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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • MinasMorgul
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    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
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    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
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    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
    Joined:
    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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I feel like I should take a bow.
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Ive been listening to the Springfield, MA 9.03.80 show released as part of the download series. Truly enjoyable show and very interesting interplay between Jerry and Brent. Brent using way more colorful synth tones and textures than he did in later years. I wonder why it stopped wish it hadnt, it sounded friggin' amazing. Blame it on the excess of drugs i guess...seems like most of us have a hard time livin' the good life, don't be that way. Yes there is plinky toy piano but the Feel Like a Stranger jam alone is worth the listen. Its available on Spotify too if you dont have the series...
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Brent sucks and anyone that likes Brent shows is an idiot. (just kidding).. Every now and again, I get into the mood for 79/81, the early Brent years. I do have that download series show, it's been forever since I listened to it. They played the post space part of 11/26/1980 Pembroke Pines show today on TIGDH. Rockin. Seriously folks.. doesn't anyone have any manners these days.. don't like Brent, say something at least halfway interesting on the 8/24/72 page or find something worth writing about on one of the other 2,318 shows. Good grief.. I am beginning to think Putin hated Brent and set up this lab of Brent hating bots to troll us. Now back to my regularly scheduled 1968 mayhem, there's a great link on the non-brent hating 1972 page, also... :D
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But not too old to rock n roll Happy Bday.
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Probably not a surprise, but I'm a big Brent fan (I'm also a Donna fan so maybe I just like polarizing figures). On most nights he gave his all on stage. He helped revitalize a band about to enter a new decade and by all accounts was someone Jerry enjoyed playing with. Not everyone's cup of tea, and he for sure had his demons (who doesn't?), but he worked his ass off, was a member of the band for over ten years, and certainly doesn't deserve to be disparaged.
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I'm eating oatmeal right now. Everyone who hates oatmeal, please write about how much you hate oatmeal. But seriously, if you don't like oatmeal, it's really really easy to not eat it.
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Congratulations to your 75th.Sorry but missed to post it yesterday. I've made a walk to the Hendrix momument we've built in the late '90s. It's situated at the original 1970 festival site here at the Isle of Fehmarn. Keep on rockin' in a free world
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17 years 5 months
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Maybe I didn't make it clear. I share the same birthday as Jimi, but not the same birth year. I am now a mere 64 years young (cue Beatles song). I certainly have outlived Hendrix, but who knows if I will see 75!
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17 years 4 months
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.... personally, I'm more of a cream of wheat guy. Release the hounds!!
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13 years 4 months
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We will miss ya One Man. 11/29/79, funkkky Shakedown, at a beautiful venue (Cleveland Public Auditorium).
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11 years 5 months
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I started eating Oatmeal in the 60's. It was really good back then, although a bit more work to prepare than now. It was sure a nice change from boring Corn Flakes or Wheaties. The Oatmeal ingredients changed a bit through the 70's but it was still good. Many say it was the best Oatmeal ever and I wouldn't argue. But the new-fangled flavors they added in the 80's made me cringe. It just wasn't the same anymore. I hated it and anybody who said they liked it was gonna hear from me about how good it used to be because I'm old and really smart about Oatmeal. Oh, and 90's Oatmeal ? Never gave it a chance... 'Cause I love what I love and I want it that way.
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....and Coco Wheats have been equally as awesome in the '60's, '70's '80's and '90's. I think Oat Meal supporters need to broaden their horizons, because they're missing out on the best stuff. If somebody offers me a choice between bland oatmeal and chocalate infused Coco Wheats, I'll choose chocalate everytime, thank you.
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15 years 2 months
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I couldn't decide what kind of cereal I wanted this morning so I just had a beer and went back to bed.
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With a well balanced breakfast, you get eggs, potatoes, toast, orange juice and a side fruit cup. If you want to get extra fancy, you might choose the eggs to be loaded omelets with fresh veggies, bacon and cheese topped with hollandaise sauce. You might even throw in the steak and prime rib for good measure, or lobster if your really into it. If your going to dine at the fully stocked continental breakfast buffet on an empty stomach, why shortchange oneself, and settle for just old plain oatmeal? In some places, it's customary to have some wine (or beer if you prefer) with your breakfast. Count me in for the chard. I'd even be down for a "second breakfast" and "elevenses" with all of that goodness. You only live once.
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Donna, Brent, Vince all attract some bad words at times. I may not enjoy some of their specific contributions, but they were members of the Grateful Dead so they are alright by me. Simples.
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9 years 1 month
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Funny post Drifter's Escape, I love satire. Good way to poke fun at the never-ending, never-fruitful war of the decades that erupts around these threads on a regular and recurring basis.
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6 years 11 months
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As Dick used to say it's all so personal. I find the K&D years to be the sweet spot but if the 80's are your thing check out these three: 8-29-80, 4-12-82 and 3-30-88. I was just talking about the shop on 8th Street in the village the name of which was Psychedelic Solution with a friend of mine. Out of business years ago. Bought the book Soma from them. Really miss that place. Be well all.
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9 years
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Hitting D&C tomorrow, have a GA Pit 2 ticket. Not sure if Pit 2 is next to or behind Pit 1. Will find out tomorrow.
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OatmealAdd milk, not water Add brown sugar, honey, cinnamon, and some Nestle Quik. Heat until gently boiling, stirring frequently, until liquid is gone. Enjoy along with chocolate milk. Mmmmmmmm..........
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15 years 1 month
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Add a few drops of cannabis tincture and it's a perfect warmer upper on a cold winter day.
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17 years 4 months
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....cosmicbadger is 100% correct. Someone once sang "ain't no time to hate." Remember that line? I try to live by it. Although, I do hate yams.
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9 years
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Yams, Vguy, just call them sweet potatoes and they’ll taste pretty good.
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11 years 3 months
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Stuffing waffles.Yup.Add a little milk & an egg or two so it's easier to pat/shove/plop on the waffle iron and let 'er rip.Crispity crunchity stuffing goodness. Pile up the turkey,gravey & whatever your little heart desires and enjoy!
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10 years 2 months
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I'm getting indigestion just reading some of these links. I have a round of toast, a couple of cups of coffee and a few pills when I wake up. Boom.
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13 years 4 months
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Good thinking David.. I scored a beautiful Yam shaped pipe for the Senator, just in time for Christmas.
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10 years
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I could actually use one of those. I very stupidly took my glass piece out of my sock holding it my hand with my keys above my head entering The Garden on the first night two weeks ago as I went through the security gates; they essentially did the honor system as you went through and i could have easily just left it in my sock but alas...the good honest person that I am, i figured I'd be transparent with them since technically its legal here. Well, the security dude was like "what's this?" and I was like "It's my apparatus man!" and he then says "those aren't allowed in here"....and *poof* it was gone. That's just a funny statement cause, well, we ALL know that pretty much everyone has got somethin on them going in. Thankfully the 4 phatties I had rolled up in my pocket went unnoticed so in the end All was Well. But yeah...produce glass would be neat-o. Sixtus
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9 years 9 months
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Are there any shows in this Europe '72 box set, where Bobby actually remembers all the words to Truckin' ???? If you know 'em shout 'em out.
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15 years 2 months
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My concert experience always had Bobby forgetting the words to Truckin. I always thought it was intentional, an inside joke, and a comment on how often they had to play it. We would wait for it and cheer his "lapse" of memory.
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I read a lot of hoopla about this show. I'm not hearing what sets it apart from the rest of the 1970 shows I have. The electric sets are great but so are all of these: Dave's Picks Vol. 19 (1/23-24/70) Dave's Pick's Vol. 6 (2/2/70) 30 Trips Around the Sun (4/15/70) Road Trips Vol. 3 No. 3 (5/14-15/70) These all have a great deal of energy and are virtually flawless. Is it possible it's so popular because it was one of the first to be released, and features acoustic music? I keep seeing it pop up in polls and articles, so I wanted to check in and see if this is a case where its uniqueness at the time of its release made a legend out of it. I got this version of Dave's 19 from one of y'all that starts with the bonus material from disc 3, and it's a masterpiece of a show. The 30 Trips show from Winterland also has some majorly awesome material.
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The recording has known flaws, the electric sets are mono (nobody knows why) and being Dicks Picks 8, it was restored and re-mastered pretty early on. It still sounds pretty good.. It's famous for the performance. It's unique and it's a classic. But you left off 2/13 and 2/14/1970 Fillmore East. "The Grateful Goddamn Dead!"
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15 years 10 months
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bummer - last piece of glassware I lost was back during that The Other Ones tour at Tweeter - shared among the bretheren, but someone liked it more than me. got the Crafty thru the garden stashing it behind my iphone when I held my hands up walking thru the metal detectors. Still liking this release and DaP24!
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9 years 8 months
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The sequence of Cryptical > Drums > Other One > Cryptical > Cosmic Charlie is my favorite piece of music by the Grateful Dead or anyone else for that matter. It is grungy, fast and perfectly executed. In addition the acoustic set is great, as is the third set. The Man's World > Dancin' is also special. This show amazed me from the first time I got it on cassette, long before Dick's Picks was available.
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Yes, I got this show on a cassette originally-around 1987. My copy had an acoustic set by The New Riders included, too, which was also great. But the electric set by The Dead completely blew me away. For many years it was far and away my favourite show-the versions of The Other One and Dancing In The Street are breath taking. Viola Lee Blues is very powerful, too. Maybe because it was the first Dead show I heard from 1970 (apart from the mediocre "Bears Choice) but it still seems to stand out as the best show from this era. Not the most subtle, perhaps, but, the sheer power and energy could topple kingdoms.
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DP8 is hallowed ground, man! College Town, Best Banter Ever, Acid Drenched, NRPS, Pedal Steel, &&&. B: "Ya gotta start actin' like a mature, responsible audience." J: "Don't listen to 'em, man!" Thick air? This one's got it!
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Yeah I love 5/2/70, just saying to this newcomer's ear, 1/23/70, 2/2/70, 4/15/70 and 5/15/70 are just as good. I omitted 2/13-14/70 because it's already been widely acknowledged as being "as good as" 5/2. Your comments say it all though, which is what I figured. It came first and is hallowed ground. My favorite part so far is (like someone said) The Cosmic / Cryptical / Other One medley. The Man's World from 4/15 may be a little better. I also like the Dancing from 4/15 (awesome Tighten Up section). Well maybe 4/15 or 1/23-24 will also be hallowed ground in 20 years :-)
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11 years 4 months
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Thick air indeed. I too enjoy 1/23/70 and 4/15/70 and 5/15/70 - great stuff, but not sure those rival DP4 or DP8 (2/13/70 and 5/2/70). The banter, music, acoustic set, and the general vibe on 5/2/70 are unsurpassed to my ears. But I haven't listened to it in a while. I recently DID put on 2/13/70's Dark Star (or 2/14? DP4) and thought it was mesmerizing. Everything falls right into place - so locked in, like Bach or Mozart with BALLZ! But 4/15/70 is also great! A little more chill and laid back than DP4 or 8 (east-coast vs west coast, yada yada) - Man's World is amazing! Had 1/23/70 forever and always enjoyed it. 5/15/70 seems to have it all but doesn't come close to the magic of 5/2/70, as I recall. A few stumbles here and there - not quite as energetic in parts. But still a great show - I recall trading DAT's for 5/15/70 18 years ago and it instantly became my best sounding 1970 bootleg - crystal clear, like Jerry's standing RIGHT in front of you. If only there was more 1970 in the hopper.... (And again, why are the oldest recordings sometimes the best??? 1970's recordings: stunning crispness! 1980's recordings: sounds like the parents in Peanuts. WTF? Technology is supposed to advance, not regress)
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15 years 2 months
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Thanks to all the prompting I took this gem out and am listening to it now. Thank you.
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9 years 2 months
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I lied. Never trust a Prankster. Taking another listen to this one as well. Always fun to listen to a show at my Alma Mater. DP8 was one of the first Aha! moments, for me.
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7 years 11 months
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I copied these disks 10 years ago for a dear old friend. The occasion was a reunion of chums I'm sure will, sadly, never be repeated. When I stated that the band came out with "the subtlety of a sledgehammer" I got a roaring laugh. I'm certain that I stole that phase from somewhere else but, I thought this was the appropriate format to repeat this assessment.
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13 years 6 months
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No one mentioned adding half of a nice ripe banana to oatmeal. Just slice it up, drop it in while the oats are cooking and mash it a bit. Add a dash of vanilla extract and maple syrup to taste. Now we are getting somewhere. Don't forget a pinch of salt in the mix. Banana is on deck for tomorrow morning. Extra Friday treat -- a few dried cherries in there too.
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17 years 4 months
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.... alright! OK! I'll listen. Twist my joint. There was rubber air that night.
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16 years 5 months
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Mornin’, rockers!! On the menu this fine day: https://archive.org/details/gd1971-12-01.sbd-set2.miller.32304.sbeok.fl… See also: http://deadsources.blogspot.com/2012/07/december-1-1971-boston-music-ha… After an absence of 18 shows, the grease is back. But it’s down a quart. Long gone were the days of Hard To Handle, Good Morning Little Schoolgirl, and Midnight Hour. But at least we had a few more months of Big Boss Man, Next Time You See Me, It Hurts Me Too, Lovelight, and Good Lovin’. And even Caution……………….. Virtually all of December 1971 circulates EXCEPT the first set of this show. Is it in the vault, in the super secure area? Was it even recorded? Perhaps lost to the ravages of time and temperature? Does anybody out there have any insight into this mysterious phenomenon? Seeing this IS December 1, I shall repeat my Aprilish offer. Anybody who would like recordings from the fine December 1971 tour, pm me on the anniversary of the show and I shall email it to you……… If you’ve read down this far-----major credit to you----but please note that I will be going on a year-long voluntary sabbatical in 2018. So next year, no Port Chester, April, December, or single show offerings. If there’s something 71 you need/want, now is the time to ask. For everybody I’ve helped in the past, and my “regular customers”, I’ll still be around----just not on deadnet-----so you know where to find me. My friends, rock on!!! Play it loud, and proud! Doc There is a Reaper, whose name is Death, And, with his sickle keen, He reaps the bearded grain at a breath, And the flowers that grow between.
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12 years
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anyone have an address for this site this year. I like the 31 days, he seems to use larger chunks of shows.
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9 years 1 month
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Saw the reference to the Tighten Up jam from Dancin on 4/15/70 and couldn't help commenting. Check something out - listen to the song Tighten Up by Archie Bell and the Drells from 1967 and then listen to the song Soulful Strut by Young-Holt Unlimited from 1968. Both tracks can be found on Disc 3 of the Soul Spectacular collection from Rhino. When you finish that listen to that jam on the 4/15/70 Dancing (from about 5 min. 50 sec through about 8 min 50 sec.) - to my ears the jam is working the melody from Soulful Strut pretty clearly, a melody entirely lacking from Tighten Up. For another version of what I've seen called the tighten up jam check out the version on Darkstar from 10/31/71 DP 2 that starts about 13 minutes and 25 sec. or so in. This version sounds a lot like the melody from Soulful Strut. I never seem to tire of hearing that Darkstar-Jam from 10/31/71. Oh well, just can't help commenting when this comes up.
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