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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • MinasMorgul
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    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
    Joined:
    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
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    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
    Joined:
    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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5K will be added to the available quantity at some point. It's gone down exactly as I posted it would, although I'm surprised they're going with 15K. They still started with 10K and are now down to 3800 - 3900. Sales, Space Brother are at 6200 roughly, which leaves about 8800 left (5K which muse still be added). I'm not sure what numbers are "more or less brisk", but these are the facts. Brisk is relative I guess. Bottom line is that a good seller is great for us all.
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The limited announcement yesterday did what it was meant to do in piquing my interest, but I'm still on the fence. These could probably be broken down to 4-5 discs, and there probably won't be any filler, and once again I'll be miffed at short discs, though this time for 65 bucks for 2 shows. I think I'd find 5/8-9/77 as a 2 show box for 65 bucks to be pricey, so it has nothing to do with Brent or '80s hate. I actually like Summer '89-Summer '90 a lot, they were playing at the peak of that incarnation, as evidenced by how much of it's been released. (But feel free to throw this post back at me if they offer a 2 show box of RFK '73 for the same price and I buy it the minute it's announced, because that would likely be my reaction to that RFK box.) The book is probably nice, and I love the books in the boxes. The books are what I really miss about Spring '90 and Europe '72 (though I really love the idea of the steamer trunk). If it's around next year and I got the extra cash, I'll get it. If I miss out, I'll survive, and enjoy the subscription for Dave's 2018 and next year's big box.
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My first GD exposure was 8 track. Ha.. that's one medium I wont miss. I guess I had a bad machine, it kept eating all my tapes. It was really a bad technology... Cassettes were much more reliable.. and contrary to popular belief, I do not see them making a robust comeback. My prized Nak died about ten years back.. the belts had all dry rotted and it started to play reeeeaaaaalllllyyyyyy sssslllllloooooowwwwwww. There is no advantage to cassettes over CD's as far as I can tell, and a lot of drawbacks. I do see the Vinyl appeal, but 8 tracks and cassettes, I just don't see this becoming a wave.
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Do I remember 8 tracks? Yep, but I prefer the sound of Edison wax cylinders...
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I was just spinning my Cornell Wax Cylinder - Limited Edition this morning. My lowest release number ever.. #2.
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I was 16 or so (mid '80s)...my stepfather had "Animals" on 8 track...yada yada yada...The family stereo played 1 track forward & 1 track backward simultaneously...yada yada yada...my head exploded.
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I vaguely remember my Dad's player being the only format he had The Beatles Rain.
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Forgot all about that one. I hear that player piano paper punch rolls are making a comeback too. I wonder how DaP 23 sounds with all instruments transcribed to piano. Been on a bit of an old vinyl binge lately too, mostly the unDead. Glad I saved my entire collection, started over 40 years ago. Had a friend who had a few thousand LPs that he partly replaced with CDs, then sold the batch to a used record store a decade or so ago for only a few hundred dollars. I tried to stop him, to no avail. He just wanted to make some space, but I bet he regrets it now - it was a good collection, and older than mine. He let me claim 10-20 of my favorites from his collection before he shuttled them away.
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Sunshine Daydream Reached #19 on the Billboard sales chart. Their best selling album since In The Dark.
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Piano rolls - At least we could make Keith sound like he had 12 fingers! 8-Track - what a lousy piece of equipment these things were. I must have installed 100 of those things back in the day. Never owned one. The track always seemed to change in the middle of the best part of a song. When they got old and curled a little you'd hear two tracks at once and the "head" adjustment couldn't correct it out. They all ate tapes at some point. If you were lucky just the tape got eating and came out when the tape was removed. Un-lucky and the tape would curl around something inside and you'd have to open the unit up to remove the pieces of tape! Also they caused lots of broken car glass from people stealing 8 track tape boxes filled with tapes. Cassettes - Were a great medium for the day. Store bought cassettes sucked, the cases were thin, cheap plastic that would warp and stick in the player. The tape was thinner and would eventually get ate. The maxells were made to last forever (well a long time), I have tapes made in 1980 that still play just fine. I think all my cassette players also died from rotten belts. My old Sony Walkman's belts died about a year ago. And Jim, just to rub your nose in it (and top), I have the Cornell Limited wax cyclinder number 1 (lowest I ever got,,,, to date,,, I'm hopeing for better)
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Just got my statement. They deduct the money when you order
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I decided not to wait any longer. The question I have for everybody is does this mean they haven't figured the packaging out yet? Also wandering if they're trying to set a benchmark for future releases. Everybody keeps talking about the 78 box. I agree with Jim. The warehouse bankruptcy screwed this boxset up. By the time it was fixed we were preordering something else.
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11 years 5 months
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There is no truth to the rumor that they are just going to send out the discs individually using old AOL mailers.
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I'm not talking about this rumor. I'm asking if this means they haven't figured out the box itself. The stamping process has to be an issue in my opinion. I haven't heard of AOL mailers so I'm scared a little bit.
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Hahaha that's a good one. At the top of this page it clearly states: "The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine." Why then would anyone think that they haven't figured the packaging out yet? As for sending out the discs individually using old AOL mailers, well if you believe that then you are surely beyond help! @Romberg: If the packaging size is the most important aspect of this release for you, then I do not think it is a good idea to purchase this as it is a release where the music is the most important thing. However, as size is obviously also important, I can assure you that the music will be on standard size CDs which will fit into and play in any CD player.
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Gotta admit buying a music release based on the size of the package is a little bit wierd to me. I just put the discs in those God awful blank jewell cases and the box plus ephemera go a the end of my book shelf. Oh my did I say book I am a dinosaur.
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If ever there was a medium where size varies endlessly it is in the world of books. Try putting your copy of Chairman Mao's little red one next to your world atlas to see what size variations are possible. Typically, bookshelves are amongst the most unruly domestic storage areas that exist. Even libraries struggle. As for owning or even reading books being the preserve of dinosaurs, then I fall into that category of extinct lizards (though I consider myself neither a lizard nor extinct). Talking books? E-readers? Digital paper? Ain't no part of nuthin' as far as I'm concerned. Even better than a good book is a good map - you know, those things that you can unfold and never fold up again the same way as it was before.
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It's all about the music!How about a beta-max release?
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7 years 9 months
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Man I'm devastated. As I'm playing Aja. And I Got the News. It comes on Walter is gone at 67!I'm wrecked on this.
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7 years 9 months
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Jeez. Ya'll this is one of my top 5 favorite bands. Some of the best music in the rock jazz idiom. Im gutted by this!May I suggest playing AJA today friends. We've lost a biggie today sadly.
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Me too. Flags flying at half mast today.
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16 years 1 month
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Walter Becker, quite the shock. I was a Dan Fan before I was a DeadHead. Gonna miss those guys, great memories of the only time I saw them back in 73, opened for the Doobie Brothers. RIP
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Damn we're on the same wavelength at least in these areas. My friends keep trying to get me to go kindle....uh no thanks. And paper maps? The day they stop making them I'm screwed
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17 years 4 months
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....just loaded my CD carousel with The Dan. Devastating news. Sorry Honey, but this band will be playing all day today. Mrs.Vguy understands....every record is top shelf. They couldn't put a bad one out if they tried....stay strong Donald.
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17 years 4 months
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....I couldn't have said it any better. They were so good. And yes, it pains me to type "were"....there are tears
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17 years 5 months
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Steely Dan is such a perfect band in every regard. Just got tickets a couple of weeks ago to see them and scored great seats too. I can't imagine the tour will go on without him. When I first saw the news of his passing on social media, some were saying it was a hoax. If only that were true. A genius gone....RIP.
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I guess it is far to early to say whether or not the upcoming tour dates will go ahead, but today on the BBC, Donald Fagen said: "I intend to keep the music we created together alive as long as I can with the Steely Dan band." Whatever, it will never be the same without Walter Becker.
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Walter may be gone but the songs will live on.Fare Thee Well, Walter, wherever you are. You are truly 'Time Out Of Mind' now. We're gonna Break out the hats and hooters When Jose comes home......
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Steely Dan Sunday.......Citizen box set, and Alive. All day serenade. I really love their music. This morning I was going thru some of their songs and chord choices. The Mu of course but all the other sweet voicing and chordal choices. Just so damn tasty. They made such beautiful music and ran such wild lyrical compositions over them. I really aspire to try and reach just a little bit of the perfection they laid down.All this started with Glen Frey some time back and the roll call is getting heavier and deeper. I lay in bed most mornings in sheer disbelief that I'm 57 now.i don't feel anywhere close to that, and I'm grasping to any bit of my fading mis spent youth that I can get my liver spotted hands on. Hey Nineteen.........................
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The water may change to cherry wine.. And the silver will turn to gold.. Time Out of Mind.. I have been on a big Steely Dan kick lately. For like the last couple weeks its been dominant in the house. I did not see this one coming.. I'm touched to see the hype here, lots of Dan fans at dead.net. The songs they wrote are among the best written in our generation. Like VGuy said, did these guys put out a bad album?
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Hate to be the downer, but the shows were not that great. Ordinary set lists, ordinary length of shows for that year, and played in a ginormous stadium with less then optimum sound and a ridiculous size crowd.Re spring 90', listen to the 6 Sept. shows at MSG and tell me that wasn't one of the best runs in GD history. Extraordinary set lists jammed out and unusually long shows. I believe the 19th had a second set opener of Truckin>China>Rider that is spectacular as is the entire run.
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17 years 4 months
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....asking if Steely Dan could release a bad album if they tried. Could they release a bad song if they tried?....Do It Again. . In the mornin' you go gunnin' for the man who stole your water And you fire till he is done in but they catch you at the border And the mourners are all singin' as they drag you by your feet But the hangman isn't hangin' and they put you on the street You go back, Jack, do it again, wheels turinin' 'round and 'round You go back, Jack, do it again When you know she's no high climber then you find your only friend In a room with your two timer, and you're sure you're near the end Then you love a little wild one, and she brings you only sorrow All the time you know she's smilin'; you'll be on your knees tomorrow You go back, Jack, do it again, wheels turinin' 'round and 'round You go back, Jack, do it again Now you swear and kick and beg us that you're not a gamblin' man; Then you find you're back in Vegas with a handle in your hand Your black cards can make you money so you hide them when you're able In the land of milk and honey you must put them on the table You go back, Jack, do it again, wheels turinin' 'round and 'round You go back, Jack, do it again . . .track one on their first record. It just gets better and better after that....
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17 years 4 months
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....the most pointless list ever. Naming Dan records from best to worst. An exercise in futility....
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13 years
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Nice to see an official RFK album. The most shows of any venue for me, as it was my local summer tour stadium. Fitting too as RFK will soon no longer be. It's last tenant (DC United) will be moving out after the season...So many fun memories there...
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7 years 9 months
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I hate to say it, but Ive got a bad feeling with this one. Went to the store today and the madness has begun early as water is flying off the shelves as is Spam, chili, stew, canned veggies, canned fruit, and of course booze. This storm just seems to have the look of a real menace. We have all our supplies and are ready as we can be. But there will be some last minute people that are panic filled and finding nothing but beets and Walmart cola to buy.If you're in Florida. "Get Ur Done" tomorrow please! And batteries for your music players!!!!!!!!
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13 years 4 months
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I've been watching this one too.. I'm still holding hope it curves North, but recent tracking has it staying South. Good Luck Florida.. Haven't heard from Nano in some time either. Be safe everyone...
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11 years 3 months
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Rhino what's up with the pro-shot video ? Please include with Box-Set as Bonus Surprise. It's obvious whoever makes these decisions can surely make it happen. Audible the play call and add Pro-Shot Video !!!!! Also One Kind Favor , release performance of 7.5.81
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14 years 9 months
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Just now learning about Becker from this board. I, too, was a "Dan" long before I was a "Head". Once I heard some Steely Dan in college, I jumped in the car, drove straight to the CD store, and purchased every disc they had (there hadn't been any reunions at that point.). They took all the wonderful oddness of Traffic, Genesis, and Jethro Tull, and made it swing, with a certain lightness that the other bands sometimes lacked. There's certainly some Steely binge-ing about to happen at my house . . . R.I.P., Walter.
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8 years
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fedrd = 9/20/90. like it prefer Europe to MSG
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