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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • JimInMD
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    8 Tracks
    My first GD exposure was 8 track. Ha.. that's one medium I wont miss. I guess I had a bad machine, it kept eating all my tapes. It was really a bad technology... Cassettes were much more reliable.. and contrary to popular belief, I do not see them making a robust comeback. My prized Nak died about ten years back.. the belts had all dry rotted and it started to play reeeeaaaaalllllyyyyyy sssslllllloooooowwwwwww. There is no advantage to cassettes over CD's as far as I can tell, and a lot of drawbacks. I do see the Vinyl appeal, but 8 tracks and cassettes, I just don't see this becoming a wave.
  • alvarhanso
    Joined:
    Sittin' on a fence (not a pole)
    The limited announcement yesterday did what it was meant to do in piquing my interest, but I'm still on the fence. These could probably be broken down to 4-5 discs, and there probably won't be any filler, and once again I'll be miffed at short discs, though this time for 65 bucks for 2 shows. I think I'd find 5/8-9/77 as a 2 show box for 65 bucks to be pricey, so it has nothing to do with Brent or '80s hate. I actually like Summer '89-Summer '90 a lot, they were playing at the peak of that incarnation, as evidenced by how much of it's been released. (But feel free to throw this post back at me if they offer a 2 show box of RFK '73 for the same price and I buy it the minute it's announced, because that would likely be my reaction to that RFK box.) The book is probably nice, and I love the books in the boxes. The books are what I really miss about Spring '90 and Europe '72 (though I really love the idea of the steamer trunk). If it's around next year and I got the extra cash, I'll get it. If I miss out, I'll survive, and enjoy the subscription for Dave's 2018 and next year's big box.
  • MinasMorgul
    Joined:
    Since 15K is the number
    5K will be added to the available quantity at some point. It's gone down exactly as I posted it would, although I'm surprised they're going with 15K. They still started with 10K and are now down to 3800 - 3900. Sales, Space Brother are at 6200 roughly, which leaves about 8800 left (5K which muse still be added). I'm not sure what numbers are "more or less brisk", but these are the facts. Brisk is relative I guess. Bottom line is that a good seller is great for us all.
  • LedDed
    Joined:
    Eight-track Renaissance
    I hear eight-track is on the rebound. Might want to fish around the yard sales for one of those Panasonic boom boxes with 8-track, AM/FM and a cool shoulder strap for rocking the 'hood. At least they still make D-cells. Glad to see the RFK '89 box going limited. Why not? I like physical product. Blu-ray's, cd's, more than just download. That being said I fleshed out my missing Dick's Picks off iTunes for a fraction of the cost of what the cd's have gone up to now. There's something reassuring about the certainty of a tangible, physical product on my shelf, should (God forbid) my laptop get stolen/destroyed, hard drive crash, etc. I have so much music from so many sources - friends who have kindly loaned things, items from the public library, iTunes and other downloadable sources, etc. It would be impossible to remember it all, were it to be lost or corrupted, however I know those cd's sitting on the shelves aren't going anywhere and as much of a pain in the ass it is to burn them all in, it's a 100% backup. I have Carbonite cloud backup as well as a portable hard drive but I don't trust it. That pole freak on Veneta is the ultimate acid casualty. Most people made it through but some of them just fried. If that dude is still breathing, he's drooling right now.
  • JimInMD
    Joined:
    Blue Ray, DVD, etc.
    I have two Blue Ray and a DVD in the living room.. I found myself nodding to what the Ice Cream Kid had to say.. mhammond too. Thin is clearly correct in what he wrote.. but I have one subtle comment to add. I got into a back and forth email chain with Lemieux a few years ago about DVD's, etc. I think it was when the other Alpine show came out, and I missed it due to work.. so there was a little bite in my initial outreach. He did reply.. at length. Keeping in mind.. he was hired as the video archivist as Dick was still alive and well back then. His comment was layered, he was clearly keeping certain things close to his chest, but it was revealing nonetheless. I think the issue with video in general is the market is more segmented and aggregate demand has not justified all the costs involved getting this to market (my words, not his..). The 16,500 number (soon to be higher) is a magic number for vault releases in 2017. Keep in mind Terrapin Limited is still for sale, I'm quite sure it is limited and it has been for sale since 1997. There are tons of deadheads but not everyone has to have the 150 or shows that have already been officially released (what is that number again?). At this point, it is a numbers game for them and contrary to popular believe, once everyone (including the band) gets their cut I doubt if there are mountains of money left over. So back to the video topic.. Dave is all in with video releases. The hesitancy is not on his part. Rhino sells CD's and records.. DVD and Blue Ray is more like an after dinner mint for them.. if they sell and they make a ton of money on them, they'd do more. Reading between the lines from the correspondence all those years ago, there simply is not a terrific demand for GD DVD's. I can't get enough myself, but I say the same thing about the official CD releases too. Another factor is very few were recorded on film, most (the 89 and go forward material) was recorded on the crappy 4" tape common at the time. Find your favorite 1989 sitcom, go to YouTube and watch it.. it's grainy and has the same limitations as the stuff directed (recorded) by Len Dell'Amico during the late 80's. The video will not get better regardless of the medium as the source tapes are subpar. The sound, on the other hand, can benefit from the better mediums... depending on a few things... But look at this another way.. they do have a good bit of video recorded, some of it is pretty damned good. Most of it does have those distracting special affects baked right in. It will get released one day, perhaps they are just keeping their powder dry for when demand picks up a bit. If there are still some SSDD left and I bet they have a ton of the Fare Thee Well left (back to the numbers thing...) my guess is they are just biding their time and will begin releasing them when demand exceeds their magic number. I do prefer Blue Ray, it could be a dying medium, probably because it costs more and people are streaming a lot these days. Us hard-core, especially the audiophiles, will want DVD or probably Blue Ray. I really don't see that changing, streaming is not going to take precedent over the physical product for the person that just shelled out $12,000 for their new surround sound system. ..but who knows for sure what the future will bring except that quack Ray Kurzweil (yes.. I said that). If you made it through this post.. congrats and accept my apologies.. dry stuff.. but we like the GOGD and there's nothing boring about being there, front row center in the comforts of your own living room.
  • Cousins Of The…
    Joined:
    cassettes
    I was about to guess it's a hipster thing, but apparently Justin Bieber had something to do with it.Which doesn't make sense either way...
  • Thin
    Joined:
    Space - you are correct
    Spacebro - You are correct, sir. I forgot there was a DVD/Blu-ray segmentation in the Veneta release. How many Blu-rays did they produce? I don't recall how fast the DVD's sold out. I guess I passed on that because I didn't have Blu-ray AND I'm not enthralled with DVD vid quality, which is like a 720 vs 1080 pixel format (if someones previous post was accurate). I didn't really want to see Polesitter dude in 1080 OR 720 pixels - LOL. As I said earlier, I hope for both our sakes that they continue with the '89 releases. There's a ton of great stuff from that era sitting in the vault. Once the video format gets sorted out, I think we'll see a LOT of '89-'90's releases. re: Cassettes - I've heard they ARE making a comeback. Martin Sexton was on "Above the Basement" recently (highly recommended Boston-area music podcast) and he mentioned that he recently issued his recent release "Mixtape from the Road" on cassette as a novelty item and said they sold out of 1,000 of these in just a week or two, to his amazement. I blame the "Guardians of the Galaxy" movie series for romanticizing the format. https://www.stitcher.com/podcast/above-the-basement-boston-music-and-co…
  • Romberg
    Joined:
    Packaging Size
    Dead.net, please put the packaging dimensions in the description. I'd like to buy this but I need to know if it will fit on a CD shelf. I've been burned too many times on oversized packaging to blind buy a Grateful Dead box set ever again without knowing he packaging dimensions first. Thanks!
  • FloridaBobalooToo
    Joined:
    Makes NO difference to me
    Numbered or Limited sets don't sound any different to me. Fact is that has nothing to do with my motivation on buying GD stuff. Actually I think I might offer a swap of my GSTL Limited box to someone who really must have it in exchange for a music only set.For the amount of bother to try and turn one of these things for the little profit, just wouldn't be worth my time. Yes I know some sets bring big pricing. Theres the moral thing as has been discussed too. All n All Im after the music. Weekend is HERE!!! 24th Anniversary is the biggie in my trailer park. Taking the wife out for Bar-B-Que and a night at the Shooting Range! Woo-Hoo!!! 9/3/93
  • Thin
    Joined:
    Spacebro re: 8/27/72 - makes my Blu-ray point
    Spacebro - Thanks for helping make my Blu-ray point. 8/27/72 is indeed still available after 4 years sitting on the shelf despite only producing 12,500 copies, but I find your conclusion that this means 80's is more popular than '72 laughable (respectfully) - it is rather a reflection on Blu-ray, per my previous post. 8/27/72 was a single show plus Blu-ray for $55. That is the only release I have never purchased because I don't have Blu-ray and I didn't want to blow $55 + shipping for 3 CD's I already have (from my DAT days) in pretty darn good quality. (And Mr. Polesitter guy in hi-def NOT a draw) I also doubt they have sold as much of this '89 box as you think - when they plugged the initial number into "inventory" they hadn't yet decided the final production #. Probably input a nice round 10k, not the current 15k you are using in your math. But I could be wrong. We'll find out the next time they update the site. But going numbered/limited edition should boost sales of this box. So ALL the other releases/boxes have sold out or are close to it - most at 15k units or more - while the relatively low 12,500-unit EPIC Veneta show released 4 YEARS AGO on Blu-ray still sits on the shelf... this is why they aren't releasing more Blu-ray.... edit: icecrmkid I just saw your post. I'm not saying Blu-ray is going away forever (though Betamax, Laserdisc, Selectavision, and DIVX did), but the dream of Blu-ray becoming the universal video standard, like CD is for audio, is dead. Again, I think they are waiting for a ubiquitous video format relevant to ALL before releasing more video. Veneta teaches us that Blu-ray is not the answer.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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Who are these childrenWho scheme and run wild Who speak with their wings And the way that they smile What are the secrets They trace in the sky And why do you tremble Each time they ride by?
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The GD weren't the only band exploring musical space, and the German band Can was one of the best. Tago Mago and Ege Bamyasi are nice introduction albums if you are unfamiliar.
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Fedrd - I understand that you were disappointed with the RFK '89 concert experience (stadiums do suck), but the good thing about this box is that you WON'T BE in a ginormous stadium surrounded by 45,595 people listening to crappy sound warbling across a football field. This release allows you to enjoy these shows without those compromises = Woohoo! As for the setlists, OK they're no greatest-hits showcase, but as Dicks Picks 9 (9/16/90) taught us, ya don't need a Shakedown / BirdSong / Stranger / Scarlet>Fire / Playin>Uncle John's Band / Help>Slip>Franklins / Dark Star setlist in order to have a great release! As I posted elsewhere recently, 9/16/90 initially seemed like a lost opportunity to me (in terms of year AND the ho-hum setlist - it may have prompted the chat discussion "Dick couldn't pick a pumpkin"). But when it arrived - WOW! I was blown away. Dick didn't just reach for a fantasy setlist to goose sales - he dug DEEP for a non-obvious show where the band really gels. This RFK box seems similar in that regard.
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Sad to see that Holger Czukay has died. Can were an amazing band in the late 1960s and 1970s-there was no one quite like them. At the time, in England, they appealed to Pink Floyd fans-but although they played very spaced out music, they were actually very different. Can were much more rhythmical than Floyd. The way Holger on bass, and Jackie Leibezeit on drums locked together seemed to have more in common with great psychedelic funk bands-like Funkadelic. I agree that Tago Mago and Ege Bamyasi are probably their best albums, but they made several great ones. As far as individual tracks go, Mother Sky, off "Soundtracks" takes some beating.
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I mentioned here weeks ago after hearing David L. mention on SiriusXM's Grateful Dead channel's special regarding this release that he had said this release would be "limited and would for sure sell out". Enjoy the Brent! Get one while ya can!
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The last tracking I saw has the eye of the hurricane on top of me early afternoon Sunday, maybe it will get diverted? Meanwhile, I have batteries charged, I'm not particularly worried about food & water, I just filled up a bunch of empty bottles with tap water, bought a case of mineral water, a case of wine, a couple of pounds of Florida shrimp for a nice grill after the storm (& stuff in cans just in case). Should be OK. Feel terrible & sympathy for the folks on the leeward islands, especially Barbuda, they lost everything.
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You don't want to mess around with this one. For safety sake I recommend evacuation. 185 mile an hour winds will flatten everything in sight. Scientists are saying this type of storm will rip every shred of vegetation out of the ground and is so powerful that it's actually being picked up on equipment used for measuring earthquakes. The only saving grace is it's moving faster than Harvey did so hopefully you won't see 50 plus inches of rain. Not worth the risk sticking around. Stuff can be replaced. People can't.
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Hi Ziffle. sounds like you are close to me here in FLA. Clermont here, How about you?Civility is beginning to erode now as panic and fear are getting the best of people. We still have 2 days. If you have shit to do, get it done today friends. Unless you are coastal, this is beginning to look a little better to me. 57 yrs in Florida. Rode out Charlee 12 miles from the eye, and that was a bitch of a day. BUT we made it without catastrophic damage. Even my frame house withstood 120 mph winds pretty well. Prep the best you can and hunker down while it passes, and when the eye is north of you, then breath that sigh of relief.
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State Fairgrounds, Lewiston, ME (9/6/80) Alabama Getaway Greatest Story Ever Told Sugaree Me and My Uncle Mexicali Blues Tennessee Jed Feel Like a Stranger Friend of the Devil Far From Me Little Red Rooster China Cat Sunflower I Know You Rider Promised Land Shakedown Street Lost Sailor Saint of Circumstance Althea Playin' in the Band Uncle John's Band drums Not Fade Away The Wheel Uncle John's Band Playin' in the Band Sugar Magnolia One More Saturday Night Brokedown Palace
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I sure hope everyone who is in the path of Irma gets out now, you do not want to be anywhere near this bitch. I also survived Charley in 04, lost power for 9 days, the eye wall went right over my house, ripped trees out of the ground and snapped them right in half 12 ft up. Roofs blown off and power lines everywhere and that was only 115 mph winds. I had lived in Fla for 40 years, after that, we got out and I would recommend that to anyone living there. Florida, it's a great place to visit but I wouldn't live there ever again. Floridabob, keep safe, just because you are inland does not protect you from 150 mph winds, it will sweep right over the peninsula and flatten everything in it's path. Just heard from my sister in law who lives in Miami, mandatory evacuation in place right now, they are evacuating Miami and I am sure they will evacuate the entire east coast of Florida before this is all said and done. If you are not leaving, be prepared for no power for at least a week. my 89 yr old mother still lives in Fla too, but on the west side of the state, talked to her and she said she is as ready as she can be, I sure hope she is right.
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Northeast Miami-Dade here, in the line of fire, just outside the evacuation zone. No hostility around here I've seen. Stoic acceptance. Stores are cleaned out of anything useful. Whole Foods Market North Miami got a few pallets of water Thursday morning so I'm set. It is surreal. From all appearances, today was a perfect beach day, lovely sunset, pleasant evening. Unreal full moon. Sounds of my neighbors cutting, mounting plywood & storm shutters, but mostly the usual crickets, frogs, the occasional owl calling. Got a two quart thermos for coffee, otherwise I'll become catatonic when the electric is cut off.
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If I don't start the day with good coffee, it's hard for me to have a good day. Good thinking Ziffle.. Priorities! Too all in Irma's path.. we are pulling for ya. Be safe. Mission in the Rain, 06/29/1976 Auditorium Theater, Chicago Good luck riding the storm out.
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Gaucho Outtakes.. yes please. Who is the gaucho amigo Why is he standing In your spangled leather poncho And your elevator shoes Bodacious cowboys Such as your friend Will never be welcome here High in the Custerdome.... Very nice VGuy. Muchas Gracias, Amigo. It's no secret Steely Dan spent some quality time in the studio. I saw one of their studio hires commenting on their recording style.. I am not going to try to exactly quote.. but it starts with the rhythm track and the drumer. They work the beat and the drummer to death.. over and over again, slight tweaks, timing must be perfect, flawless.. Weeks go by, just the core few and a drummer. Finally.. just when everyone is burned out.. they achieve 'perfection.' So they start the next day by bringing in a new drummer, throwing it all away and starting from scratch.. still in search of perfection :D Or as another quoted.. when you made a Steely Dan album, you spend the first six weeks just getting comfortable in your chair. The exact opposite as the Grateful Dead, yet.. they have a similar effect on me. Perfect mind music. We lost two biggies this year, Walter Becker and Gregg Allman. Flags still flying at half mast.
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Currently listening to the 6/24/85 Riverbend show from 30 Trips, I suspect the reason for many of the mid 80's release issues is with Healy's mix for the venues.It is really apparent here in this 85 recording, the effects, the reverb, the heavily gated microphones all add up to a recording that at times seems to be missing something in the mix. I loved it at the shows, but these SBDs seem too sterile and the effects really stand out, like the hokey "psychedelic" video sequences, they were decisions made at the show that can't be undone on the recording master. This could be why they use so many multitracks from the 89/90 tours where they can choose to not apply that echo and distortion to Bob's voice, or reverb to everything but Jerry's voice and the drums. Its a good show, but hearing it right after a 73 SBD, the 85 recording highlights it's biggest flaw, the mix. We need more listening parties and sneak previews of the packaging now that we know RFK is a limited edition.
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I've noticed more then once they say, more to come on samples, but it doesn't always happen..hmm
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I was thinking that as well for a few days now. No updates or new info for a few weeks. The next Dave's Picks announcement is still a good month off, followed by the subscription announcement and Record Store Day. Still ten months from the 50th anniversary of the release of "Anthem of the Sun" and whatever they have planned for that.
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Holy cow, tried to be general admission for the upcoming D&C show in Austin, american expressed presale does not have any available, and the scarlet>fire pass appears to be sold out, I hope i have better luck when tickets officaly come on sale
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This was posted from a GD site playlist for Garcia's Bday. I assume it's one of the first mixes done from this set but can't be sure. Seems like an overabundant amount of stadium sounding reverb in the lead vocal compared to other favorite GD recordings. I would guess they wouldn't normally add that much studio reverb to the mix, so if it's a product of the stadium setting I'm wondering why they would pick this over the Alpine shows as the "Downhill From Here" DVD sounds amazing (but I'm a bit biased having seen the Alpine run). Anyways, still glad to have all these great releases. https://open.spotify.com/track/1aigxhd3JyLSHnOgRo0VRI
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2004 Charlee, we were like within 20 miles of the eye2017 Irma. 2 am the remnants of the eye sail past us within 20 miles! So now thats 2 of these bastards that have tried to crawl up my dookie! Im starting to take it a might bit personal too! That was a scary night my friends. I was scarred semi shitless over that one.
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Glad to hear you fared well FloridaBobloo Too...I'm in Windermere and it was pretty rough between 10pm and 2am...I am one of the fortunate ones, losing power for just 24 hours or so...lots of poor bastards around here still without...
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Checking in from SRQ. Next storm, My wife and cats, are evacuating to Alaska or Hawaii. Will never go through, an Irma like storm again. Floridians, be safe. PLEASE DON"T USE A GENERATOR INSIDE. Sad to hear, people surviving Irma only to pass, because of carbon dioxide. Florida Strong
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You're right next door to me! We oughta grab a bite, say at Yellow Dog sometime.PM me. Might be a good time!
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There was a bump up in sales after it was announced it would be limited. There will be another bump the week it hits the streets.
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Consistently emphasizing its unique image and limited supply, it has deliberately distanced itself from the mainstream of fashion even when sales are hot in the field 192.168.0.1
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"2532 / 10,000 Left" ~ MM The last RFK email I received actually says they are limited to 15k, not 10k. This is the text.... "It's official! ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 will be individually numbered and limited to 15,000 copies. The set features two previously unreleased concerts taken from the band's master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. Housed in a colorful slip-case with original artwork by Justin Helton with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine, this one's out in November." ....it also says 15,000 under "product details" at the top of this page.
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Welcome to all the new members. Buy some coasters while you're here. Or maybe a barstool.
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8 years 11 months
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Man, I am so bummed I couldnt get general admission tickets for the show in austin, I can't believe none are available in just a few days :(
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9 years 2 months
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Locally Irma was 110 mph wind during the two hour peak. It was an experience. Like being in the middle of a jet engine. Everyone here OK, and no damage to the house. No electric for a week, no internet (using an intermittent cellular connection at present). No phone service for a week. Water was contaminated but now OK. Neighbors still have no electric. Enormous yard clean up and clearing. Was able to save majority of the important plants & trees. Fallen trees from neighbor. Got off lucky compared to folks on the Islands. Medium sized birds seem to be OK, although I’ve lost about a third of the resident population. Larger birds (barn owls and the like) are absent. Tiny birds mostly missing, saw just one today. Butterflies, bees and wasps were decimated. I’ve only seen about three butterflies and the occasional bee (they mostly live in the ground, there was a foot of rain). No wasps at all so far. I spotted butterfly eggs on a couple of plants (just a couple of eggs), I’m protecting them. And now, the mosquito infestation. What with climate change and the oceans warming, I suppose that large storms of this type will become more frequent. Hope others in Fla. made out OK, and regrets for the ruination in the islands.
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7 years 7 months
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Glad you made out ok. Here it was about the same. Very rough those last couple hours. But strangely and this is due to underground power lines and utilities, we never lost power so we watched the thing come north on the Weather Channel. You actually saw it come up and as the winds were increasing, the orange and red got closer and closer. Almost like watching yourself get shot on TV as it happens. Weird!But Clermont did ok and as for the Loo's we escaped damage and disaster, thank the good Lord. Now were watching Maria dance up the islands. This has been a season like the 2004-05 years were. Only good thing is I have stocked up on some very good oak tree cuttings for firewood at the festivals later this year.
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9 years 2 months
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On my little street were trucks & crews from Connecticut, Maine & Louisiana clearing fallen trees reconnecting power lines. I read that search & rescue came here to Florida from California & elsewhere. I am thankful for this caring from across our nation.
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9 years 6 months
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Great show, one of my friends first show (2nd night), and I'm in for a copy. Thought this would sell out after the announcement that this will be stamped/numbered and limited to 15k. I think if David provided us with an audio sample, it may sell quicker? Seems kind of odd that no audio samples has been released so far. Give us a little taste!!!
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17 years 3 months
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I see they decided to go with having a limited edition. glad I caught it last nite cuz I was going to wait till November cuz they made it seem like it was going to a semi permanent catalog release.
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10 years 1 month
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We above the 49th are feeling your pain and working with you! Both the Ontario and Quebec provincial governments have sent electrical crews and resources to Houston and South Florida. To all those affected - be safe and get well soon!
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9 years 2 months
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And thank you as well, I just got my internet connection back, and read in the local news about crews from Ontario & Quebec. We appreciate it very much!! I'm sure that if the need ever arises (I hope not) we will return the care from our friends up north.
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11 years 10 months
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Thanks for the link, made me check my copy of this show. I had a cut first set only, could hear the recording crew singing louder than the stage :-) I did have a note to check Road Trip 1.2, had it. Further checking of archive found "soundboard" copy of show, very good quality. Files updated. Thanks
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7 years 7 months
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Not completely, but seriously, all of the dynamic interplay is still over there, at the other table. With the cool kids. Dave's Picks 23. Nobody, deep down, really gives a shit about this box. We know what it is - and it's good, maybe really decent, but With A Qualifier. Like, "Jer was maybe mostly kinda sober for these shows." Or, "I was in college and it was my first Dead tour and I saw three dates." Dear Mr. Peabody, take me and Sherman back to 1972. BTW, I did buy this thing. I will never throw shade on anything - Anything the Dead did, but I don't feel a collective surge for this release. Peace. \m/
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9 years 3 months
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This is a weird release thread, but don't blame the material. Even though it is not a "tent pole" release, it is part of a tour that due to it's multitrack recordings will be released almost in its entirety over the next 10 years. Part of the issue is many people on the site just don't like the post Keith years and don't participate in the thread. Another part is the lack of any promotion on the side of Rhino, like listening parties, or a better description of whats inside the "slip case". It's like Rhino took the summer off and haven't gotten back to this yet or maybe they are still dealing with the Barton Box CD replacements and July 78 download issues. The thread will pick up when Rhino gives us something to comment on, until then it's still almost 2 months before delivery and all the people that want or don't want the box have already commented. Grateful Dead Live at RFK Stadium on 1989-07-13 Set 1 Hell In A Bucket Cold Rain And Snow Little Red Rooster Tennessee Jed Stuck Inside Of Mobile With The Memphis Blues Again To Lay Me Down Let It Grow Set 2 (Missing) Encore U.S. Blues https://archive.org/details/gd1989-07-13.sbd.miller.95939.sbeok.flac16
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8 years 11 months
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People generally hang out on one board, just makes it easier. People hung out on the AME board, but that doesn't detract from GSTL. Edit: This board will light up as soon as people start receiving their shipping notices.
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7 years 2 months
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yes this release will shine just like warlocks box love all
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7 years 2 months
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10 15 88Music Never Stopped Sugaree Blow Away Walkin' Blues When Push Comes to Shove Queen Jane Approximately Tennessee Jed Let it Grow One More Saturday Night Crazy Fingers Playin' in the Band Uncle John's Band drums Truckin' Smokestack Lightnin' Stella Blue Turn on Your Love Light U.S. Blues https://archive.org/details/gd1988-10-15.nak100.holtz.gems.83504.sbeok… 10 16 88 Mississippi Half-Step Good Time Blues Feel Like a Stranger Friend of the Devil Stuck Inside of Mobile To Lay Me Down Don't Ease Me In Box of Rain Victim or the Crime Foolish Heart Looks Like Rain Terrapin Station drums The Wheel Gimme Some Lovin' All Along the Watchtower Morning Dew Quinn the Eskimo https://archive.org/details/gd1988-10-16.sbd.miller.92389.sbeok.flac16 love all
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