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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • JimInMD
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    8 Tracks
    My first GD exposure was 8 track. Ha.. that's one medium I wont miss. I guess I had a bad machine, it kept eating all my tapes. It was really a bad technology... Cassettes were much more reliable.. and contrary to popular belief, I do not see them making a robust comeback. My prized Nak died about ten years back.. the belts had all dry rotted and it started to play reeeeaaaaalllllyyyyyy sssslllllloooooowwwwwww. There is no advantage to cassettes over CD's as far as I can tell, and a lot of drawbacks. I do see the Vinyl appeal, but 8 tracks and cassettes, I just don't see this becoming a wave.
  • alvarhanso
    Joined:
    Sittin' on a fence (not a pole)
    The limited announcement yesterday did what it was meant to do in piquing my interest, but I'm still on the fence. These could probably be broken down to 4-5 discs, and there probably won't be any filler, and once again I'll be miffed at short discs, though this time for 65 bucks for 2 shows. I think I'd find 5/8-9/77 as a 2 show box for 65 bucks to be pricey, so it has nothing to do with Brent or '80s hate. I actually like Summer '89-Summer '90 a lot, they were playing at the peak of that incarnation, as evidenced by how much of it's been released. (But feel free to throw this post back at me if they offer a 2 show box of RFK '73 for the same price and I buy it the minute it's announced, because that would likely be my reaction to that RFK box.) The book is probably nice, and I love the books in the boxes. The books are what I really miss about Spring '90 and Europe '72 (though I really love the idea of the steamer trunk). If it's around next year and I got the extra cash, I'll get it. If I miss out, I'll survive, and enjoy the subscription for Dave's 2018 and next year's big box.
  • MinasMorgul
    Joined:
    Since 15K is the number
    5K will be added to the available quantity at some point. It's gone down exactly as I posted it would, although I'm surprised they're going with 15K. They still started with 10K and are now down to 3800 - 3900. Sales, Space Brother are at 6200 roughly, which leaves about 8800 left (5K which muse still be added). I'm not sure what numbers are "more or less brisk", but these are the facts. Brisk is relative I guess. Bottom line is that a good seller is great for us all.
  • LedDed
    Joined:
    Eight-track Renaissance
    I hear eight-track is on the rebound. Might want to fish around the yard sales for one of those Panasonic boom boxes with 8-track, AM/FM and a cool shoulder strap for rocking the 'hood. At least they still make D-cells. Glad to see the RFK '89 box going limited. Why not? I like physical product. Blu-ray's, cd's, more than just download. That being said I fleshed out my missing Dick's Picks off iTunes for a fraction of the cost of what the cd's have gone up to now. There's something reassuring about the certainty of a tangible, physical product on my shelf, should (God forbid) my laptop get stolen/destroyed, hard drive crash, etc. I have so much music from so many sources - friends who have kindly loaned things, items from the public library, iTunes and other downloadable sources, etc. It would be impossible to remember it all, were it to be lost or corrupted, however I know those cd's sitting on the shelves aren't going anywhere and as much of a pain in the ass it is to burn them all in, it's a 100% backup. I have Carbonite cloud backup as well as a portable hard drive but I don't trust it. That pole freak on Veneta is the ultimate acid casualty. Most people made it through but some of them just fried. If that dude is still breathing, he's drooling right now.
  • JimInMD
    Joined:
    Blue Ray, DVD, etc.
    I have two Blue Ray and a DVD in the living room.. I found myself nodding to what the Ice Cream Kid had to say.. mhammond too. Thin is clearly correct in what he wrote.. but I have one subtle comment to add. I got into a back and forth email chain with Lemieux a few years ago about DVD's, etc. I think it was when the other Alpine show came out, and I missed it due to work.. so there was a little bite in my initial outreach. He did reply.. at length. Keeping in mind.. he was hired as the video archivist as Dick was still alive and well back then. His comment was layered, he was clearly keeping certain things close to his chest, but it was revealing nonetheless. I think the issue with video in general is the market is more segmented and aggregate demand has not justified all the costs involved getting this to market (my words, not his..). The 16,500 number (soon to be higher) is a magic number for vault releases in 2017. Keep in mind Terrapin Limited is still for sale, I'm quite sure it is limited and it has been for sale since 1997. There are tons of deadheads but not everyone has to have the 150 or shows that have already been officially released (what is that number again?). At this point, it is a numbers game for them and contrary to popular believe, once everyone (including the band) gets their cut I doubt if there are mountains of money left over. So back to the video topic.. Dave is all in with video releases. The hesitancy is not on his part. Rhino sells CD's and records.. DVD and Blue Ray is more like an after dinner mint for them.. if they sell and they make a ton of money on them, they'd do more. Reading between the lines from the correspondence all those years ago, there simply is not a terrific demand for GD DVD's. I can't get enough myself, but I say the same thing about the official CD releases too. Another factor is very few were recorded on film, most (the 89 and go forward material) was recorded on the crappy 4" tape common at the time. Find your favorite 1989 sitcom, go to YouTube and watch it.. it's grainy and has the same limitations as the stuff directed (recorded) by Len Dell'Amico during the late 80's. The video will not get better regardless of the medium as the source tapes are subpar. The sound, on the other hand, can benefit from the better mediums... depending on a few things... But look at this another way.. they do have a good bit of video recorded, some of it is pretty damned good. Most of it does have those distracting special affects baked right in. It will get released one day, perhaps they are just keeping their powder dry for when demand picks up a bit. If there are still some SSDD left and I bet they have a ton of the Fare Thee Well left (back to the numbers thing...) my guess is they are just biding their time and will begin releasing them when demand exceeds their magic number. I do prefer Blue Ray, it could be a dying medium, probably because it costs more and people are streaming a lot these days. Us hard-core, especially the audiophiles, will want DVD or probably Blue Ray. I really don't see that changing, streaming is not going to take precedent over the physical product for the person that just shelled out $12,000 for their new surround sound system. ..but who knows for sure what the future will bring except that quack Ray Kurzweil (yes.. I said that). If you made it through this post.. congrats and accept my apologies.. dry stuff.. but we like the GOGD and there's nothing boring about being there, front row center in the comforts of your own living room.
  • Cousins Of The…
    Joined:
    cassettes
    I was about to guess it's a hipster thing, but apparently Justin Bieber had something to do with it.Which doesn't make sense either way...
  • Thin
    Joined:
    Space - you are correct
    Spacebro - You are correct, sir. I forgot there was a DVD/Blu-ray segmentation in the Veneta release. How many Blu-rays did they produce? I don't recall how fast the DVD's sold out. I guess I passed on that because I didn't have Blu-ray AND I'm not enthralled with DVD vid quality, which is like a 720 vs 1080 pixel format (if someones previous post was accurate). I didn't really want to see Polesitter dude in 1080 OR 720 pixels - LOL. As I said earlier, I hope for both our sakes that they continue with the '89 releases. There's a ton of great stuff from that era sitting in the vault. Once the video format gets sorted out, I think we'll see a LOT of '89-'90's releases. re: Cassettes - I've heard they ARE making a comeback. Martin Sexton was on "Above the Basement" recently (highly recommended Boston-area music podcast) and he mentioned that he recently issued his recent release "Mixtape from the Road" on cassette as a novelty item and said they sold out of 1,000 of these in just a week or two, to his amazement. I blame the "Guardians of the Galaxy" movie series for romanticizing the format. https://www.stitcher.com/podcast/above-the-basement-boston-music-and-co…
  • Romberg
    Joined:
    Packaging Size
    Dead.net, please put the packaging dimensions in the description. I'd like to buy this but I need to know if it will fit on a CD shelf. I've been burned too many times on oversized packaging to blind buy a Grateful Dead box set ever again without knowing he packaging dimensions first. Thanks!
  • FloridaBobalooToo
    Joined:
    Makes NO difference to me
    Numbered or Limited sets don't sound any different to me. Fact is that has nothing to do with my motivation on buying GD stuff. Actually I think I might offer a swap of my GSTL Limited box to someone who really must have it in exchange for a music only set.For the amount of bother to try and turn one of these things for the little profit, just wouldn't be worth my time. Yes I know some sets bring big pricing. Theres the moral thing as has been discussed too. All n All Im after the music. Weekend is HERE!!! 24th Anniversary is the biggie in my trailer park. Taking the wife out for Bar-B-Que and a night at the Shooting Range! Woo-Hoo!!! 9/3/93
  • Thin
    Joined:
    Spacebro re: 8/27/72 - makes my Blu-ray point
    Spacebro - Thanks for helping make my Blu-ray point. 8/27/72 is indeed still available after 4 years sitting on the shelf despite only producing 12,500 copies, but I find your conclusion that this means 80's is more popular than '72 laughable (respectfully) - it is rather a reflection on Blu-ray, per my previous post. 8/27/72 was a single show plus Blu-ray for $55. That is the only release I have never purchased because I don't have Blu-ray and I didn't want to blow $55 + shipping for 3 CD's I already have (from my DAT days) in pretty darn good quality. (And Mr. Polesitter guy in hi-def NOT a draw) I also doubt they have sold as much of this '89 box as you think - when they plugged the initial number into "inventory" they hadn't yet decided the final production #. Probably input a nice round 10k, not the current 15k you are using in your math. But I could be wrong. We'll find out the next time they update the site. But going numbered/limited edition should boost sales of this box. So ALL the other releases/boxes have sold out or are close to it - most at 15k units or more - while the relatively low 12,500-unit EPIC Veneta show released 4 YEARS AGO on Blu-ray still sits on the shelf... this is why they aren't releasing more Blu-ray.... edit: icecrmkid I just saw your post. I'm not saying Blu-ray is going away forever (though Betamax, Laserdisc, Selectavision, and DIVX did), but the dream of Blu-ray becoming the universal video standard, like CD is for audio, is dead. Again, I think they are waiting for a ubiquitous video format relevant to ALL before releasing more video. Veneta teaches us that Blu-ray is not the answer.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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Go to the 30 Days Of Dead page and scroll down and click on the 30th.Scroll down to the comments and someone has it right there. :O)
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Listening to 7/15/89 today and I didn’t realize that there is a big time Close Encounters space. It’s much more pronounced than the close encounters space from DaP 23.
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Speaking of 30 days of Dead...I Missed the last few days this year and wanted to grab them, but it is no longer obvious where they are? Anyone have that link to share? Sixtus
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8 years 6 months
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...I have the complete "Europe 72 "music only edition Boxset. All but a couple shows are opened, the rest of the shows are still sealed...If anyone's interested in any shows, Ill be happy to help my fellow deadheads :)
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17 years 4 months
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....but I found a pretty decent mixlr stream of the Dead & Co show in Austin tonight. That Eyes Of The World made me smile and cry at the same time. Bravo!!
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13 years 4 months
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like 26 minutes or something sick.. hats off to Burbridge and Chimenti, the unsung heros of this band. 2017 oatmeal is surprisingly tasty. With or without bananas.
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12 years 10 months
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thanks for posting the link to '30 days of dead'. I missed day 24-30 due to a broadband outage and I could not find them today once I got up-and-going again. I happen by here and noticed the link. Again, thanks very much! Ken
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17 years 4 months
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....Dallas, not Austin. Damn legalization....
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15 years 1 month
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Yeah, after they outlawed short-term memory Las Vegas has really gone to pot.
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11 years
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In case anyone is still thinking about buying this and hasn't...you should. It is TOP SHELF Dead. I have listened to it twice through now, and it is really terrific. It surprises me how the Dave's Picks sell out so fast and yet these box sets stick around sometimes for years without selling out.
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I agree that last night's show took the cake in a lot of ways. First set had a fantastic vibe to it, shakedown was super funk-a-fied.. I loved the Deep Elim Blues (Bobby: "You all knew this was coming..."); it was nicely paced and it sounded like they had practicd it quite a bit. I even enjoyed the music never stopped sandwich with easy answers. That one took me off guard too but it was enjoyable despite it's questionable place in history. Second set was absolutely amazing on the first half and I totally concur that I was blown away. They caught me totally offguard coming out of fire on the mountain, for a brief moment there I thought it was Franklin's Tower. Then it was that awesome realization that no, in fact it was eyes of the world! The biggest smile ever grew on my face at that very moment and for the ensuing rest of the show, even getting lost for several moments in the Dear Prudence jam which was I think the best one yet that they've done. Thanks guys for the links to the 30 days. I'll work on the scooping those up shortly to round it out. Sixtus
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....revisiting the Dallas show today via the Archive. Bobby forgot a line in Scarlet, but the crowd filled in for him. Yea. Shit like like is guaranteed goosebumps for me ;)....That majestic Eyes is around the corner. Oh boy! That's like seventeen minutes of goosebumps. Keeping the lamp burning. Thank you Dead & Co.
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I noticed that. I'm not there yet.. how was it? I've noticed something, since at least last year. John apparently got this custom zebra striped maple guitar built when he started playing GD music. But for at least the last two years he has a different metallic silver guitar he uses just for the old songs (67 - say 71 give or take). Just a random observation, but the old school beast has much more reverb and muscle.
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17 years 4 months
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....draws a fine line between too much and too little. Mayer could stand just a little more. Just a little. Otherwise, keep shredding John....
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13 years 4 months
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I caught up to Had the World.. Hat's off to Oteil. At the end of the song I found myself ever so mildly slack jawed, a few minutes in the woodshop, came back and watched it again. Just as good the second time. Worth checking out should anything decent pop up on YouTube tomorrow or the next day. Smiling.
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If I Had The World - I wasn't familiar with the song, not really having listened to the Shakedown LP yet and appears the Dead didn't play it much. I did remember it from a version on the Day of the Dead compilation a few years ago. I really like it, saw it in Columbus and streamed the Texas shows.. Oteil does a killer job singing the ballads. And Fire. Also cool to see Deep Elem show up a few times. I've heard a few of the Dead versions (and JGB), but mostly know it from Levon Helm, The Lonestar Cowboys and Dylan's: https://www.youtube.com/watch?v=MyezKA18UG0 Ended up spending most of today listening to 7/19/74 Selland Arena, Dave's 17. Strange in terms of audio quality, not bad necessarily, just different. I guess that's the Wall of Sound? Gives the whole thing a quality on top of the syrupy playing. I'm not the biggest Eyes of the World fan but the '74 ones are some of their best stuff ever. Received the Stones 'On Air' yesterday, only listened to about half the first disc but really cool. Very similar to the Beatles' Live at the BBC, obviously. Cool to contrast the two bands at a similar point. Also watched Prairie Home Companion prior to the Dead & Co show last night. Never saw it with the original host, but Chris Thile is insane. All the band too, amazingly talented. The listener requests are my favorite part..I wasn't familiar with the song but they nailed Stevie Wonder's Sir Duke as if they had practiced it for weeks. Could be staged..but I suspect they're just insanely talented musicians. Not fair. Last random thought..after a ~month of digestion, where do people rank the RFK set? I guess starting with the most comparable release, a better or worse offering than the Warlocks?
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Need input. Edit: I will re-purpose my double post to shout out 3/16/90, current listening. I don't think I like the new Black-Throated Wind lyrics as much as the original, but I admire the straight out re-write. Flashes of Quincy-I mean Dylan. 3/14 remains a favorite but this one won't go away quietly.
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Sorry to ramble on, but agree on Mayer's guitar choices. I don't know anything about the technical specs on his two PRS's (PRS'?) but the silver is definitely crunchier. They both have their place though. Also the F-hole on the maple/sunburst is fake. And that's all I have to say about that.
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F-Hole, It feels dirty just saying it. It's fake? say it isn't so.. it looks so good as a hollow body. Interesting.. still a pretty cool wide body custom guitar, I'll take two please. I enjoy working with wood, you don't run into hunks of maple like the one that guitar is made from very often. That's one beautiful guitar. Thanks for the links, Eyes.. hats off on that Had the World to Give. A solid interpretation of an obscure and underplayed Garcia/Hunter song. As for rambling... I know this song it ain't never gonna end.
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What made us all such avid fans of this band? Why did the music become so infectious to our ears? What made us deadheads? I nor you could ever answer that question literally. The swirls of the universe have captured us in a time where we are caught in the wheel.......thanks GD!!!!
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....but that's another story for another time. When I'm blasted on margaritas. Eureka. God, I love her. Definitely married up....is the RFK offering of Women Are Smarter the GOAT? If not, it's knocking on the door....
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The Mayer guitar official version has an f-hole, however the guitar he has been playing on this tour definitely has a decal only. Holes don't give off reflections with the actual wood around it, and in high def there's no doubt. Maybe the solid body works better in live situations... but PRS probably still wants to promote that model with the f-hole. I had a PRS. Was an amazing guitar. I sold it because I actually didn't like having the full hollowbody - just felt too delicate to wail away on. Loved the look, but I'm a solidbody guy. Man Smart from this box IS a goodie. Lots of good stuff in unexpected places. And it looks like it will be available for a looong time....
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13 years 4 months
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Nice.. this guitar is made in Stevensville, MD on Kent Island in the Chesapeake Bay.. a cool 18 feet above sea level.
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17 years 5 months
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That would be about 20 feet higher than my house.
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10 years 2 months
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I don't know if its true, but I have read that big bodied, f-hole guitars are prone to uncontrollable feedback when played at high volumes. B.B. King played a big bodied Gibson 335 that had painted f- holes on towards the end of his career. And one of the big Gretsch's-I think it was the "Tennessee Rose"- had them painted on as well.
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Ouch.. Emergency Appendectomy! Show tonight at the Smoothie King Center postponed.. Sounds like he needs an Immune Booster Sweet Green Smoothie pronto. Get well John, wishing a fast and full recovery.
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Grateful DeadMarch 29, 1969 Ice Palace Las Vegas, NV Download: FlAC/MP3 Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller –Setlist– 101-d1t01 – Morning Dew 102-d1t02 – Good Morning Little Schoolgirl 103-d1t03 – Doin’ That Rag 104-d1t04 – Dark Star -> 105-d1t05 – St. Stephen -> 106-d1t06 – The Eleven -> 107-d1t07 – Turn On Your Lovelight https://themidnightcafe.org/2017/03/12/repost-bonanza-grateful-dead-las…
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....I was ten months old, but still would've tried to go if I had a driver. At the time, our house was approx five miles away. Later, as a teen, the ice rink was converted to a huge pool hall. There was also a bad ass arcade four storefronts down. Spent a lot of time and quarters there in the early '80's. Back when there was an arcade on every other corner. Fun times. Joust anyone?....Discs of Tron? Tempest?
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...I have the complete "Europe 72 "music only edition Boxset. A couple shows are opened, but the rest of the shows are still sealed...If anyone's interested in any shows, please send me a pm, Ill be happy to help my fellow deadheads :)
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I found it hard not to feel saddened by the death of Christine Keeler earlier this week. For those who don't know, Christine was a teenager who suffered an abusive childhood, who gravitated to London circa 1960, where she worked in as a hostess in a night club. From what I can make out, she was paid for having drinks with customers. In 1963, a government minister was identified as one of her customers, and all hell broke loose. In fact she nearly brought the British government down. Respect. Its always nice to read of situations where someone with little power brings someone down who has too much of it.
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I worked at the movie theater when Tron showed...also Floyd the Wall, For Your Eyes only, etc. One night they showed Cheech and Chong's next movie at the Saturday night midnight (madness) showing. A biker that came left a 1/4pound under his seat. I happened to find it and gave to the owner. The owner (family theater, that was several decades old, so it was the son of the gentleman that opened it), was a stoner. I used to get high grade grass from the projectionist. The owner actually gave the smoke back to the biker the next day. That was crazy. Why I didnt just keep it I do not know. Of course, I later became friends with several of those bikers and helped move THINGS around. So it worked out well. Plus I did not get my a$$ kicked.
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9 years 3 months
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Exploding appendix is what took me down last December. It aint no fun. One of the surgeons was like, you really must have a high tolerance for pain as I went 16 days between when it exploded and when the ambulance picked me up. So glad I am getting much better. 2018 is going to be a return to high times indeed. I kept a lot of the meds for future use. Wink. I have aloways been a huge advocate of the "just say no" movement. As in, just say no to legal drugs, they can kill you.
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17 years 5 months
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It was not surprising that the shit hit the fan. Indeed one of her "customers" was a government minister, the secretary of state for war. Another of her "customers" was the assistant naval attaché at the Soviet Embassy. In the cold war early 1960's this unfortunate mix caused a major scandal and the government lost the following election, largely as a result of this scandal. Hee haw!
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9 years 3 months
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some nice deals on sale. Get the box set of from the vault for $48, nice. In November, I ran back through all three of the shows, they are so good. I now have 5 listens to this release and it is a tasty release. The fact that they could play through the weather shenanigans is amazing. Such a good release for a stadium show with horrible weather is a testament to their deadication to the show must go on.
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15 years 1 month
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I know Greatest Of All Time (GOAT) is a meaningless subjective proclamation but every once in a while it's fun to throw one out there so here goes.. GOAT Dancing In The Streets 05/11/78 Springfield MA Dick's Picks 25
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10 years 2 months
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I have always preferred the 1970 versions of Dancing in the Street, with 2nd May Binghampton being the absolute pinnacle.But I listened to Road Trips Volume 1.Number 1. recently and there is a great one on there, from 9th November 1979. This is probably an example of what used to be called "Disco Dead". Whether or not it is a superb revision, with Brent helping to take the rhythm into another dimension from the heavier 1970 versions. For me, Brent was at his peak during the Fall shows of 1979. This Dancing goes into Franklins, which is complements it perfectly.
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13 years 4 months
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ah.. the often maligned (not by me) Dicks Picks 25. I always enjoyed that compilation for what it was.. two back to back, well recorded shows from the 'second phase' of Spring of 78. Plus we get a twofer in that Bear recorded one night and Ms. Cantor Jackson the other. I believe a couple contributors here were at the 11/9/79 Buffalo show. Hbob or Syracuse perhaps?? Fall 79 has energy, some fine playing and an influx of new material. Althea, Lost Sailor/Saint anyone? Lemieux has been playing the shit out of 1979 lately on TIGDH. This morning we got the beginning of the second set from 12/7/79. An interesting setlist.. China>Rider>Eyes>Lost Sailor>Saint. He made it a point to say most of this period is well represented in the vault. I'm no expert on recordings, their history and such things.. but with the exception of the Oakland run in December, I seem to detect a drop-off in quality in a lot of these fall shows. I wonder who recorded the majority of the shows and how they were recorded. Anyone know? Finally.. it was revealed today that a Saudi Prince bought the recently auctioned Da Vinci last month. mhammond, we know it was you.. Blues for Allah. While we are on the topic of Southern California.. wow that's some inferno that has engulfed this part of the world.. Hoping for the best.. scary stuff, lets hope for a silver lining. One edit: I am solidly in the 1970 Jammed out Dancin' in the Streets corner.. realizing I am also solidly in the minority. People like the mid to late 70's versions, which is great too.
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14 years 3 months
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Just poked my head in, and the first post I see refers to Dick's Picks 25, which is comprised of the two shows immediately after my first show (5/9/78 Syracuse). And of course, 11/9/79 and that awesome Dancin'>Franklin's that opened the second set. I will briefly say that the Buffalo show (11/9/79) was probably the most electric, rockin', memorable show I ever saw, except for the one RCMH show I got to see (10/30/80). RCMH was most memorable for the venue and the acoustic set, as I don't really remember so much of the electric sets. But the energy that the boys displayed in Buffalo was just out of this world, and that second set opener had to be the best I've ever seen. Of course, I was too young to see a 1970 Dancin', so I can't really compare. But I like the rockin'-disco late '70s versions a LOT.
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9 years 3 months
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For a 1970 (or any year/decade) Dancing in the Street, head over to the soundboard of 9/18/70 Fillmore East. Incredible great mix and recording, great vocals, extraordinary synergy, check out Garcia's slow burn solo backed by unearthly percussion/bass, organ ... Weir fills in the gaps, you know what I mean. Dancing informed by Dark Star ... There are other great 1970 versions, some more experimental, but this is a stand out due to the fabulous recording and mix, and, of course, playing by the band. Check it out!
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