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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • icecrmcnkd
    Joined:
    Gary
    Take the friendship and quality medical care for now....
  • FloridaBobalooToo
    Joined:
    Mhammond12
    One VERY VERY WISE man!
  • mhammond12
    Joined:
    My Advice For What It's Worth
    Don't do anything that could possibly cause regrets. Don't do anything that could ruin what you already have with her. She's in a relationship. Let her know how much you appreciate her but don't cross a line. She's in a relationship. If there's something there the next step should be her's. I always told my kids "A moment of stupidity, a life time of regret." To your continued recovery my friend.
  • Gary Farseer
    Joined:
    Rainy Days and Mondays
    I had been trying to decide whether to post this but seeing y'all post about hippy chicks or girls and the dead I guess I will. I truly do believe in the universal cosmic mind or group mind. As I have been sick and very sick for a big chunk of 2017, I had to have home health. Of course, part of it was insurance based but part of it was private pay. Family and friends use one gentleman as a handyman for various homes, farms, etc. His lady was tasked with being my private nurse as she is retired (right now, could change as demand for nurses is out of control). As she was connected through the family/friends it was a discounted rate, in case you think I live in the King's castle. But I was so sick that my family could not handle all that was going on with me. Well not going get into all the details but she started to visit me when I was staying with family as I was in and out of the hospital 4 different times for a total of 40 days. When I finally got home on March 18th and quite frankly scared of being alone, she showed up the next morning. I had just had final surgery on March 16 and when I woke up in the middle of the night, two of the wounds were not properly sealed so my night shirt with cap (ok not that) but my underwear and sheets had a lot of blood on them. She did not panic, thankfully, and kept me calm and contacted the surgeon. That all worked out. The first few weeks she came every day, 2-3 times a day. She was so kind. She came and checked out wounds, changed dressing, and flushed drains that I had in me. She also prepared 2 meals a day for me. Turns out I worked for her father's law firm as I worked my way through undergraduate school. So I knew her dad. She knew my folks as well. It is a small southern town. One day as she was fixing me scrambled eggs we were talking about our youth and all. She is actually 9 years my senior but a drop dead gorgeous blonde. We were just talking about life and Karma and all, like is my illness the result of something I was being punished for? I told her I used to be wild, but do not believe that Karma played a reason for illness. We continued talking about traveling and stuff. I told her I have traveled a pretty good bit as I was a Grateful Dead fan when I was younger. She responded, oh, I was a Grateful Dead fan when I was younger too. Well ding ding ding. We now had that instant connection. This was still in late March. Her last medical visit was Friday. In that interim we spent so much time together. She saw me at my worst, the weakest physically with open infected wounds and all. We had profoundly deep conversations. Around the end of May I started to show her some of my musical collection to which she was floored. Understandable since most of us on here are kind of in that 1% of deadication. I finally got my first shower in late May. And man, 5 months without a shower makes you really appreciate something so simple and how pleasurable that is. Of course to shower, I had to have her there as I was and still am a fall threat (label of medical community). So as I showered, I would play her various eras of dead music. Last Monday I played the acoustic set from Radio city with the Ripple and all. So here I sit on Monday really conflicted. First of all, she has a man. However, they are not married but do live together. Before I met her my sister had been asking me some questions about life and I told her that the wierd thing is I have had more than a few married females make it clear that they enjoyed my company. But single ladies I seem to run off. Of course, we all know the strength and weaknesses of the female dna (how is that for tact) so I am not going to speak more on that. So I can tell that she seems to want me to press on this issue. There in lies the dilemma. Her fella is a family friend but he is 10 years older than her, a workaholic, kind of running out out of steam but is supper kind. (Btw, her man saw Hendrix at the 1970 Atlanta Pop Festival). So I am all melancholy over what to do. I had written when I first came on this board that there were few if any heads around here. The ones I have met are all in there early 20's so they never saw them. All have been kind but as I am 30+years older do not have a lot to talk about. So to meet the first female head in my area has just floored me. Of course, I am also trying to rationalize my thoughts as it relates to reverse Florence Nightingale syndrome. I really do not know what to do. You all have pointed out the opposite of "tragedy narrowly averted" when it comes to ladies and concerts and all. I am ordering for her Reckoning Expanded for her personal kindness. I am also ordering her the book "The road less traveled" as it is a great book on healing. So I know she will be back to receive those gifts. I also will need some additional surgery later this year so I am sure she will be helping me with that. Just cannot decide to speak honestly about my fondness for her or not. I have been trying so hard to not allow my fondness to grow for her but she is so sweet, patient and loving that it is hard to do. I know she has a fella but like I wrote earlier, I have had several married ladies press me. I know it is because I am kind (and usually have the kind, smile). So I know that usually I speak more to a woman's heart than most of their husband's and her man does. I know it all starts because I actually listen to them and respond accordingly. I know none of you here are this way but a lot of guys take what they have for granted. It is easy for me to connect but I have never stepped over the line. All I can ponder is the discussion with my sister and how it was my sister that got this cute little deadhead to be my nurse. Now I really do not know what to do. I think I am just going to present her the gifts and let her know that she will always have a very soft spot with me for all of the help that she has provided. Sorry for the rambling. Does anyone have any advice?
  • JimInMD
    Joined:
    Re: Dead Dates
    Seriously funny stuff.. completely cracked me up.
  • antonjo
    Joined:
    Bobaloo
    Omigosh, man, that reminds me of me, though your stories win by some miles. For me it was just one girl I was hopelessly, helplessly enamored of and kept thinking that seeing a great show together might spark something that was, in hindsight, never going to happen. Our first "date" was Jethro Tull ~ fine show until we couldn't find my car for about an hour afterwards. Then came Pittsburg '89, which we drove to together from Baltimore. As recently recounted, I never did hook up with my ticket connection ~ I gave her the one we had in hand, and watched her head in while I eventually had a front-row seat to the nationally televised riot after ticketless heads rushed the gates. Next came JGB that year, when she spotted her most recent ex and spent the entire post-show having a heart-to-heart with him as I waited nearby (after hurrying us along with "I'm tired" when I'd tried gushing with my own friends minutes earlier). Spring '90, third night Landover. Pre-show, she took a nap in my car rather than hang out with me in the lot. As soon as we got inside, she ran into yet another ex-boyfriend and left on the back of his motorcycle after the show. That's okay, at least I saw the Black-Throated breakout from the 9th row ~ where she'd refused to join me, having already told ex she'd be sitting behind the stage...just before my friends offered us the upgrade. There's yet another entry, 3rd night Nassau a week later ~ but you've heard enough. Yes, I was a sap. But we remain dear friends to this day. Spacebro, Appreciate the shout-out for 6/14/91. The finest post-Brent show, and stadium show period, that I saw. Pre-drums was to die for (Help > Slip > Franklin's > Estimated > Dark Star...are you kidding?). Then again, I missed RFK the year before, which by all accounts was the bomb. But backpacking in Europe that summer (and Asia that Fall) was a pretty great excuse....
  • FloridaBobalooToo
    Joined:
    Bringing girls to concerts
    It never worked well for me. Especially outdoor shows in the Florida heat. At The Who's 1982 tour stop in Orlando, my date dropped from the smoke( Maui wowie high grade) and the heat. She had to be lifted over the front of stage barricade. After the show she wandered out and looked like hell. Poor lass! Another time at Rush in Lakeland another date decided to puke all over the guys ahead of us. Red jungle juice all over this dudes tour shirt. Total calamities. I had to buy the guy another shirt to keep him from going ape shit.Had yet another date at Pink Floyd in Orlando mid 80s try and get back together with her ex she spotted in the crowd! I just couldn't win! Now with my wife of 24 years we have no issues as she is a non partier and likes to stay away from the insanity. Suits me fine. Oh yes The Stones Tattoo You tour 82, and a different girl. She passed out in the heat and had to go to the first aid station for fluids! Only to get in my Trans Am on the way home and fill the passengers floorboard with vomit that was so nasty, the smell refused to leave the car and cost me a nice chunk when I traded it in on a new ride. Like in Seinfeld that smell could not be erased. The salesman actually asked if someone had died in the car! Thanks Babe!!!
  • Roguedeadguy
    Joined:
    Spacebro
    Sonuvagun you're right. Mule is in Grand Rapids tonight, not Rochester. Obviously I didnt have tix yet, but I was going to bust out of work and head right down to Meadowbrook. None of my usual concert buds wanted to go, and I was wondering / hoping someone from here might be there. Guess I dont need to bother. Have fun, man, tell us about it tomorrow. Mule and Galactic, dayum! I shoulda been more on top of it. Meijer Gardens is a great venue, small and intimate, like a club, but outside. As I recall they're kinda stingy about smoking there, tho. Saw Umphreys there a couple times. Jim -- thx --- I like to use the story of me, Mrs. Deadguy, and my roommates old S10 to help explain to folks who don't understand why I love going to shows so much, why they're such a big part of my pursuit of happiness. Figured most folks here would appreciate it.
  • JimInMD
    Joined:
    Getting the Dead
    I hear you Dave. I have been hit or miss on relationship GD love. Mostly miss, but always tolerance, I do expect at least that level of support. It's one of those things you have to discover for yourself, you can't push people into it. My first love was and still is a deadhead.. perhaps I should have stuck it out. Oh well, revisionist history I guess. On a related note.. in my tiny, tiny town (or at least close to it) we are getting the John K Band this weekend playing at a local bar/restaurant/music venue. He's from DC so its only a three hour drive for him. He did some sort of echo tour with one of my neighbors a few years back, so he's no stranger to recreating in the mountains here.. I think it was flat water kayak mountain lake related, the guide is an older hippie but not really a deadhead and had absolutely no idea who John Kadlecik was. It was only after it was over he pieced it all together. Anyway.. sorry for the side-bar.. The local music scene here is mostly bluegrass or shoddy cover bands, getting some better dead related stuff shines a ray of sunshine on the local scene.
  • daverock
    Joined:
    50 shows!
    That's quite impressive. I saw 5 myself. Well-4 and a half. At the middle night in London-Halloween 1990-my girlfriend of the time joined me to see the band. She had always been indifferent to them-but on this night-of all nights- she decided she hated them. Well, it wasn't so much the Dead, as the Deadheads. Sorry guys-hopefully it wasn't any of YOU. We happened to be sitting in a particularly smoky and rowdy section, and after the first set ended I decided enough was enough and we left. Otherwise there might have been carnage-she was very beautiful-but you wouldn't want to mess with her. It was a great set, too-arguably the best of the run. I saw them on my own either night of Halloween-both great shows to my ears-but the 31st was the ONE. I have never heard Govt Mule-although I their name crops up a lot. They are playing in London soon, so maybe I should go. On my own.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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My problem with it was more that Tom Dowd was absolutely correct about the horns. Juicy Carter is a good saxophonist, but the first night, he and the other horn players don't know Liz Reed at all, and is playing well out of key, the second night isn't much better, when it was just Juicy and Thom Doucette on harmonica. There are good moments. I love hearing You Don't Love Me, even if the sax makes it a little jarring. I don't find the repetitive setlist boring, it's more that the best parts had been released, though the box is worth it for the different Whipping Posts. Mountain Jam was a fairly regular song in the rotation for 2 hour+ shows, so I was shocked that they only played it once in the March shows. I guess because it was an official release, the other Fillmore shows didn't circulate. I have a good sized Duane era tape collection, and I hadn't heard the full shows before the box. The 6/27/71 show was disappointing as filler disc, as it was on that Eat a Peach, and is one of the most circulated tapes. There are other Fillmore East and West shows in the vault that would've made for a better filler disc, 9/23/70 as an example, which circulates in video as well. I didn't realize it started selling for higher after Gregg passed. I got it for 66 on pre-order at Amazon, and saw it dip down to 35 bucks on Amazon late last year.
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I own zero Allman Brothers records. What are the top 3 or 4 Duane era CDs you all would recommend. Do they tend to release entire shows or best of live stuff? I checked out the Skydog box, and it's way too expensive for an intro to the band. Sound quality is important to me. Thanks. Minas, yes that is the house.
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The first 4 ABB albums are the Duane ones and all are worth getting, though sound like they were recorded in the mid1960s, even though they came out in 1970. The Dreams box is a nice 4 CD introduction to ABB, but only half has Duane playing on it. Since Gregg died what used to be cheap has gotten pricey and over the years the catalog has been remastered a couple times, so go for the remastered versions of Idlewild South, Fillmore East and Eat a Peach for the best of the Duane era releases.
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Butch - Early Allmans definitely wasn't recorded well - Doesn't really capture the magic. Proceed to the following as starting point: Live at the Fillmore East - One of the best Live albums EVER recorded (up there with Little Feat's Waiting for Columbus, BB King's Live at the Regal, and Bob Marley's Live at the Roxy. Eat a Peach: This album contains some "Fillmore East" Outtakes as well as a few post Duane tunes like "Ain 't Wastin' Time No More" which are amazing. Sadly, Live at the Fillmore is about the only really great LIVE Duane recording I'm aware of. I've bought a number of other live ABB recordings and been massively disappointed - horrible recordings. This is why we love the Dead: Bear started a tradition/legacy of meticulous live recordings that continued until the late-70's, leaving behind a treasure trove of amazing live recordings. If only the ABB had a Bear....
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This release is from a multitrack recording and sounds great: http://www.ebay.com/itm/The-Allman-Brothers-Live-Atlanta-Intnl-Pop-Fest… I don't have the ludlow garage release but I think it may be multitrack too. This archival release from 9-19-71 is absolutely fantastic but it does suffer from sound quality issues; especially the first 4-5 tracks. The sound improves for the meat of the show. 11+ minute blue sky and 20 minute Liz reed and dreams! Get this one: http://www.ebay.com/itm/The-Allman-Brothers-Band-S-U-N-Y-at-Stonybrook-…
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There is a blu ray audio release of the ABB Fillmore East, currently available for about $55. It is stunning, the audio is uncanny clear. There are two mixes, LPCM stereo at 24/96 kHz, and a 5.1 mix that is dts-HD (also 24/96). The stereo mix is similar to the original LPs, but much better.The 5.1 mix was intended to recreate the sound as you would hear it from the center orchestra at the Fillmore, and it is fairly successful. Someone posted a comment saying that the differences between the shows is subtle and the full series is not worthwhile. I thoroughly disagree, that is like saying we should stick with Live Dead and not bother with the full run FW 1969. There are a couple of other worthwhile releases of this material, a dts 4.0 of Live at the Fillmore, which is a remaster of the original quad release, and is excellent and interesting (and long out of print), and an SACD of Eat a Peach, which is based on the original quad issue, and is similarly interesting and enjoyable, also out of print but I believe available. The ABB 1971 Fillmore set is a masterpiece, and without doubt the place to start with the ABB. if you have the right equipment for playback, the blu ray is best.
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There was a recording that came out about 20 years of a Bear recording of The Allmans. Its from the February 1970 run they played at The Fillmore with The Dead. What a box set that would make-all the sets by both bands! I am listening to it now-the opening track, Elizabeth Reed features a great jam-and the sound quality isn't too shabby either. Its not SACD or blu ray standard-but its okay. Way better than Ludlow Garage. Love were also apparently on the bill, although you don't hear much about their sets. It was a different band from the one that made the truly classic Forever Changes, but it would be good if some of their music could be included in this fantasy release too.
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as of right now there are 1978 copies of the Summer 78 box set left
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Last year's official cleaned up release of the A & R Studios 1971 show, recorded live with a small audience, is excellent and sounds great. The Sound on Live at SUNY starts badly and improves somewhat, but is worth perservering with for Duane's astonishing joyful solo on Blue Sky (and Berry Oakley's bass too).
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The allmans also had a Dick's picks like series that ran for five volumes, not sure why they stopped issuing them, Sound is up and down per release, but definitely worth picking up. There is a show from 73 at nassau coliseum which is really good
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Seems there's a lot out there. I bought a copy of the A&R Studios 26/8/71 a few years ago. I would say the one I have is basically a bootleg-although you can get it on Amazon and the few remaining record shops that sell music like this. I wonder if this band approved version is much improved from the one I have. Morally I should get it, I suppose!
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Another band I am about to start listening to, who are often mentioned on this site, is Govt Mule. They are playing London in October, supported by Kenny Wayne Shepherd, which looks like it could be a good night. So I downloaded a copy of an album called With A Little Help From Our Friends, to get a feel for their music. All their albums seem highly rated on Amazon-but this one, being a live double, seemed quite an attractive place to start. And maybe finish..I don't know yet!
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You can't go wrong with some mule! LWALHFOF is agreat album to jump off from with the original lineup with Allen Woody. There is also some great players as well on there, Marc Ford from the Black Crowes, Derek Trucks, Chuck Leavell, Jimmy Herring etc. I would also recommend Dose, and Life before Insanity, there second and third albums respectively. After Woody died I stopped following them as much, just wasn't the same
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The SUNY Blue Sky is worth the price of the album and makes up for the sound quality. Just Glorious.I consider the studio release of Blue Sky to be the perfect song. I wouldn't change even one note. I've been working in the shop building some furniture this weekend, wife and kids are out of town. Mostly been playing Flying Burrito Brothers so far, but after checking in with this thread on my lunch break I guess I'm switching to the Allmans. Thanks all! (If anyone is interested in some Allman trades PM me)
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Try "Live at the Roseland Ballroom" it was the original Mule at their finest.Enjoy

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Hmm....I certainly value my summer '78 box. And I know lots of you, including my buddy Jim, feel it's pure gold. It rocks, no doubt about that. But I wouldn't recommend it out of the gate to a brand new explorer. There's some really exciting music, and some pretty sloppy stuff, too. Listening to Omaha's disc 1 again recently (first set+), I'm kinda baffled Dave's liner notes praise this show in particular as "exhibiting none of the occasional playful sloppiness that could creep into 1978" ~ when I find it to be a quintessential example. A lot of Jerry's vocals are...less than strong. St. Paul exhibits this "playful sloppiness" too but I admit that Jerry's steering Mexicali towards the ditch is a super-fun moment, with Bob calling him out into the mike. It's Arrowhead and the two Red Rocks shows that really sell the box for me. Yes, you can get 7/8 stand-alone, but 7/1 and 7/7 are true gems in their own right. Dave's gush about 7/1's second set run is NOT hyperbole. And 7/7 falls prey only to the attention given 7/8...sublime two-night stand. But given a choice ~ not that we have to choose ~ Get Shown the Light is in another league of mastery, to my vibration, and has seen a lot more play thus far. I do pledge to listen to those middle shows again, though. *quick plug for RT/From Egypt With Love, while we're on '78. That Mojo Working > Other One run smokes. (Bonus disc, of course, allows you to reassemble that whole 2nd set...lovely Estimated. And bask in the beauty of World to Give.)
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....is probably at the top of my list for most under-utilized song they ever played. Right up there with Clementine, Built To Last, King Solomon's Marbles and Gentlemen Start Your Engines....

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That's a nice list ~ most of those are in the 2-5 club. Pretty exclusive. Clementine and King Solomon's Marbles...sigh. Mason's Children is another favorite of that ilk, though its little run still saw a lot more performances than any of those. Kinda like Mountains of the Moon. I actually caught one of the Gentlemen Starts, and I loved it ~ it was really raunchy and they were up for it; Jerry certainly was. That one (oddly, I've never heard the other one) has this dark spacey guitar burst right in the middle that comes out of nowhere. And the classic grind to a halt ending when they hadn't played a song enough ; ) Though a spirited grinding to a halt ; ) I think others have mused, too, If I Had the World to Give would've made a great early 90's breakout.
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I would throw in Here Comes Sunshine. Everybody loves it. It's a killer song with a killer jam section. It's puzzling that they threw away such a great song, and odd that the last time they played it was at the first show of the 1974 tour. It seems like there is a story behind it. But then again, they stopped playing a lot of great songs. Its a Man's World is up there with Mason's Children for me. Crazy Fingers is another, but I can see how it may have been a little too mellow.
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This song came back with the Vince era band and was a great set opener for many shows from the 1990s. Grateful Dead Live at Boston Garden on 1993-09-30 Set 1 Here Comes Sunshine Spoonful Candyman El Paso Broken Arrow Stagger Lee Easy Answers -> Don't Ease Me In Set 2 Lucy In The Sky With Diamonds Wave To The Wind -> Crazy Fingers -> Estimated Prophet -> He's Gone -> Drums -> Space -> The Other One -> Wharf Rat -> Not Fade Away Encore Brokedown Palace https://archive.org/details/gd1993-09-30.sbd.miller.79116.flac16
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10 years 2 months
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Considering they were three of the best songs written...by anybody, anywhere, anytime I would say both Box of Rain and Ripple were underplayed. The thing was , when they did play them, they were never as good as the recorded versions. Attics of My Life, and Crazy Fingers the same. Some songs lent themselves to live performance, and some didn't. They didn't play Let Me Sing Your Blues Away live much either. But that was because it was a bit crap.
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15 years 7 months
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7-13-76 from the Orpheum, for anyone who loves that song, or wants to. Really good sound available on it as part of 30 Days of Dead 2015. I've played this performance of this song more than almost any other single live song (Help/Slip/Frank on One from the Vault only one more)
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10 years 2 months
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Thanks for the tips about Govt Mule releases. I nearly got the 'Live at Roseland' , but plunped for With a Little Help with it being a double. The second and third albums are going two for the price of one on Amazon-and an inexpensive one at that, so that may well end up in my house next week. There is another live set that is very inexpensive-its name escapes me- which includes 3cds and a dvd-although reading between the lines, it looks as though it could be a bit uneven, quality wise. The one I've got, With A little Help From Our Friends is great. I was very impressed with the tight blues funk on the first cd-and that cover of War Pigs takes no prisoners. I haven't listened to the second set in its entirety yet-but it seems as though they stretch out a bit more on this one. A good tough sounding band. Great guitar sound.
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9 years 1 month
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The Eleven- I know Jerry had reservations about the song but MAN. St. Stephen- Why did they tuck this tune away? I think it resurfaced a few times in 83 before it was put to rest for good. Just think what a late 80's/early 90's St. Stephen would have done to the crowd. Casey Jones- Such a nice first set closer or encore, would have liked to seen it played more during thier peak later years. Lastly......... Me and My Uncle of course
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10 years
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Wait till you hit Cortez the killer and Afro blue...tasty. That live album you mentioned was I believe live from the deep end. That was coming off a two separate tribute albums when woody passed. They recorded with a different bass player that woody had admired on each track
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14 years 2 months
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Actually Live at Roseland is a 60 minute set of them opening for Blues Traveler on 12/31/95 ( some other band did some other well known show in the same city that day but in a bigger arena). In all honesty it is an absolute smoker, a must-have. Also I think still available on their website is the Georgia bootleg box series which is a set of 3 early Allen Woody era shows. Personally I also think their new album smokes and caught them at summerstage back in May - they are on fire right now.
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10 years 2 months
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The thing that put me off the "Live at Roseland" cd by Govt Mule was the fact that it includes quite a long Voodoo Child in its 60 minutes. Its a song I have heard soooo many times-and on the whole I am not that keen on versions of Hendrix songs played by other people. Even Stevie Ray Vaughan. Its great if you are actually at the gig-I saw a blues guitarist called Joanne Shaw Taylor a few years ago, and she tore the roof off the joint with a searing version of Manic Depression. But sitting at home listening-I am not so sure. I will look out for the Georgia bootleg sets. I am glad that you mentioned that they can still cut it too. It occurred to me last night that my album-and all those being recommended are about 20 years old. And on With a Little Help, one of the great things about the sound is the bass playing-by Alan Woody, who, it seems, is sadly no longer with us. Afro Blue, on With A Little Help, is great. They sure cover a lot of ground on this album!
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10 years 6 months
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I was at a remote kids camp last week in Maine chaperoning my kid and his church buddies. ... had no internet so I'm just catching up on posts. Gary, hang in their buddy and get well! Thanks to you and all for sharing your stories! I find them very interesting and funny (when they are meant to be funny and not serious). I liked the advice one guy gave .... let your caretaker make the next move. I was at a concert at old Boston garden and a buddie in our group got puked on by someone in balcony above us. We were sitting on floor right below the balcony. Nasty. The car vomit story triggered my recollection of this gen.
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10 years 7 months
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Funny I am n Bermuda today for work. Only here for a day but it's a greet island! Enjoy
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9 years 3 months
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Thanks for the kind words of support, my friend. The outpouring of support has been humbling indeed. Not only here in public but from several PM's. Again, thanks to all! It was Mhammond that gave that advice and he was the first to respond as well. His advice is what I was considering anyway as it melds with my personal philosophy on that matter any way. One reason I wrote that I run single ladies away. At this time I won't bore you all with my personal philosophies. I wish I had posted this maybe over at the Dap23 board as it is not quite as public as this board is right now. Oh well, live and learn, always.
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7 years 8 months
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Here in central Florida we are having an extremely difficult time finding a virgin for the Aztec eclipse ritual.
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7 years 11 months
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Remember when Billy came out with airhorns strapped to his chest to reintroduce Casey Jones at RFK? Bananas
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13 years 4 months
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Another late era show that somehow escaped my attention.. thanks E&J. Hey.. it just dawned on me.. are we talking to Erik, or are we talking to Jenn or could it be either depending on the day or the post?:D Great reviews on this show, and I am shamed to admit I was not there.. I guess I had something going on that couldn't be skipped. To bad.
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17 years 4 months
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....the fact that you thought they stopped playing Here Comes Sunshine in '74. You should know better. Definitely a party foul. All good though. But, really?....
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13 years 4 months
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I thought he was in trouble with Bobaloo for not supplying sacrificial lambs in time for the eclipse. I guess I'm confused, as usual.

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17 years 5 months
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...stop playing Here Comes Sunshine in '74. Early '74. (Till they brought it back in the '90s, of course....)

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17 years 5 months
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Still kicking myself, too, for blowing that one off. And I was a year too late for Merriweather '84. Sigh. Some songs are just destined to elude.
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17 years 4 months
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....or not understanding the question. I'm with Jim (confused)....I'm putting on a HCS, just to even my keel....my original post said "under-utilized songs." They utilized HCS quite a bit....
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13 years 4 months
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So much fun.. the tapes do not do it justice.. Nice opener.. Perhaps its just personal hyperbole, but they seem to stretch out that opening until everyone was standing, grooving and sweating like they had done one line too many. Plus.. how many shows post 73 did they open with CJ? But even the good soundboards from this era sound a bit thin compared to how it really sounded. In the early 80's you could just as easily skip the boards and grab an Oade Bros FOB... Maybe that's why DaP 8, 11/30/80 sounds so good, best of both worlds, the best Matrix so far? 83 Merriweather is more a crime.. such a good show, but good tapes just suck. Oh well. By 85 things started to get a bit cleaner, I think that's why 85 Merriweather gets a lot of hype from that series, it just sounds better on tape.. The first night from 83 was a better show and both 84's stand up. I suspect Merriweather was a hard place to record, its an early shed design, somewhat atypical and the sound carries a bit. Sorry for the rant.. good memories. Santa Fe 83 anyone? :D
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15 years 10 months
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Check out the jam out of Space on 12/8/93.....Wait for Bobby to hit those familiar chords. Also check out 2/27/94 jam into Wharf Rat...for a nice Cosmic Charlie tease.
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15 years 10 months
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Can we get some help from you? Seems a bunch of us are still waiting on replacement discs from 5/5/77 set 2. Dr. Rhino has been contacted and we've been told, "out of replacement discs". Well at this point, we are 3 months passed the release date, not to mention the March pre-sale date. Some answers would be helpful. PM if you could. Cheers, Jay Doublu
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7 years 8 months
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It's back to the 78 box for me today.A while back some one mentioned there are no CD players in new cars anymore. Well I found that to be true with Honda as I was looking at the 2017 CRV. I can't go for that Darryl! I went across the street and bought the 2017 Toyota RAV4 instead. Better ride and cooler options. Plus I got my CD player to play my music. Yeah 1978 the year of graduation (barely) in my case. 40 years ago soon to be! This box is a real joy to listen to. This and GSTL has got me covered with the occasional foray back to '73. Satisfaction! Back to normal solar activity!
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14 years
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I like Toyotas a lawwwt :)
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12 years
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Anyone going? Heading out tomorrow, big bird to Raleigh, NC, north to Lynchburg. If there text me 214 663 4309. Say something like "from the dead forum". A good "Dead" lineup this year. Maybe Brandi Carlise will make it this year :-) D
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