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    Duke '78 [4LP]

     

    "When the Grateful Dead arrived at Cameron Indoor Stadium for the sixth stop of the first leg of the Spring Tour of 1978, they were a well-oiled machine. The expectation was there amongst concert goers that the Dead would deliver an exceptional show; the consistency of excellence was in full force on this tour. And as great as the previous five shows had been, no one could have known that the X-factor would appear in such force at Duke on April 12, 1978. Opening with a pair of classics, “Jack Straw” and “Dire Wolf,” it was clear from the first 10 minutes of the show that something special was happening. But what was to come couldn't have been predicted; no one could have seen what the next three hours would hold. As the Dead barreled through their first set with "Beat It On Down The Line," and "Peggy-O,"" there was something magical happening on the campus in Durham, NC that night. The Dead, as everyone in the building that night could hear, were determined to play one of their best shows ever at Duke. Ending their first set with exemplary versions of "Loser,"  "Lazy Lightning > Supplication," the second set began without missing a beat, rocking hard with "Bertha > Good Lovin'." As perfectly executed as ever played "Estimated Prophet>Eyes Of The World" led into one of the Dead's longest, most intense, and most exciting "Rhythm Devils" drum interludes, clocking in at more than 20 minutes. And the only way to beat that? One of the most powerful live versions of "Truckin'" the Grateful Dead ever played, unlike any other rendition of their "big hit." A spectacularly beautiful, perfectly executed "Wharf Rat" leads into more rock 'n' roll, "Around and Around," to end one of the most satisfying shows the Dead had played in the last several years. As an encore, the Dead put the cherry on the cake with a "U.S. Blues" that has Jerry joyously screaming the chorus. The Dead left it all on the stage on April 12, 1978. Thankfully they had the next night off. " - David Lemieux 

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  • ivansbacon
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    Plangent or not?

    Product details for this and many others on Dead.net is just completely void of The most important information needed when deciding to buy VINYL records - the source/pressing info.

    Is it the superior all AAA (analog) chain, if not I will not buy it if i do not know.

    i have limited funds for music and it all goes to vinyl. (Also because i think digital is vastly inferior to analog)
    I would rather have the all analog warts and all over a souless digital file. Save that for CD's.

    I have stopped buying most of the vinyl dead releases because they bastardize/digitize it with the plangent process.

    Makes me very sad that the people responsible for the music do not understand that analog music should remain all analog (for vinyl) and folks like me do not want digitized music on vinyl. Crisp and clean and free of defects is not a good thing, it lacks soul.

    i would be so bold as to say that the band, certainly Jerry) and the fans understood that it was what it was loved. Every night was different and perfection, all though striven for, was not the reason we were there. It was the experience, however it came to us.
    Digitizing it is just an insult to us and the music.

    This is MY opinion and I vote with my dollars, or lack thereof, they do not get my money for plangent music.

  • greeknik
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    Duke 78

    David Lemieux writes that the Duke '78 was "one of the most satisfying" of the "last several years". Good as it is, this a bit of a hyperbole! "Several months" would also be generous - the band played some hot shows in January '78. Not to mention that IMHO virtually every show from 1972-74 and many from 1975-77 trump Duke '78 .

  • bigbrownie
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    Believe Me, Folks

    All that special sauce came from us students who camped out for these tickets.
    Einstein may have had E=MC squared, but the Dukies brought E=MCLSD cubed!
    What a night!

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3 years 6 months

Duke '78 [4LP]

 

"When the Grateful Dead arrived at Cameron Indoor Stadium for the sixth stop of the first leg of the Spring Tour of 1978, they were a well-oiled machine. The expectation was there amongst concert goers that the Dead would deliver an exceptional show; the consistency of excellence was in full force on this tour. And as great as the previous five shows had been, no one could have known that the X-factor would appear in such force at Duke on April 12, 1978. Opening with a pair of classics, “Jack Straw” and “Dire Wolf,” it was clear from the first 10 minutes of the show that something special was happening. But what was to come couldn't have been predicted; no one could have seen what the next three hours would hold. As the Dead barreled through their first set with "Beat It On Down The Line," and "Peggy-O,"" there was something magical happening on the campus in Durham, NC that night. The Dead, as everyone in the building that night could hear, were determined to play one of their best shows ever at Duke. Ending their first set with exemplary versions of "Loser,"  "Lazy Lightning > Supplication," the second set began without missing a beat, rocking hard with "Bertha > Good Lovin'." As perfectly executed as ever played "Estimated Prophet>Eyes Of The World" led into one of the Dead's longest, most intense, and most exciting "Rhythm Devils" drum interludes, clocking in at more than 20 minutes. And the only way to beat that? One of the most powerful live versions of "Truckin'" the Grateful Dead ever played, unlike any other rendition of their "big hit." A spectacularly beautiful, perfectly executed "Wharf Rat" leads into more rock 'n' roll, "Around and Around," to end one of the most satisfying shows the Dead had played in the last several years. As an encore, the Dead put the cherry on the cake with a "U.S. Blues" that has Jerry joyously screaming the chorus. The Dead left it all on the stage on April 12, 1978. Thankfully they had the next night off. " - David Lemieux 

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13 years 11 months
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All that special sauce came from us students who camped out for these tickets.
Einstein may have had E=MC squared, but the Dukies brought E=MCLSD cubed!
What a night!

user picture
Default Avatar

Member for

16 years 11 months
Permalink

David Lemieux writes that the Duke '78 was "one of the most satisfying" of the "last several years". Good as it is, this a bit of a hyperbole! "Several months" would also be generous - the band played some hot shows in January '78. Not to mention that IMHO virtually every show from 1972-74 and many from 1975-77 trump Duke '78 .

user picture

Member for

16 years 8 months
Permalink

Product details for this and many others on Dead.net is just completely void of The most important information needed when deciding to buy VINYL records - the source/pressing info.

Is it the superior all AAA (analog) chain, if not I will not buy it if i do not know.

i have limited funds for music and it all goes to vinyl. (Also because i think digital is vastly inferior to analog)
I would rather have the all analog warts and all over a souless digital file. Save that for CD's.

I have stopped buying most of the vinyl dead releases because they bastardize/digitize it with the plangent process.

Makes me very sad that the people responsible for the music do not understand that analog music should remain all analog (for vinyl) and folks like me do not want digitized music on vinyl. Crisp and clean and free of defects is not a good thing, it lacks soul.

i would be so bold as to say that the band, certainly Jerry) and the fans understood that it was what it was loved. Every night was different and perfection, all though striven for, was not the reason we were there. It was the experience, however it came to us.
Digitizing it is just an insult to us and the music.

This is MY opinion and I vote with my dollars, or lack thereof, they do not get my money for plangent music.

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603497826131
Product Magento URL
https://store.dead.net/en/grateful-dead/music/vinyl/duke-78-%5B4lp%5D/603497826131.html