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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • MinasMorgul
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    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
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    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
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    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
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    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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You are incorrect on the sequence of events. Review the thread, or drop it and let bygones be bygones, as I said. But don't expect me not to respond harassment or insults. Good day sir.
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You know who you are. And thanks! I'm seeing wonderful photos of Jerry, and others, that seem rare to me. Really awesome. Keep it up. Peace. \m/
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"The rumors of my death have been greatly exaggerated" M Twain. or. TP ?
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Tom Petty
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I saw him at the 7/2/86 Akron Rubber Bowl show!! , he backed Dylan, and then did a set before the Dead played... can't believe that was 31 years ago.
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He was a Gainesville Guy and a very cool man who for the most part shunned the rock star ego trip.He also did a lot for the poor people behind the scenes and didn't look for kudos for helping others. A good example.
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Shocked. I saw him several times. My three most vivid memories of Petty are on stage playing, the video for Don't Come Around Here No More, and Judge Reinhold in Fast Times at Ridgemont High soaping up his car to American Girl ( what did he call that car again? Was it the cruising vessel?). His later albums I thought were just as good, although you don't hear as much from them, I think because FM radio has taken a backseat in the past 15 years or so. America's DJs love him. Peace and prayers for Tom Petty!
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I know that the life I am living is no good... just gave me serious chills... RIP, boys...
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Goodness gracious...I see that Bob Dylan's incredible "gospel period" will soon be released as the latest bootleg series. I'm not of the Christian faith, but this is (among) my absolute favorite phases of Dylan. I have some live bootlegs of this period (like Toronto) that are unquestionably great. I pre-ordered the double CD without hesitation, passing on the 'deluxe' 8-Cd 1DVD alternative.
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Pondering whether to preorder the Frank Zappa 3cd Halloween 1977 from that piranha infested river site or wait until after 10/20 and see if the price goes down. "Halloween was Frank Zappa's favorite holiday & by 1977 his Halloween shows were legendary. Recorded live at The Palladium in NYC, Zappa performed 6 shows 28-31 October. 4 shows were filmed & resulted in Zappa's movie 'Baby Snakes.' The Halloween 77 3CD version includes the Halloween night show in its entirety, mixed in 2016 from original Vault masters, plus select tracks from the other 5 shows."
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A few statements 'ol Minas made have proven true: * this RFK minibox did indeed become offically labeled a "limited release * a number has been decided on (15K) * additional stock has been added to the total number available, for a total of 15K. Everything has proceeded as I have foreseen (I do birthday parties and bar mitsvahs as well). Man, that sucks about Tom Petty. I also think of the Don't Come Around Here No More video when his name comes up. One of the most entertaining and original videos of the MTV age. I saw him in 89 and again after Into The Great Wide Open cane out. Will never forget his cover of Should I Stay or Should I Go, the place was bonkers, and then Jammin' Me for the encore, which was one of his great underrated songs, but we'll appreciated by all to close the show that night. Another great underrated tune was All The Wrong Reasons.
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to 1971-1972 Dead. Interesting perspective. They have no clue about the long strange trips before and after. Especially funny is the remark about grateful dead music not being fit for studio recording. LOOOOL. weird scenes inside the gold mine. Save the lectures for your chorus.this rfk kit set is certainly worth getting based on the listening samples. i don't care about pitch unless it's a close ball game. jerry's guitar is singing beautifully here.
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I can't afford to be on this forum any more, every time I turn around someone mentions a great box set. So thank you(?) Ken for bringing up the new Dylan box set, because of you I spent a 140 bucks on some bullshit box and my dog will have to go hungry for another week. No problems he'll survive, Mama may not make it without her meds though. Oh well, this IS the next in the Bootleg series! Really, thanks for the heads-up. Set has been ordered, sorry "pre" ordered. (Odd term, you would think "pre" is before you order, should be "post" ordered now, right?) Oh, one more thing, (knowing the answer to be no), anyone hear anything about the "DIGITAL DOWNLOADS" for the 45s? :-) (I've been told by secret sources that the answer is being looked into by Marye. So I have no doubt in it's inevitable conclusion)
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Gotta Serve Somebody. I opted for the bobdylan.com pre-order which includes an extra 2cd san diego concert, only available there during pre-orders but will add an extra $40 plus so $186 yipes.
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The costume box that will contain the USB with all 6 shows from this run for $100 is a bargain. The Oct 30th and 31st '77 shows themselves are nearly 4 hours long each. The other two nights, Oct 28th and 29th '77 were two show per day runs. I definitely want this.
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"Coincidentally", I just received an email from dead,net with a link to download the digital version of Volume 3 of Grateful Dead 7" Singles Collection. Ain't coincidences grand!. . . Onward.
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I told you Marye would come thru!
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.....telling me that a 5-5-77 CD2 replacement disc is in the mail. Seriously, WTF. How hard is it to replace a defective CD? I’m not the only one who needs a replacement.
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It's really starting to smell like trolls around here...
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Some people are super uncool, making personal attacks in response to honest listening of a band. I never attacked anyone until I was attacked, and frankly can't believe the people that are jumping on board and supporting it both publicly and PM. I had this impression of "Deadheads" that they're peaceful happy go lucky WELCOMING people, and most have been, but there are definitely a few who just don't want to hear that Jerry had an off-note or the keyboard player can't sing, or the girl screams sometimes. You guys are about as uncool as it gets. It doesn't matter whether you're a new comer or long timer, there's just no excuse for attacking someone for having an opinion. I talk about the Who and Stones and other bands with people on message boards who like myself, have been fans for 30 - 40 years. Daltrey sounds great for 70, but is nowhere near the singer he used to be. Same with Mick. We don't attack each other for saying, yeah, he sounded terrible tonight. Mytime, if pitch doesn't matter to you, that's fine - I enjoy shitty singing sometimes too (Brian Johnson). But to mock me for pointing out the guy sounds awful on this particular recording is schoolyard bullying, and I'm not having any of it. It sounds to me like you have a problem with 70s Dead, judging by your comment "It's always good when a Newbie tries to steer you to 1971-1972 Dead. Interesting perspective. They have no clue about the long strange trips before and after". Totally baffling, considering they were in their prime then, which I know because I've listened to all of it, and they don't sound anywhere near as good in 1989 as they did in 1972. Are you going to say the Who sounded as good in '82 as they did in '70? Or that the Stones sound as good now as they did in '78? That's not to say they're not still great bands, only to say they've lost a step or two.
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Feel free to ignore 28 of them if that's your drill. I have nothing whatsoever against 70s dead, btw. For your deadification, this here is a thread about the 1989 RFK box set. You critiqued the long-awaited free listening party samples. Brent is not my favorite period, but this sounds pretty good to my ears, way exceeding what I expected. If you can't stand this, do yourself a favor and ignore anything involving Brent. You will have lots of people that agree with you too. Nobody is forcing you to buy this. I recommend Ladies and Gentlemen the Grateful Dead 4 cd set to you, available for half the price of this one.
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You’ve been initiated.....
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15 years 1 month
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I'm just thankful the band didn't invite Yoko Ono to join them after Donna left.
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...off Aoxomoxoa coming across my pair of Bose right now. Shirdeep great photos! As far as Yoko, well she's still alive, let's get her out onstage with Dead & Co. to shriek over Playin' in the Band. Yeeeeaaayyaaaaayyah, yeeaaahyahh, YEAYAHHHHH!!!! YAAAHHHH!!!
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I would think that the more you listen to a band, the more critical you become. As you become aware of the peaks they can hit,all the nuances within the music and when they are truly on form, then it becomes more apparent when they are performing less well. Certainly listening to the Dead over the last...42 (!) years, I would say I am more aware of their peaks and troughs now-what to me are their peaks and troughs I should say. Like I lot of people on this board,I have heard sooo much music by this band over the years. One of the results of this is maybe that I have become less tolerant of some eras of the band that I no longer like. I recently played a show, featuring a version of Eyes Of The world, that I had to break off from. I thought it was awful-but then the day before I had heard the version from 11/11/73 form the Winterland, which I had thought transcendent. The other version just wasn't as good-to my ears. In 1990, to pick a year at random, I would have been quite happy with the show I can now no longer stand. I always enjoy this board most when differing views are expressed-it would be dull as ditch water if everyone agreed on everything. But its always a low point when people resort to personal insults to try and get their point across.
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No one would argue that The Who were better post Keith Moon. No one would argue that The Stones were better post Exile On Main Street. "Better" being the key word. But that's not the case with the Grateful Dead. The Dead's music is divided into three "eras" 1. Pig 1966-1972 2. Keith and Donna 1972-1979 3. Brent or the 80's 1980-1990 and each era has its advocates and detractors. Many 80's era advocates feel their favorite era is treated with disdain by many, even suggesting that this prejudice against the 80's is at play in the selection of official releases. It's an argument that will never be resolved but also an amazing compliment to a rock and roll band that broke up in 1995. This doesn't explain why some posters here (from all era "camps") get so reflexively rude, defensive, and insulting. I'm at a loss there. And you haven't even met RV3 or Patagonian Fox yet.
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The opinion of how someone feels about Brent's vocals on the "Listening party #1". To say Brent is somehow "off key" here, not an accurate assessment on actual technical merits, but an opinion, then to play the "well I've listened to the Dead more than you, so you don't know what your talking about and are delusional" card, is just ridiculous. If a person is going to insinuate that the several thousand people who have pre-ordered this are "lesser Deadheads than thou", because this person doesn't like Brent's vocals, someone is bound to respond unfavorably to that insinuation.
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I just lost my whole post trying to edit it. Well then, have a pleasant one, and to sum it up, good Scarlet jamming by Jerry on 7/7/89 and Morning Dew from GD Movie Soundtrack.
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So, Hank Hill was a Deadhead?
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I'm looking at different CDs to buy from various years. Looking for the best shows, but reviews are all pretty much the same. There is a huge price discrepancy, so what is the difference between the less expensive shows? Are the higher priced ones that much better in quality? I realize the higher priced ones are sold out, but still, there are plenty of other sold out CDs that aren't priced so high. Are they that much better or not at all better? Specifics: Winterland 1973 Complete Recordings / $150 for three shoes in November Vs. Dave's Picks Volume 5 / 1 show $425 (shows are a week apart) To Terrapin Hartford 77 / $20 1 Show May 1977 Vs. Daves Picks Vol. 1 / $425 1 Show May 1977 (3 days apart) Dead Set 1980 / $25 for 1 show Oct '80 Vs. Daves Picks Vol. 8 $285 / 1 Show November '80 (1 month apart)
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This is probably neither the time nor the place...but I would say The Stones had quite a few discreet eras in their career, too, with fairly clear beginnings and endings. There was the initial rhythm and blues years, followed by the pop/psychedelic era in the mid 60s, the great Beggars Banquet up to Goats Head Soup series of albums, the Ronnie Wood years in the 1970s the 1980s and then the 1990s up to the present day characterised by the mega shows. Butch indicated 1978 was a good year-and although it yielded the Some Girls album and Miss You single, it was a time I didn't much care for. They always seemed to be trying to play too fast, to me, in order to keep abreast of the times. There's a video of a live show from 1978, where Mick Jagger is wearing a tee shirt with a swastika on it- a terrible gaff, presumably worn in an attempt to out do punk. The Dead had the best response to punk-they ignored it!
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9 years 6 months
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Hey Butch, they are all great releases-the difference in price is due to the exclusivity of the release. Daves picks are limited releases so they carry a hefty price on the re-sale market. Winterland 73 is the rare release that has sold out but can still be found for reasonable prices. It's amazing pick and if you feel comfortable with the price, I promise you won't regret it. Dead set is a nice compilation album but if you're looking for something from the early 80s, you can find dicks picks 13 (5/6/81) for very reasonable prices on eBay. Same with dicks picks 5 (dec 79) and dicks picks 6 (oct 83). Hope that helps-
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Real Gone Music is starting to reissue Road Trips, starting with the last release and working back to the first. https://shop.realgonemusic.com/products/grateful-dead-road-trips-vol-4-… $150 for Winterland ‘73 is a good price if unopened. It was $99 or more when released. Dead Set is a compilation and was available for decades as a single CD. You can probably find it in a brick and mortar CD store if such a thing exists. It now comes as 2 CD’s in the Beyond Description Box. To Terrapin was not limited and is currently out of print, but that doesn’t mean that more wont be made in the future.
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warlocks 10 o8 1989 hampton Foolish Heart Walkin' Blues Candyman Me and My Uncle Big River Stagger Lee Queen Jane Approximately Bird Song Promised Land Help on the Way Slipknot! Franklin's Tower Victim or the Crime Eyes of the World drums I Need a Miracle The Wheel Gimme Some Lovin' Morning Dew We Bid You Goodnight https://archive.org/details/gd89-10-08.sbd.unknown.8365.sbeok.shnf
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7 years 3 months
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Thanks 80sfan, keithfan, and icecrmcnkd. I went with Dead Set, To Terrapin, which I guess they got more of, because it's here on this website, and the Winterland 73 new off of eBay. That's great news about the Road Trips series, because they're priced pretty steeply on eBay. Keithfan was nice enough to PM and send a great sound board of Daves Picks 8 (you are right, great Feel Like a Stranger opening, and I'm to say, Brent is in tune)
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15 years 1 month
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Dorm room SDSU 1973. Meeting my new friends in Toltec Male Housing Residence. In my new neighbor Steve Lightfoot's room thumbing through his LP collection I come across an LP entitled Bob Wills And His Texas Playboys Greatest Hits. I pull it out and ask Steve if this is a joke LP? He replies "No. I stole that from my Dad's record collection. I couldn't live without it." I said "WTF? The cover looks like a Zappa joke!" He said put it on and listen. "When you go out with that girl you got to wear asbestos pants." Bob Wills And His Texas Playboys. "Ahh Leon!"
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HAPPY BIRTHDAY MR. JOHN ALEC ENTWISTLE ....FOR YOU WHO FANS WOULD HAVE BEEN 73 AND MR JOHN LENNON WHO WOULD HAVE BEEN 77..... A WONDERFUL BASS PLAYER AND AN INCREDIBLE SONG WRITER.... NOW BACK TO YOUR REGULAR SCHEDULE......BRING IT ON DAVE..WHAT IS YOUR NEXT PICK??
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7 years 2 months
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Feel Like a StrangerBuilt to Last Little Red Rooster Ramble on Rose We Can Run But We Can't Hide Jack-a-Roe Stuck Inside of Mobile Row Jimmy Music Never Stopped Playin' in the Band Uncle John's Band Playin' Reprise Dark Star drums Death Don't Have No Mercy Dear Mr. Fantasy Hey Jude Reprise Throwin' Stones Good Lovin' Attics of My Life https://archive.org/details/gd89-10-09.sbd.serafin.7721.sbeok.shnf
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Ok, I could probably live without Bob Wills, but would you want to? :-) I never heard of the guy until I moved to Texas, but now have a decent chunk of him. They were good (if you like texas/cowboy swing). This is one of the things I like most about this forum and group of people, is the wide array of music listened to. Yeah you can go anywhere and hear of the big names, stones, who, and others. But Bob maybe not much. Anyone for Al Jolson? I'm Alabamy bound They'll be no heebie-jeebies hanging 'round Just gave the meanest ticket man on earth, all I'm worth, Just to put my tootsies in an upper berth They don't write them like that anyone.
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