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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • icecrmcnkd
    Joined:
    Gary
    Take the friendship and quality medical care for now....
  • FloridaBobalooToo
    Joined:
    Mhammond12
    One VERY VERY WISE man!
  • mhammond12
    Joined:
    My Advice For What It's Worth
    Don't do anything that could possibly cause regrets. Don't do anything that could ruin what you already have with her. She's in a relationship. Let her know how much you appreciate her but don't cross a line. She's in a relationship. If there's something there the next step should be her's. I always told my kids "A moment of stupidity, a life time of regret." To your continued recovery my friend.
  • Gary Farseer
    Joined:
    Rainy Days and Mondays
    I had been trying to decide whether to post this but seeing y'all post about hippy chicks or girls and the dead I guess I will. I truly do believe in the universal cosmic mind or group mind. As I have been sick and very sick for a big chunk of 2017, I had to have home health. Of course, part of it was insurance based but part of it was private pay. Family and friends use one gentleman as a handyman for various homes, farms, etc. His lady was tasked with being my private nurse as she is retired (right now, could change as demand for nurses is out of control). As she was connected through the family/friends it was a discounted rate, in case you think I live in the King's castle. But I was so sick that my family could not handle all that was going on with me. Well not going get into all the details but she started to visit me when I was staying with family as I was in and out of the hospital 4 different times for a total of 40 days. When I finally got home on March 18th and quite frankly scared of being alone, she showed up the next morning. I had just had final surgery on March 16 and when I woke up in the middle of the night, two of the wounds were not properly sealed so my night shirt with cap (ok not that) but my underwear and sheets had a lot of blood on them. She did not panic, thankfully, and kept me calm and contacted the surgeon. That all worked out. The first few weeks she came every day, 2-3 times a day. She was so kind. She came and checked out wounds, changed dressing, and flushed drains that I had in me. She also prepared 2 meals a day for me. Turns out I worked for her father's law firm as I worked my way through undergraduate school. So I knew her dad. She knew my folks as well. It is a small southern town. One day as she was fixing me scrambled eggs we were talking about our youth and all. She is actually 9 years my senior but a drop dead gorgeous blonde. We were just talking about life and Karma and all, like is my illness the result of something I was being punished for? I told her I used to be wild, but do not believe that Karma played a reason for illness. We continued talking about traveling and stuff. I told her I have traveled a pretty good bit as I was a Grateful Dead fan when I was younger. She responded, oh, I was a Grateful Dead fan when I was younger too. Well ding ding ding. We now had that instant connection. This was still in late March. Her last medical visit was Friday. In that interim we spent so much time together. She saw me at my worst, the weakest physically with open infected wounds and all. We had profoundly deep conversations. Around the end of May I started to show her some of my musical collection to which she was floored. Understandable since most of us on here are kind of in that 1% of deadication. I finally got my first shower in late May. And man, 5 months without a shower makes you really appreciate something so simple and how pleasurable that is. Of course to shower, I had to have her there as I was and still am a fall threat (label of medical community). So as I showered, I would play her various eras of dead music. Last Monday I played the acoustic set from Radio city with the Ripple and all. So here I sit on Monday really conflicted. First of all, she has a man. However, they are not married but do live together. Before I met her my sister had been asking me some questions about life and I told her that the wierd thing is I have had more than a few married females make it clear that they enjoyed my company. But single ladies I seem to run off. Of course, we all know the strength and weaknesses of the female dna (how is that for tact) so I am not going to speak more on that. So I can tell that she seems to want me to press on this issue. There in lies the dilemma. Her fella is a family friend but he is 10 years older than her, a workaholic, kind of running out out of steam but is supper kind. (Btw, her man saw Hendrix at the 1970 Atlanta Pop Festival). So I am all melancholy over what to do. I had written when I first came on this board that there were few if any heads around here. The ones I have met are all in there early 20's so they never saw them. All have been kind but as I am 30+years older do not have a lot to talk about. So to meet the first female head in my area has just floored me. Of course, I am also trying to rationalize my thoughts as it relates to reverse Florence Nightingale syndrome. I really do not know what to do. You all have pointed out the opposite of "tragedy narrowly averted" when it comes to ladies and concerts and all. I am ordering for her Reckoning Expanded for her personal kindness. I am also ordering her the book "The road less traveled" as it is a great book on healing. So I know she will be back to receive those gifts. I also will need some additional surgery later this year so I am sure she will be helping me with that. Just cannot decide to speak honestly about my fondness for her or not. I have been trying so hard to not allow my fondness to grow for her but she is so sweet, patient and loving that it is hard to do. I know she has a fella but like I wrote earlier, I have had several married ladies press me. I know it is because I am kind (and usually have the kind, smile). So I know that usually I speak more to a woman's heart than most of their husband's and her man does. I know it all starts because I actually listen to them and respond accordingly. I know none of you here are this way but a lot of guys take what they have for granted. It is easy for me to connect but I have never stepped over the line. All I can ponder is the discussion with my sister and how it was my sister that got this cute little deadhead to be my nurse. Now I really do not know what to do. I think I am just going to present her the gifts and let her know that she will always have a very soft spot with me for all of the help that she has provided. Sorry for the rambling. Does anyone have any advice?
  • JimInMD
    Joined:
    Re: Dead Dates
    Seriously funny stuff.. completely cracked me up.
  • antonjo
    Joined:
    Bobaloo
    Omigosh, man, that reminds me of me, though your stories win by some miles. For me it was just one girl I was hopelessly, helplessly enamored of and kept thinking that seeing a great show together might spark something that was, in hindsight, never going to happen. Our first "date" was Jethro Tull ~ fine show until we couldn't find my car for about an hour afterwards. Then came Pittsburg '89, which we drove to together from Baltimore. As recently recounted, I never did hook up with my ticket connection ~ I gave her the one we had in hand, and watched her head in while I eventually had a front-row seat to the nationally televised riot after ticketless heads rushed the gates. Next came JGB that year, when she spotted her most recent ex and spent the entire post-show having a heart-to-heart with him as I waited nearby (after hurrying us along with "I'm tired" when I'd tried gushing with my own friends minutes earlier). Spring '90, third night Landover. Pre-show, she took a nap in my car rather than hang out with me in the lot. As soon as we got inside, she ran into yet another ex-boyfriend and left on the back of his motorcycle after the show. That's okay, at least I saw the Black-Throated breakout from the 9th row ~ where she'd refused to join me, having already told ex she'd be sitting behind the stage...just before my friends offered us the upgrade. There's yet another entry, 3rd night Nassau a week later ~ but you've heard enough. Yes, I was a sap. But we remain dear friends to this day. Spacebro, Appreciate the shout-out for 6/14/91. The finest post-Brent show, and stadium show period, that I saw. Pre-drums was to die for (Help > Slip > Franklin's > Estimated > Dark Star...are you kidding?). Then again, I missed RFK the year before, which by all accounts was the bomb. But backpacking in Europe that summer (and Asia that Fall) was a pretty great excuse....
  • FloridaBobalooToo
    Joined:
    Bringing girls to concerts
    It never worked well for me. Especially outdoor shows in the Florida heat. At The Who's 1982 tour stop in Orlando, my date dropped from the smoke( Maui wowie high grade) and the heat. She had to be lifted over the front of stage barricade. After the show she wandered out and looked like hell. Poor lass! Another time at Rush in Lakeland another date decided to puke all over the guys ahead of us. Red jungle juice all over this dudes tour shirt. Total calamities. I had to buy the guy another shirt to keep him from going ape shit.Had yet another date at Pink Floyd in Orlando mid 80s try and get back together with her ex she spotted in the crowd! I just couldn't win! Now with my wife of 24 years we have no issues as she is a non partier and likes to stay away from the insanity. Suits me fine. Oh yes The Stones Tattoo You tour 82, and a different girl. She passed out in the heat and had to go to the first aid station for fluids! Only to get in my Trans Am on the way home and fill the passengers floorboard with vomit that was so nasty, the smell refused to leave the car and cost me a nice chunk when I traded it in on a new ride. Like in Seinfeld that smell could not be erased. The salesman actually asked if someone had died in the car! Thanks Babe!!!
  • Roguedeadguy
    Joined:
    Spacebro
    Sonuvagun you're right. Mule is in Grand Rapids tonight, not Rochester. Obviously I didnt have tix yet, but I was going to bust out of work and head right down to Meadowbrook. None of my usual concert buds wanted to go, and I was wondering / hoping someone from here might be there. Guess I dont need to bother. Have fun, man, tell us about it tomorrow. Mule and Galactic, dayum! I shoulda been more on top of it. Meijer Gardens is a great venue, small and intimate, like a club, but outside. As I recall they're kinda stingy about smoking there, tho. Saw Umphreys there a couple times. Jim -- thx --- I like to use the story of me, Mrs. Deadguy, and my roommates old S10 to help explain to folks who don't understand why I love going to shows so much, why they're such a big part of my pursuit of happiness. Figured most folks here would appreciate it.
  • JimInMD
    Joined:
    Getting the Dead
    I hear you Dave. I have been hit or miss on relationship GD love. Mostly miss, but always tolerance, I do expect at least that level of support. It's one of those things you have to discover for yourself, you can't push people into it. My first love was and still is a deadhead.. perhaps I should have stuck it out. Oh well, revisionist history I guess. On a related note.. in my tiny, tiny town (or at least close to it) we are getting the John K Band this weekend playing at a local bar/restaurant/music venue. He's from DC so its only a three hour drive for him. He did some sort of echo tour with one of my neighbors a few years back, so he's no stranger to recreating in the mountains here.. I think it was flat water kayak mountain lake related, the guide is an older hippie but not really a deadhead and had absolutely no idea who John Kadlecik was. It was only after it was over he pieced it all together. Anyway.. sorry for the side-bar.. The local music scene here is mostly bluegrass or shoddy cover bands, getting some better dead related stuff shines a ray of sunshine on the local scene.
  • daverock
    Joined:
    50 shows!
    That's quite impressive. I saw 5 myself. Well-4 and a half. At the middle night in London-Halloween 1990-my girlfriend of the time joined me to see the band. She had always been indifferent to them-but on this night-of all nights- she decided she hated them. Well, it wasn't so much the Dead, as the Deadheads. Sorry guys-hopefully it wasn't any of YOU. We happened to be sitting in a particularly smoky and rowdy section, and after the first set ended I decided enough was enough and we left. Otherwise there might have been carnage-she was very beautiful-but you wouldn't want to mess with her. It was a great set, too-arguably the best of the run. I saw them on my own either night of Halloween-both great shows to my ears-but the 31st was the ONE. I have never heard Govt Mule-although I their name crops up a lot. They are playing in London soon, so maybe I should go. On my own.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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Got in for the 2nd night at the Wang! (Shut out for the 1st night).
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would anyone be able to do me a big favor and pm me the individual artwork for this box set? the Lincoln and Washington artwork? I had it something went wrong and lost it. apparently on ITunes you have to add the artwork after the whole cd is done ripping. that's how I lost it.
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17 years 6 months
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nevermind! I fixed it! just click and drag the image to a new folder from ITunes. didn't think you could do that.
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13 years 3 months
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Can someone PM me an actual Customer Service #, to talk to someone, if such a thing actually exists? I am over a month out waiting for a replacement disc on an item that is not sold out. Seriously, WTF? So sad how customer service is basically dead here now, despite the real good efforts of a few.
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No, I am sorry, I don't know how to go about contacting someone to talk to about an issue. I tried unsuccessfully myself earlier in the year. It seems to be one of the downsides of technological advances that contact between humans has been downgraded. There have been a number of instances this year where I have tried to contact someone by phone-only to find that it is no longer possible. Or that it takes forever to get through. Music wise I have just finished listening to The Allman Brothers live at A&R Studios 26th August 1971. What an incredible show! It starts off with a number of shorter but perfectly played blues numbers, before stretching out more on Elizabeth Reed and the Soul Serenade jam at the end. My copy is unofficial, and I am seriously contemplating getting the remastered version as an upgrade. Dead wise I am listening to the farewell box from Winterland October 1974. All 5 cds are superb, but it feels a bit as though the shows suffered from an earlier releasing policy. Should these shows be released now, they would surely be done so in their entirety in a suitably expansive (and expensive) box set. There's still time!
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13 years 1 month
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I ordered the RFK box w/this #, so hopefully it's still valid: 1-800-440-8025 I hope this helps resolve your issue(s).
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drrhino@wmgcustomerservice.com Don’t waste your time with customer service, go directly to Dr. Rhino. Keep in mind that it took 5 months for replacement 5-5-77 CD2’s from GSTL even though the AME was available.
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17 years 6 months
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Also came through for me on a May 1977: GSTL New Haven Folio. Mine came smushed.
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containing a serious Fire On the Mountain and one of the few Reuben & Cherise's makes for a interesting and unique tape.
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12 years 1 month
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Johnny here! It's been awhile since I've posted and I hope all you Dead.Net folks are doing well and having a wonderful holiday season! This RFK Box is typical summer 89 which is to say pretty damn good. The only week moment for me is the Throwing Stones I love this song and the band usually delivers, but they don't seem to really smoke the jam on this one. It's not terrible, but it's not killer either. Anyhow, happy holidays gang!
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12 years 1 month
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Having a few cold ones and playing the 5/16/81 Cornell show from 30 Trips. Smoking stuff, wow!
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johnny361 found myself singing along to DaP20! today in the car. Just seemed like an '81 type day to me I guess...
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Much appreciated. I had a terrible time with the 30 Trips box (months to rectify). GSTL had two messed up discs and got replaced fairly quickly. This is another CS disaster from Rhino/Dead.
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Jusr realized I posted this on the wrong board...anyway: Not sure if anyone brought this up before, but right at the beginning of the jam in Cassidy, Bob plays the riff from Land of a 1,000 Dances. Does it twice in unison with the melody, then once more but harmonized. Nice stuff!
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has a pretty nice Stella Blue
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10 years 1 month
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Kyle you give me hope that there are others who still mine and enjoy shows across the 90's era; I've picked up on a few of your references myself and fell down some rabbit holes... Understanding that Jerry was on the downswing vocally and perhaps other ways, these were all still GD shows, and I feel there is something to offer in there for the majority of them (at least that I have heard). Case in point - I revisited the 30 Trips show from 10/1/94, and man, that has some fantastic moments and the playing is inspired. The Help>Slip>Franklin's opener is H - O - T; a tight Althea, and perhaps the best song of the show in So Many Roads - listening to that one last night LITERALLY brought a tear to my eye at the end/refrain - Jerry just lets is all out in the vocals and the place goes absolutely nuts. Second set Scarlet>Fire, Saint>Terrapin?? Then another fantastic energized ballad in Stella Blue. What a show. And, I really enjoy Jerry's tone at that point in time. All in all, good stuff and my hope is that there remains steadfast respect and enjoyment of these years for those willing to give them a chance. Happy Holidays, All. Sixtus
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I agree that the band played a lot of great music in the 90s. But for me, its not necessarily in the places you would expect. When I saw them in 1990, one of the best moments-and I can still remember it clearly - was Jerry singing "Black Peter". I was quite close to him, and I could see, as well as hear, the passion and commitment of his delivery. It was very moving-not exactly party music, but so deep and emotional. I can't imagine he would have been able to perform this song so effectively during the 1970s. Another great song that night-29th October 1990, was "Row Jimmy"-hardly one of my favourite songs, but this version, this night, was really involving. The jams were okay-but the slower songs seemed truer somehow. Anyway-happy holidays to one and all.
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oh man, there's so many gems one can find in the fall '94 shows if one wishes to look. the whole Boston Garden run is a great listen. and the Madison Square Garden run of fall 94 as well. 3/3/92 as a whole is a pretty good show and is a '90's show i'd like to see released.
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The attraction for me in listening to those 90's shows is the ridiculously large repertoire. My spreadsheet counts (your mileage may vary) 58 different songs performed during Europe '72, 64 during spring '77, and 125 during spring '90. 125!!! Pick two back-to-back shows from '72 and you pretty much heard everything they had and many songs twice. Pick two from '90 and it's "darn I wanted to hear such-and-such" with zero repeats. Granted, pick any one song from '72 and it's somewhat 'better' than any one song from '90. But that's not why I still listen after all these decades.
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Thinking back to 78-79-80 Jerry played comparatively few tunes after the drums, but he consistently performed at knockout level in that stretch. Four or five shows into '79, I can remember eventually not caring that there might be no more Morning Dew. In Spring '80, I was overjoyed to hear the Dew (Nassau), but most nights for the next 15 years I was expecting to be slayed in the home stretch by Wharf Rat or Stella Blue or Black Peter. No problem.
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Generally, you could do a 3-night run and not get a repeat. The 3-night run at Omni ‘93 only repeated Lazy River Road which was a new song and needed to be broken in. Happy Holidays (and pending polar vortex for those east of the Rockies).
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....can't recall one in any of the Vegas runs. Hit every show. Man, that's starting to feel like a long time ago.
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Yes! Your assessment is one of the reasons I also really enjoy the later era - so many songs available, so many ways the sets could go. Admittedly certain songs seemed to be more or less locked into their relative slots, but when they ventured outside of that and also changed up the song selection in general, it was usually a treat. Not to mention, the GD are like, also the greatest cover band of all time. So many covers, especially in later years - for better or worse, but I pretty much enjoyed them all, till the end. Keeps me on my toes. Glad to see the love. Sixtus
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ah.. the often maligned Row Jimmy. Nice Row Jimmy reference daverock. It's always been a favorite of mine and apparently Garcia's as well. He is quoted as saying he loved to play that song. I get out in my boat on a good year perhaps 100 times.. we use the word paddle here, not row but it resonates for me nonetheless. Row Jimmy always had a familiar ring.. a humble little song, grass shack nailed to a pine wood floor.. almost like it was written about me, Row JimmyInMD? :D It's one of those songs where the jams just flow almost without effort from the words and melody and melt into the theme of the song. I especially like some of the 73/74 slide renditions. My mom calls me Jimmy.. except when she's pissed.. then it's James (loudly, insert middle name for added emphasis) and out comes the singular, pointing index finger.. and wham.. I'm in deep shit trouble and written completely out of the will, yet again. :D The oft maligned Row Jimmy..
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I was surprised to learn this was one of Billy's favorite songs to play as well. I tend toward the 1977 versions...4-27-77 is a one really good version I remember. That tape sounded so good back in the day. Both sets!
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This one? Yes.. indeed. I was remiss to not include 1977. Wilfred.. you've never made the naughty list here.
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Check out how into it the band is on this one, especially Jerry, Billy and Mickey. They simply come together on this one. Check out the Sugaree and Terrapin>Morning Dew from this show, too. This is really good! Thanks for posting it, Jim!
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7 years 2 months
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This box set has drawn some negative responses here and I'd like to address the points I've seen so far. 1) Brent calls his ex a bitch and uses the f word. Yep, I get it. It's pretty negative for a Dead vibe, and we all want to have a fun trip. But it's literally 1 second of the first disc. And it's art. Brent was working through his issues. Get over it. The Dead were ok with it; maybe we can all try a little harder. 2) Brent sucks. Yep, I get it. Brent is a poor man's Michael McDonald (I lifted that from somewhere else). But really, he doesn't suck. Brent and Jerry work really well together. Brent's keys are great. He knows when to play and when to back off (check out his work in Cassidy). If you're hung up on Brent, check out what Phil is doing. Or Jerry. Or Bobby. Or Billy or Mickey. Brent was a really tasteful musician. I didn't like him at first, but he's grown on me and my respect for him grows with each listen. 3) The set list sucks. Have you ever heard someone say "don't judge a Dead show by the set list"? I rest my case. 4) These two shows were weak shows in this tour. OK you got me on this one. I can't compare these shows with the rest of that tour. I wasn't there and I haven't heard what's out there on audience tapes. But what I can say is that this box sounds fantastic. The Dead are *on*. They're on fire. Are these standout shows from that tour? I have no idea, and I don't care. They sound great, and it's a pleasure to hear it mixed and mastered on this release.
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7 years 10 months
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Listening to the sublime Dick's Picks Vol. 14, watching Packers/Vikings. Nursing a Tito's and soda, cradling a dry 1960's Les Paul goldtop. Life is good. Happy and excited for the upcoming 1971 release, like all the rest. Cheers! \m/
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9 years 3 months
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Your post on this box set is spot on. I've listened to both shows a couple of times and they seemed great to me, some really good latter day dead.
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7 years 2 months
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I feel like the animosity toward this release is about late Dead vs. early Dead. I'm not going to evangilize late Dead, but I will evangilize both the musicianship and the production of this release. This box set sounds absolutely amazing. I got on the bus pretty late; Without a Net was my introduction. So call me a post-touch-head. It blows me away that these 24 track recordings exist and that we're fortunate enough to hear them mixed and mastered. Keep them coming; I will buy each and every one.
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15 years 3 months
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A Merry Christmas
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13 years 3 months
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Well, after waiting for 6 weeks to get a replacement disc, and being told by some guy named Mac at customer service that a replacement was 1 week away, I finally got thru to someone who authorized a refund for me on this set. Horrible customer service now. Sad. Lady today was nice. I am officially buying all my Grateful Dead music elsewhere unless it is specific only to Dead.net. I am willing to pay $5-$10 extra to not have to deal with the frequently defective products and awful customer service that results. I'd encourage others to follow suit when you can. The hassle here is no longer worth it to me.
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17 years 6 months
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3 Newcastle beers left from Christmas. going to finish up 11/10/85 had to quit in the middle of it due to Christmas festivities. and possibly 5/10/72 for the first time it has to be good right? 4/11/72 New Castle, ENG was pretty good last nite.
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9 years 10 months
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I've also had some defective CDs but never had a problem getting a replacement. I'm guessing you never were put in touch with Dr Rhino? I've never known him to not come through. I'm not sure how boycotting the site would work. you will spend a lot more than 10 bucks on ebay getting Dave's Picks and box sets. Plus there's there general philosophy that funding the machine keeps the new releases coming indefinitely. I buy all of the releases, whether I want them or not just to support the machine. Now granted I WANT most of the releases anyway but for example I bought this RFK set just to play my part in keeping the machine Truckin'. Cuz it's still worth the headache of the occasional defect or customer service issue.
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13 years 6 months
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This issue seems to dog many here. Not sure why its so difficult and why the defect rate is so high.. Like Minus said, get a hold of the good doctor (Dr.Rhino@Rhino.com) or PM MaryE here. That usually works. Happy holidays all, we are on the downward slide to the New Year.
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17 years 6 months
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Anecdotally it does seem rather high. While rearranging my collection shelf today, I just noticed a rip in the paper covering of the outer box portion of my RFK box. It's doubtful I will press the issue this time, although I'm tempted. It may well have been damaged in transit. These came in an padded envelope this time, right? In hindsight, maybe not the best idea for them to leave them in there to flop about and prone to smushing.
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8 years
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I have purchased every DP, every RT, every DaP. & every CD box set minus Filmore '69. I have never had a defective product. I have had some incredibly poor customer service on more than 1 occasion. On the other hand, the one time I called to complain that I didn't get my DaP bonus disk I got my replacement immediately. (I was mistaken on that occasion & I DID indeed get that bonus disk originally [I'm just a dummy]). Sometimes you get Bear and sometimes Bear gets you ♡
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13 years 6 months
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...sometimes the bear gets you. So true.
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16 years 8 months
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Actually quite the opposite is most likely the case. The worst release recently was GSTL and that was a couple of dozen issues. Which translates into less than 1%. Compare that to software with constant bugs, cars that need recalls numbering in the hundreds of thousands etc.etc. and Rhino does a damn good job. I can't speak to their customer service since in all my purchases which is everything I've never had a problem which again anecdotally goes to the quality of the product. If their customer service is as bad as the few who have had problems then they need to fix it. In this area there may be some validity to the complaints if you look at the problems they have with their website when there's a new release. Then there's the complaints about not getting a show on the release date. It's the release date not the date you get it in your hands. Bottom line and this has been said numerous times they do a very good job with their picks and the quality of the release but possibly could step it up a bit when there is a problem. And the consumers could exercise a little patience as to when it gets to them. Thur instead of Tuesday come on if that's the worst life dishes out to you you're doing great
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9 years 4 months
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The hired foreign CS phone bank for mundane issues never does a good job fixing actual problems, as they are essentially bound to a script. The dear readers here know how, and should, immediately escalate any problems to Mary and/or Dr. Rhino. They know how to get sh*t done!
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11 years 7 months
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I have had a few issues with music showing up late in the past. Once I was contacted by Mac, however, the issues were resolved. The regular customer service people who answer the phone don't always have up-to-date info or can't help much with some issues but Mac is a stand up guy and has always came through for me. Thanks again Mac for all your help, it is much appreciated.
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7 years 10 months
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I've owned many thousands of compact discs since they came out in the 1980s. Still buy them and they are the primary medium for music. I like a little artwork, but can't have 10,000 record albums in my home though it would be cool. They sound fine to my ears. After I burn them into iTunes they go into the vault and stay clean. If any is needed for the car, burn a copy. And, a natural backup in case all the electronic shit crashes. Computers, I can't count on 'em. A computer can't bet on sports and won't touch a drink, and you can't trust a man who refuses to do either. In all this time, maybe twice - and maybe, exactly only once, I can't clearly remember - has a factory-made disc not played, had a skip or electronic noise on it or whatever. I have ham-handedly cracked a couple trying to get them out of their holders, but this is remedied by returning to seller and falsely claiming it arrived like that. It almost seems like the Rhino Dead releases are plagued, judging by the number of issues evermore posted around here. But of course these people, you, Dead freaks, obsess over every aspect of this band so nearly all incidences are reported, about 900% higher than the general population. I understand music not playing, but to think cracked case or torn sleeve or something is like a life-impacting issue seems ridiculous. I leave my guitars out and sometimes kids put greasy hands on them or one falls off couch. The cars are a few years old, and I wash and interior clean them intermittently, but clearly they show signs of wear. Bought that $100 Jimmy Page coffee table book a couple years ago. It arrived damaged from UPS or whatever, in that the box was gnashed and front cover has a pronounced 1" divot in it. So what? I kept it. Why produce the waste of sending back to get a perfect one, only to freak out then when someone smears page or drink spills on it. Favourite shoes are 20, 25 year-old pair Doc Marten boots. Don't care no one wears them anymore, they show the character a human face does, decades of experiences written across them. Though scuffed, they display gravitas that can only be earned. When I see store-bought "distressed" jeans and such, I recoil in horror. Like with a person, one can spot a "fake" pair of jeans or baseball cap a mile away. I know people who own guitars that will hardly let you lay eyes or breathe on them and gasp when they're handled. It reminds me of folks who used to (do they still?) put clear plastic slipcovers on their sofa cushions! This kind of struggle to maintain a level of perfect newness with material items has to be a clear tell of insanity and impending dementia. Been listening to a lot of great Al Di Meola guitar today, on shuffle. From acoustic gypsy music to jazz-fusion wailing, an amazingly coherent tasteful body of work. Check out Al, your local public library should have a few cd's you can rent for free.
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14 years 1 month
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This weekend has been my third listening to this box. I gotta say, I'm glad it was released and look forward to other 24 track recordings. This box sounds great. Very up on-it performances. If these were the weak shows, I can't wait to hear the better ones on this tour get the full Norman. Thanks to all who make this discussion always so interesting and informative. I wish everyone a fine, fine new year with many new GD releases. Scott
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7 years 1 month
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All I really got out of your post is that you're a slob who doesn't take care of his stuff, and that you contribute to inflated consumer costs by returning merchandise you've broken. You're without a doubt the guy who damaged the irreplaceable knick-knack at the party without telling the host, as well as the kid who broke his friends' toys without owning up to it. And I'm sure if the cost of the Jimmy Page book exceeded x number of dollars, you would have sent it back for one without a dent (assuming of course, the dent resulted from something you did).
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