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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • JimInMD
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    8 Tracks
    My first GD exposure was 8 track. Ha.. that's one medium I wont miss. I guess I had a bad machine, it kept eating all my tapes. It was really a bad technology... Cassettes were much more reliable.. and contrary to popular belief, I do not see them making a robust comeback. My prized Nak died about ten years back.. the belts had all dry rotted and it started to play reeeeaaaaalllllyyyyyy sssslllllloooooowwwwwww. There is no advantage to cassettes over CD's as far as I can tell, and a lot of drawbacks. I do see the Vinyl appeal, but 8 tracks and cassettes, I just don't see this becoming a wave.
  • alvarhanso
    Joined:
    Sittin' on a fence (not a pole)
    The limited announcement yesterday did what it was meant to do in piquing my interest, but I'm still on the fence. These could probably be broken down to 4-5 discs, and there probably won't be any filler, and once again I'll be miffed at short discs, though this time for 65 bucks for 2 shows. I think I'd find 5/8-9/77 as a 2 show box for 65 bucks to be pricey, so it has nothing to do with Brent or '80s hate. I actually like Summer '89-Summer '90 a lot, they were playing at the peak of that incarnation, as evidenced by how much of it's been released. (But feel free to throw this post back at me if they offer a 2 show box of RFK '73 for the same price and I buy it the minute it's announced, because that would likely be my reaction to that RFK box.) The book is probably nice, and I love the books in the boxes. The books are what I really miss about Spring '90 and Europe '72 (though I really love the idea of the steamer trunk). If it's around next year and I got the extra cash, I'll get it. If I miss out, I'll survive, and enjoy the subscription for Dave's 2018 and next year's big box.
  • MinasMorgul
    Joined:
    Since 15K is the number
    5K will be added to the available quantity at some point. It's gone down exactly as I posted it would, although I'm surprised they're going with 15K. They still started with 10K and are now down to 3800 - 3900. Sales, Space Brother are at 6200 roughly, which leaves about 8800 left (5K which muse still be added). I'm not sure what numbers are "more or less brisk", but these are the facts. Brisk is relative I guess. Bottom line is that a good seller is great for us all.
  • LedDed
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    Eight-track Renaissance
    I hear eight-track is on the rebound. Might want to fish around the yard sales for one of those Panasonic boom boxes with 8-track, AM/FM and a cool shoulder strap for rocking the 'hood. At least they still make D-cells. Glad to see the RFK '89 box going limited. Why not? I like physical product. Blu-ray's, cd's, more than just download. That being said I fleshed out my missing Dick's Picks off iTunes for a fraction of the cost of what the cd's have gone up to now. There's something reassuring about the certainty of a tangible, physical product on my shelf, should (God forbid) my laptop get stolen/destroyed, hard drive crash, etc. I have so much music from so many sources - friends who have kindly loaned things, items from the public library, iTunes and other downloadable sources, etc. It would be impossible to remember it all, were it to be lost or corrupted, however I know those cd's sitting on the shelves aren't going anywhere and as much of a pain in the ass it is to burn them all in, it's a 100% backup. I have Carbonite cloud backup as well as a portable hard drive but I don't trust it. That pole freak on Veneta is the ultimate acid casualty. Most people made it through but some of them just fried. If that dude is still breathing, he's drooling right now.
  • JimInMD
    Joined:
    Blue Ray, DVD, etc.
    I have two Blue Ray and a DVD in the living room.. I found myself nodding to what the Ice Cream Kid had to say.. mhammond too. Thin is clearly correct in what he wrote.. but I have one subtle comment to add. I got into a back and forth email chain with Lemieux a few years ago about DVD's, etc. I think it was when the other Alpine show came out, and I missed it due to work.. so there was a little bite in my initial outreach. He did reply.. at length. Keeping in mind.. he was hired as the video archivist as Dick was still alive and well back then. His comment was layered, he was clearly keeping certain things close to his chest, but it was revealing nonetheless. I think the issue with video in general is the market is more segmented and aggregate demand has not justified all the costs involved getting this to market (my words, not his..). The 16,500 number (soon to be higher) is a magic number for vault releases in 2017. Keep in mind Terrapin Limited is still for sale, I'm quite sure it is limited and it has been for sale since 1997. There are tons of deadheads but not everyone has to have the 150 or shows that have already been officially released (what is that number again?). At this point, it is a numbers game for them and contrary to popular believe, once everyone (including the band) gets their cut I doubt if there are mountains of money left over. So back to the video topic.. Dave is all in with video releases. The hesitancy is not on his part. Rhino sells CD's and records.. DVD and Blue Ray is more like an after dinner mint for them.. if they sell and they make a ton of money on them, they'd do more. Reading between the lines from the correspondence all those years ago, there simply is not a terrific demand for GD DVD's. I can't get enough myself, but I say the same thing about the official CD releases too. Another factor is very few were recorded on film, most (the 89 and go forward material) was recorded on the crappy 4" tape common at the time. Find your favorite 1989 sitcom, go to YouTube and watch it.. it's grainy and has the same limitations as the stuff directed (recorded) by Len Dell'Amico during the late 80's. The video will not get better regardless of the medium as the source tapes are subpar. The sound, on the other hand, can benefit from the better mediums... depending on a few things... But look at this another way.. they do have a good bit of video recorded, some of it is pretty damned good. Most of it does have those distracting special affects baked right in. It will get released one day, perhaps they are just keeping their powder dry for when demand picks up a bit. If there are still some SSDD left and I bet they have a ton of the Fare Thee Well left (back to the numbers thing...) my guess is they are just biding their time and will begin releasing them when demand exceeds their magic number. I do prefer Blue Ray, it could be a dying medium, probably because it costs more and people are streaming a lot these days. Us hard-core, especially the audiophiles, will want DVD or probably Blue Ray. I really don't see that changing, streaming is not going to take precedent over the physical product for the person that just shelled out $12,000 for their new surround sound system. ..but who knows for sure what the future will bring except that quack Ray Kurzweil (yes.. I said that). If you made it through this post.. congrats and accept my apologies.. dry stuff.. but we like the GOGD and there's nothing boring about being there, front row center in the comforts of your own living room.
  • Cousins Of The…
    Joined:
    cassettes
    I was about to guess it's a hipster thing, but apparently Justin Bieber had something to do with it.Which doesn't make sense either way...
  • Thin
    Joined:
    Space - you are correct
    Spacebro - You are correct, sir. I forgot there was a DVD/Blu-ray segmentation in the Veneta release. How many Blu-rays did they produce? I don't recall how fast the DVD's sold out. I guess I passed on that because I didn't have Blu-ray AND I'm not enthralled with DVD vid quality, which is like a 720 vs 1080 pixel format (if someones previous post was accurate). I didn't really want to see Polesitter dude in 1080 OR 720 pixels - LOL. As I said earlier, I hope for both our sakes that they continue with the '89 releases. There's a ton of great stuff from that era sitting in the vault. Once the video format gets sorted out, I think we'll see a LOT of '89-'90's releases. re: Cassettes - I've heard they ARE making a comeback. Martin Sexton was on "Above the Basement" recently (highly recommended Boston-area music podcast) and he mentioned that he recently issued his recent release "Mixtape from the Road" on cassette as a novelty item and said they sold out of 1,000 of these in just a week or two, to his amazement. I blame the "Guardians of the Galaxy" movie series for romanticizing the format. https://www.stitcher.com/podcast/above-the-basement-boston-music-and-co…
  • Romberg
    Joined:
    Packaging Size
    Dead.net, please put the packaging dimensions in the description. I'd like to buy this but I need to know if it will fit on a CD shelf. I've been burned too many times on oversized packaging to blind buy a Grateful Dead box set ever again without knowing he packaging dimensions first. Thanks!
  • FloridaBobalooToo
    Joined:
    Makes NO difference to me
    Numbered or Limited sets don't sound any different to me. Fact is that has nothing to do with my motivation on buying GD stuff. Actually I think I might offer a swap of my GSTL Limited box to someone who really must have it in exchange for a music only set.For the amount of bother to try and turn one of these things for the little profit, just wouldn't be worth my time. Yes I know some sets bring big pricing. Theres the moral thing as has been discussed too. All n All Im after the music. Weekend is HERE!!! 24th Anniversary is the biggie in my trailer park. Taking the wife out for Bar-B-Que and a night at the Shooting Range! Woo-Hoo!!! 9/3/93
  • Thin
    Joined:
    Spacebro re: 8/27/72 - makes my Blu-ray point
    Spacebro - Thanks for helping make my Blu-ray point. 8/27/72 is indeed still available after 4 years sitting on the shelf despite only producing 12,500 copies, but I find your conclusion that this means 80's is more popular than '72 laughable (respectfully) - it is rather a reflection on Blu-ray, per my previous post. 8/27/72 was a single show plus Blu-ray for $55. That is the only release I have never purchased because I don't have Blu-ray and I didn't want to blow $55 + shipping for 3 CD's I already have (from my DAT days) in pretty darn good quality. (And Mr. Polesitter guy in hi-def NOT a draw) I also doubt they have sold as much of this '89 box as you think - when they plugged the initial number into "inventory" they hadn't yet decided the final production #. Probably input a nice round 10k, not the current 15k you are using in your math. But I could be wrong. We'll find out the next time they update the site. But going numbered/limited edition should boost sales of this box. So ALL the other releases/boxes have sold out or are close to it - most at 15k units or more - while the relatively low 12,500-unit EPIC Veneta show released 4 YEARS AGO on Blu-ray still sits on the shelf... this is why they aren't releasing more Blu-ray.... edit: icecrmkid I just saw your post. I'm not saying Blu-ray is going away forever (though Betamax, Laserdisc, Selectavision, and DIVX did), but the dream of Blu-ray becoming the universal video standard, like CD is for audio, is dead. Again, I think they are waiting for a ubiquitous video format relevant to ALL before releasing more video. Veneta teaches us that Blu-ray is not the answer.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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I feel like I should take a bow.
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Ive been listening to the Springfield, MA 9.03.80 show released as part of the download series. Truly enjoyable show and very interesting interplay between Jerry and Brent. Brent using way more colorful synth tones and textures than he did in later years. I wonder why it stopped wish it hadnt, it sounded friggin' amazing. Blame it on the excess of drugs i guess...seems like most of us have a hard time livin' the good life, don't be that way. Yes there is plinky toy piano but the Feel Like a Stranger jam alone is worth the listen. Its available on Spotify too if you dont have the series...
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13 years 4 months
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Brent sucks and anyone that likes Brent shows is an idiot. (just kidding).. Every now and again, I get into the mood for 79/81, the early Brent years. I do have that download series show, it's been forever since I listened to it. They played the post space part of 11/26/1980 Pembroke Pines show today on TIGDH. Rockin. Seriously folks.. doesn't anyone have any manners these days.. don't like Brent, say something at least halfway interesting on the 8/24/72 page or find something worth writing about on one of the other 2,318 shows. Good grief.. I am beginning to think Putin hated Brent and set up this lab of Brent hating bots to troll us. Now back to my regularly scheduled 1968 mayhem, there's a great link on the non-brent hating 1972 page, also... :D
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9 years
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But not too old to rock n roll Happy Bday.
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9 years 6 months
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Probably not a surprise, but I'm a big Brent fan (I'm also a Donna fan so maybe I just like polarizing figures). On most nights he gave his all on stage. He helped revitalize a band about to enter a new decade and by all accounts was someone Jerry enjoyed playing with. Not everyone's cup of tea, and he for sure had his demons (who doesn't?), but he worked his ass off, was a member of the band for over ten years, and certainly doesn't deserve to be disparaged.
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13 years 5 months
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I'm eating oatmeal right now. Everyone who hates oatmeal, please write about how much you hate oatmeal. But seriously, if you don't like oatmeal, it's really really easy to not eat it.
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12 years
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Congratulations to your 75th.Sorry but missed to post it yesterday. I've made a walk to the Hendrix momument we've built in the late '90s. It's situated at the original 1970 festival site here at the Isle of Fehmarn. Keep on rockin' in a free world
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17 years 5 months
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Maybe I didn't make it clear. I share the same birthday as Jimi, but not the same birth year. I am now a mere 64 years young (cue Beatles song). I certainly have outlived Hendrix, but who knows if I will see 75!
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17 years 4 months
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.... personally, I'm more of a cream of wheat guy. Release the hounds!!
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13 years 4 months
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We will miss ya One Man. 11/29/79, funkkky Shakedown, at a beautiful venue (Cleveland Public Auditorium).
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11 years 5 months
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I started eating Oatmeal in the 60's. It was really good back then, although a bit more work to prepare than now. It was sure a nice change from boring Corn Flakes or Wheaties. The Oatmeal ingredients changed a bit through the 70's but it was still good. Many say it was the best Oatmeal ever and I wouldn't argue. But the new-fangled flavors they added in the 80's made me cringe. It just wasn't the same anymore. I hated it and anybody who said they liked it was gonna hear from me about how good it used to be because I'm old and really smart about Oatmeal. Oh, and 90's Oatmeal ? Never gave it a chance... 'Cause I love what I love and I want it that way.
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....and Coco Wheats have been equally as awesome in the '60's, '70's '80's and '90's. I think Oat Meal supporters need to broaden their horizons, because they're missing out on the best stuff. If somebody offers me a choice between bland oatmeal and chocalate infused Coco Wheats, I'll choose chocalate everytime, thank you.
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15 years 1 month
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I couldn't decide what kind of cereal I wanted this morning so I just had a beer and went back to bed.
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17 years 5 months
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With a well balanced breakfast, you get eggs, potatoes, toast, orange juice and a side fruit cup. If you want to get extra fancy, you might choose the eggs to be loaded omelets with fresh veggies, bacon and cheese topped with hollandaise sauce. You might even throw in the steak and prime rib for good measure, or lobster if your really into it. If your going to dine at the fully stocked continental breakfast buffet on an empty stomach, why shortchange oneself, and settle for just old plain oatmeal? In some places, it's customary to have some wine (or beer if you prefer) with your breakfast. Count me in for the chard. I'd even be down for a "second breakfast" and "elevenses" with all of that goodness. You only live once.
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17 years 4 months
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Donna, Brent, Vince all attract some bad words at times. I may not enjoy some of their specific contributions, but they were members of the Grateful Dead so they are alright by me. Simples.
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9 years 1 month
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Funny post Drifter's Escape, I love satire. Good way to poke fun at the never-ending, never-fruitful war of the decades that erupts around these threads on a regular and recurring basis.
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6 years 11 months
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As Dick used to say it's all so personal. I find the K&D years to be the sweet spot but if the 80's are your thing check out these three: 8-29-80, 4-12-82 and 3-30-88. I was just talking about the shop on 8th Street in the village the name of which was Psychedelic Solution with a friend of mine. Out of business years ago. Bought the book Soma from them. Really miss that place. Be well all.
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9 years
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Hitting D&C tomorrow, have a GA Pit 2 ticket. Not sure if Pit 2 is next to or behind Pit 1. Will find out tomorrow.
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9 years
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OatmealAdd milk, not water Add brown sugar, honey, cinnamon, and some Nestle Quik. Heat until gently boiling, stirring frequently, until liquid is gone. Enjoy along with chocolate milk. Mmmmmmmm..........
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15 years 1 month
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Add a few drops of cannabis tincture and it's a perfect warmer upper on a cold winter day.
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17 years 4 months
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....cosmicbadger is 100% correct. Someone once sang "ain't no time to hate." Remember that line? I try to live by it. Although, I do hate yams.
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9 years
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Yams, Vguy, just call them sweet potatoes and they’ll taste pretty good.
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11 years 3 months
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Stuffing waffles.Yup.Add a little milk & an egg or two so it's easier to pat/shove/plop on the waffle iron and let 'er rip.Crispity crunchity stuffing goodness. Pile up the turkey,gravey & whatever your little heart desires and enjoy!
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10 years 2 months
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I'm getting indigestion just reading some of these links. I have a round of toast, a couple of cups of coffee and a few pills when I wake up. Boom.
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13 years 4 months
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Good thinking David.. I scored a beautiful Yam shaped pipe for the Senator, just in time for Christmas.
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10 years
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I could actually use one of those. I very stupidly took my glass piece out of my sock holding it my hand with my keys above my head entering The Garden on the first night two weeks ago as I went through the security gates; they essentially did the honor system as you went through and i could have easily just left it in my sock but alas...the good honest person that I am, i figured I'd be transparent with them since technically its legal here. Well, the security dude was like "what's this?" and I was like "It's my apparatus man!" and he then says "those aren't allowed in here"....and *poof* it was gone. That's just a funny statement cause, well, we ALL know that pretty much everyone has got somethin on them going in. Thankfully the 4 phatties I had rolled up in my pocket went unnoticed so in the end All was Well. But yeah...produce glass would be neat-o. Sixtus
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9 years 9 months
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Are there any shows in this Europe '72 box set, where Bobby actually remembers all the words to Truckin' ???? If you know 'em shout 'em out.
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15 years 1 month
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My concert experience always had Bobby forgetting the words to Truckin. I always thought it was intentional, an inside joke, and a comment on how often they had to play it. We would wait for it and cheer his "lapse" of memory.
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I read a lot of hoopla about this show. I'm not hearing what sets it apart from the rest of the 1970 shows I have. The electric sets are great but so are all of these: Dave's Picks Vol. 19 (1/23-24/70) Dave's Pick's Vol. 6 (2/2/70) 30 Trips Around the Sun (4/15/70) Road Trips Vol. 3 No. 3 (5/14-15/70) These all have a great deal of energy and are virtually flawless. Is it possible it's so popular because it was one of the first to be released, and features acoustic music? I keep seeing it pop up in polls and articles, so I wanted to check in and see if this is a case where its uniqueness at the time of its release made a legend out of it. I got this version of Dave's 19 from one of y'all that starts with the bonus material from disc 3, and it's a masterpiece of a show. The 30 Trips show from Winterland also has some majorly awesome material.
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The recording has known flaws, the electric sets are mono (nobody knows why) and being Dicks Picks 8, it was restored and re-mastered pretty early on. It still sounds pretty good.. It's famous for the performance. It's unique and it's a classic. But you left off 2/13 and 2/14/1970 Fillmore East. "The Grateful Goddamn Dead!"
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15 years 9 months
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bummer - last piece of glassware I lost was back during that The Other Ones tour at Tweeter - shared among the bretheren, but someone liked it more than me. got the Crafty thru the garden stashing it behind my iphone when I held my hands up walking thru the metal detectors. Still liking this release and DaP24!
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9 years 8 months
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The sequence of Cryptical > Drums > Other One > Cryptical > Cosmic Charlie is my favorite piece of music by the Grateful Dead or anyone else for that matter. It is grungy, fast and perfectly executed. In addition the acoustic set is great, as is the third set. The Man's World > Dancin' is also special. This show amazed me from the first time I got it on cassette, long before Dick's Picks was available.
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10 years 2 months
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Yes, I got this show on a cassette originally-around 1987. My copy had an acoustic set by The New Riders included, too, which was also great. But the electric set by The Dead completely blew me away. For many years it was far and away my favourite show-the versions of The Other One and Dancing In The Street are breath taking. Viola Lee Blues is very powerful, too. Maybe because it was the first Dead show I heard from 1970 (apart from the mediocre "Bears Choice) but it still seems to stand out as the best show from this era. Not the most subtle, perhaps, but, the sheer power and energy could topple kingdoms.
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9 years 2 months
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DP8 is hallowed ground, man! College Town, Best Banter Ever, Acid Drenched, NRPS, Pedal Steel, &&&. B: "Ya gotta start actin' like a mature, responsible audience." J: "Don't listen to 'em, man!" Thick air? This one's got it!
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7 years 3 months
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Yeah I love 5/2/70, just saying to this newcomer's ear, 1/23/70, 2/2/70, 4/15/70 and 5/15/70 are just as good. I omitted 2/13-14/70 because it's already been widely acknowledged as being "as good as" 5/2. Your comments say it all though, which is what I figured. It came first and is hallowed ground. My favorite part so far is (like someone said) The Cosmic / Cryptical / Other One medley. The Man's World from 4/15 may be a little better. I also like the Dancing from 4/15 (awesome Tighten Up section). Well maybe 4/15 or 1/23-24 will also be hallowed ground in 20 years :-)
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11 years 4 months
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Thick air indeed. I too enjoy 1/23/70 and 4/15/70 and 5/15/70 - great stuff, but not sure those rival DP4 or DP8 (2/13/70 and 5/2/70). The banter, music, acoustic set, and the general vibe on 5/2/70 are unsurpassed to my ears. But I haven't listened to it in a while. I recently DID put on 2/13/70's Dark Star (or 2/14? DP4) and thought it was mesmerizing. Everything falls right into place - so locked in, like Bach or Mozart with BALLZ! But 4/15/70 is also great! A little more chill and laid back than DP4 or 8 (east-coast vs west coast, yada yada) - Man's World is amazing! Had 1/23/70 forever and always enjoyed it. 5/15/70 seems to have it all but doesn't come close to the magic of 5/2/70, as I recall. A few stumbles here and there - not quite as energetic in parts. But still a great show - I recall trading DAT's for 5/15/70 18 years ago and it instantly became my best sounding 1970 bootleg - crystal clear, like Jerry's standing RIGHT in front of you. If only there was more 1970 in the hopper.... (And again, why are the oldest recordings sometimes the best??? 1970's recordings: stunning crispness! 1980's recordings: sounds like the parents in Peanuts. WTF? Technology is supposed to advance, not regress)
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15 years 1 month
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Thanks to all the prompting I took this gem out and am listening to it now. Thank you.
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9 years 2 months
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I lied. Never trust a Prankster. Taking another listen to this one as well. Always fun to listen to a show at my Alma Mater. DP8 was one of the first Aha! moments, for me.
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7 years 11 months
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I copied these disks 10 years ago for a dear old friend. The occasion was a reunion of chums I'm sure will, sadly, never be repeated. When I stated that the band came out with "the subtlety of a sledgehammer" I got a roaring laugh. I'm certain that I stole that phase from somewhere else but, I thought this was the appropriate format to repeat this assessment.
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13 years 5 months
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No one mentioned adding half of a nice ripe banana to oatmeal. Just slice it up, drop it in while the oats are cooking and mash it a bit. Add a dash of vanilla extract and maple syrup to taste. Now we are getting somewhere. Don't forget a pinch of salt in the mix. Banana is on deck for tomorrow morning. Extra Friday treat -- a few dried cherries in there too.
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17 years 4 months
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.... alright! OK! I'll listen. Twist my joint. There was rubber air that night.
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16 years 4 months
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Mornin’, rockers!! On the menu this fine day: https://archive.org/details/gd1971-12-01.sbd-set2.miller.32304.sbeok.fl… See also: http://deadsources.blogspot.com/2012/07/december-1-1971-boston-music-ha… After an absence of 18 shows, the grease is back. But it’s down a quart. Long gone were the days of Hard To Handle, Good Morning Little Schoolgirl, and Midnight Hour. But at least we had a few more months of Big Boss Man, Next Time You See Me, It Hurts Me Too, Lovelight, and Good Lovin’. And even Caution……………….. Virtually all of December 1971 circulates EXCEPT the first set of this show. Is it in the vault, in the super secure area? Was it even recorded? Perhaps lost to the ravages of time and temperature? Does anybody out there have any insight into this mysterious phenomenon? Seeing this IS December 1, I shall repeat my Aprilish offer. Anybody who would like recordings from the fine December 1971 tour, pm me on the anniversary of the show and I shall email it to you……… If you’ve read down this far-----major credit to you----but please note that I will be going on a year-long voluntary sabbatical in 2018. So next year, no Port Chester, April, December, or single show offerings. If there’s something 71 you need/want, now is the time to ask. For everybody I’ve helped in the past, and my “regular customers”, I’ll still be around----just not on deadnet-----so you know where to find me. My friends, rock on!!! Play it loud, and proud! Doc There is a Reaper, whose name is Death, And, with his sickle keen, He reaps the bearded grain at a breath, And the flowers that grow between.
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12 years
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anyone have an address for this site this year. I like the 31 days, he seems to use larger chunks of shows.
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9 years 1 month
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Saw the reference to the Tighten Up jam from Dancin on 4/15/70 and couldn't help commenting. Check something out - listen to the song Tighten Up by Archie Bell and the Drells from 1967 and then listen to the song Soulful Strut by Young-Holt Unlimited from 1968. Both tracks can be found on Disc 3 of the Soul Spectacular collection from Rhino. When you finish that listen to that jam on the 4/15/70 Dancing (from about 5 min. 50 sec through about 8 min 50 sec.) - to my ears the jam is working the melody from Soulful Strut pretty clearly, a melody entirely lacking from Tighten Up. For another version of what I've seen called the tighten up jam check out the version on Darkstar from 10/31/71 DP 2 that starts about 13 minutes and 25 sec. or so in. This version sounds a lot like the melody from Soulful Strut. I never seem to tire of hearing that Darkstar-Jam from 10/31/71. Oh well, just can't help commenting when this comes up.
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