •Capital Centre - March 15, 1990 •Capital Centre - March 16, 1990 •Hartford Civic Center - March 18, 1990 •Hartford Civic Center - March 19, 1990 •Copps Coliseum - March 21, 1990 •Copps Coliseum - March 22, 1990 •Knickerbocker Arena - March 24, 1990 •Knickerbocker Arena - March 25, 1990 •Knickerbocker Arena - March 26, 1990 •Nassau Veterans Memorial Coliseum - March 28, 1990 •Nassau Veterans Memorial Coliseum - March 29, 1990 •Nassau Veterans Memorial Coliseum - March 30, 1990 •The Omni - April 1, 1990 •The Omni - April 2, 1990 •The Omni - April 3, 1990 16 shows 32 sets 125 songs 284 performances plus 16 RhythmDevils drums 3/14, 3/15, 3/16, 3/18, 3/19, 3/21, 3/22, 3/24, 3/25, 3/26, 3/28, 3/29, 3/30, 4/1, 4/2, 4/3 Ones -31 Repeats - 44 Threepeats - 37 Fourpeats - 11 High Fives - 2 First Set Openers Cold Rain And Snow 3/14 Jack Straw 3/15 Let The Good Times Roll 3/16 Shakedown Street 3/18 Hell In A Bucket 3/19 Mississippi Half-Step Uptown Toodeloo 3/21 Feel Like A Stranger 3/22 Never Trust A Woman 3/24 Greatest Story Ever Told 3/25 Hell In A Bucket 3/26 Cold Rain And Snow 3/28 Jack Straw 3/29 Help On The Way 3/30 Touch Of Grey 4/1 Feel Like A Stranger 4/2 Shakedown Street 4/3 Second Set Openers Crazy Fingers 3/14 China Cat Sunflower 3/15 Scarlet Begonias 3/16 Iko Iko 3/18 Box of Rain 3/19 Hey Pocky Way 3/21 Scarlet Begonias 3/22 Playin’ In the Band 3/24 Eyes of the World 3/25 Built To Last 3/26 Foolish Heart 3/28 Eyes of the World 3/29 Iko Iko 3/30 China Cat Sunflower 4/1 Foolish Heart 4/2 Estimated Prophet 4/3 Encores Black Muddy River 3/14 Revolution 3/15 The Last Time 3/16 US Blues 3/18 Brokedown Palace 3/19 Knockin’ On Heaven’s Door 3/21 It’s All Over Now, Baby Blue 3/22 And We Bid You Good Night 3/24 Quinn the Eskimo 3/25 Brokedown Palace 3/26 Revolution 3/28 Knockin’ On Heaven’s Door 3/29 Attics of my Life 3/30 It’s All Over Now, Baby Blue 4/1 Black Muddy River 4/2 And We Bid You Good Night 4/3 Ones Attics of My Life 3/30 Beat it on Down the Line 3/22 Believe it or Not 3/22 Big Railroad Blues 3/26 Box of Rain 3/19 Built to Last 3/26 Candyman 4/1 Dark Star 3/29 Death Don't Have No Mercy 4/2 Desolation Row 3/24 Dire Wolf 3/30 Dupree's Diamond Blues 3/26 Far From Me 3/21 Fire on the Mountain 3/22 Friend of the Devil 3/18 Greatest Story Ever Told 3/25 Hey Jude 3/22 High Time 3/28 It Must Have Been the Roses 3/22 Let the Good Times Roll 3/16 Mama Tried 3/14 Mexicali Blues 3/18 One More Saturday Night 3/24 Peggy-O 3/16 Quinn the Eskimo 3/25 Stagger Lee 3/18 Stuck Inside of Mobile With The Memphis Blues Again 3/14 To Lay Me Down 4/1 U.S. Blues 3/18 Wang Dang Doodle 3/25 West L.A. Fadeaway 3/22   First Repeat Playin’ In The Band 3/14, 3/19 Repeats Loser 3/16, 3/24 All Along the Watchtower 3/18, 3/24 Jack-a-Roe 3/19, 3/25 Spoonful 3/18, 3/25 Black Peter 3/14, 3/25 Black-Throated Wind 3/16, 3/26 Blow Away 3/16, 3/26 Morning Dew 3/18, 3/26 Brokedown Palace 3/19, 3/26 Cold Rain and Snow 3/28 Cassidy 3/15, 3/28 Deal 3/19, 3/28 Cumberland Blues 3/21, 3/28 Hey Pocky Way 3/21, 3/28 Revolution 3/15, 3/28 Jack Straw 3/15, 3/29 Bertha 3/19, 3/29 Ramble on Rose 3/18, 3/29 Knockin' on Heaven's Door 3/21, 3/29 Help on the Way 3/24, 3/30 Slipknot! 3/24, 3/30 Franklin's Tower 3/24, 3/30 Little Red Rooster 3/18, 3/30 It's All Over Now 3/19, 3/30 Just Like Tom Thumb's Blues 3/15, 3/30 Iko Iko 3/18, 3/30 China Doll 3/19, 3/30 Standing on the Moon 3/21, 3/30 Me And My Uncle 3/18, 4/1 Big River 3/14, 4/1 Althea 3/15, 4/1 Music Never Stopped, The 3/18, 4/1 Ship of Fools 3/16, 4/1 Hey Jude Coda 3/22, 4/1 It’s All Over Now, Baby Blue 3/22, 4/1 Mississippi Half-Step Uptown Toodeloo 3/21, 4/2 Weight, The 3/28, 4/2 Brown Eyed Woman 3/19, 4/2 Good Lovin' 3/28, 4/2 Black Muddy River 3/14, 4/2 Shakedown Street 3/18, 4/3 Sugaree 3/15, 4/3 And We Bid You Goodnight 3/24, 4/3   Threepeats Never Trust A Woman 3/14, 3/24, 3/25 Samson and Delilah 3/15, 3/22, 3/25 New Minglewood Blues 3/16, 3/21, 3/28 Loose Lucy 3/14, 3/21, 3/28 Wharf Rat 3/15, 3/21, 3/28 Bird Song 3/16, 3/25, 3/29 Eyes of the World 3/19, 3/25, 3/29 Wheel, The 3/18, 3/24, 3/29 Turn on Your Love Light 3/14, 3/21, 3/29 Don't Ease Me In 3/15, 3/22, 3/30 Uncle John's Band 3/14, 3/24, 3/30 Terrapin Station 3/15, 3/24, 3/30 Gimme Some Lovin' 3/19, 3/26, 3/30 Touch of Grey 3/16, 3/25, 4/1 Walkin' Blues 3/15, 3/24, 4/1 Just a Little Light 3/18, 3/26, 4/1 Victim or the Crime 3/21, 3/26, 4/1 China Cat Sunflower 3/15, 3/26, 4/1 I Know You Rider 3/15, 3/26, 4/1 Women are Smarter 3/16, 3/26, 4/1 Stella Blue 3/16, 3/24, 4/1 Sugar Magnolia 3/16, 3/22, 4/1 Feel Like a Stranger 3/14, 3/22, 4/2 Let it Grow 3/14, 3/25, 4/2 Foolish Heart 3/19, 3/28, 4/2 Looks Like Rain 3/18, 3/28, 4/2 He's Gone 3/18, 3/21, 4/2 Last Time, The 3/16, 3/22, 4/2 Around and Around 3/19, 3/25, 4/2 Hell in a Bucket 3/19, 3/26, 4/3 We Can Run 3/19, 3/29, 4/3 Row Jimmy 3/14, 3/26, 4/3 Tennessee Jed 3/15, 3/24, 4/3 Promised Land, The 3/21, 3/29, 4/3 Scarlet Begonias 3/16, 3/22, 4/3 I Will Take You Home 3/15, 3/25, 4/3 Goin' Down the Road Feelin' Bad 3/19, 3/25, 4/3   Fourpeats I Need a Miracle 3/14, 3/21, 3/26, 3/30 Dear Mr. Fantasy 3/14, 3/22, 3/26, 4/1 Truckin' 3/18, 3/22, 3/25, 4/1 Queen Jane Approximately 3/16, 3/21, 3/28, 4/2 Easy to Love You 3/15, 3/22, 3/28, 4/2 Other One, The 3/16, 3/22, 3/28, 4/2 When I Paint My Masterpiece 3/18, 3/25, 3/29, 4/3 Estimated Prophet 3/16, 3/21, 3/29, 4/3 Crazy Fingers 3/14, 3/21, 3/25, 4/3 Throwin' Stones 3/15, 3/21, 3/29, 4/3 Not Fade Away 3/15, 3/24, 3/30, 4/3 High Fives Picasso Moon 3/19, 3/22, 3/26, 3/30, 4/3 Playin' in the Band 3/14, 3/19, 3/24, 3/30, 4/3
  • Zuckfun
    Default Avatar
    Joined:
    Odds and Ends
    I'd like to preface this with the sentiment how lucky we are as fans. Quarterly installments of the Dave's Picks series, masterfully selected, is a thrill to look forward to. Then there's the ingenious invention of the Box Set- we're spoiled by how much music is available to us, year after year. This is the golden age of Releases- so glad we made it! Now here's a couple very small potatoes, baby potatoes. Unless my math is wrong, 3/22/90 fits on 2 discs, with the Scarlet-Fire on disc 1 at the end of the first set. Second set jam- intact and together on disc 2. This can also be said of 4/2/90 by placing the Encore at the end of the first set, like the 88 Road Trips. So if three discs is the choice, I applaud the bonus material of 3/24/90. And I suggest there's a few discs in this Box that are 50 minutes long. Not to say what a thrill it would be if every disc's potential space is utilized (though it would be). But how about a bonus track here and there. Surely the Vault must contain partial performances ripe for such occasions, like Dick's Picks 21. Although perhaps this would disrupt the flow of a show, so I don't know. These are just observations, please feel free to burn them after reading. This message will self destruct in 5-4-3-2- Well, that's all I got for now. Thanks for all the efforts, looking forward to celebrating the new Box!
  • NorthwestGA_Matt
    Default Avatar
    Joined:
    Spring 1990!!!
    Spring 1990 was waiting for me when I got home! I love this packaging, this set is worth every dollar. I have been waiting a long time to get 3/22/90 as an official release. Brent is my go to guy, the easy to love on 3/22/90 is my favorite! Here's what I have learned: Forget the USPS. I'm done With those jokers. UPS all the way
user picture
Default Avatar
jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

user picture

Member for

17 years 3 months
Permalink

When does the next one come out? What will it take to make it happen?
user picture
Default Avatar

Member for

13 years 1 month
Permalink

Looks like July.
user picture
Default Avatar

Member for

10 years
Permalink

How can there be an "HD FLAC" from DAT masters (the Srping 1990 Box)?
user picture

Member for

15 years 11 months
Permalink

Unless you use the 24-track masters this would not make sense.
user picture
Default Avatar

Member for

17 years 3 months
Permalink

Does anyone know if this download is the 2 track or 24 track
user picture

Member for

11 years 1 month
Permalink

Would be great if box owners of Spring 90 got a download voucher for Multi-track if they do release. Spring 90 TOO sounds amazing. So far I like the music from the first box though, currently I'm Into the 3rd show from 2nd box.
user picture
Default Avatar

Member for

10 years 10 months
Permalink

I have not yet purchased this first box set knowing the sound is inferior to the second box. The second set of shows sounds so damn good that it is tough to pull the trigger on this box. Maybe I am just spoiled. I probably will just purchase this set but damn it would be nice if they had used the 24 track. Keep them coming!
user picture
Default Avatar

Member for

17 years 3 months
Permalink

Yes I was just wondering I did buy this box but I would buy the downloads in a heartbeat if they used the 24 track
user picture
Default Avatar

Member for

13 years 7 months
Permalink

Some dat recorders could record at 96khz/24bit, referred to as HHS. I have no idea what the acronym stands for. In any case, if this was used for recording then transfer to "HD FLAC" would make sense.
user picture

Member for

17 years 3 months
Permalink

Downloaded this.The sound can't compare to the second box. Fantastic shows, though, and the 88/24 HD FLAC files sound great, better than the CDs from the orginal box in my opinion, even if they pale in comparison to Spring 1990 TOO.
user picture

Member for

13 years 10 months
Permalink

Been diggin 4/2/90 Atlanta and WOW that's a Death Don't for the ages! Jerry is totally on as is the whole band. Whew!
user picture
Default Avatar

Member for

9 years 6 months
Permalink

Hello all. I bought The Other One in AAC download, and I LOVE it!I am wanting to buy the AAC version of the FIRST box; however, it's been posted that the sound quality on the first box is inferior to that of the second. Can anyone who has AAC versions of both comment on whether or not the first is poor quality sound? I'd really appreciate some info because I don't want to spend $120 on something that sounds bad. Thanks a lot for any info you can provide.
user picture
Default Avatar

Member for

9 years 6 months
Permalink

I have the same question as VSmith1967 right below this comment. But I want to ask also whether the "So Glad You Made It" tracks are the same as on this. The album cover art is exactly the same, so I would think so. My point is that if they are the same tracks and same quality, then in my opinion there is no major question of quality. I have the "So Glad You Made It" album from iTunes (M4A files). I think the quality of that is really good. I definitely want great sound, but I'm not a major audiophile about it. I see many comments about the quality of this set, but from what perspective are those comments? Are those guys comparing fine details of just the FLAC versions? Hey now :)
user picture
Default Avatar

Member for

13 years 7 months
Permalink

There seems to be some confusion in the last few posts. For the first box they used 2-track digital recordings that were mixed at the show in real-time from the original 24 tracks. For the second box they went back to the 24 track source and spent an enormous amount of time creating the two track for release. So, the difference is using the mix that was created on the spot, which was very very good, versus spending months creating a two track mix, which came out mind blowingly excellent. However, even though the mix for the second box most people would say is superior, there is at least one advantage to the on the spot mix which is that it has more of a live ambience, less clinical, sound. The sound on the second box is so crisp and clean it might have been studio recordings. So, I'm kind of glad I have both. I do like the second one better - it's simply unbelievable, but there are times I prefer the first mix. So Glad You Made It is just a highlights disc with tracks taken directly from the first box.
user picture
Default Avatar

Member for

9 years 6 months
Permalink

Hello. Please allow me to clarify: I am NOT a major audiophile. I'm nearly 50 and don't hear like a kid anymore. Can anyone verify that the sound quality on Spring 1990 Box ONE sounds as good or better than an average Dick Picks CD? I'm asking just because some of the reviews say the sound is poor quality.
user picture
Default Avatar

Member for

13 years 7 months
Permalink

Yes, the sound on box one is great and superior to the average dicks picks. Sorry, I didnt think I answered the last one as an audiophile. I didn't refer to digital audiophile technobabble that has been discussed here earlier. The number of tracks used is old school non audiophile stuff. Mono - one track, stereo - two track. More tracks (Anthem of the Sun maybe the first to use 16 tracks in 1967 and 1968, they "borrowed" the recording equipment) means each instrument can get wired to at least one separate track, with some tracks used for combinations, like both guitars. This means that to make a stereo recording someone sits down and plays with the volumes of each track to combine all the tracks together into just two tracks, a stereo mix of the original 16 different recorded tracks. This lets the mixer create an ideal balance between each instrument. This isn't audiophile stuff. Ever since recording to more than one track, mixing has been part of the recorded music business. In the 30's or 40's they began miking orchestras with more than one microphone located at various points above the orchestra. Someone then had to mix together all the separate recorded tracks into a single track (mono) mix to be released on 78 rpm discs. The mixer doesn't have to (and usually doesn't) keep each track the same volume, but plays with the volume of each track to get a mix that sounds ideal. The core of what I was explaining is that they made a stereo mix on the fly at each of these spring 90 concerts that were recorded to 24 separate tracks. For the second box, Jeffrey Norman went back to the original 24 tracks and spent about a day per song mixing each down to a stereo two track to use in the box. The dicks picks series (with at least one mono exception) were all also created from a two track stero mix done on the fly during the performances.
user picture
Default Avatar

Member for

9 years 6 months
Permalink

Thanks for the clarification. People have commented on this box set from totally different perspectives. So this box set is superior to the average Dicks Picks and same as the "So Glad You Made It" album. In my opinion that means it's excellent. I love the "Spring 1990 - So Glad You Made It" tracks and I'm excited to get the full set. By the way the Scarlet Begonias from "So Glad You Made It" is exquisite :) Cheers :)
user picture
Default Avatar

Member for

13 years 7 months
Permalink

I just realized that they didn't start using tape until the latter half of the forties (except a few German experiments), so they must not have started the art of mixing until then. When they recorded directly to lacquer disks, I don't think they had a way to mix separate recordings together. So multi-miking couldn't have started until tape recording. Edit - the books that come with the first box are fantastic. Beautiful photography and well written extensive documentation of shows and times.
user picture
Default Avatar

Member for

9 years 6 months
Permalink

I now bought this box set in Apple Lossless format. There’s a lot of music to go through, but I’ve been listening to it and it’s great quality sound wise. I have both box sets now and I see no reason to be splitting hairs over how the two boxes compare. They are the 1990 spring shows all recorded really well, well balanced and with the ambiance of the venues. I’m really glad to have this.
user picture

Member for

16 years 8 months
Permalink

Hi Can anyone who has purchased the standard Apple Lossless d/l edition [44.1/16bit] tell me if the download - when burnt to CDR - is HDCD encoded like the physical CDs were? I asked the dead.net 'customer service' and they refused to answer [and were quite rude too] which suggests the answer is no but I am still hoping...
user picture
Default Avatar

Member for

9 years 1 month
Permalink

A follow up to my original post - there were two corrupt files, the one file that I was able to use (non-HDCD) barely plays through, and skips around. I've notified dead.net. We shall see. I bought another download, this time I specified FLAC. Worked perfectly. Converted to AIFF, imported to iTunes, burned CD from iTunes, a perfect HDCD was the result. Original post below: I purchased the ALAC download version of Road Trips 4 #2. I brought the files into iTunes, created a playlist, burned to CD, and yes, I ended up with an HDCD disc, sounds great. I put the files into the right order (they are mixed between 3/31 and 4/1 on the CD's). BUT one file did not transcode. I had to bring it into Audacity, and export to AIFF in order to get it on a CD, and that single file did not appear (or sound) as HDCD, just common CDDA. I'm going to report to dead.net customer service about the corrupt file, hopefully they will send a replacement. I might try this again with a different Road Trips set and go from the FLAC files to AIFF make CDs, see if they are HDCD (and then back up to iTunes as ALAC). In the case of this set, I still believe that the 88.2kHz FLAC are the way to go. They are superior to any 44.1/16 file even with HDAC encoding. Transcode to WAV (not AIFF) for listening. Sublime. Hope this helps.
user picture

Member for

16 years 8 months
Permalink

Thanks Ziffle I bought the hi-res FLAC not the Apple Lossless and used this as an excuse to get a portable hi-res player - wonderful!!! So good I haven't even tried to see if I can burn to a CD my hi-fi will play... if this sounds this good then what must Spring 90 TOO sound like in hi-res?
user picture
Default Avatar

Member for

9 years 1 month
Permalink

Spring TOO is maximum audio quality - 192 kHz/24 bits, like having the master tape. Also it is from a (then) state of the art analog multitrack source. So, it is noticeably better, mostly - in some songs I prefer Volume 1, but I think that's personal taste, I just like some of the mixes on 1 more than TOO (and some on TOO more than 1). There are songs on TOO that don't appear on 1 & vice versa, so they don't duplicate entirely. TOO is like a live-in-the-studio recording, it is crystal clear, the vocals are more up front, where 1 has more of a concert feel, with the vocals slightly further back in the soundstage. lgreen, maybe you can connect your hi-res player to your hi-fi aux input?
user picture
Default Avatar

Member for

10 years 5 months
Permalink

I saw that you had problems with some ALAC Road Trips Downloads. I did as well months back with RT 3.3. I was wondering if you (or anyone else for that matter) have downloaded the Spring 90 or May 77 boxes in ALAC. I'd like to know that they aren't corrupted before buying. It was kind of a slog to get the RT downloads fixed. Thanks.
user picture
Default Avatar

Member for

9 years 1 month
Permalink

No problem whatsoever with the Spring 90, TOO downloads or anything else other than one of the Road Trips. The two Road Trips tracks that were corrupted were replaced by Dr. Rhino with perfect copies (took a week or so), just a polite note to customer service, taken care of a few days afterwards. I wouldn't hesitate, the downloads are all great, and customer service here is fine, just give them some time and space to address the issue. Edit - I just noticed your remark about a problem with files RT 3.3 - did you give the particulars to customer service? After a few days Dr. Rhino sent me a time limited download link to get replacement files.
user picture
Default Avatar

Member for

15 years 2 months
Permalink

Anyone out there looking to sell a new or used copy of Spring 1990, Volume 1 box set. Found a few on EBay for $$$$$$, willing to buy for a reasonable price. Will buy used as long as all extras are included. Please message me direct Happy Holidays!
user picture

Member for

10 years 7 months
Permalink

If anyone wants an original matching poster, I have one I must unload. I had it custom framed. Any reasonable offers considered. Pictures by request.
user picture
Default Avatar
Permalink

Hey Mayre can you check on this? It says temp hold, but I emailed customer service and they said sold out? Website needs to be updated . Ecommerce website :E-commerce Firesale review
user picture
Default Avatar

Member for

8 years 3 months
Permalink

So now that these are selling for up to $1500 on eBay, I can't help but wonder about the after-market economy that's been inadvertently established by these very limited run box sets. Wouldn't whoever owns "dead.net" at this point be better served by printing more of these sets outright or at least re-issuing them after a few years than letting eBay gougers make many times more than the original price on re-selling these? In the end, people want to hear the music and most of us can't pay a month's mortgage payment on a set of CDs off eBay!!
user picture
Default Avatar

Member for

16 years 4 months
Permalink

1st they aren't going for 1500 people are asking for that and getting 6-750. 2nd ebay doesn't have gougers which implies raising prices during an emergency as in 10 bucks for a bottle of water in a hurricane. Having the box sets hardly falls in the same category. Especially when just about any deadhead can ask a friend to be kind and burn a copy. No it isn't stealing unless it's stealing from your aforementioned ebay gougers since the dead or rhino will not be making any more money from it. Final point so far the dead and rhino have kept their word not gone back on it by issuing more.I don't know about you but I find that honesty in business refreshing
user picture
Default Avatar

Member for

8 years 3 months
Permalink

You write that "ebay doesn't have gougers which implies raising prices during an emergency as in 10 bucks for a bottle of water in a hurricane. Having the box sets hardly falls in the same category." Gouging doesn't require someone to be capitalizing on life essentials in a shortage/crisis as your bottle of water example suggests. It simply requires the elevation of prices to outlandish extents in a shortage of commodities as in the overly high prices of GD box sets (this first volume of spring 1990 and even Winterland 77 in particular) in the aftermarket. I remember "price gouging" applied to those selling the Atari 2600 for crazy prices after they sold out at retailers one Christmas back in 1980 or so. That thing was no bottle of water and there weren't any hurricanes that winter.
user picture
Default Avatar

Member for

7 years 5 months
Permalink

Touch Of Grey is one of my favourites ever. Best music I've ever listened to.
user picture
Default Avatar

Member for

7 years 2 months
Permalink

Anyone know when this will become available for download again?
user picture

Member for

11 years 3 months
Permalink

I am finally ready to get it. hopefully one day soon

Member for

6 years 11 months
Permalink

It is good to see a digital one !! :) Will order it soon ;)
user picture

Member for

7 years 3 months
Permalink

I’m wondering the same thing! There’s a couple that I’d love to buy as digital.
user picture
Default Avatar

Member for

6 years 7 months
Permalink

This is my first post! I would love to own a copy on digital flac of Spring 1990. Please make this available soon! Paying $1400 for Spring 1990 on eBay is pretty steep! I love the Grateful Dead and for me it's about the music, whether I own a physical copy or can purchase the music online. I am very thankful the Grateful Dead is available to purchase at other websites, https://us.7digital.com/ is a great source for Dick's Picks, Europe '72, Road Trips, etc.
user picture

Member for

6 years 6 months
Permalink

Dear Dead.Net,Fix the digital downloads so fans can have this music. Downloads have been listed as temporarily unavailable for a long time. When will it be fixed? Thank you
product sku
GRA9900088