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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • icecrmcnkd
    Joined:
    Gary
    Take the friendship and quality medical care for now....
  • FloridaBobalooToo
    Joined:
    Mhammond12
    One VERY VERY WISE man!
  • mhammond12
    Joined:
    My Advice For What It's Worth
    Don't do anything that could possibly cause regrets. Don't do anything that could ruin what you already have with her. She's in a relationship. Let her know how much you appreciate her but don't cross a line. She's in a relationship. If there's something there the next step should be her's. I always told my kids "A moment of stupidity, a life time of regret." To your continued recovery my friend.
  • Gary Farseer
    Joined:
    Rainy Days and Mondays
    I had been trying to decide whether to post this but seeing y'all post about hippy chicks or girls and the dead I guess I will. I truly do believe in the universal cosmic mind or group mind. As I have been sick and very sick for a big chunk of 2017, I had to have home health. Of course, part of it was insurance based but part of it was private pay. Family and friends use one gentleman as a handyman for various homes, farms, etc. His lady was tasked with being my private nurse as she is retired (right now, could change as demand for nurses is out of control). As she was connected through the family/friends it was a discounted rate, in case you think I live in the King's castle. But I was so sick that my family could not handle all that was going on with me. Well not going get into all the details but she started to visit me when I was staying with family as I was in and out of the hospital 4 different times for a total of 40 days. When I finally got home on March 18th and quite frankly scared of being alone, she showed up the next morning. I had just had final surgery on March 16 and when I woke up in the middle of the night, two of the wounds were not properly sealed so my night shirt with cap (ok not that) but my underwear and sheets had a lot of blood on them. She did not panic, thankfully, and kept me calm and contacted the surgeon. That all worked out. The first few weeks she came every day, 2-3 times a day. She was so kind. She came and checked out wounds, changed dressing, and flushed drains that I had in me. She also prepared 2 meals a day for me. Turns out I worked for her father's law firm as I worked my way through undergraduate school. So I knew her dad. She knew my folks as well. It is a small southern town. One day as she was fixing me scrambled eggs we were talking about our youth and all. She is actually 9 years my senior but a drop dead gorgeous blonde. We were just talking about life and Karma and all, like is my illness the result of something I was being punished for? I told her I used to be wild, but do not believe that Karma played a reason for illness. We continued talking about traveling and stuff. I told her I have traveled a pretty good bit as I was a Grateful Dead fan when I was younger. She responded, oh, I was a Grateful Dead fan when I was younger too. Well ding ding ding. We now had that instant connection. This was still in late March. Her last medical visit was Friday. In that interim we spent so much time together. She saw me at my worst, the weakest physically with open infected wounds and all. We had profoundly deep conversations. Around the end of May I started to show her some of my musical collection to which she was floored. Understandable since most of us on here are kind of in that 1% of deadication. I finally got my first shower in late May. And man, 5 months without a shower makes you really appreciate something so simple and how pleasurable that is. Of course to shower, I had to have her there as I was and still am a fall threat (label of medical community). So as I showered, I would play her various eras of dead music. Last Monday I played the acoustic set from Radio city with the Ripple and all. So here I sit on Monday really conflicted. First of all, she has a man. However, they are not married but do live together. Before I met her my sister had been asking me some questions about life and I told her that the wierd thing is I have had more than a few married females make it clear that they enjoyed my company. But single ladies I seem to run off. Of course, we all know the strength and weaknesses of the female dna (how is that for tact) so I am not going to speak more on that. So I can tell that she seems to want me to press on this issue. There in lies the dilemma. Her fella is a family friend but he is 10 years older than her, a workaholic, kind of running out out of steam but is supper kind. (Btw, her man saw Hendrix at the 1970 Atlanta Pop Festival). So I am all melancholy over what to do. I had written when I first came on this board that there were few if any heads around here. The ones I have met are all in there early 20's so they never saw them. All have been kind but as I am 30+years older do not have a lot to talk about. So to meet the first female head in my area has just floored me. Of course, I am also trying to rationalize my thoughts as it relates to reverse Florence Nightingale syndrome. I really do not know what to do. You all have pointed out the opposite of "tragedy narrowly averted" when it comes to ladies and concerts and all. I am ordering for her Reckoning Expanded for her personal kindness. I am also ordering her the book "The road less traveled" as it is a great book on healing. So I know she will be back to receive those gifts. I also will need some additional surgery later this year so I am sure she will be helping me with that. Just cannot decide to speak honestly about my fondness for her or not. I have been trying so hard to not allow my fondness to grow for her but she is so sweet, patient and loving that it is hard to do. I know she has a fella but like I wrote earlier, I have had several married ladies press me. I know it is because I am kind (and usually have the kind, smile). So I know that usually I speak more to a woman's heart than most of their husband's and her man does. I know it all starts because I actually listen to them and respond accordingly. I know none of you here are this way but a lot of guys take what they have for granted. It is easy for me to connect but I have never stepped over the line. All I can ponder is the discussion with my sister and how it was my sister that got this cute little deadhead to be my nurse. Now I really do not know what to do. I think I am just going to present her the gifts and let her know that she will always have a very soft spot with me for all of the help that she has provided. Sorry for the rambling. Does anyone have any advice?
  • JimInMD
    Joined:
    Re: Dead Dates
    Seriously funny stuff.. completely cracked me up.
  • antonjo
    Joined:
    Bobaloo
    Omigosh, man, that reminds me of me, though your stories win by some miles. For me it was just one girl I was hopelessly, helplessly enamored of and kept thinking that seeing a great show together might spark something that was, in hindsight, never going to happen. Our first "date" was Jethro Tull ~ fine show until we couldn't find my car for about an hour afterwards. Then came Pittsburg '89, which we drove to together from Baltimore. As recently recounted, I never did hook up with my ticket connection ~ I gave her the one we had in hand, and watched her head in while I eventually had a front-row seat to the nationally televised riot after ticketless heads rushed the gates. Next came JGB that year, when she spotted her most recent ex and spent the entire post-show having a heart-to-heart with him as I waited nearby (after hurrying us along with "I'm tired" when I'd tried gushing with my own friends minutes earlier). Spring '90, third night Landover. Pre-show, she took a nap in my car rather than hang out with me in the lot. As soon as we got inside, she ran into yet another ex-boyfriend and left on the back of his motorcycle after the show. That's okay, at least I saw the Black-Throated breakout from the 9th row ~ where she'd refused to join me, having already told ex she'd be sitting behind the stage...just before my friends offered us the upgrade. There's yet another entry, 3rd night Nassau a week later ~ but you've heard enough. Yes, I was a sap. But we remain dear friends to this day. Spacebro, Appreciate the shout-out for 6/14/91. The finest post-Brent show, and stadium show period, that I saw. Pre-drums was to die for (Help > Slip > Franklin's > Estimated > Dark Star...are you kidding?). Then again, I missed RFK the year before, which by all accounts was the bomb. But backpacking in Europe that summer (and Asia that Fall) was a pretty great excuse....
  • FloridaBobalooToo
    Joined:
    Bringing girls to concerts
    It never worked well for me. Especially outdoor shows in the Florida heat. At The Who's 1982 tour stop in Orlando, my date dropped from the smoke( Maui wowie high grade) and the heat. She had to be lifted over the front of stage barricade. After the show she wandered out and looked like hell. Poor lass! Another time at Rush in Lakeland another date decided to puke all over the guys ahead of us. Red jungle juice all over this dudes tour shirt. Total calamities. I had to buy the guy another shirt to keep him from going ape shit.Had yet another date at Pink Floyd in Orlando mid 80s try and get back together with her ex she spotted in the crowd! I just couldn't win! Now with my wife of 24 years we have no issues as she is a non partier and likes to stay away from the insanity. Suits me fine. Oh yes The Stones Tattoo You tour 82, and a different girl. She passed out in the heat and had to go to the first aid station for fluids! Only to get in my Trans Am on the way home and fill the passengers floorboard with vomit that was so nasty, the smell refused to leave the car and cost me a nice chunk when I traded it in on a new ride. Like in Seinfeld that smell could not be erased. The salesman actually asked if someone had died in the car! Thanks Babe!!!
  • Roguedeadguy
    Joined:
    Spacebro
    Sonuvagun you're right. Mule is in Grand Rapids tonight, not Rochester. Obviously I didnt have tix yet, but I was going to bust out of work and head right down to Meadowbrook. None of my usual concert buds wanted to go, and I was wondering / hoping someone from here might be there. Guess I dont need to bother. Have fun, man, tell us about it tomorrow. Mule and Galactic, dayum! I shoulda been more on top of it. Meijer Gardens is a great venue, small and intimate, like a club, but outside. As I recall they're kinda stingy about smoking there, tho. Saw Umphreys there a couple times. Jim -- thx --- I like to use the story of me, Mrs. Deadguy, and my roommates old S10 to help explain to folks who don't understand why I love going to shows so much, why they're such a big part of my pursuit of happiness. Figured most folks here would appreciate it.
  • JimInMD
    Joined:
    Getting the Dead
    I hear you Dave. I have been hit or miss on relationship GD love. Mostly miss, but always tolerance, I do expect at least that level of support. It's one of those things you have to discover for yourself, you can't push people into it. My first love was and still is a deadhead.. perhaps I should have stuck it out. Oh well, revisionist history I guess. On a related note.. in my tiny, tiny town (or at least close to it) we are getting the John K Band this weekend playing at a local bar/restaurant/music venue. He's from DC so its only a three hour drive for him. He did some sort of echo tour with one of my neighbors a few years back, so he's no stranger to recreating in the mountains here.. I think it was flat water kayak mountain lake related, the guide is an older hippie but not really a deadhead and had absolutely no idea who John Kadlecik was. It was only after it was over he pieced it all together. Anyway.. sorry for the side-bar.. The local music scene here is mostly bluegrass or shoddy cover bands, getting some better dead related stuff shines a ray of sunshine on the local scene.
  • daverock
    Joined:
    50 shows!
    That's quite impressive. I saw 5 myself. Well-4 and a half. At the middle night in London-Halloween 1990-my girlfriend of the time joined me to see the band. She had always been indifferent to them-but on this night-of all nights- she decided she hated them. Well, it wasn't so much the Dead, as the Deadheads. Sorry guys-hopefully it wasn't any of YOU. We happened to be sitting in a particularly smoky and rowdy section, and after the first set ended I decided enough was enough and we left. Otherwise there might have been carnage-she was very beautiful-but you wouldn't want to mess with her. It was a great set, too-arguably the best of the run. I saw them on my own either night of Halloween-both great shows to my ears-but the 31st was the ONE. I have never heard Govt Mule-although I their name crops up a lot. They are playing in London soon, so maybe I should go. On my own.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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I remember (I'm dam sure of it!) more than once in grade school ('50s) sitting in a circle and the teacher whispering a short story to first person and then each one of the students whispering the story to their neighbor until at the end of the circle the final version was compared to the original. Invariably different.I don't think it had anything to do with the '70s or '80s... human nature :-) DE
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Super excited to get these shows. Arrived last night while I was at a Hall of Fame induction for a sibling- she rocks! Ripping them as we speak. Gonna light a fire and fire up these shows. Can't wait to hear em. As for the art- I love it. I know not everyone is a fan of the copy and paste, and I get that. For me, I think it's just exactly right. Great colors, art, and packaging. Glad I got the physical product for this one. Happy Saturday, ya'll! Happy listening, and Go Irish!
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Good morning, I want to take a moment to collectively thank you guys and Rhino for all of your efforts to offer and deliver this music to us. Woke up this morning and went right for the July 12th discs, and the sound is superb and the packaging, which is important to me, is perfect. Probably speaking for many, 2017 has been a fantastic year in regard to these Grateful Dead releases... Cornell, Buffalo, and others are now in our collections and are so well produced. For me, the news surrounding the 2018 Dave's Picks subscription show the decisions made what to release consider what many fans are passionately wanting... if the sound is there...you guys make it happen. Again, thanks so much and enjoy the holidays... Sincerely, Neil Glotzer Visalia, CA
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Jerry's solo RIPS, and "I started out on Heinekin, but soon I hit the harder stuff..." Happy fall Saturday, DeadLand! Only through Disc 1 of 7/12 and the first 2 of 7/13, but this release is one of the best sounding I own. I like the packaging too! Peace
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Yeah, thanks to the crew that keeps bringing us these releases. Time to announce the next mini-Box.....which is coincidentally also from RFK.......6-9,10-73.......followed a few months later by 7-27,28-73.......
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I love the sound on these shows.. I've only got one disc under me.. I have some comments though. Warlocks, 10/89. It sounded better inside than the CD's sound. This sounds much better than it sounded at the venue and continues with the stride Jeffrey hit when he mixed Spring 90 TOO. Whatever he's doing, it's working. I wish we could go back and remix the Warlocks shows and Spring 90 #1 and get them to sound like this box. Great sound and Jerry's voice sounds quite fresh for the era. On to disc 2.
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7 years 1 month
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Got the dreaded "late UPS trailer" and since its UPS ground which isn't delivered on Saturday either, I have to wait until Monday. To add insult to injury, it's actually here in Orlando but they won't let me pick it up either - agghh!!!
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Got mine yesterday, and just finished listening. Sounds fabulous. Thanks
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Listening to "Far From Me" from the first show...The mix is great, band is in sync, great guitar work from Jerry. At the end, Brent sings "This song's my last fucking song for you, BITCH!" Really nice. I'm sure his daughter will love listening to this version
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If this is the worst show of the tour, as some have said, then all I can say is it must have been one amazing tour! Usually I read all of the posts I have missed and then chime in. But today was Leafapalooza here in my yard in Western CT., so I slapped on the old iPod at max volume and went at them listening to the first show here. Unbelievable! The boys came out hot and stayed that way throughout. A truly amazing first set. I can't wait for show #2 tomorrow. I am a '72 fan for sure, but this is AT LEAST as good as DaP24. The only other thing I have to say is that I will take Donna's screams anytime on PITB over those of Bob here at the end of Estimated! Lol If you have not ordered this yet, get on it immediately! You will not be disappointed Rock on
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11 years 2 months
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Can't really comment on the music yet, but Gorgeous packaging with 2 separate tri-packs as I had hoped. Sound is amazing. Booklet inside is perfect. Just an amazingly beautiful product to hold in one's hands and hear with one's ears. I like this compared to the beautiful but delicate and oversized/awkward Cornell Box. (I think sometimes artists and designers want to stand out for the awards these packages now earn, and a bigger box/flat surfaces means more "canvas" to stand out.) Many thanks to all involved in producing this gem. Can't wait to really listen to it now!
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11 years 10 months
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the sound quality of this set is fabulous.
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11 years 10 months
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the sound quality of this set is fabulous.
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17 years 3 months
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Sound quality and performances are fabulous!
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8 years 10 months
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Yeah, I saw this film at the last Meet Up At The Movies this summer. When Mickey said that, everyone in the audience with me had quite the chuckle. I was glad it was caught on film.
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But I'm underwhelmed. Before a certain cohort accuses me being a "70s mafia" member, let me preface by saying that I have never been dissatisfied by a 1989-1990 release before. 10/16/89 is one of my all-time favorite shows, and 3/24/90 is my oldest tape. I own both Spring '90 boxes, the Warlocks set, Dozin', Nightfall, DLS9, and both stand-alone July shows. This set is a snoozer. It's beautifully packaged...and the SQ is impeccable....and there's nothing on here that's terrible (except Brent's theatrics on Far From Me and Little Red Rooster), but there's nothing great here either. Part of this is setlist-driven (the post-drums on 7/13 has to be the most stereotypical "late-80s" ending ever), but there's also no over-the top great moments. The end of 7/13's first set has a fancy TLMD and LIG, but there's no main course after the delicious appetizer. I'm really happy those who wanted a 80s show got one. And again, if you love this release, that's great! I just don't understand why these two subdued shows were selected over so many other worthy contenders from the month, let alone the year.
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The reason this was released now is to bring you and your money back later for what you really want. Set list may be generic but I haven’t found any negatives yet (except the lack of video which we all know exists). Again, sound quality is spectacular.
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17 years 3 months
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ok....lol who hollered "holy fuck-in' SHIT!" during Drums. if it was someone in the audience that's highly amusing.
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17 years 2 months
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....liking the second RFK show better that the first. So far. As far a someone saying "Holy Fuckin' shit" during drumz, if I had a dollar for every time I said that during a Grateful Dead show, I would have a lot of dollars. That person is my spirit animal....Mr Jack Straw said the post drumz song selection for the 13th are stereotypical late '80's. My view on that statement is that these are late '80's shows. What does one expect?....
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the drums on july 7th is something to hear as well. or see if you have the DVD
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8 years 10 months
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I’ve noticed this season that during play stoppages at Red Wings home games when they play music that Greta Van Fleet is played at least once per game. Showing some love for the MI boys.
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17 years 2 months
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....and probably the best part of a Red Wings game. Shots fired!! Lol
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17 years 2 months
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....who has the better record? Let me break out my gavel as I rest my case....even better. Hockey players don't kneel. I can talk smack with the best of them.
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....I wanna know, will you be my girl?. The Brentster doing his best Brent impersonation.
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6 years 10 months
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Let it Grow is awesome, Mississipi Half Step is awesome, Throwing Stones is awesome. The rest is kind of slow. Estimated Eyes is where it's supposed to be, but nothing extraordinary. It seems like they needed a rest and went with some easy numbers. Not that I think that's what happened in reality. I'm sure this is just what they felt like playing. The end result just seems slow, easy does it. The sound is what I expected, I'm so glad they started taking recording shows seriously again at the end of the 80s. It's not even close to Dave's Picks 24, that's just not even on the table. Agree it's a snoozer for the most part, but worth it if you need to have every great performance the guys did, because the ones I mentioned are upper echelon. I see this as the litmus test for 80s/90s material. I received an email that there's just under 5000 left, which means they can sell 10,000, which is pretty damn good. Not sure what they need to turn a profit, but I'm sure the rest will trickle out over the next couple of years.
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....Im thankful that I'm not as picky. Otherwise, I think I would lose my mind.
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....with the '72 blues again. Dusted off my Warlocks cigar box set just because. Bobby stated that '89 was a great year for the band. You're not gonna go against the grain, are ya?
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I myself will probly pull out the Warlocks box. it was a great b day present. was afraid I wasn't going to get it when it sold out the first time in 2014 but came back in stock 2015. but also will probly pull out truckin up to buffalo. I bought it when it first came out at a Meijer's and never gave it a full play. that crimson white & indigo. watched the dvd but never played the music. I agree with v guy I think I like 13th more. I only got up to Cold rain & snow. but for me I think the mix is a better on that bobby seems to be more audible than on the 12th but that's me. I like Hell in the Bucket bobby's guitar starts sounding like clanging church bells. and the Cold Rain & Snow I could put that on repeat. I'm only two tracks in though. i'm also not used to hearing bob using his MIDI set up that much. from what I have he mostly used it during Space not regular songs.
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17 years 3 months
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I haven't had a chance to delve into this set fully as of yet. Trying to stay on the official release "anniversary listening" binge I started at the beginning of this year. I've been pretty deeply entrenched in the Winterland '73 box shows, and am a day behind (in the middle of the "Playin' > Uncle John's > Morning Dew > Uncle John's > Playin'" from 11/10/73 as I type). However, I did listen to the first two tracks from 7/12/89 yesterday, and, oh my....."snooze" and "dirge" are the exact opposite reactions of mine. Right out of the gate, Touch of Grey is energetic, Jerry's obviously feeling great and playing/singing his ass off, the mix sounds massive, the Hammond B3 is the sound that should ALWAYS have been a part of the sound, because Pigpen and Brent were/are the shiznit (Keith was great, of course, but wish he would have taken more chances by expanding his tonal palate, but he was awesome and made that slot his own). The band is clearly playing at the top of their game. This then led into Minglewood, which could at times be pedestrian, but not this version. Jerry's guitar solo work on this alone makes it THEE definitive version released thus far. 60's, 70's, 90's and even many 80's versions don't hold a candle to this one. That's as far as I got. Never imagined I would meet a Minglewood that alone would make a boxed set worth the price of admission, yet here it is. I did see 7/12/89 at the Meet-up this year, and the mix at the theater wasn't even close to as nice sounding as this is, so far. Hopefully when they do release this on video, it will be a high def multi-channel surround mix utilizing the 24 track tape. First impression with first two songs, mixwise.....too soon to tell, but so far I think they outdid themselves. Always stepping up their game. Good job and thanks to all involved with getting this out there. My final point on this post is, it's very difficult to resist the temptation to jump off of the anniversary listening program, because this is the type of release that tends to stay in my CD player (actually iPod or computer these days) for days, or even weeks on end. So much detail and depth in just a brief encounter, has me chompin' on the bit, so-to-speak. There's a two day respite between 11/11/73 and 11/14/73, so I will definitely jump in right there, if not sooner. edit - 7/12 & 13/89 being labeled the worst run of the Summer '89 tour is like saying 4/14 & 17/72 are the worst of the E'72 tour. In other words, like '72, there isn't a bad show in '89. Both peak periods for those respective line-ups....and no, I'm not comparing '89 with '72, because they are both great years for the Dead.
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6 years 10 months
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'89 was an outstanding year for the band, Bobby speaks the truth. Just saying this pair of shows is average for the Grateful Dead. Would rather have Alpine Valley a week later. The Minglewood is good for this era of the band, but it's not one of my favs to start with, and as far as #1s go, I'd roll with 1/23/78 or 4/29/71 (but then again, I can't really think of anything from '71 that sounds better in '89). kyleharmon, definitely go for that crimson white and indigo. Great all the way through. iko iko, scarlet/fire and knocking on heavens door are unreal. Also lovelight.
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17 years 2 months
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....excuse me while I exchange my gavel for a hammer and pound that nail.
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17 years 3 months
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yeah why didn't they put out alpine valley? or Foxboro '89? id rather have an audio than a dvd. both would have fine stand alone non limited releases. I vaguely remember down hill from here when my sister brought it home when she worked at Hollywood video. I really don't even think I finished watching it either.
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8 years 10 months
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...uttered the expletives during Drums on 7/12. He was caught on film and it was shown at the Meet-Up at the Movies this year. Not gonna pick up an audience member on a board tape. :)
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6 years 10 months
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You just reminded me. When I bought crimson white and indigo, I didn't realize there was a DVD in there too. I ripped the cds and put the thing on the shelf for years. Then I lent to someone at work this summer, and when they returned it they said the video really took them back to the 80s! So I'm like what are you talking about willis? Never realized there was a DVD of the performance. Ha! Still get a chuckle out of that.
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17 years 3 months
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it's real easy to forget there's a DVD for that one. they don't usually put a dvd in with an audio release. its a good one I received it in april 2016 and didn't watch it till summer of 2016
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7 years 9 months
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I received 2 boxes because of a mix up. My first order was cancelled but I was charged and received it anyway. Numbers are 11000 apart! After a day of debate, I think I'll gift it to my buddy who brought me on to the bus (way back in high school) instead of doing a return while losing shipping charges.I have between now and christmas to compose a card so that I don't offend him by such an extravagant gift. Suggestions are welcome.
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9 years 7 months
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Great sound, tight performance, awesome smelling booklet. They start strong with Touch of Grey and New Minglewood Blues, but I quickly lose interest on Mississippi Half Step, once the Brent starts singing. It just never gets tolerable for me guys, sorry to say. Cassidy aint too hot either. From there on, 7/12 is kinda slow, I get those remarks. Friend of the Devil, more of the same with the backup vocals and midi nonsense. But there are great versions of other songs throughout the set. Throwing Stones has that awesome insrumental jam in the middle. Great Jerry on Eyes of the World (and great Phil too, and great Brent synths). Probably my favorite 80s version of this one. Dig the Lovelight. I can't not buy a Dead set, and some of these will go into my 80s / 90s mix, but largely underwhelming as a whole. I do like Jerry and Phil's performance a lot, and I really like when Bent is in "sustained synth mode", adding smooth texture and atmosphere, as opposed to zippy "synth-piano" fills. The Hammond is nice, but I prefer Pig's "sparse" playing style, as one of you fine people described it the other day.
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13 years 2 months
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Did you get the sweepstakes winning, soaked in Kush Oil, linter notes made from Owsley blotter paper special edition? Mine smelled.. like a CD. I think this is a fine release. Honestly I have not finished a full listen, but the Lay Me Down Let it Grow is enough to at the very least not call this a failure. ...and really, hat's off to the care that went in to making it sound as good as it possibly could. This is really important.. they seem to not get a second chance on re-mastering.. once it's done, it's done, so do a great job on the first try, which they did here. If there's something to learn from this release it's that Senor Norman can do a fine job if only we don't give him 30 shows to master in like 31 1/2 days or something. Plus.. it keeps the price tag a shy under $700. These two, three, four and five show mini boxes are the way to go. A big plus for allowing them to fit on our CD shelves. Easy on the wallet, closet space and they just seem to sound better then monster efforts.. how about two or three mini box sets a year instead of a cardiac inducing monster box every year? Those with significant others would greatly appreciate it.
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9 years 7 months
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You don't love the smell of the fresh booklets and new CD packages? It's like the xerox copies from high school. No, not at all a failure, quite the opposite. Will sell out eventually, and I believe a little more than 2/3 sold already has got to be enough to turn a profit.
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15 years 4 months
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I had the 89 show at Philly with 3 CDs and DVD. That was a great show. They did a lot of videos in 89,What I don't get is why the Dead were not really even in the ballpark of popularity compared with like the Rolling Stones or Led Zeppelin. I mean they did very well with their fanbase, They had a large set of material, They had 1 hit song, but musically they were more talented and played very well together, but it seems without Jerry Garcia, they dropped down a lot. Jerry was something special, even playing on a lot of opiates. I mean they didn't even consider going on without him. The group now sounds really pretty good, and they look like they are enjoying it ,I don't think I would enjoy a show now. But at least we have access to tons of their past shows. I would love to see them release the RFK stadium weekend from 73. I went to Saturday where the Dead played the afternoon and the Allman Brothers at night . It was a grate day!
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16 years 3 months
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Everybody polka!!! Hey there rockers, rollers, lovers, and others……….. The first of the wonderful three Fall 1971 Texas shows: https://archive.org/details/gd71-11-12.sbd.clugston.4759.sbeok.shnf Or, if you prefer the Millerized version of Set 2: https://archive.org/details/gd1971-11-12.sbd-set2.miller.14916.sbeok.sh… In either case, the Live/Dead groupmindmusicmelt running like a well oiled machine, fantastic recovery from the Atlanta fiasco. If 11/11 was a bad acid trip, 11/12 is the mellow mushroom rebound. Some new things, some oldies, cowboy tunes, rockers, Black Peter (love me those 71 Black Peters!), and a mammoth Other One. What’s not to like about this fine fine show? Looking forward to my possible upcoming sabbatical, perhaps more later……………….. Rock around the clock, Doc Death is not an event in life: we do not live to experience death. If we take eternity to mean not infinite temporal duration but timelessness, then eternal life belongs to those who live in the present……….
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13 years 4 months
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That "Formerly the Warlocks" box sounds really bad to me. They let someone other than Jeff Norman mix it, and why? If you ever wonder why digital sound gets a bad rap, listen to that. I can't even. Why no video on this new box?
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17 years 2 months
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....big man come and asks him why? This set has a Man Smart, Women Are Smarter for the ages. Never thought I would say that, but yet, here I am, saying it. Dueling keyboards anyone?....
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