• 1,823 replies
    heatherlew
    Default Avatar
    Joined:

    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

Comments

sort by
Recent
Reset
  • MinasMorgul
    Joined:
    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
    Joined:
    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
    Joined:
    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
    Joined:
    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
user picture
Default Avatar

Member for

8 years 1 month

RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

user picture

Member for

9 years 7 months
Permalink

but I would have given you mine:-) But besides, my post was more directed at Spacebrother and his need to apologize to the people who don't care of Brent.
user picture
Default Avatar

Member for

16 years 6 months
Permalink

Ha!! I Think that was the best post on the subject yet
user picture
Default Avatar

Member for

14 years
Permalink

My comment was just a little irony about all the recurrent situation when this era discussion happens, it's always the same. Everybody has his own tastes and I respect that. In fact, I prefer 60's and 70's GD. But I like almost all they did. Even there are good 90's shows. Clearly Spacebro is a fan-atic of 80's GD, and when shows from that era are released he is overenthusiastic and passionate about it. Sometimes to the point to be offensive. But we are all sometimes fanatics too, we aren't?. It wasn't my intention to create a bad mood. Mhammond definition of genius is a interesting definition of genius, a definition that it isn't a definition, "can't define it but I recognize it when I see it." IMO, Just like Kayak Guy said about Blake, genius it's in the process, not in the outcome. -:)
user picture

Member for

9 years 7 months
Permalink

You seem like a down to earth gentlemen, and I get it. Have a peaceful evening. LoveJerry possiblymaybeanother - if it were some offhanded remark by some random person, I would let it go. But Spacebrother has a long history of provoking the masses, and when he does that, he brings down the whole mood of the place, sometimes for days. That's unacceptable. People are allowed to express how they feel about a musician and band without being attacked. For my part, I stopped weighing on Brent months ago (after a PM conversation with JimInMD). But it's not fair that one guy gets to undermine the entire message board. So, I feel it's okay to ask for an apology from a guy who habitually does this. And to be frank, I have an inbox full of PMs from people who feel the same way. When he apologizes to the group, all will be forgiven and hopefully we can move on peacefully (and for my part, I won't feel I've suppressed my disdain for Brent in vain). Besides, at this point, I was simply responding to luis's post. I didn't log in here today, intent on mentioning the incident. It's a blessing he's not here, and I don't care to invoke him. But you commented, so again, I responded, and recounted the incident.
user picture

Member for

13 years 6 months
Permalink

David Foster Wallace, who was mentioned earlier, was certainly a genius. It came with a lot of trouble and pain, and he ended up hanging himself in his garage. His writing does not necessarily reflect this depression, but there was always a cynicism with him. That being said, 'Infinite Jest' is one of the best books I've ever read; his short stories (check out 'Brief Interviews with Hideous Men - in particular the story "Forever Overhead") are usually great; and his essays are outstanding, in particular 'A Supposedly Fun Thing...' and 'Consider the Lobster.' His range of knowledge, and his command of the English language are incredible. That man is one of my all-time favorites, and truly deserves to be in the genius category. Zappa- Here is one that I will admit I've either A. simply not understood or B. not given enough of a chance. To be honest, I have listened to a lot of the recommendations I have seen here on Dead.net, and very few have sparked my candle... That being said, 'Hot Rats' is one hell of a good album (obviously,) and there have been moments that have made me happy - Phish covering "Peaches En Regalia" is always awesome. Overall, I would think that it is the former - I just don't really "get" what everyone raves about. Genius though? Sure! There are many geniuses that I totally don't understand... anyone here well-versed in Organic Chemisty? Astronomy? Shit, I have a lot of friends who work at Johns Hopkins and the shit they deal with on a daily basis blows my mind,... are they geniuses too? Jerry, Bobby, Billy, Micky, Phil, et al? - Perhaps, but they would laugh in your face if you ever had the chance to call them such. Miles? Hell yeah. That man was a genius, and an asshole - A lot of geniuses seem to be. Love me some Miles. Others? Hmm... "Your hands and feet are mangoes / You're gonna be a genius anyway." Peace
user picture

Member for

13 years 6 months
Permalink

My friend just turned me on to this Matrix of 10/19/81 in Palacio de los Deportes in Barcelona... It's got the hotness! Great first set, SMOKING second set! I am a fan of the Matrix, but there is a C. Miller SBD available too... https://archive.org/details/gd1981-10-19.131801.mtx-fix.dusborne.flac16 If anyone would like the Matrix of this one, let me know in PM :) Peace
user picture
Default Avatar

Member for

16 years 6 months
Permalink

If you are comfortable in your own skin you won't need apologies or get your feelings hurt when someone viralently disagrees with you. They're wrong and you're right. If they need to be obnoxious about it they're either trolling or insecure in their perspective. In the recent discussion on genius which I think has been fun mainly because most of the participants have recognized it's just opinions being discussed and when done reasonably who cares if we disagree it's hardly the end of the world. And in that area which seems seems to generate heat the 80's shows who cares because people who believe the 80's are any good are just stupid morons whose opinions mean nothing. Whoa wait I'm just kidding personally there isn't a show that Dave etc don't deem releasable that I wouldn't buy. As for mhammond he was simply making a joke on Potter Stewart's opinion on a case before the Supreme court. That it was pretty right on just made it funnier. Bottom line have a little more faith in your opinion and trivialial issues won't ruin your day and you can save up your anger for important thing like racism. So whether FZ was a genius which of course he was unless you're a know nothing idiot you know that, sorry couldn't stop myself it isn't really very important in the bigger picture. Peace and let's all just agree with the only truly obvious fact which is Donald Trump is a political genius and we should turn over the country to him so we can get all the benefits the Donald's good buddy Duterte is giving his people
user picture

Member for

7 years 11 months
Permalink

That was the slogan used by protesters at the venue of these show's objecting to the DC councilman's movement to have them canceled. I remember (and it may be a false memory) of people holding picket signs in front of the venue telling drivers to turn on their love (head) lights in support of letting the show go on. I also remember getting that letter sent by the band to leave only footprints. A stranger I spoke to in the parking lot got a free ticket because someone in the Dead organization saw them picking up trash. Let's continue that same sentiment here and dance together in the rain for 2 days. You can't stop a good time RFK '89
user picture

Member for

15 years 1 month
Permalink

Bringing up Trump on dead.net? Now urine trouble.
user picture

Member for

7 years
Permalink

I saw the new Thor movie over the weekend along with a bunch of families. The two families in my row that brought food in from the concession stand left their trash all over their seats. I just don't understand this mentality that "the cleaning crew gets paid to clean it up, so I'll just leave my shit everywhere." And they're teaching their kids to do it. Awesome story about the miracles to the folks cleaning up. It doesn't matter who's around to pick up, we can all leave the place better than we found it.
user picture

Member for

13 years 4 months
Permalink

Right on Maybe... Be considerate, be kind, be humble, be grateful. How does that saying go.. leave nothing but footprints, take nothing but pictures, kill nothing but time?
user picture

Member for

17 years 4 months
Permalink

....you know what grinds my gears? When I see someone in a parking lot open their car door and proceed to dump their ashtray onto the ground. Sometimes when there's a garbage can 20 ft away. God forbid they walk or something. Even the pigeons give them the evil eye. And if I'm at the grocery store, I always use a cart that's already sitting on the lot. And I'm the self-proclaimed king of recycling. Small things mean a lot. Did someone say Trump? ....Thor was fun. Looking forward to Justice League Saturday Night....
user picture
Default Avatar

Member for

16 years 6 months
Permalink

You did get me being a wise guy right?
user picture

Member for

13 years 4 months
Permalink

It's a slippery slope.
user picture

Member for

9 years
Permalink

As a teenager I worked at a grocery store and rounding up carts in the parking lot was one of the best parts of the job, even in the snow. Don’t be so sure that you are doing someone a favor....Sometimes my friends would hang out in a car on the edges of the parking lot by empty carts, and share treats with me as I walked by.....helped me get through my shift.....
user picture

Member for

15 years 2 months
Permalink

A painting by Leonardo da Vinci was sold today at auction for 450 million dollars. The buyer has remained anonymous. I wanted to break the news to my wife first.
user picture
Default Avatar

Member for

10 years 11 months
Permalink

I read many posts, and its great getting opinions of serious Dead listeners. I appreciate the diversity of opinions. I appreciate the new insights that emerge. Sometimes we live in a bubble and wonder whats on the other side. And the band played on... And on this particularly release, an interesting era of the Dead. I gravitate towards earlier periods, but I also like and am fascinated with the summer 89 to spring 90 period. Admittedly, I was going to shows in this era and it coincides with a certain era of life, but for sheer quality of sonic fidelity, this period has the best recordings. And, the band was playing well, and arguably the last great period. I have both the Spring90 series, and the Warlocks shows. This fits in nicely with that. I think this is mixed better than Warlocks (Jeffrey Norman is simply amazing - thankfully he is doing this). Not usually a fan of the larger shows, these 2 sound great. They are clearly enjoying playing, and are in exceptional form. My favorite release has been the Europe72 set, and I think this is the best so far. A peak of peaks, but this set is in a peak period. I am grateful to be able to re-listen to these shows in hi fidelity and they bring me great joy. In the end, this is whats important to me. So much to explore and delve into, continuously. Every show has fractal dimensions...I love the exploration. The past is written in stone now, but these shows and the other releases let the stone giants dance.
user picture

Member for

13 years 4 months
Permalink

It was purchased anonymously by a trust, big mistake to outsource the actual buy.. It's not yours yet and I'm not giving it up, thanks in advance for the loan. P.S. It looks great in my office, in between the E72 Steamer Trunk and FW Complete Recordings Box. Oh.. and yes tsmoore, the E72 box (and FW69 box). If you ask around, I believe this is the consensus...that is until the Fall 70 Capitol Theatre multi-track box set gets released in the spring. :D
user picture

Member for

17 years 4 months
Permalink

....that's a lot of zeros. For a painting. The only thing I could ever imagine paying that much money for is land. Crazy. ....guess I need to turn in my Shopping Cart Helping Hand merit badge when I leave.
user picture

Member for

15 years 1 month
Permalink

A real pisser. /s
user picture

Member for

15 years 1 month
Permalink

The Grateful Dead in the Age of Reagan http://www.thehistoryreader.com/contemporary-history/grateful-dead-age-… I know the rent is in arrears The dog has not been fed in years It’s even worse than it appears But it’s all right. The cow is giving kerosene Kid can’t read at seventeen The words he knows are all obscene But it’s all right. ... Some Grateful Dead fans, including Ann Coulter and Tucker Carlson, welcomed Reagan’s presidency, and there was some conservative sentiment in the band’s inner circle. Lyricist John Perry Barlow, for example, helped coordinate Dick Cheney’s 1978 Congressional campaign in Wyoming. But Jerry Garcia, the Dead’s lead guitarist, was no Reagan fan. “Oh! Give me a break!” he exclaimed later. “I was shocked when Reagan was elected governor of California! And then, as President, we were embarrassed by the guy. I mean, he wasn’t even a good actor.” The Grateful Dead didn’t orchestrate a response to Reagan, but his decision to militarize the drug war in 1982 was deeply unpopular in Dead circles, and The Golden Road, the band’s key fanzine uncharacteristically exhorted Dead Heads to register and vote against Reagan in 1984.
user picture

Member for

16 years 5 months
Permalink

Hey rockers!!! Day off, up too early, too much coffee, from one year ahgo today: This is just a test, it’s all just a test……………. Fellow rockers, we’re totally spoiled by Official Releases, 30 Days Of Dead, and Charlie Miller. Such great sonic quality! But who that hears among us can listen past the sound quality into the true depths of the music? How good are you, really, at listening to the Grateful Dead? My friends, I submit to you the following: https://archive.org/details/GratefulDead?and[]=date:1971-11-17%2A See also: http://deadsources.blogspot.com/2015/03/november-17-1971-albuquerque-ci… A fine and very interesting show, marred by poor sound quality of the recording itself. Grateful Dead urban legend holds that it was recorded using a hand-held microphone placed in front of a home speaker during the broadcast. I asked DL a while back if it was in the vault, and never heard back. Did anybody in the Albuquerque area make a proper line recording? What about the radio station itself----didn’t they make a copy? Did alien renegades from Area 51 hijack it on their way back to Alpha Centauri? Who can shed light on this cosmic phenomenon? Anybody out there who would accept the challenge, and needs their own copy----purely for testing purposes----you know where to find me. On one of the outer rings of Saturn…………………. Just keepin’ it galactic, Doc The Universe, so far as we can observe it, is a wonderful and immense engine; its extent, its order, its beauty, its cruelty, makes it alike impressive…………..
user picture

Member for

7 years 1 month
Permalink

David Durea, Music is one of the few refuges from politics. Why poison this forum with reminders of our political struggles in this country. This place should be like Disneyland, you know, happy all the time. I don't want reality here.
user picture

Member for

17 years 5 months
Permalink

If the local radio station did make a copy, then the chances are that they have been approached by the Cypriot mafia who buy up and release all such recordings that they can, on a wide variety of labels. There are literally hundreds, maybe thousands of such shows listed on their website.Under European copyright law (and Cyprus is in Europe) this is all perfectly above board, even though the bands never see a cent from sales. However, some of our American friends view such releases as bootlegs and will not go near them, which is naturally their prerogative.
user picture

Member for

15 years 2 months
Permalink

My wife made me give the painting back. She said "Couldn't 450 million dollars be better spent on upcoming Grateful Dead releases?" And I said "Maybe even a Grateful Dead barstool. OK honey. You're right."
user picture

Member for

16 years 9 months
Permalink

I agree. Keep your politics to yourself and I promise to do the same. It's bad enough we can't even watch football on Sundays without being punched in the face with political BS. Please, let's just enjoy and discuss the one thing all here agree on. The Grateful Dead are the most authentic and soul moving band ever assembled. Peace
user picture

Member for

7 years 3 months
Permalink

I get that people enjoy their free speech, and I'm not saying you don't have a "right" to mention politics, but in the general interest of keeping the vibes good here, I think we all make out by keeping on the topic of the music. It's nice to have an oasis from the world's ugliness.
user picture
Default Avatar

Member for

16 years 6 months
Permalink

Just goes to show you just because someone is brilliant in the area of music doesn't mean he knows squat about other areas. And organising against Reagan in '84 how'd that work out. Oh yea learn the difference between conservative and reactionary. For those who get upset at discussions about something other than GD here sorry NOT. Go to a university safe space
user picture
Default Avatar

Member for

10 years 7 months
Permalink

"It's bad enough we can't even watch football on Sundays without being punched in the face with political BS." Here, I'll fix that for you: "Because I have the privilege of not being affected by the issue that concerns the NFL players who protest on Sundays, I am unconcerned with it, nay, I declare it is imaginary. And anyone who points out it is not imaginary for others is interrupting my peaceful enjoyment of the human-on-human violence I paid for." This and other 'no politics' comment are also a strange reaction to a pretty mild, history review. Speaking of the imaginary, seems to me the level for 'genius' is being set fairly low. Lots of the people mentioned are right (high level) talent at the right time at the right place. And if I had to vote, I might put Don Glen Vliet above Frank Zappa--Captain Beefheart more fully realized his peculiar vision, whereas Zappa (to me) never could quite reconcile the juvenile/adult and sarcastic/serious axes, among others, in which he found himself. I love Zappa, in many of his incarnations, yet in the end he was a traditionalist revolting against his perception that the classic was being forgotten/degraded, while Beefheart was building on and then finally rocketing away from his loved tradition (Zappa more classical and doo-wop, Beefheart the blues). Zappa certainly produced more, in more different directions. A Zappa concert was interesting, energizing, and invoked wonder; Beefheart ('68-'73) changed your life.
user picture

Member for

16 years 9 months
Permalink

Hey sun, ya don't know me, so please stop pretending like you do. Nothing about that NFL statement takes a side on the issue. You just self righteously decided to take a side for me, and then belittle it with some sophomoric snark. Way to go!
user picture

Member for

10 years 2 months
Permalink

I was interested in David's post about The Dead in the 1980s. Music doesn't exist in a vacuum, and I always find it helpful when someone describes a perspective on how the world was, at the time music was created. To say this place should be like visiting Disneyland doesn't appeal to me. To me, getting into The Dead, and music in general in the 1970s was part and parcel of dropping out of mainstream society. I definitely dropped back in again-but I was a very different man when I did, as a consequence of my experiences on the outside. Me and millions of others. If this hadn't been the case, we would still be living in the 1950s. To liken the culture of The Dead to Disneyland seems hugely reductive. I have also never been a big fan of so called "good vibes". It always reminds me of people who say "Have a nice day". Insincere and shallow. An honest exchange of disparate views amongst people who respect each other is surely preferable. Who knows, we might even learn something.
user picture

Member for

14 years 11 months
Permalink

Fryday
user picture

Member for

14 years 11 months
Permalink

No rhyme or reason as I ordered half dozen for my crew just last week, delivered 2day....all 11000+
user picture

Member for

14 years 11 months
Permalink

RAYGUN won the pres when I was attending SDSU. I remember thinking..."The world, as we know it, is over." TG 4 Jerry and the Boys!
user picture

Member for

17 years 5 months
Permalink

For the most part, music in the 80's sucked. The entire political climate in the '80's sucked. The Grateful Dead were clearly the best thing happening in the '80's musically and socially, and they stepped-up to the plate and delivered big time, despite the time frame. The Dead were able to channel the shitty represive climate of the 80's and create something beautiful. Perhaps some of the ill will towards the Dead in the 80's is motivated by the fact that the Dead stood up in the face of a shitty sociol-political climate and delivered some of the most inspired and well played performances of their career. On another note, I make no apologies for making an honest assessment of how I see things. If someone expects one, don't hold your breath.
user picture

Member for

17 years 5 months
Permalink

I am confused and not a little disappointed that a significant number of people who post on this site are totally unable to either take any sort of criticism, however mild, or to accept other people's points of view on various subjects without feeling the need to verbally lash out in all directions in a (dare I say it) Trumpo the clown-like manner. This, naturally, only demeans these people themselves but it does make me wonder why people are so intolerant of the views of others these days. It doesn't bother me if people post mildly political posts or suchlike on here. It bothers me far more that some people react to them in a manner that suggests that they themselves have some underlying personality defects which they are unable to control. PS: I agree wholeheartedly with Spacebro's assertion that for the most part, music in the 80's sucked. The Grateful Dead were also not immune, but their music did suffer less than that of most of their contemporaries.
user picture
Default Avatar

Member for

10 years 7 months
Permalink

"...being punched in the face with political BS." "Nothing about that NFL statement takes a side on the issue." Something is not like the other. Maybe you meant to say: "Even when I turn on NFL football, people are engaged in political talk and activity, and I do not want to deal with it. I want to separate my entertainment and my politics." Which is fine, and takes no side. But I responded to what you did say--violent, dismissive, deriding, and contemptuous. If that is not you, all to the good. There won't be comparable things written.
user picture

Member for

15 years 1 month
Permalink

"This place should be like Disneyland" Never got to see it. When I lived in SoCal 50 years ago they wouldn't let me in because I had 'long hair'.
user picture
Default Avatar

Member for

17 years 4 months
Permalink

Whatever you do ... don't dose at Disney.
user picture

Member for

13 years 4 months
Permalink

Do tell.. I'm envisioning winding up in the Disney Brig, three floors below crowd above in the belly of the theme park.. being berated by Chernabog. There's a story here just waiting to be told. I know when the Dead played at Hershey Park in 85.. lots of people dosed and played the day away in the theme park.. I bet Dennis remembers...
user picture

Member for

9 years 1 month
Permalink

On an early summer evening in 1985 my brother and I were driving around the back roads with our friend Scott, deciding what to do with the night, when we decided to make a quick stop at some unfinished office buildings to answer natures call. Unfortunately the police were also cruising around the area and pulled up to investigate, subsequently making us the first to be pulled over and cursorily searched on Ronald Reagan Boulevard in Warwick, NY. My friend and I were just of age, but my brother was not and there was casual discussion of the idea of charges relating to corrupting a minor before they confiscated our beer. Good thing the search was cursory or it might have really derailed the evening. That same friend and I used to talk a lot of shit about a young actor around that time or a little later, a young guy named Johnny Depp making it look cool to be some kind of narc arresting high school kids on 21 Jump Street, a show doing what looked a lot like propaganda for the 1980's drug war. Just some random recollections sparked by the earlier Reagan posts.
user picture

Member for

16 years 1 month
Permalink

hard to believe someone said the T word and said he was the greatest. If it was a joke, it's not funny. I'm sure they are the same ones who said that Reagan was a great guy. Anyone who was not a child during those years knew how bad Raygun really was, but if you were a child, well, read history books and not the ones they gave you in school. Dosing at Disney was the best time I ever had there, altho it was not Disneyland, but Disneyworld. Space mountain was a real experience as was laughing at all of the tourist in their tourist outfits. Had a blast and I would do it again in a heartbeat. (sure would like to try it again on those red dragons or gold dolphins) The Police came out of the floor at the tomorrowland theater and blew us all away. Giant steps are what you take, walking on the moon.... Caught D and C last night on Colbert, wow, who was out of tune and off key and flat? Way too slow. These guys really need to work on their tempo cause it's just off. Sure hope they get it together before the Fla shows, would not be good if they got booed or worse yet, people just got up and walked out. It's all ready obvious that they are not selling out these shows, which must be a real surprise to them. I realize they are old and slowing down, but this is spoon fed Dead if I ever heard it, sure can't say without a net anymore, more like with a net and pillows. I realize they only had 5 mins to do a song, which just ain't enough time to do a Hunter/Garcia tune and do it right. loved Mickeys wig, the only one who was weird, which is a good thing in deadland. Bobby looked good but as my wife said, "he's not young anymore, hope he doesn't wear shorts at the fla shows" lol.
product sku
081227934118
Product Magento URL
https://store.dead.net/music/rfk-stadium-1989.html