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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • MinasMorgul
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    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
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    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
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    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
    Joined:
    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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My problem with it was more that Tom Dowd was absolutely correct about the horns. Juicy Carter is a good saxophonist, but the first night, he and the other horn players don't know Liz Reed at all, and is playing well out of key, the second night isn't much better, when it was just Juicy and Thom Doucette on harmonica. There are good moments. I love hearing You Don't Love Me, even if the sax makes it a little jarring. I don't find the repetitive setlist boring, it's more that the best parts had been released, though the box is worth it for the different Whipping Posts. Mountain Jam was a fairly regular song in the rotation for 2 hour+ shows, so I was shocked that they only played it once in the March shows. I guess because it was an official release, the other Fillmore shows didn't circulate. I have a good sized Duane era tape collection, and I hadn't heard the full shows before the box. The 6/27/71 show was disappointing as filler disc, as it was on that Eat a Peach, and is one of the most circulated tapes. There are other Fillmore East and West shows in the vault that would've made for a better filler disc, 9/23/70 as an example, which circulates in video as well. I didn't realize it started selling for higher after Gregg passed. I got it for 66 on pre-order at Amazon, and saw it dip down to 35 bucks on Amazon late last year.
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I own zero Allman Brothers records. What are the top 3 or 4 Duane era CDs you all would recommend. Do they tend to release entire shows or best of live stuff? I checked out the Skydog box, and it's way too expensive for an intro to the band. Sound quality is important to me. Thanks. Minas, yes that is the house.
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The first 4 ABB albums are the Duane ones and all are worth getting, though sound like they were recorded in the mid1960s, even though they came out in 1970. The Dreams box is a nice 4 CD introduction to ABB, but only half has Duane playing on it. Since Gregg died what used to be cheap has gotten pricey and over the years the catalog has been remastered a couple times, so go for the remastered versions of Idlewild South, Fillmore East and Eat a Peach for the best of the Duane era releases.
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Butch - Early Allmans definitely wasn't recorded well - Doesn't really capture the magic. Proceed to the following as starting point: Live at the Fillmore East - One of the best Live albums EVER recorded (up there with Little Feat's Waiting for Columbus, BB King's Live at the Regal, and Bob Marley's Live at the Roxy. Eat a Peach: This album contains some "Fillmore East" Outtakes as well as a few post Duane tunes like "Ain 't Wastin' Time No More" which are amazing. Sadly, Live at the Fillmore is about the only really great LIVE Duane recording I'm aware of. I've bought a number of other live ABB recordings and been massively disappointed - horrible recordings. This is why we love the Dead: Bear started a tradition/legacy of meticulous live recordings that continued until the late-70's, leaving behind a treasure trove of amazing live recordings. If only the ABB had a Bear....
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This release is from a multitrack recording and sounds great: http://www.ebay.com/itm/The-Allman-Brothers-Live-Atlanta-Intnl-Pop-Fest… I don't have the ludlow garage release but I think it may be multitrack too. This archival release from 9-19-71 is absolutely fantastic but it does suffer from sound quality issues; especially the first 4-5 tracks. The sound improves for the meat of the show. 11+ minute blue sky and 20 minute Liz reed and dreams! Get this one: http://www.ebay.com/itm/The-Allman-Brothers-Band-S-U-N-Y-at-Stonybrook-…
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There is a blu ray audio release of the ABB Fillmore East, currently available for about $55. It is stunning, the audio is uncanny clear. There are two mixes, LPCM stereo at 24/96 kHz, and a 5.1 mix that is dts-HD (also 24/96). The stereo mix is similar to the original LPs, but much better.The 5.1 mix was intended to recreate the sound as you would hear it from the center orchestra at the Fillmore, and it is fairly successful. Someone posted a comment saying that the differences between the shows is subtle and the full series is not worthwhile. I thoroughly disagree, that is like saying we should stick with Live Dead and not bother with the full run FW 1969. There are a couple of other worthwhile releases of this material, a dts 4.0 of Live at the Fillmore, which is a remaster of the original quad release, and is excellent and interesting (and long out of print), and an SACD of Eat a Peach, which is based on the original quad issue, and is similarly interesting and enjoyable, also out of print but I believe available. The ABB 1971 Fillmore set is a masterpiece, and without doubt the place to start with the ABB. if you have the right equipment for playback, the blu ray is best.
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There was a recording that came out about 20 years of a Bear recording of The Allmans. Its from the February 1970 run they played at The Fillmore with The Dead. What a box set that would make-all the sets by both bands! I am listening to it now-the opening track, Elizabeth Reed features a great jam-and the sound quality isn't too shabby either. Its not SACD or blu ray standard-but its okay. Way better than Ludlow Garage. Love were also apparently on the bill, although you don't hear much about their sets. It was a different band from the one that made the truly classic Forever Changes, but it would be good if some of their music could be included in this fantasy release too.
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as of right now there are 1978 copies of the Summer 78 box set left
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Last year's official cleaned up release of the A & R Studios 1971 show, recorded live with a small audience, is excellent and sounds great. The Sound on Live at SUNY starts badly and improves somewhat, but is worth perservering with for Duane's astonishing joyful solo on Blue Sky (and Berry Oakley's bass too).
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The allmans also had a Dick's picks like series that ran for five volumes, not sure why they stopped issuing them, Sound is up and down per release, but definitely worth picking up. There is a show from 73 at nassau coliseum which is really good
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Seems there's a lot out there. I bought a copy of the A&R Studios 26/8/71 a few years ago. I would say the one I have is basically a bootleg-although you can get it on Amazon and the few remaining record shops that sell music like this. I wonder if this band approved version is much improved from the one I have. Morally I should get it, I suppose!
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Another band I am about to start listening to, who are often mentioned on this site, is Govt Mule. They are playing London in October, supported by Kenny Wayne Shepherd, which looks like it could be a good night. So I downloaded a copy of an album called With A Little Help From Our Friends, to get a feel for their music. All their albums seem highly rated on Amazon-but this one, being a live double, seemed quite an attractive place to start. And maybe finish..I don't know yet!
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You can't go wrong with some mule! LWALHFOF is agreat album to jump off from with the original lineup with Allen Woody. There is also some great players as well on there, Marc Ford from the Black Crowes, Derek Trucks, Chuck Leavell, Jimmy Herring etc. I would also recommend Dose, and Life before Insanity, there second and third albums respectively. After Woody died I stopped following them as much, just wasn't the same
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The SUNY Blue Sky is worth the price of the album and makes up for the sound quality. Just Glorious.I consider the studio release of Blue Sky to be the perfect song. I wouldn't change even one note. I've been working in the shop building some furniture this weekend, wife and kids are out of town. Mostly been playing Flying Burrito Brothers so far, but after checking in with this thread on my lunch break I guess I'm switching to the Allmans. Thanks all! (If anyone is interested in some Allman trades PM me)
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Try "Live at the Roseland Ballroom" it was the original Mule at their finest.Enjoy

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Hmm....I certainly value my summer '78 box. And I know lots of you, including my buddy Jim, feel it's pure gold. It rocks, no doubt about that. But I wouldn't recommend it out of the gate to a brand new explorer. There's some really exciting music, and some pretty sloppy stuff, too. Listening to Omaha's disc 1 again recently (first set+), I'm kinda baffled Dave's liner notes praise this show in particular as "exhibiting none of the occasional playful sloppiness that could creep into 1978" ~ when I find it to be a quintessential example. A lot of Jerry's vocals are...less than strong. St. Paul exhibits this "playful sloppiness" too but I admit that Jerry's steering Mexicali towards the ditch is a super-fun moment, with Bob calling him out into the mike. It's Arrowhead and the two Red Rocks shows that really sell the box for me. Yes, you can get 7/8 stand-alone, but 7/1 and 7/7 are true gems in their own right. Dave's gush about 7/1's second set run is NOT hyperbole. And 7/7 falls prey only to the attention given 7/8...sublime two-night stand. But given a choice ~ not that we have to choose ~ Get Shown the Light is in another league of mastery, to my vibration, and has seen a lot more play thus far. I do pledge to listen to those middle shows again, though. *quick plug for RT/From Egypt With Love, while we're on '78. That Mojo Working > Other One run smokes. (Bonus disc, of course, allows you to reassemble that whole 2nd set...lovely Estimated. And bask in the beauty of World to Give.)
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....is probably at the top of my list for most under-utilized song they ever played. Right up there with Clementine, Built To Last, King Solomon's Marbles and Gentlemen Start Your Engines....

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That's a nice list ~ most of those are in the 2-5 club. Pretty exclusive. Clementine and King Solomon's Marbles...sigh. Mason's Children is another favorite of that ilk, though its little run still saw a lot more performances than any of those. Kinda like Mountains of the Moon. I actually caught one of the Gentlemen Starts, and I loved it ~ it was really raunchy and they were up for it; Jerry certainly was. That one (oddly, I've never heard the other one) has this dark spacey guitar burst right in the middle that comes out of nowhere. And the classic grind to a halt ending when they hadn't played a song enough ; ) Though a spirited grinding to a halt ; ) I think others have mused, too, If I Had the World to Give would've made a great early 90's breakout.
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I would throw in Here Comes Sunshine. Everybody loves it. It's a killer song with a killer jam section. It's puzzling that they threw away such a great song, and odd that the last time they played it was at the first show of the 1974 tour. It seems like there is a story behind it. But then again, they stopped playing a lot of great songs. Its a Man's World is up there with Mason's Children for me. Crazy Fingers is another, but I can see how it may have been a little too mellow.
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This song came back with the Vince era band and was a great set opener for many shows from the 1990s. Grateful Dead Live at Boston Garden on 1993-09-30 Set 1 Here Comes Sunshine Spoonful Candyman El Paso Broken Arrow Stagger Lee Easy Answers -> Don't Ease Me In Set 2 Lucy In The Sky With Diamonds Wave To The Wind -> Crazy Fingers -> Estimated Prophet -> He's Gone -> Drums -> Space -> The Other One -> Wharf Rat -> Not Fade Away Encore Brokedown Palace https://archive.org/details/gd1993-09-30.sbd.miller.79116.flac16
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Considering they were three of the best songs written...by anybody, anywhere, anytime I would say both Box of Rain and Ripple were underplayed. The thing was , when they did play them, they were never as good as the recorded versions. Attics of My Life, and Crazy Fingers the same. Some songs lent themselves to live performance, and some didn't. They didn't play Let Me Sing Your Blues Away live much either. But that was because it was a bit crap.
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7-13-76 from the Orpheum, for anyone who loves that song, or wants to. Really good sound available on it as part of 30 Days of Dead 2015. I've played this performance of this song more than almost any other single live song (Help/Slip/Frank on One from the Vault only one more)
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10 years 2 months
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Thanks for the tips about Govt Mule releases. I nearly got the 'Live at Roseland' , but plunped for With a Little Help with it being a double. The second and third albums are going two for the price of one on Amazon-and an inexpensive one at that, so that may well end up in my house next week. There is another live set that is very inexpensive-its name escapes me- which includes 3cds and a dvd-although reading between the lines, it looks as though it could be a bit uneven, quality wise. The one I've got, With A little Help From Our Friends is great. I was very impressed with the tight blues funk on the first cd-and that cover of War Pigs takes no prisoners. I haven't listened to the second set in its entirety yet-but it seems as though they stretch out a bit more on this one. A good tough sounding band. Great guitar sound.
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9 years 2 months
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The Eleven- I know Jerry had reservations about the song but MAN. St. Stephen- Why did they tuck this tune away? I think it resurfaced a few times in 83 before it was put to rest for good. Just think what a late 80's/early 90's St. Stephen would have done to the crowd. Casey Jones- Such a nice first set closer or encore, would have liked to seen it played more during thier peak later years. Lastly......... Me and My Uncle of course
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10 years
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Wait till you hit Cortez the killer and Afro blue...tasty. That live album you mentioned was I believe live from the deep end. That was coming off a two separate tribute albums when woody passed. They recorded with a different bass player that woody had admired on each track
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14 years 2 months
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Actually Live at Roseland is a 60 minute set of them opening for Blues Traveler on 12/31/95 ( some other band did some other well known show in the same city that day but in a bigger arena). In all honesty it is an absolute smoker, a must-have. Also I think still available on their website is the Georgia bootleg box series which is a set of 3 early Allen Woody era shows. Personally I also think their new album smokes and caught them at summerstage back in May - they are on fire right now.
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10 years 2 months
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The thing that put me off the "Live at Roseland" cd by Govt Mule was the fact that it includes quite a long Voodoo Child in its 60 minutes. Its a song I have heard soooo many times-and on the whole I am not that keen on versions of Hendrix songs played by other people. Even Stevie Ray Vaughan. Its great if you are actually at the gig-I saw a blues guitarist called Joanne Shaw Taylor a few years ago, and she tore the roof off the joint with a searing version of Manic Depression. But sitting at home listening-I am not so sure. I will look out for the Georgia bootleg sets. I am glad that you mentioned that they can still cut it too. It occurred to me last night that my album-and all those being recommended are about 20 years old. And on With a Little Help, one of the great things about the sound is the bass playing-by Alan Woody, who, it seems, is sadly no longer with us. Afro Blue, on With A Little Help, is great. They sure cover a lot of ground on this album!
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10 years 7 months
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I was at a remote kids camp last week in Maine chaperoning my kid and his church buddies. ... had no internet so I'm just catching up on posts. Gary, hang in their buddy and get well! Thanks to you and all for sharing your stories! I find them very interesting and funny (when they are meant to be funny and not serious). I liked the advice one guy gave .... let your caretaker make the next move. I was at a concert at old Boston garden and a buddie in our group got puked on by someone in balcony above us. We were sitting on floor right below the balcony. Nasty. The car vomit story triggered my recollection of this gen.
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10 years 7 months
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Funny I am n Bermuda today for work. Only here for a day but it's a greet island! Enjoy
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9 years 3 months
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Thanks for the kind words of support, my friend. The outpouring of support has been humbling indeed. Not only here in public but from several PM's. Again, thanks to all! It was Mhammond that gave that advice and he was the first to respond as well. His advice is what I was considering anyway as it melds with my personal philosophy on that matter any way. One reason I wrote that I run single ladies away. At this time I won't bore you all with my personal philosophies. I wish I had posted this maybe over at the Dap23 board as it is not quite as public as this board is right now. Oh well, live and learn, always.
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7 years 8 months
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Here in central Florida we are having an extremely difficult time finding a virgin for the Aztec eclipse ritual.
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7 years 11 months
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Remember when Billy came out with airhorns strapped to his chest to reintroduce Casey Jones at RFK? Bananas
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13 years 4 months
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Another late era show that somehow escaped my attention.. thanks E&J. Hey.. it just dawned on me.. are we talking to Erik, or are we talking to Jenn or could it be either depending on the day or the post?:D Great reviews on this show, and I am shamed to admit I was not there.. I guess I had something going on that couldn't be skipped. To bad.
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17 years 4 months
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....the fact that you thought they stopped playing Here Comes Sunshine in '74. You should know better. Definitely a party foul. All good though. But, really?....
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13 years 4 months
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I thought he was in trouble with Bobaloo for not supplying sacrificial lambs in time for the eclipse. I guess I'm confused, as usual.

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17 years 5 months
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...stop playing Here Comes Sunshine in '74. Early '74. (Till they brought it back in the '90s, of course....)

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17 years 5 months
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Still kicking myself, too, for blowing that one off. And I was a year too late for Merriweather '84. Sigh. Some songs are just destined to elude.
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17 years 4 months
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....or not understanding the question. I'm with Jim (confused)....I'm putting on a HCS, just to even my keel....my original post said "under-utilized songs." They utilized HCS quite a bit....
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13 years 4 months
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So much fun.. the tapes do not do it justice.. Nice opener.. Perhaps its just personal hyperbole, but they seem to stretch out that opening until everyone was standing, grooving and sweating like they had done one line too many. Plus.. how many shows post 73 did they open with CJ? But even the good soundboards from this era sound a bit thin compared to how it really sounded. In the early 80's you could just as easily skip the boards and grab an Oade Bros FOB... Maybe that's why DaP 8, 11/30/80 sounds so good, best of both worlds, the best Matrix so far? 83 Merriweather is more a crime.. such a good show, but good tapes just suck. Oh well. By 85 things started to get a bit cleaner, I think that's why 85 Merriweather gets a lot of hype from that series, it just sounds better on tape.. The first night from 83 was a better show and both 84's stand up. I suspect Merriweather was a hard place to record, its an early shed design, somewhat atypical and the sound carries a bit. Sorry for the rant.. good memories. Santa Fe 83 anyone? :D
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15 years 11 months
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Check out the jam out of Space on 12/8/93.....Wait for Bobby to hit those familiar chords. Also check out 2/27/94 jam into Wharf Rat...for a nice Cosmic Charlie tease.
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15 years 11 months
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Can we get some help from you? Seems a bunch of us are still waiting on replacement discs from 5/5/77 set 2. Dr. Rhino has been contacted and we've been told, "out of replacement discs". Well at this point, we are 3 months passed the release date, not to mention the March pre-sale date. Some answers would be helpful. PM if you could. Cheers, Jay Doublu
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7 years 8 months
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It's back to the 78 box for me today.A while back some one mentioned there are no CD players in new cars anymore. Well I found that to be true with Honda as I was looking at the 2017 CRV. I can't go for that Darryl! I went across the street and bought the 2017 Toyota RAV4 instead. Better ride and cooler options. Plus I got my CD player to play my music. Yeah 1978 the year of graduation (barely) in my case. 40 years ago soon to be! This box is a real joy to listen to. This and GSTL has got me covered with the occasional foray back to '73. Satisfaction! Back to normal solar activity!
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14 years
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I like Toyotas a lawwwt :)
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12 years
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Anyone going? Heading out tomorrow, big bird to Raleigh, NC, north to Lynchburg. If there text me 214 663 4309. Say something like "from the dead forum". A good "Dead" lineup this year. Maybe Brandi Carlise will make it this year :-) D
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