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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • eyes43
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    HDCD Vinyl?
    I know this post is a question concerning the vinly boxset, but ive posted there too, and im posting here, in the hopes that someone can give a definitive answer?!?In the description over at the lp boxset page, it states, "Sourced from the Betty Cantor-Jackson soundboard recordings, transferred and restored by Plangent Processes. Mastered in HDCD by Jeffrey Norman." Isn't HDCD high-definition compact disc? Shouldn't this vinyl boxset be of audiophile quality, and if digitally converted, be the HD 24/192? If someone in the know could please clear this up for me, i would greatly appreciate it! Im fairly sure it would be HD files of 24/192, if converted to digital files, not just CD quality at 16/44.1, or even HDCD, which is supposedly 20/44.1. Im really confused by the info deadnet has on the vinyl boxset page....anyone that can clear this up definitively, i thank you in advance!
  • mbarilla
    Joined:
    4.29.84 ~ bring it on
    Even if it does have "Keep Your Day Job" as the encore !! 1981 or 1984 for Dave's Picks 23 !!!!! F%CK YEA !!!!
  • kyleharmon
    Joined:
    if they were playing Day Job
    if they were playing Day Job as the encore a lot then yeah I can see why lol.
  • mbarilla
    Joined:
    Soundtracks , one of my favorites is "Dead Presidents"
    originally just had 1 soundtrack and it was smash hit , so record company did Vol. 2 , both are very nice here is Vol 1 https://www.youtube.com/watch?v=0wOaaBCYRVg&list=PL610AB144D472BB3A
  • daverock
    Joined:
    Keith Fan-Gone Dead Train
    Jumpin Jack Flash in Ladies and Gentleman has always been my favourite live version. I was lucky enough to see The Stones in 1973, when I was 16. I didn't know most of the songs at the time-this was literally the first time I had heard Midnight Rambler, Gimme Shelter, All down The Line-most of it really. But I can remember them playing a really long version of Midnight Rambler, which went into about half an hours worth of the best rock and roll I had ever heard in my life. And maybe have still heard. It ended with Street Fighting Man, that just kept hitting peak after peak after peak-incredible. It was after this concert that I really started getting into them-fantastic. Another great Stones project from the 1968-1972 era was the film Performance. Only Mick Jagger was involved, but it really captures the mood of the times. The soundtrack is also amazing. Jagger is again the only Stone involved, and he only sings one song-the great Memo From Turner. But it has got some fantastic slide guitar playing from Ry Cooder,and vocals from Merry Clayton. Arguably the best soundtrack album ever released.
  • JimInMD
    Joined:
    Re: Wolf Update
    Thanks for the update, Otis.. I haven't left my house since I heard it was being shipped, so I take it its safe to head out for supplies. This really strange guy moved in next door. Appears to be nice enough, I even heard a nice Peggy-O playing softly from his front porch. Weird name though.. Bertrand Octavius Latimer Otto III. Mostly keeps to himself. I'll resupply and look out for this tomorrow. __________________________ As for Day Job and skip songs.. I always liked Day Job but it was overplayed when I was seeing a lot of shows. I am guilty of heading to the car at least once when the first notes of a DJ encore rang out and I had a big drive ahead of me. Also, the theme seemed counter to what we were all there for.. as an escape from our day jobs. I think that was the rub that did it in. I have some skip songs that will never get the focus they probably deserve. Still.. I have been around long enough to see songs I used to snore through come into focus in new ways years later. Our tastes change over time and sometimes we have a predisposed and incorrect take on a song and all it takes is a good come to Jesus moment to finally see the light. I try to keep an opened mind.. The boys could catch fire at any given moment.
  • Thats_Otis
    Joined:
    @ Jim - Re: The Wolf Update
    Hey buddy, I just got an email saying that the Wolf is in transit to Western MD, but that it has been in Hebron, KY for the past few days... ... may be a bit of a longer wait than expected. Peace
  • Dennis
    Joined:
    Day Job
    Yeah, they played the shit out of it when it was in rotation, my buddy got to calling it Blow Job. But I'm sure I saw a great one, I think I saw a great one of every song. They didn't knock every song, every night out of the park, but you knew they'd knock something out. The times you'd get tired of a Mexicalli or a Big River (some "throw away" song), then that one time, Bam! and everyone looking at one another with that "where the fuck that come from" look. Also the opposite sometimes, a major song which should be "show stopping", like a Morning Dew and they'd play a 3 minute version of it! Sidenote, I'm not going to hold back to save anyone's feelings, sometimes things must be said, but I liked the Brent songs, so there. You don't like "I Will Take You Home", tough, go take a piss break :-) Seriously though, I wish there had been more time to work on "Just a Little Light", that song had legs. The one on Dozin at the Knick is great, wish it had another 10 minutes of jamming!
  • kyleharmon
    Joined:
    @80's Fan
    I just finished 5/16/81 Cornell. it is one smoking show. loved it from Feels Like a Stranger to Uncle John's Band. I think I like that one the best out of the 81 shows I have but I should probly give Dick's Picks 13 another serious spin. I don't think I listened to it all the way through since when I bought it Christmas season of '03.
  • snafu
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    Day Job
    People hated Day Job mostly because at one point which I don't remember it seemed like they played it every other night. So if you were heavily into touring you saw/heard it way to much
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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There was one year when they announced the next pick real late , like on the 28th or something. How has Dave's 23 not leaked yet? Ii have a feeling the announcement will be Monday, but I hope I'm wrong..... Here's hoping for an uncirculated Betty from '79 or an upgraded Eugene '78..
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Yes I spun Duke too. That was my first LP by them. Ah mammeries........oops. Memories!
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Hold off on the Dave's announcement. Sure, I'm excited to see what it is. In another week or so I'll stop coming on here and just wait til mine arrives. Opening that mail would be like Xmas! Although it kind of is anyway. Just would be fun to not know 'til it arrives.
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is anyone else getting tired of dreaming they announced it only to get up to find out its not true? and yes to a mike who said something about a late announcement. I said it many a time it was for daves 20 (Boulder '81) it wasn't announced until the day before Halloween. cuz I remember thinking "seriously? a two day pre order??". it was rough. it was a rough month. i'm about to say I'm not checking back in here so when it shows up at the house it will be a total surprise. easier said than done. whatever it is I'm sure it will be worth the wait. might be taking longer cuz they might have to do some clean up on the tape. so id rather have a late release announcement and have them take time to clean up/fix a tape the best they can than have a rush job on it (unlike Europe '72 box)
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I made it to 7-21,22 Made the mistake of thinking I should go to work on 7/23...
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I had And Then There Were Three on cassette in the late 80's and listened to it a lot. I thought it was pretty good.
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Actually, watching it too, great show, Jerry is playing the Wolf again. They are having fun,Seems they are always good at Winterland. DP 10 was my second Dick's Picks. That was 12/29/77 with some songs from this show. Wow, incredible Estimated Prophet, Jerry has Mutron on. Gotta go, they just went into Eyes of the World. Show is on Music Vault Channel. https://youtu.be/yqZP8ihyfs8
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So I go for my beloved Winterland 73 box, and get a disc out. Well it's stuck in the sleeve. I have to pull it out and it's stuck. When I do get it out 2 big spots of glue on the disc make it skip and stall.I am very unhappy as I tried soap and water then goo gone, and this shit is not coming off my disc! If you have any CDs in these shitty little sleeve packages do yourself a favor and get them out of that package asap. Wrap in a tissue or put in a jewel case, but don't risk getting glue on your disc and ruining it. Now I have 1 last option which is to go across town and have it polished. Suck Job! If this disc can't be saved, I will be pissed as this is one of my favorite sets! Don't risk it folks. Take action before it's too late.
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One of my GSTL discs had glue.I dissolved it off with Everclear, 190 proof. Worked great. So, some of you may ask why is 190 proof Everclear legal in Georgia? If you can buy it in the store you don't have to go into the woods and make your own, and the state gets their taxes...
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I haven't been here for a while so I went through all the comment, interesting discussions. Regarding 1977, after listening to the GSTL box set, this year is still tops. However I think a lot of you have called it right: setlist and variety of songs are limited. They dropped a lot of songs out of the 77 shows when compared pre-hiatus shows and only just the year before - 76. Of course Estimated and Terrapin were added. I think what makes 1977 so good is the consistent high level of playing. Pretty much any 1977 show that I put on is good. In my mind there are not too many other post-hiatus years where I can say that. However I still think 1972 and 1973 are the best. As for 12/30/77, I have a mild obsession with that show, ever since I came across it on YouTube. There is something about that Row Jimmy that really gets me. Incidentally, the uploader - Music Vault has a bunch of Grateful Dead and other bands shows on there. I am sure all of you know about Vodoonola too, who has 3 channels of Grateful Dead and JGB shows. Great stuff. For the next Dave's Picks, I am hoping for another Betty Board release of a good show. DaP 22 was nice, but the band at that time in 1971 was not in a jamming state of mind, at least not like the level that they woukd be a year later. Even if it is not a Betty Board, I am hoping we get a show with more jamming. I don't care what year. I always think there are shows that are great but just havent had the circulation and attention , so they fly under the radar. 10/18/72 is one that comes to mind for me. I am anxious for the anouncement.
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Hey FloridaBobalooToo (and anyone else with a similar problem): By any chance, is your disc skipping/freezing on disc 2 track 8 Bertha? If so, the glue drops may not be the problem. I remember when this box first came out, a lot of people were complaining about this same problem (I have the same problem) I think there may have been a manufacture defect. If you get a magnifying glass (or not if you have good eyes) look at the playing side of your CD towards the end of the disc (the outer edge). Normally, you can see the section of the disc that is used and unused (there is a slight difference in color/silver). Find that defined circumference line, and let your eyes follow it around the full 360o. If you have one of these defective discs, you will see that at one point of this line, you can see the circle bow outwards ... like an egg instead of a circle. It almost looks like if it were a record, you are looking at the grooves, but instead of the groves going in a circle, they are wavy at one point. Now, I'm no CD engineer, but the disc freezes up at the end of the last track, and this defect is right around the end of the used space on the CD. I know it's only about the last 2 min. of Bertha, but for us "complete-ists" that hurts. Before you scrub your disc too hard, (if it is disc 2 that's in question) check to see if this could be the problem. Good luck!
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(SPACEBROTHER wrote):...with a bonus disc consisting of the remainder of Pembroke Pines show not included with Dicks Picks #3 5/22/77... Years ago, they played the Dick's Picks out-takes on The Grateful Dead Hour. I reconstructed a copy of the complete show for my own collection, and realized how much better of a show 5/22/77 is when it's complete! It's a shame it was edited for release. Yes I agree, they might as well release 5/18 too! (and the rest of Spring '77 :o))
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For sure it's glueDisc 1 of the box Gonna try alcohol Buying sleeves tomorrow for this whole box and others in same packages Being cheap don't pay! Use digipaks GD Thanks thou
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Success with 70% isopropyl alcohol.Water rinse very heavy after to get any residue gone. I hope there's no long term trouble. Maybe I'll burn a backup to be safe
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FloridaBobalooToo,I found the exact same thing to the exact same box last month! Must be a time bomb. I used rubbing alcohol.
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9 years 2 months
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I need to check my Box.Maybe the summer heat makes the glue melt. Time to invest in a temperature controlled storage vault.
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7 years 10 months
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I think paper sleeves will be the answer. I have a few of these issues so I plan to buy 100 which are cheap and will solve the issue once and for all, I hope anyway!
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1) White paper CD sleeves are the answer. I've been storing them this way since 30 Trips was released. Zero scratches. Prior to that I tried CD binders / suitcases, with the felt backing and plasticy front - you know, the basic generic CD holder type thingy. I adorned it with awesome Dead stickers and it looked great. But there is still too much friction. You get some particles in there unawares, and the next thing you know your slamming the cat's tail in the door because your 2011 Road Trips bonus disc with the 43 minute Dark Star and Kung fu grip got scratched. Bad scene man, b.a.d. scene. The question becomes, what do you do with them once you have them in the white sleeves? I put mine in the 30 Trips crates. One 30 Trips crate isn't nearly big enough, so you'll need to buy something else. I've seen some crates at Walmart and Target that look suitable. I'm sure once you get one or three of those all gussied up with some Dead stickers, life will be grand (and the cat will be happier). 2) Sonically speaking, I believe 30 Trips 1977 is the best sounding 1977 recording. Performance and set list great too. Not sure how this one ended up so good, but the separation is perfect, the reverb factor is perfect. Bobby's guitar has not yet "thinned out" badly, as it eventually did (you can actually hear a distortion pedal in use). The only things holding this one back is a couple of songs weren't quite as developed as they became even a couple of weeks later (Scarlet/Fire for example). There is also the organ Keith plays. Not a fan. I prefer the piano and electric piano he moved toward later in 77 (check out Estimated Prophet Dicks Picks 18 to hear exactly the sound). From what I've read, he wasn't into those synths that we hear in the first half of 77, but he didn't really have a choice in the matter. But the sound on this show is fantastic, and I'm pretty picky with the organ thing - you may not even notice.
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on the treadmill. figured I'd give it a spin since it is constantly being brought up in every '77 release. it's criminal that sugaree wasn't included but there's so many gems in that set that it doesn't matter. 2 '74 playing in the bands. and what may possibly be the last Dark Star till Winterland '78. this will be a first time full listen since I bought the Package deal they had when it came out (Beyond Description, Grateful Dead Movie DVD, Movie T shirt, Movie Soundtrack). so far has a great Eyes of The World, China Doll and China>Rider. song selections are from Scattered dates but I don't mind it as long as its from the same venue and run.
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As Keithfan is famous for saying; check out the full unedited version of that Eyes on the So Many Roads box set. It's a doosy clocking in at 18:30!
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Kyle, Can you tell me which 77 show is on 30 trips box, I'd like to check it out on the ar- chives. Music Vault is a great person, I watched his Dec 30 show on youtube, great so I would like to check out this other 77 show you are talking about, sounds good. Jim PS- I want to get a miniature Wall Of Sound to use for my stereo
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I just checked out the store and found info about 30 setlists, they still had the info there, 77 was 4/25/77 - Passaic , NJ. Here is the setlist,looks like a great setlist. New Minglewood Blues Deal Mama Tried They Love Each Other Looks Like Rain Peggy-O Lazy Lightnin' Supplication Ship of Fools El Paso Brown Eyed Women Music Never Stopped Scarlet Begonias Fire on the Mountain Samson and Delilah Terrapin Station Playin' in the Band drums Wharf Rat Playin' in the Band U.S. Blues
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That's funny, I guess I do always mention that the Movie Soundtrack's Eyes of the World has been edited. I didnt realize it for years, and it eas my favorite version. Imagine my surprise first time listening to So Many Roads. Strange that they did this, when you consider that it's a 5 CD set, where time is spent on multiple Drums, He's Gones, and a Weirdness. Work drive, on to DP 24.
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..announcement should happen today, but at this point, I would rather have my mailman tell me the show. I like blind taste tests....
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Basically I think any track that was originally featured on the Steal Your Face album is an edited version. but playing that edited Eyes on the treadmill is still a pretty good one. I'd rather have edited tracks and have the Movie Soundtrack than Steal Your Face anyday
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I too, have had a shipping notice - what a mystery.
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Yes, I have had a shipping notice, too - without any indication of what it might be. I guess the intention is that we receive it without knowing its provenance. Living over here in England, I guess that many will receive theirs before I get mine, and understandably spill the beans. So maybe I will check out for a while, and then reconnect when I have got it. The last 5 cds I have listened to have been Balboa Island by The Pretty Things 1st Album by The Pretty Things Get The Picture? by The Pretty Things S.F. Sorrow by The Pretty Things Parachute by The Pretty Things ...all culled from the excellent box set Bouquets From Cloudy Sky. If you haven't heard this band, S.F Sorrow is the one to go for. They also made a couple of the best psychedelic singles not made by The Beatles or Pink Floyd-Defective Grey/Mr Evasion and Talking About The Good Times/Walking Through My Dreams. Seriously groovy. Bye for now.
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I have not received my notice yet, i am usually latter then most. This is how they did the second 45 release last month. I had mine in hand way before the posted on the site for individual sale. Maybe this is there new model they are following, taking care of the subscribers first.
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has been exhausting. They must be setting a new record for page views this month, from me alone. its all good though. I'm not angry. If there weren't some sort of snafu it wouldn't be the dead. Bring on the pick(le)!!!!
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10 years
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Eugene OR, now showing on the new Dave's Picks message board!
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Not such a secret after all, then! I am not familiar with this show, but I am surprised that another show from this era has been released after the 78 box set last year, and Get Shown The Light earlier this year. It seems the heavy stuff is out of vogue for the time being.
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Yea.. but this one's a classic. For that matter, so is the July 78 box. Outstanding stuff.
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Hey good folks, I have an updated list of a few Dead items still available for any collectors out there that may have missed the chance. I bought them and listened only once or so and put them in a case and sleeves so they are as new as can be and all play without issues. For the Boxset, I didn't read the book and have the complete Boxset for you. PM me. Thanks Grateful Dead- May 1977: Get Shown the Light Boxset #1394 out of 15,000- $125- OPENED plus shipping and insurance Includes: 5/5/77, 5/7/77, 5/8/77, and 5/9/77. Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$20- OPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$25- UNOPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 22: Felt Forum, NYC 12/7/71 with Bonus Disc of 12/6/71- $50-OPENED plus shipping and insurance Grateful Dead- Dave's Picks VOLUME 23: EUGENE, OR 1/22/78- $20 - OPENED plus shipping and insurance
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Do you happen to still have DP 20 and 23?
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9 years 9 months
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I'm predicting an announcement on Wednesday......
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You may have read about it, and you may have seen my photos in the Get Shown the Light box set and the Cornell CD set. Well, I am proud, excited and thrilled to announce that my high-quality coffee table book of photos from this great show is now available! Please check out my site: www.GDBartonHall1977.com Thanks, Larry
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$99 for one 8x11 print is ridiculous. A quarter of them are so out of focus you can barely tell which band member they are, they're all in B&W, none feature the whole band, and none of Keith. This is the kind of insulted I feel when I see out of print Dead shows listed on eBay for $800. I think the Zapruder film went for less money. No thanks
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You could have left it at that, MLB; while entitled to your opinion, there's an emotional immaturity to your perception of a personal slight in this situation that radiates nothing but mean-spirited negativity. Whatever complaint you have with GDP/Rhino's limited release distribution model, it's wholly incomparable to Mr. Reichman's prerogative with respect to price-setting the sale of his personal photographs./K
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