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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • Dogon
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    DaveRock Selim Sivad
    Good thoughtful call Dave, I think some truth in your analysis. I think the second Quintet is the high point, BUT I dont see a break with Brew, rather a logical continuation of In a silent way. Of course its arguable if all of the doors opened up through Agartha are sucessful, but thats what I want in my music, to be shown something new, some of it will be marvellous, some will be less so,I dont find much to enjoy otherwise in jazz rock since Bitches, too much funky muso noodling,and I consider that the members of Miles various groups did their best work with him, the bands which followed -Mahavishnu/Weather Report/Lifetime/Headhunters et al became less interesting the longer they were outside his orbit, diminishing marginal returns, and after Live Dead not much rock satisfies me, so I find both Miles and the Dead sui genris. But damn, that second quintet! And, I think that both Miles and the Dead returned from their respective hiatuses diminished, even though much interesting, even great, work lay ahead of them.
  • Thats_Otis
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    @ Daverock RE: Miles
    I would tend to agree with you as to Miles and having his "hey-day" from the late 50s - late 60s, with In a Silent Way being my favorite album of his. From Bitches Brew on, Miles seemed to be continually searching for something new, and to these ears, he succeeds in finding it more often than he fails. While it is not the "jazz" you may be expecting, album like Bitches, Tribute to Jack Johnson, On the Corner, and Dark Magus have some absolutely stunning moments, and while they are challenging, IMO they are all worth the time of a good, intense listen. If you are interested in hearing the intersection of rock n roll and Miles, I would suggest checking out the Jack Johnson album - it just flat out rocks! (It is also from the same time period Miles and the Dead played together.) Hope everyone has a great day! Peace
  • daverock
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    Miles behind
    I've noticed a lot of praise directed towards Miles Davis over the last week, but none of it has been in anyway critical. His music changed so much over the decades, and to me... and this is purely subjective... his great days were in the 1950-1960s-the Quintet he had with John Coltrane , and in the mid 60s when he played with the second Quintet with the great Tony Williams on drums. My favourite albums by him are probably Sketches of Spain and In A Silent Way. But after In A Silent Way...which seems to be the era he is most fondly remembered for here, he seemed to me to lose his way. From Bitches Brew onwards, the music takes on a slightly uglier tone, and I have never really understood why this music, from 1970 onwards, is so highly revered. He seemed in a way to be attempting to update his sound, to appeal to the "rock generation", but it doesn't really work, I don't think. A bit like the Muddy Waters album "Electric Mud"-a recognition that times were changing wah wah pedals were in, so they had better get them and try to work out what to do with them. Jimi Hendrix-and to some extent The Dead, Sly and the Family Stone and other improvisational rock bands made jazz and blues seem to its practitioners to be obsolete-so they made misguided attempts to get with it. Get down with the kids, as they say over here. Thankfully, both jazz and blues survived-but I don't think either jazz or the blues had their finest hours during the late 60s-early 70s.
  • mbarilla
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    Gary Farseer ~ Ventura 1987
    Nice tape, those announcements are pretty cool. What other tapes you have made ? Those announcements got me to chuckle, really helps paint a picture in my mind. I grabbed a random stack of Cds Wednesday. Popped in a bunch and the only one that would play was "In the Dark" / car stereo on the fritz. Strange coincidence cause of your tape , Ventura anniversaries, and the Touch of Grey connection. Definitely not my first choice for the road. I need some live stuff for this road trip, but heads sure do turn when the windows are down and the stereo is pumping out "Tons of Steel" Last year took 6.26.88 on the trip to Star Lake. Was hoping to catch some of these tapes while I am em route to Star Lake. April 1986 ~ BCT July 1974 ~ Chicago ~ sound may have been a little rough on some these tracks, but it does have "Dark Star -> Stella" July 1990 ~ Deer Creek Also grabbed Dicks Picks 29, I was reaching for Winterland 77, but it was too far back LOL, I need those arms Inspector Gadget has Probably should have went a day early. That Pittsburgh Penguin day party looked like a blast
  • 80sfan
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    Stories
    Thanks for the stories Gary-been really enjoying them (and the reminder to revisit those shows). I saw the dead up and down the east coast and parts of the mid west. Never made it out to a west coast show until after Jerry passed, so it's cool hearing how laid back the vibe was out there (especially compared to my experiences back east).
  • LedDed
    Joined:
    The Magpie Salute
    Check out The Magpie Salute! The record starts out a bit rockist, but don't be scared. It's the Black Crowes' classic lineup (Marc Ford!) minus Chris the Brotherhood. A ten piece ensemble with backing singers, etc., this set veers from Bob Marley and Pink Floyd covers to a straight-up 1970's Traffic sound, with a bit of country, blues and hard rock thrown in. It really does kick ass, hasn't left my car cd player in days. Oh, and yes Jeff Chimenti is a motherfucker!! Was awesome in Boulder. They are now letting him and Oteil stretch out more, and it is a thing to behold. See Dead and Co.
  • Gary Farseer
    Joined:
    Hard to believe III
    So last day of Ventura 87 was very relaxed and fun. Only Saturday night sold out, or so I have read. Probably the smallest dead show I ever saw. Guessing around 4,500 attendees. There was just barely ticket takers. Again, one of those shows you could walk right up front without much trouble to get some face time with the fellas. They seemed extremely relaxed all three days. The whole venue was relaxed. Of course, there were rowdy incidents outside the gates. Ended up ending the dead's chances in ventura. But going into the grounds and watching the shows was very relaxed. Set 1: Hell In A Bucket > Sugaree, Tons Of Steel, Ramble On Rose, Me & My Uncle > Mexicali Blues > Althea, Feel Like A Stranger > Might As Well Set 2: Scarlet Begonias > Fire On The Mountain, Playing In The Band > Terrapin Station > Drums > Space > Truckin' > Wharf Rat > Throwing Stones > Not Fade Away, E: Mighty Quinn
  • Born Cross Eye…
    Joined:
    Online Users
    That phrase could be twisted around to mean something else, but I will keep my mind and this post out of the gutter and/or troll-land.As of 14 JUNE 2017 at 6:00 PM, "Eastern Daylight Savings Time" (here in Philadelphia, Pennsylvania USA) Online users JimInMD (real person) deadmike (real person) charbroiled (real person) SPACEBROTHER (real person) Vguy72 (real person) Gary Farseer (real person) MajuxMarketing(TROLL ALERT or 'BOT)
  • bob t
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    Beacon Theatre 6-14-76 High Time
    I really enjoy the 1976 High Time returns, and since it was 41 years ago today, I thought I would mention... Happy anniversary also to dead.net..... so much easier than 1-800-CAL-DEAD although it was nice to hear Bertha when on hold!!!!
  • Gary Farseer
    Joined:
    Thanks to the Organization
    Happy Ten Years of DEAD.net. Thanks to MaryE for keeping the wheels on the tracks. To Dave for all of his work and effort. To all others near and far that contribute. Thanks to the fellas for continuing to stoke the engine!
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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There was one year when they announced the next pick real late , like on the 28th or something. How has Dave's 23 not leaked yet? Ii have a feeling the announcement will be Monday, but I hope I'm wrong..... Here's hoping for an uncirculated Betty from '79 or an upgraded Eugene '78..
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Yes I spun Duke too. That was my first LP by them. Ah mammeries........oops. Memories!
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Hold off on the Dave's announcement. Sure, I'm excited to see what it is. In another week or so I'll stop coming on here and just wait til mine arrives. Opening that mail would be like Xmas! Although it kind of is anyway. Just would be fun to not know 'til it arrives.
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is anyone else getting tired of dreaming they announced it only to get up to find out its not true? and yes to a mike who said something about a late announcement. I said it many a time it was for daves 20 (Boulder '81) it wasn't announced until the day before Halloween. cuz I remember thinking "seriously? a two day pre order??". it was rough. it was a rough month. i'm about to say I'm not checking back in here so when it shows up at the house it will be a total surprise. easier said than done. whatever it is I'm sure it will be worth the wait. might be taking longer cuz they might have to do some clean up on the tape. so id rather have a late release announcement and have them take time to clean up/fix a tape the best they can than have a rush job on it (unlike Europe '72 box)
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I made it to 7-21,22 Made the mistake of thinking I should go to work on 7/23...
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I had And Then There Were Three on cassette in the late 80's and listened to it a lot. I thought it was pretty good.
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Actually, watching it too, great show, Jerry is playing the Wolf again. They are having fun,Seems they are always good at Winterland. DP 10 was my second Dick's Picks. That was 12/29/77 with some songs from this show. Wow, incredible Estimated Prophet, Jerry has Mutron on. Gotta go, they just went into Eyes of the World. Show is on Music Vault Channel. https://youtu.be/yqZP8ihyfs8
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So I go for my beloved Winterland 73 box, and get a disc out. Well it's stuck in the sleeve. I have to pull it out and it's stuck. When I do get it out 2 big spots of glue on the disc make it skip and stall.I am very unhappy as I tried soap and water then goo gone, and this shit is not coming off my disc! If you have any CDs in these shitty little sleeve packages do yourself a favor and get them out of that package asap. Wrap in a tissue or put in a jewel case, but don't risk getting glue on your disc and ruining it. Now I have 1 last option which is to go across town and have it polished. Suck Job! If this disc can't be saved, I will be pissed as this is one of my favorite sets! Don't risk it folks. Take action before it's too late.
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One of my GSTL discs had glue.I dissolved it off with Everclear, 190 proof. Worked great. So, some of you may ask why is 190 proof Everclear legal in Georgia? If you can buy it in the store you don't have to go into the woods and make your own, and the state gets their taxes...
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I haven't been here for a while so I went through all the comment, interesting discussions. Regarding 1977, after listening to the GSTL box set, this year is still tops. However I think a lot of you have called it right: setlist and variety of songs are limited. They dropped a lot of songs out of the 77 shows when compared pre-hiatus shows and only just the year before - 76. Of course Estimated and Terrapin were added. I think what makes 1977 so good is the consistent high level of playing. Pretty much any 1977 show that I put on is good. In my mind there are not too many other post-hiatus years where I can say that. However I still think 1972 and 1973 are the best. As for 12/30/77, I have a mild obsession with that show, ever since I came across it on YouTube. There is something about that Row Jimmy that really gets me. Incidentally, the uploader - Music Vault has a bunch of Grateful Dead and other bands shows on there. I am sure all of you know about Vodoonola too, who has 3 channels of Grateful Dead and JGB shows. Great stuff. For the next Dave's Picks, I am hoping for another Betty Board release of a good show. DaP 22 was nice, but the band at that time in 1971 was not in a jamming state of mind, at least not like the level that they woukd be a year later. Even if it is not a Betty Board, I am hoping we get a show with more jamming. I don't care what year. I always think there are shows that are great but just havent had the circulation and attention , so they fly under the radar. 10/18/72 is one that comes to mind for me. I am anxious for the anouncement.
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Hey FloridaBobalooToo (and anyone else with a similar problem): By any chance, is your disc skipping/freezing on disc 2 track 8 Bertha? If so, the glue drops may not be the problem. I remember when this box first came out, a lot of people were complaining about this same problem (I have the same problem) I think there may have been a manufacture defect. If you get a magnifying glass (or not if you have good eyes) look at the playing side of your CD towards the end of the disc (the outer edge). Normally, you can see the section of the disc that is used and unused (there is a slight difference in color/silver). Find that defined circumference line, and let your eyes follow it around the full 360o. If you have one of these defective discs, you will see that at one point of this line, you can see the circle bow outwards ... like an egg instead of a circle. It almost looks like if it were a record, you are looking at the grooves, but instead of the groves going in a circle, they are wavy at one point. Now, I'm no CD engineer, but the disc freezes up at the end of the last track, and this defect is right around the end of the used space on the CD. I know it's only about the last 2 min. of Bertha, but for us "complete-ists" that hurts. Before you scrub your disc too hard, (if it is disc 2 that's in question) check to see if this could be the problem. Good luck!
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(SPACEBROTHER wrote):...with a bonus disc consisting of the remainder of Pembroke Pines show not included with Dicks Picks #3 5/22/77... Years ago, they played the Dick's Picks out-takes on The Grateful Dead Hour. I reconstructed a copy of the complete show for my own collection, and realized how much better of a show 5/22/77 is when it's complete! It's a shame it was edited for release. Yes I agree, they might as well release 5/18 too! (and the rest of Spring '77 :o))
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7 years 10 months
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For sure it's glueDisc 1 of the box Gonna try alcohol Buying sleeves tomorrow for this whole box and others in same packages Being cheap don't pay! Use digipaks GD Thanks thou
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Success with 70% isopropyl alcohol.Water rinse very heavy after to get any residue gone. I hope there's no long term trouble. Maybe I'll burn a backup to be safe
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FloridaBobalooToo,I found the exact same thing to the exact same box last month! Must be a time bomb. I used rubbing alcohol.
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9 years 2 months
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I need to check my Box.Maybe the summer heat makes the glue melt. Time to invest in a temperature controlled storage vault.
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7 years 10 months
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I think paper sleeves will be the answer. I have a few of these issues so I plan to buy 100 which are cheap and will solve the issue once and for all, I hope anyway!
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1) White paper CD sleeves are the answer. I've been storing them this way since 30 Trips was released. Zero scratches. Prior to that I tried CD binders / suitcases, with the felt backing and plasticy front - you know, the basic generic CD holder type thingy. I adorned it with awesome Dead stickers and it looked great. But there is still too much friction. You get some particles in there unawares, and the next thing you know your slamming the cat's tail in the door because your 2011 Road Trips bonus disc with the 43 minute Dark Star and Kung fu grip got scratched. Bad scene man, b.a.d. scene. The question becomes, what do you do with them once you have them in the white sleeves? I put mine in the 30 Trips crates. One 30 Trips crate isn't nearly big enough, so you'll need to buy something else. I've seen some crates at Walmart and Target that look suitable. I'm sure once you get one or three of those all gussied up with some Dead stickers, life will be grand (and the cat will be happier). 2) Sonically speaking, I believe 30 Trips 1977 is the best sounding 1977 recording. Performance and set list great too. Not sure how this one ended up so good, but the separation is perfect, the reverb factor is perfect. Bobby's guitar has not yet "thinned out" badly, as it eventually did (you can actually hear a distortion pedal in use). The only things holding this one back is a couple of songs weren't quite as developed as they became even a couple of weeks later (Scarlet/Fire for example). There is also the organ Keith plays. Not a fan. I prefer the piano and electric piano he moved toward later in 77 (check out Estimated Prophet Dicks Picks 18 to hear exactly the sound). From what I've read, he wasn't into those synths that we hear in the first half of 77, but he didn't really have a choice in the matter. But the sound on this show is fantastic, and I'm pretty picky with the organ thing - you may not even notice.
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on the treadmill. figured I'd give it a spin since it is constantly being brought up in every '77 release. it's criminal that sugaree wasn't included but there's so many gems in that set that it doesn't matter. 2 '74 playing in the bands. and what may possibly be the last Dark Star till Winterland '78. this will be a first time full listen since I bought the Package deal they had when it came out (Beyond Description, Grateful Dead Movie DVD, Movie T shirt, Movie Soundtrack). so far has a great Eyes of The World, China Doll and China>Rider. song selections are from Scattered dates but I don't mind it as long as its from the same venue and run.
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As Keithfan is famous for saying; check out the full unedited version of that Eyes on the So Many Roads box set. It's a doosy clocking in at 18:30!
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Kyle, Can you tell me which 77 show is on 30 trips box, I'd like to check it out on the ar- chives. Music Vault is a great person, I watched his Dec 30 show on youtube, great so I would like to check out this other 77 show you are talking about, sounds good. Jim PS- I want to get a miniature Wall Of Sound to use for my stereo
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I just checked out the store and found info about 30 setlists, they still had the info there, 77 was 4/25/77 - Passaic , NJ. Here is the setlist,looks like a great setlist. New Minglewood Blues Deal Mama Tried They Love Each Other Looks Like Rain Peggy-O Lazy Lightnin' Supplication Ship of Fools El Paso Brown Eyed Women Music Never Stopped Scarlet Begonias Fire on the Mountain Samson and Delilah Terrapin Station Playin' in the Band drums Wharf Rat Playin' in the Band U.S. Blues
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That's funny, I guess I do always mention that the Movie Soundtrack's Eyes of the World has been edited. I didnt realize it for years, and it eas my favorite version. Imagine my surprise first time listening to So Many Roads. Strange that they did this, when you consider that it's a 5 CD set, where time is spent on multiple Drums, He's Gones, and a Weirdness. Work drive, on to DP 24.
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..announcement should happen today, but at this point, I would rather have my mailman tell me the show. I like blind taste tests....
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Basically I think any track that was originally featured on the Steal Your Face album is an edited version. but playing that edited Eyes on the treadmill is still a pretty good one. I'd rather have edited tracks and have the Movie Soundtrack than Steal Your Face anyday
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I too, have had a shipping notice - what a mystery.
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Yes, I have had a shipping notice, too - without any indication of what it might be. I guess the intention is that we receive it without knowing its provenance. Living over here in England, I guess that many will receive theirs before I get mine, and understandably spill the beans. So maybe I will check out for a while, and then reconnect when I have got it. The last 5 cds I have listened to have been Balboa Island by The Pretty Things 1st Album by The Pretty Things Get The Picture? by The Pretty Things S.F. Sorrow by The Pretty Things Parachute by The Pretty Things ...all culled from the excellent box set Bouquets From Cloudy Sky. If you haven't heard this band, S.F Sorrow is the one to go for. They also made a couple of the best psychedelic singles not made by The Beatles or Pink Floyd-Defective Grey/Mr Evasion and Talking About The Good Times/Walking Through My Dreams. Seriously groovy. Bye for now.
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I have not received my notice yet, i am usually latter then most. This is how they did the second 45 release last month. I had mine in hand way before the posted on the site for individual sale. Maybe this is there new model they are following, taking care of the subscribers first.
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has been exhausting. They must be setting a new record for page views this month, from me alone. its all good though. I'm not angry. If there weren't some sort of snafu it wouldn't be the dead. Bring on the pick(le)!!!!
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Eugene OR, now showing on the new Dave's Picks message board!
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Not such a secret after all, then! I am not familiar with this show, but I am surprised that another show from this era has been released after the 78 box set last year, and Get Shown The Light earlier this year. It seems the heavy stuff is out of vogue for the time being.
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Yea.. but this one's a classic. For that matter, so is the July 78 box. Outstanding stuff.
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11 years 2 months
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Hey good folks, I have an updated list of a few Dead items still available for any collectors out there that may have missed the chance. I bought them and listened only once or so and put them in a case and sleeves so they are as new as can be and all play without issues. For the Boxset, I didn't read the book and have the complete Boxset for you. PM me. Thanks Grateful Dead- May 1977: Get Shown the Light Boxset #1394 out of 15,000- $125- OPENED plus shipping and insurance Includes: 5/5/77, 5/7/77, 5/8/77, and 5/9/77. Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$20- OPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$25- UNOPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 22: Felt Forum, NYC 12/7/71 with Bonus Disc of 12/6/71- $50-OPENED plus shipping and insurance Grateful Dead- Dave's Picks VOLUME 23: EUGENE, OR 1/22/78- $20 - OPENED plus shipping and insurance
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11 years 6 months
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Do you happen to still have DP 20 and 23?
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9 years 9 months
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I'm predicting an announcement on Wednesday......
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8 years
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You may have read about it, and you may have seen my photos in the Get Shown the Light box set and the Cornell CD set. Well, I am proud, excited and thrilled to announce that my high-quality coffee table book of photos from this great show is now available! Please check out my site: www.GDBartonHall1977.com Thanks, Larry
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7 years 3 months
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$99 for one 8x11 print is ridiculous. A quarter of them are so out of focus you can barely tell which band member they are, they're all in B&W, none feature the whole band, and none of Keith. This is the kind of insulted I feel when I see out of print Dead shows listed on eBay for $800. I think the Zapruder film went for less money. No thanks
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10 years 3 months
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You could have left it at that, MLB; while entitled to your opinion, there's an emotional immaturity to your perception of a personal slight in this situation that radiates nothing but mean-spirited negativity. Whatever complaint you have with GDP/Rhino's limited release distribution model, it's wholly incomparable to Mr. Reichman's prerogative with respect to price-setting the sale of his personal photographs./K
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