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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • workingman101
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    Am I being ripped off?
    Seeing this was gonna sell quick, I jumped in for the box. Now we've got the All Music ed, whats to stop this being sold on Amazon at a big discount?
  • Jason Wilder
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    Zero respect for the re-sellers
    who purchase multiple copies to sell & deprive others of the chance to purchase a single copy for themselves. I'd have love to seen a limit on how many you can purchase. Still, I'm not sure 1 is appropriate. What if you want to it as a gift for a Head & want it too? I don't get the anger at Rhino for making more copies available. They are doing what they should do. And at the same time, it hurts those who want to re-sell their copies as it incrases supply & thus decrases demand. Those who got in early get the extras, those who want the music still get it. Win-Win.
  • David Duryea
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    May '77
    This one is May 1977 PRETOO.
  • Mytime
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    also they have removed all evidence of alleged limited edition
    even the seaside chat
  • drshakedown74
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    hey Dazer
    while you had this release sitting in your cart August West Wharf Rat or another waiting deadhead may have been trying to buy it. how come you put in your cart and then decided not to purchase?? did you just want to see that you could if you wanted to?? weird. ***wondering if anyone will go to the website, click quickly on the pic (all music) and think they are getting the #'d box set? Funny they dont have a pic of the SOLD OUT box next to the ALL MUSIC box.
  • simonrob
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    Word of the day....
    Petulance
  • ikoiko1010
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    GDM, you need a better strategy.
    It's a little disheartening to see that there are already several ads posted on Ebay for this release at 3 times the price of the original list price. Obviously several lecherous flippers have taken note of the importance of this release and have taken advantage of the fact they could get their hands on several copies. Probably why the box set sold out so quickly. I always thought the music was for the fans. What was that thing Jerry said about "once we're done with the music.."? Anyways, of course I understand that these releases are part of a business that provides jobs and puts food on the table for many people, including the band members. However, the people directly responsible for these releases are not naive and should have put in a better strategy or effort with respects to making sure the music gets into the hands of as many actual fans as possible. A 20 purchase limit makes absolutely no sense whatsoever. I find it hard to believe that GDM or Rhino did not understand that by having such a high limit, the "flippers" would immediately hone in on this highly desirable item, and mass purchase several copies. The selling of the "All music Music" edition is a decent move. However, maybe you guys should take the extra step of backtracking a little, and revisit all the orders placed and see if there are many orders placed that included 4,5...20 copies. If there are many such orders, maybe you guys should contact those individuals, offer up a new policy/limit and refund the money for any box sets that went over that new, more fan friendly limit. There has got to be a better solution to these releases, in terms of recognizing your very loyal fan base. Most loyal fan base ever. Also, I understand that you guys had the extra expense of having to buy back the tapes for these shows. However, considering there was no expense incurred in terms of the band actually going through the process of recording new material, I just don't understand why the LP and recent LP releases have been priced so high. The last RSD release was a little much and offered up nothing in terms of extra frills to augment the experience of the box set. Just a box a some incredible music. Yes the music is the most important part, but for that much!? The Cornell LP and the recent Dave's Picks subscription are my last two GD purchases I'll ever make again. The music for every show is available free, always has been and I love the Dead for having such a fact be a reality. I've supported the band with varying degrees of loyalty ever since my first tape in 1986 and first show in 1987 at Kingswood Theatre. My decent LP collection ranks the Dead number 1 in terms of releases, including several studio, Light in the Attic, Brookvale Records and Rhino releases. I love every one of those purchases. However, the price tag and the difficulty of getting these items is starting to ruin the experience. I always thought the music was for the people, regular folk, young and old. Now it seems it's just for who has the fattest wallet. I doubt very much young fans can afford your LP releases. Weird. Hope and serious concern to my American brothers and sisters dealing with the age of Trump.
  • Dazer
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    Get Shown The Slight
    I'm astounded by how many people are missing the point, or worse, are too self absorbed to care. The point of the outrage is a LOT of TRUE deadheads missed out on this because of people who wanted an extra copy "to store away" or multiple copies to resell on ebay, etc., both of which TAKE AWAY from others getting THEIR FAIR share. Personally, I had the chance to purchase it, had it in my cart Sunday night, but chose not to pull the trigger. No regrets. Especially now. It's just plain this was a marketing strategy from the start. Sell out, then sell a ton more at the same price but bigger profit. I'm not playing. Not now. Not ever again. I'll be happy with the extra copies my friends will now be making and distributing, or hoopladigital.com, or archive.org. I won't support a business model like this, not for Grateful Dead music. The GDP and Rhino/Warner execs can factor THAT into their bottom line! You've made a killing now at the expense of losing long time loyal consumers like me next time. And the next, and the next, etc., etc. The losses, added up and multiplied, will be significant, even though I know that people who only care about today won't be losing sleep over it. I just don't see the logic behind setting a limit on concert ticket purchases as a way to SHARE the wealth but NOT applying that same logic to these releases. Those of you who bought more than you truly need, I have as little respect for you as I do for the ones who sold them to you. But I guess it doesn't really matter, anyway. I guess it doesn't matter anyway. Guess it doesn't matter anyway. Though it should.
  • drshakedown74
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    ikoiko
    well said
  • guit30
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    Dave's Picks #21
    This numbered CD, is blowing me away, I really think it could be the best 2 track recording that Betty ever did, no plangent process,just her 2 track recording with her lovely tweaks and a great HDCD mix, then mastering by Jeff Norman. Actually says recorded by REX JACKSON, who was married to Betty, did so until He died. They would work together a lot, Rex (Ramrod), was Bobby's guitar and rigtech, a job Betty took over herself after RAMROD passed, plus the recording duties. the only jam songs here are PITB,WHICH is a delightful 17 minutes, Jerry is like super on this night,and EOTW IS GREAT at 15 minutes. Bobby is having a great night too. I love that Garcia is on his strat and Weir is playing his Gibson. AND topping it off is Billy K pounding the skins. NEXT stop Barton HALL, there are several versions in the archives, plus about 5 full shows on youtube, including a good Cantor sbd in the archive.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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If it ain't got The Swing. Couldn't agree more, Bob. But I suspect The Swing might be worth more as a chip to be cashed in at a later date. There are so many great shows in the cache.. you could almost throw a dart at the stack, call it Dave's Picks 23 and that would be enough to keep our interest. There is such a density of great shows and recordings in what was returned. Happy days.
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I store my Grateful Dead in multiple places on multiple mediums. First, my Samsung Galaxy Note 4, with 32 GB internal memory and 128 GB SD card. I put the officially released shows in chronological order, so 30 Trips Around The Sun 1965 is first in line; then 30 Trips 1967, Road Trips '68 and so on. I end at The Closing of Winterland. Next come the soundboards, also listed in chronological order. I have around 80 from 1969 - 1978. On my old cell phone, I store the 80s and 90s. Same deal, chronological order. I listen to my CDs a lot too. They're placed in generic white CD sleeves, because this is the only way to prevent scratches. I store them in 30 Trips Around The Sun boxes (5 in all). In one box I have E72 with other '72 stuff: Rockin' The Rhein, Hundred Year Hall, Steppin' Out, Sunshine Daydream, and Houston 11-18-1972, along with Fillmore West Complete and Fillmore East 2-11-69; Dick's Picks gets its own box; Winterland 1973, Winterland June 1977, May 1977, May 1977 TOO, and July 1978 get their own box; Road Trips and 30 Trips Around The Sun get a box mixed with the first half of the official multi-track shows (Live Dead, Skull F@#k, Ladies & Gentlemen, Cow Palace, Movie Soundtrack, Closing Of Winterland, etc); and Dave's Picks gets its own box, along with the remaining multi-track official releases. I keep the empty CD covers stored on the shelves of the entertainment center, along with the 30 Trips crates (each with a different side facing out, so you catch all of the artwork and everyone's name). All of the box sets are there as well, including the Europe '72 Steamer trunk with dual Fillmore West bookends. It seems a bit excessive now that I've written it all down....
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I would keep 06/22/73 PNE also saved in that same pile!!! I will be happy whatever Dave's 23 and 24 are!!
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3/24/73 (philly)6/14/76 (beacon) I'd love to see either (or both) released one of these days...
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What a great High Time and Cosmic Charlie on that show along with everything else... I remember getting the tape back in 88!!! The whole show is great as well as the sound quality!!! Good call..
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3/24/73 is no slouch either.. one of the highlights of the Spring tour. I wish I had Dave's job.
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....yea Kyle. I'm not going to any either (too far), but I'll be paying attention. Dead.net should take note on how Phish's online business model is set up. Sleek and smooth. Never read or heard of a phishhead complaining of the product they put out there. Me included....
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Announce that the bonus disc will be CD4 of 6-10-73 to go with the other 3 CD's that will be DaP26. And yes, DaP 25 will be 6-14-76. DaP 23 is going to be 10-31-91....
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....will be Eugene 1.22.78. Jump in! The waters fine!....(or not). Release the hounds, and I'll tame them....an '89 show would be nice too. Cal Expo? Forum? Greek? I'll take them all....
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Vguy the only complaint I have had was that the recent multi track digital only releases have distortion on em on due to maybe over mastering them. I bought the 96 and 99 archival shows and both suffer from it. the 96 show sounded ok when I burned a cd and put it in the car but when I listen to em on my earbuds they are kinda booming loud with distortion. we need Paul Languedoc back I miss him so much.
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Why didn't the DEAD ever play Japan?Seems like all their peers plus everybody & their friends played Japan through the years. I've always been curious.....
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"Why didn't the DEAD ever play Japan?" Japanese Customs (officials).
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13 years 8 months
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Smiling on a Cloudy Day? Rhino rerelease of early Dead remastered...just saw on iTunes, no mention here though? Any insight hippies?
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9 years
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It's Count Vlad's operatives, they're still trying to get back the rescued Betty's.
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They never give up.
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All of the Dave's Picks I have Heard are very good sound quality. I guess that some of that is due to new technology. I am glad that they keep releasing new old stock material. I wouldn't mind a new 1976 release like 6/24/76. I was at 6/22/76, and I got seats for the third row plus some orange blotter, a soda they used to make in Philly. The Tower Theater is a great place for a show, The Dead only played there once. They played 4 nights in a row. Just being able to see them so close was awesome. Sure, I would like 6/22 but 6/24 seems to be more popular. Have a Grate weekend!!
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I did not know McCartney was into pot that far along in his career. I am happy to hear he likes it. For some reason I got the impression he wasn't crazy about it after his experience with the Beatles. Download Seris 76 is great.
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When Heather Mills was taking lots of his cash in divorce she stated in court all Paul likes to do is smoke reefer at home. He has been a huge fan since Dylan first turned the Fabs on back in '65 or so. Dylan thought the refrain in I Want to Hold your Hand was "I get High!" The lyric is "I can't hide!"He's been in trouble for it many many times, but being Paul, it never is too big a deal.
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Thanks for all the comments on the CD storage! Lot of good ideas out there!Some of them are making me re-think my procedure.
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Ween just tore through my state, headlining Red Rocks last Weds then tearing up the grand old Ogden Theater Thurs and Fri. I was second row, basically right behind my friend who was pressed against the stage, directly in front of Dean Ween the lead guitarist, for the first Ogden show. Not only was this concert a total blast, it showed how far they have come from a couple of idiots in their apartment making four-tracks to becoming a world-class five piece ensemble. If you're on here yakking about shit like how you store your cd's (no offense, I like to keep mine on the floor of my car) you've got some time on your hands. Get on youtube and check out some of the following: Piss Up a Rope Ocean Man Monique the Freak Gabrielle Bananas and Blow If they don't make you laugh, they'll make you smile. ;-p
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....you don't need to tell me. Finally saw them for the first time in Feb. Will go back....Voodoo Lady baby!!
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Said McCartney owned a house further down the road for awhile. I suppose he used it to escape the dreary winters in England at times. Makes you wonder about the line - JoJo left his home in Tucson Arizona, for some California grass...
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You couldn't be more correct about WEEN. They have indeed grown into themselves through the years and are fantastic fun.Get some... If you enjoy Zappa,it might be worth your time to check into Ween...just sayin'. :)
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I myself could have sworn I heard Dave said he was wanting to start releasing the recently returned betty boards as well. I looked through that list last nite. I saw only one 79 show on the list. so cross your fingers '79 fans this might be your year.
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This one's for you... :)
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That would be a great gig. We haven't heard from Dave in awhile. Dick Latvala probably did well too,He loved the Dead. I read an interview with Dick that a lot of the soundboards are on cassettes. Have a good day, everyone.
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Someone has to do it. I went with Dick's Picks 23 this morning. Just fabulous - never gets old. I'd forgotten how prominent Keith's piano is on this release. He's so fluid on Playing in the Band during this period. Trying to recall if all of the two-tracks from the latter half of '72 are like this. Europe '72 is real hit or miss with his presence in the mix. Not sure how that happened, given the fact that they're all sourced from multi-track masters, but it did. By '73 he's largely into the Fender Rhodes, which is also fantastic, but quite a different sensation than the grand piano. Perhaps I'll go on a 2nd half '72 binge. I wasn't heavy into the Dead when any of them were released, so I haven't studied any particular show from this period too heavily (like one would do when, say, there's a new Dave's Picks release; there's also the "don't wear out the novelty of these shows" aspect to it). As it's looking like a Summer / Fall box set isn't imminent, I should really just go mad with DP 11, 23, 36, DaP 11, and Sunshine Daydream. Plus some good soundboards. I could, in effect extend my PhD from Europe '72 to the entire year.
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....shaking that stick and driving me crazy. Awesome jrf. Thanks. Deaner shreds it....
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Deaner sure as hell does shred it! Man, has he gotten to be a solid rock guitarist. He still plays that modded red Strat he's played forever. His amp is a no-name half stack with at least two channels. I think it might be a Van Halen 5150 head; I can't be sure, because whatever it is, he's had the nameplate removed. But it is an amazing rock tone, quite a bit of gain but not oversaturated and remarkably quiet and clean, unless he pushes it. When those guys started they were crap. They had all the wit and attitude but no chops; boy, has that changed. Aaron, er, Gene is one hell of a singer. He pulls off all those different voices live. Really, really good... Dean still looks the same. Gene looks 60. He's gained back a ton of weight (which, unlike Jerry, means he's sober) and his hair is completely white and nearly gone. He smoked a couple cigarettes on stage and though he did sip from a red Solo cup he didn't appear intoxicated. Dean constantly lit one Marlboro after another and smoked the shit out them between every song, leaving them burn in a big white ashtray atop his amp. He kept chugging from two red Solo cups that he wisely kept on the rug. I'm sure somebody, maybe him, once shorted out his amp head from a spilled drink. Fellas don't put liquids on your amp. Dean just reeked of rock-star cool. He looked like Keith Richards used to like he'd been up an extra day or two. He didn't talk much except to bark stuff at the audience once in awhile. The other thing was, most bands play on a nice big, cool-looking Persian rug. Ween played on a shitty piece of brown carpet that looked like it was torn out of a college apartment, all stained with bong water and beer. And most of them were barefoot on that nasty thing. How appropriate.
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How can you listen to this without smiling in amazement. Only time ever done and Fire on the Mountain genesis!!! About to listen to it again coming out of Eyes of the World!! I love the whole month of June 1976 just so unique!!! 6/29/76 my favorite especially the Mission in the Rain!!
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Several years back a friend of mine introduced me to "Francis The Mute" for the first time and that album just blew my mind. Immediately hooked. Wish they would tour again. Palette cleanser indeed.
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17 years 4 months
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....those guys from Vermont broke out an epic 27 minute Simple in Chicago. https://youtu.be/KlcHi4c_22w ....if you're not interested, move along. If you are, check that sick shit out.... . . Terms and conditions. If I post something that another individual decides to spend money on, I am not liable to reimburse said purchase. Believe me. I know. My brother-in-law is a lawyer. Angry spouses need not apply....;)
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Ok V-Man, the way I see it you owe me 30 bucks. I went to that link and liked it a lot. Side stepped to LivePhish and downloaded all 3 Chicago shows. It's all your fault, that's my story to the wife and I'm sticking with it. Nice heads up.
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....I just read that Phish is going to stream their Dayton show tomorrow night for free on YouTube. Just throwing it out there....
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