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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • fourwindsblow
    Joined:
    lom1975-05-21.dts.menke-falanga.motb.0054.87526.flac16
    Legion Of MaryKeystone Berkeley, CA 05/21/1975 - Wednesday DTS-Audio-CD 5.1 Mix Sources: -- SBD Lineage: SBD > 15ips reel > 15ips reel > DAT Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD Transfer 2: CD > EAC > WAV > SHN -- Audience FOB Recording Media: Maxell UD90 Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV Taper: Bob Menke and Louis Falanga Transfer: Bob Menke Mastering: Jamie Waddell Set 1: d1t01 - That's The Touch I Like d1t02 - I Feel Like Dynamite d1t03 - Last Train From Poor Valley d1t04 - Finders Keepers d1t05 - Tough Mama d1t06 - That's What Love Will Make You Do Set 2: d2t01 - I'll Take A Melody d2t02 - You Can Leave Your Hat On d2t03 - Mississippi Moon d3t01 - Harder They Come d3t02 - Creepin' d3t03 - How Sweet It Is (To Be Loved By You) Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel. Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens> Fostex CR200>CD>WAV(EAC)>SHN note: Disc 2 Track #5 was originally labeled Jam #8, but according to www.thejerrysite.com this is in fact Creepin', an instrumental version of Stevie Wonder's version which appears on his 1974 album "Fulfillingness' First Finale". tsl@volition.org patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086) Man this sounds so good in DTS 5.1 Surround Sound.
  • fourwindsblow
    Joined:
    Black Mountain Boys
    Early Jerry cool stuff here. I got every Jerry show from '61 to '95 95% tagged flac.
  • David Duryea
    Joined:
    Black Mountain Boys – Palo Alto, CA (03/07/64) Download
    Lossless Bootleg Bonanza: Black Mountain Boys – Palo Alto, CA (03/07/64)black mountain boys Scott Hambly, Jerry Garcia, Sandy Rothman, Geoff Levin Black Mountain Boys 64-03-07 Unknown Location (probably The Top of the Tangent, Palo alto, CA) Download: FLAC/MP3 https://themidnightcafe.org/2018/03/24/lossless-bootleg-bonanza-black-m… Set 1 01 Happy Birthday 02 Nine Pound Hammer 03 Darling Aller Lee 04 Tuning 05 Ocean of Diamonds –Set 2– 201 – Intro 202 – Sourwood Mountain** 203 – If I Lose 204 – Homestead on the Farm 205 – Pig in a Pen 206 – Once More 207 – Stoney Creek 208 – Two Little Boys 209 – Salty Dog 210 – Rosalie McFall 211 – Teardrops in My Eyes 212 – New River Train 213 – Love Please Come Home*** 214 – Make Me a Pallet on Your Floor 215 – John Hardy outro// Source 1 (Set 1 Only): shnid: 35142 SBD->Cassette->CDR->TAE->SHN>flac sector aligned more likely line patch from pa system>MR>R>C>CD>DAE> Source 2 (Set 2 Only): shnid: 127499 Aud MR > ? > cass
  • David Duryea
    Joined:
    3/24/73 The Spectrum
    Dead of the Day: March 24, 1973http://gratefuldeadoftheday.com/03-24-1973 The Spectrum Philadelphia, Pennsylvania There are so many shows on this date, and quite a few fine ones, but our Dead of the Day is the fairest of them. The show gets off to an explosive start with a very tight Bertha; and, though it is a small thing, the last note that Jerry throw in to cap the tune is just so lovely. The next couple songs are so fresh and crisp, exemplified by the bouncy, energetic opening to Don’t Ease Me In. Then things shift gears a bit with Lesh delivering a heartfelt Box of Rain with Keith’s keys and Jerry’s lilting, reserved guitar play complementing the emotional lyrics. Row Jimmy, Looks Like Rain, and the Here Comes Sunshine are also highlights of the early going. But the best of the first half has to be the closing Playing. Keith and Phil are in sync and feeding off each other, while Jerry paints these spirited brush strokes of pure bliss to cap the set. Though it does not seem possible, the band ratchets it up a notch further in the second set, really beginning with the He’s Gone. This was just the second He’s Gone since Pigpen’s death, and it seems to have an effect on the boys, especially followed by the biographical Truckin’. Jamming out of the latter tune, they search for their next angle, coming upon a tremendous Spanish Jam. Bobby, Billy, and Phil push the pace while Jerry provides some face-melting, dance-crazed spectacularness that still leaves a tremendous amount of room for contemplative exploration. Eventually, the jam plays itself out and the boys enter into a haunting, ethereal zone before bursting forth with a four-minute Dark Star that, despite its brevity, is somehow still totally satisfying. Then the Pig reminiscence and reflection reaches its crescendo with Sing Me Back Home, the Merle Haggard tune that, though written about different circumstances, could not be more appropriate at the moment. Jerry does total justice to the lyrics while the rest of the band provides accompaniment, making it an emotional powerhouse. Ron Pigpen McKernan’s death two weeks prior to this show, on March 8th, had put the final closure on an era. He was the band’s first true frontman, the real face of the Dead through the 60s. Though Jerry had long since taken the musical reins of the band, Pigpen continued to be the major presence throughout the early seventies, busting out command vocal performances on Lovelight, Gimme Some Lovin’, Hard to Handle, and other earth shattering numbers. With his retirement from the band and subsequent passing, the Dead began to evolve once again. This time, they would become the seething monster of the Wall of Sound era. Though the full development of that sound was still another year off, it was beginning to form here in early ’73, replacing those killer Pig tunes with even more driven, spacey jams that featured Jerry but relied on the full, mind-melded participation of the rest of the band. They also began to hone their vocal performances. Though nobody would ever confuse Jerry or Bobby with Art Garfunkel or the backup of Donna and the rest of the band with the harmonies of the Beach Boys, they put together a vocal soulfulness and togetherness that fit perfectly with the Dead style and their voracious playing and could do justice to the lyrics of Hunter and Barlow as well as the traditional Americana and contemporary classics the band covered.
  • David Duryea
    Joined:
    3/24/71
    March 24, 1971http://gratefuldeadoftheday.com/03-24-1971 Winterland Arena San Francisco, California Not much to add to this as Forensic Doc pretty much said it all and way better than I ever could. This may very well be my favorite version of King Bee ever. Thanks Doc for hooking me up with this fine fine show.
  • David Duryea
    Joined:
    3/24/70 Pirate's World Aaargh!
    Lossless Bootleg Bonanza: Grateful Dead – Dania, FL (03/24/70)grateful dead - dania - 1970-03-24-Pirates-World Grateful Dead March 24, 1970 Pirate’s World Dania, FL gd70-03-24.sbd.miller.sbeok.flac16 Download: FLAC/MP3 https://themidnightcafe.org/2018/03/05/lossless-bootleg-bonanza-gratefu… This is a tagged version of shnid: 32054 Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude v8.01 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net January 4, 2006 –Setlist– 101-d1t01 – //Morning Dew 102-d1t02 – Mama Tried 103-d1t03 – Good Lovin’ 104-d1t04 – Don’t Ease Me In 105-d1t05 – Cold Rain & Snow 106-d1t06 – High Time 107-d2t01 – Dark//Star -> 108-d2t02 – The Other One -> 109-d2t03 – St. Stephen -> 110-d2t04 – Drums -> 111-d2t05 – Not Fade Away -> 112-d2t06 – Turn on Your Lovelight -> 113-d2t07 – Me & My Uncle Pirate's World https://lostlivedead.blogspot.com/2015/04/march-24-1970-pirates-world-d… Pirate's World was an 87-acre amusement park that had opened in 1966, just North of Miami in Dania, Florida. It was located just East of US1, North of Sheridan Street (the community is now called Dania Beach, FL, and Sheridan Street is also FL822). Most of the rides were pirate themed, and there was a body of water, and one of the rides was a trip on an "actual" pirate ship. The amusement park was initially very popular when it first opened, until Disney World came on the scene in Orlando in 1971. Pirate's World closed in 1975, although it is fondly remembered by young people in the area at the time. There had been a variety of efforts to find suitable rock venues in the Miami area in the 1960s, and the Dead had played a critical role, if to little avail. Early in 1968, the Dead had played Thee Image, Miami's own Fillmore, and the band had also kicked off a series of free concerts at Graynolds Park. Later in 1968, the band had played a rock festival in nearby Hallandale (Dec 28 '68) and then, after Thee Image had closed, at a rock festival on the Seminole Indian Reservation in West Hollywood (May 23-24 '69),and at a speedway in Hollywood (Dec 28 '69). By 1970, police and civic pressure had forced touring rock bands to play outdoors in the Pirates World amusement park in Dania, just North of Hallandale (and just South of Fort Lauderdale). Note that the ticket stub suggests that when purchasing a ticket "all rides free." I wonder how "The Other One" would have sounded on a roller coaster? From the point of view of the park, it seems that the concerts were an effort to bring in teenagers. Certainly the events were memorable for those who went. An eyewitness recalls The concert area at Pirates World was inside the large amusement park. Maybe 2,000 people? 100 feet of floor space between the stage and a row of wooden bleacher seats that faced the stage. Totally open air, don't even think there was a roof over the stage. On the archive, another eyewitness chimes in lived in Ft Lauderdale from 67-69...returned to NYC in 69 and went back to Fla. numerous times. Happend to be there when this concert was announced and holy shit!I was in a band in NYC during 65-67 and bass player was a huge Dead fan. He was with us in Fla and attended this concert, too.Prior to concert, 5 of us decided to take the ride across Pirates World, sort of an ore bucket thingy. While we're waiting to get into our cage, who's in front of us but Garcia amd his entourage...we wait and they get into the cage...a few mniutes later ( we had an abnormally long wait) we get into our cage...proceed to go 1/2 way across the grounds, about 50 feet in the air, and the ride stops...we decide it is the cops who want to bust us (Fla. in 1970 was, shall we say, intolerant of long hairs) so we start smoking everything we have...3-4 jointz each at a time...paranoid, the ride finally moves and we get to the end and the kid who opens the door says "Garcia told us there were a bunch of heads behind him, and to make sure you got a good long ride." best ride of my life. 57 years old now and man, do I miss the 60s.
  • Lovemygirl
    Joined:
    CW&I release
    ....Crimson white & indigo 7/7/89 turned all the way up, loud.
  • mhammond12
    Joined:
    Hell
    We had to get out of our seats to change the damn tv channel.
  • David Duryea
    Joined:
    Re: lazy
    Kids today have it too damn easy with their newfangled music streaming, cell phones, cds and computers. When we were teenagers, no matter whatever substances we had ingested, we had to get up and walk over to the record player every fifteen to twenty minutes to play the other side. Uphill. Both ways.
  • mhammond12
    Joined:
    Vinyl.
    Recently sold the bulk of my vinyl collection (approx 1000 lps) to a dealer for $2500. Tons of great stuff, tons of not so great stuff. That's why I insisted on the bulk sale. Don't worry. I had removed all my favorites beforehand. Like original issue copies of Grateful Dead, Anthem Of The Sun, Aoxomoxoa, Live Dead (with insert), Workingman's Dead, American Beauty, Skull and Roses, Eurpoe 72, Wake Of The Flood, Freak Out, Absolutely Free, Disraeli Gears, Wheels Of Fire, Goodbye Cream, Cheap Thrills, Surrealistic Pillow, Sgt. Peppers, White Album, Electric Ladyland, Bitches Brew... I have a turntable hooked up in my man cave and a fantastic working Magnavox stereo console from the early 60's in my living room. Vinyl sounds better. The console's sound blows people away. Yet honestly I rarely listen to vinyl. I'm lazy. Something about that 15 to 20 minutes per side thing.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Lotta' neg vibes in the comments today - geesh!
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Enough with 1977! Good era, but if there's only 4 releases a year, how about spreading it out some. And Dave's a good guy, but every one of these seaside chats is "blah blah blah, this is a really great show, so order it now".
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Sounds like it's nap-time here in Deadland. So many cranky campers...
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I would, of course, favor a spring '71 box due to the GREASE factor. But we'll have to settle for Summer '73, just to throw off JimInMD. The first such box -- there will be two, eventually -- will be the Watkins Glen soundcheck and show (5) discs, and 7-31-73 and 8-1-73, (3) discs each. After all, this summer is the 45th anniversary... and I have freakin' endless stories about those shows. Or, at least, the beginning of that infinite week-long series of shows.
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By my calculations, yes there has been a lot of 77 lately, but only because it happened to be the year that they chose for the box set last year. You take that away and you just have a couple Dave's Picks, each from a different leg of 1977. What year would you replace it with and not be able to say the same thing? And of course it couldn't be a year like 82 where there are no good tapes according to the people who maintain the tapes but only because it happens to be the year that they chose for the box that last year you take that away and you just have a couple days pics eat from a different leg of 1977 what year would you replace it with a not be able to say the same thing (and of course it couldn't be a year like 82 where there ate no good tapes according to the people who maintain the tapes). I think when one considers the Dave's Picks series, one can only really consider what's in the Dave's Picks series not what came out as a box set, what came out in a different series. Generally speaking if you count up all of the releases from all of the years it's pretty equal, for the years where there are a lot of good available tapes. Just my observation.
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Rumor is they had planned a '68 box, but no one who attended the shows could actually remember them in order to write the booklet.
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interesting, too, that most '68 shows will fit on a single disc. ForensicDoc and I agreed/postulated that that was due to many GD shows in '68 occurring on a bill with other bands, hence a shorter set. But what sets! We'll get a disc-full '68-er with Anthem reissue. Otherwise, I'm hard pressed to forecast how other '68 shows will reach us. Perhaps two long ones in a single, 3-disc DaP? I can underscore your point with the fact that '73 certainly took its toll; cannot imagine '68. Probably better I wasn't 'there,' or I wouldn't be 'here.'
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Well, there are some mighty good versions of this show in the archives, with lots of reviews on one show and a great Tennessee Jed, The attendees said the band was high as ever, well it is 72, Cosmic Charlie will have the Normanized version up on youtube pretty quick, nice artwork. Who recorded this show, is it a BettyBoard? A lot of attendees said that the first set was a lot better than the second set. You know what, I'll listen to 70's Dead before anything put out today anyday, I listened to the 78 show put out last year, man that is really good, and the bonus disc that came with RT #2, wow, great stuff. What song on 24 has the killer bass effect the most? Norman usually nails stuff, he likes mastering the Dead. OHHH, alright, gotta say something about the guitar mag effects pedal special of the year, I used to love pedals when I played guitar , I was lookin at all those pedals and the guys that were using them , Gilmore used 3 compressor pedals, I loved compressor pedals, Gilmore had a dynacomp, boss and one other one to drive all his delay and reverb pedals. I still have one pedal,its'a mxr custom comp,sounds sweet. I had a Keeley and a Wampler compressor before, but these basically use the Ross circuit. What is cool and different is a good orange squeezer, like Knopler on Sultans of Swing. Not one word about Jerry, He had a booster built into his guitar. Jerry made the envelope filter sing,loved that Mutron 3, less than 100 bucks back when it first came out. Not one mention of Jerry or Bobby in that whole mag, downright depressing.
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Not surprised this sold out. Even without the subscription's near sellout, this was bound to draw a lot of interest. Heavily traded show from a popular year, and has circulated in high quality for many years. An upgrade certainly gets my attention. I love 11/6/77 as much as the next person, but 5/23/82 Greek is elevated to such a higher level of energy and power, that you just have to hear it for yourself. No collection should be without this in it. https://archive.org/details/gd82-05-23.sbd.gorinsky.5058.sbeok.shnf
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12 years 10 months
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To early to muse about Volume 27? I'm leaning toward 12-1-79.
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i'm just like when do I get it? also 2/20/91 is way better than the previous nite. also no word on if there is filler. I get it though why bother paying someone to add a setlist for a show that is going to sell out in minutes and probly get shipped out tomorrow. also there's more '74 than '77 in Dave's Picks. '74 actually dominates the releases
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o4 22 79 brents first show for 27
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I'd like to see the rest of the Veneta week - 8/20-24/72. Go to Deadlists and check the sets - they sure look good to me! Like the '78 box, I love the idea of having the entire week. BTW, has the '78 box sold out? lol
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7 years 2 months
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Would be great if they had a multi track of it. As it is though, not close to Betty Board quality, and a hard listen for me.
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13 years 11 months
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Fuckin' lame -- yet another 70's show. Almost as lame as the prices for Dead & Co. This Dave guy has no care for anything but the 70's Dead which is "a fuckin' shame".
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17 years 3 months
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....good job on changing those last couple of words. Because that was crazy to think, let alone type.
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Just now giving a side by side comparison between 5/23/82 and the "Listening Party" above. There's absolutely nothing wrong with the Greek recording. This Healy recording actually sounds brighter, punchier and fuller than Betty's 11/6/77 tapes. I think both shows and recordings sound great. Apples and oranges to me. You can't really judge every tape recorded in '82 based entirely on the 7/31/82 Manor Downs recording as included in 30 TATS or the Alpine Valley Dicks Picks (both of which I like a lot), even as raw as they are. By the time the sound is dialed in a minute or two into the '82 Greek Shakedown, it's like candy for the ears. If it's not your cup of tea, cool. If you want to hear Jerry perform an inspired "They Love Each Other", drop what your doing and check out the link I posted above. It's a good one. The Let It Grow later in the set will leave jaws dropping to the ground, for those not familiar. edit - I have to add that The Other One from 5/23/82 is a monster. Jerry played it like it was '72 all over again. This song was often comparatively (to the pre-hiatus versions) truncated, especially in the 80's, but not this version. They explore it pretty fully during it's 12 minute duration. The Stella Blue that follows speaks for itself. There are some '89 late Spring and Summer versions of The Other One, such as 5/7/89 that get so far out there, that it's a shame that it hasn't already been released. If the Dead were consciously writing setlists to be thematic on occasion, this is a really dark show, almost frieghtening, yet amazing at the same time.
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so much kvetching, people. predictable as rain in Seattle. I would love love love 66, 67, 68 stuff. I really don't think we're going to get much 80s. except I have advocated for a Greek box. except for one date in 68, all Greeks were in the 80s. my old joke: what does a dosed frog say? "Greeeeeeek....Greeeeeek....Greeeeeeeeeeeeek"
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8/1/73 would be awesome. It's one of my all-time favorite Dead shows. Great Dark Star, great Eyes, great Morning Dew - and then they just keep going!
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8/1/73 would be awesome. It's one of my all-time favorite Dead shows. Great Dark Star, great Eyes, great Morning Dew - and then they just keep going!
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If there is anyone out there that is bummed out that there is another releasefrom the 70's, and wants to sell their copy of Dave's Picks to me, I will gladly buy it from you. I missed the subscription for the first time since this series' inception, and was bummed! Was even more bummed out when I saw that vol.25 is sold out all ready. PM me if you don't need another '77 show and want to sell your copy. Thanks! Chris
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first of all, I am sorry. second: the bulk of what you want to hear is in the listening party, anyway. I mean, I like this show and all, but until now, it has left me feeling, "whatever." Especially the Scarlet...rather tepid. with a full Norman, I should get full GD wood with this show. no complaints from me at all. More GD!!! :)))
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15 years 6 months
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Can never get enough 70's, wishing for a 74 BOX set
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I like that. I'm going to keep advocating for a Greek release until either... a) they release at least one (besides the 68 show) or b) I'm dead ...which doesn't mean I'm going to stop advocating for another Red Rocks release, or a Cal expo release, or something from the Frost, or even something from the Blossum Music Theater....
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The Greek 88 copies I had on tape all those years ago sounded pretty good. I have to admit.. I have not really focused on the ones from the Archive that much, but all things considered I think the tape sources from that run sound pretty good to me.
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I have a spare GSTL Box if anyone needs one. It has been opened and all CD’s have been listened to and confirmed to be defect free (5-5-77 CD2 is a replacement because the first one was defective).I’ll sell it for what it cost me plus half of the cost to ship it to you (UPS, U.S. only; if international you pay the shipping and any customs duties). $156 (what is cost me after tax and shipping) $9 (UPS shipping with insurance; U.S. addresses) = $165 PM me if interested.
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i cycle shows on and off my phone (depending on storage) but currently both 5/23/82 and 6/15/85 both happen to be among the rotation. Two great Greek shows, two great sounding boards. As always I'm happy to share if anyone is interested....
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This is a rough two weeks. I wonder if the Truckin' he's raving about is better than the one from a couple nights before (ended up on DP 34). That one caught me by surprise over the summer. Grooving to some Go To Nassau from October '80. I don't know. I like it better than Dead Set. Maybe because it was one of the first Dead CDs I ever heard. Dead Set has a cooler album cover. The Franklin's Tower on Nassau is so damn good. Jerry just wails throughout the solo. The Jack Straw cooks too. Playing in the Band has just the right amount of Hammond. Great mixing. Uh oh, they're home.
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I can ''Burn'' This CD for you when it arrives....Just let me know.No Charge...Just Pay to Ship to you. Thomas.
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s.
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16 years 5 months
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How about a 1970 show and include the New Riders set with it? That would be something different and special. May 1970, preferably.
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How about a 1970 show and include the New Riders set with it? That would be something different and special. May 1970, preferably.
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12 years 7 months
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hey now- anyone have the thirty trips box set for sale? if so please dm me. very interested for my own collection or just burn shows-not for resale- i have # 72 box set- was AWAY and missed this box-noticed one of my favorite shows 9/28/75 thanks- definition of integrity-keeping ones word even if circumstances change-thanks
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15 years 10 months
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1982 is my favorite year, Stolzfus. Release after release from Dave, I think a 1982 show will be released that I can buy. I have tapes of those Greek shows that listened to more than any other shows back in the 90's. Bliss for me. But have not listened to those tapes in many years. Its ridiculous that after 25 years of Dick Picks and Dave Picks they have not released a 82 show!! C'mon already, Dave!
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1982 is my favorite year, Stolzfus. Release after release from Dave, I think a 1982 show will be released that I can buy. I have tapes of those Greek shows that listened to more than any other shows back in the 90's. Bliss for me. But have not listened to those tapes in many years. Its ridiculous that after 25 years of Dick Picks and Dave Picks they have not released a 82 show!! C'mon already, Dave!
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1982 is my favorite year, Stolzfus. Release after release from Dave, I think a 1982 show will be released that I can buy. I have tapes of those Greek shows that listened to more than any other shows back in the 90's. Bliss for me. But have not listened to those tapes in many years. Its ridiculous that after 25 years of Dick Picks and Dave Picks they have not released a 82 show!! C'mon already, Dave!
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Five-to-ten, probably, for anyone but Garcia. Another couple magnificent photos posted from that person who seemingly has access to scores of rare brilliant images I always enjoy and have never seen. Listening to a lot of Gregg Allman today. Awesome. Totally stoked about this 1977 show, love me some Seventies Dead. Just grateful that this series is so popular and will likely continue forever. Or at least as long as I'm interested. Cheers all! \m/
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Saw the reference to listening to Greg Allman today - funny, I was listening to the Allman Brothers Fillmore '71 complete recordings that I just recently picked up. Good stuff. I hadn't even realized that it was available until recently.
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13 years 4 months
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Released in 1981 before CD's as a double album on vinyl. Two discs, two sides each @ ~18 to 20 minutes per side. The original format was ill-suited for what they were trying to do. Additionally it was heavily edited, vocals touched up and the like. Admittingly, I loved it.. still do I guess, especially the Fire/Drums/Space/Franklins, but it always felt like they forced it to me. It's incredible that Go To Nassau is the only other release they have so far been able to conjure from the multi-tracks from that tour. Lets hope they are saving something for the 50th anniversary of 1980 (their 15th anniversary as a band) and we finally get another multi-track release from this run. It's hard for me to compare the two, some of the material on Dead Set was hand picked for the album, choice material from the tour. Yet, I find myself agreeing that a single hot show from the same tour recorded to the same standards has a better feel 38 years later...
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14 years 8 months
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I would have bet large sums of money that the remainder of 11/2/77 would have been on here. There's plenty of room, especially at the end of disc two, so perhaps the tracks from 11/2 are on here, but just not listed? Here's hoping . . .
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11 years 2 months
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For those who are lamenting the fact that we're getting another '77 release, check out the rankings for 11/6/77 on headyversion.com. Both Truckin' and Music Never Stopped are "top 5" versions, according to users. That's all the justification you need. In some ways, I think it's hard to find release-worthy FULL shows, but when it's got 2 songs considered "top 5" versions by many, that's pretty good. Even ol' Dave said he'd put this show in his personal top 40. Also, Nov. 6th is my birthday and I went to grad school in Binghamton, so that gives this a certain "it" factor for me. Heh. I actually saw one concert in the Broome County Arena while I was there: Frank Zappa, 3/17/88. That was a great show, too!
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13 years 4 months
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Just where did Hunter come up with the name Jack Straw? Perhaps he had parts of it in his head when he lived in the UK circa 1970?? (think I'm right about that). Ten years ago, if you googled Jack Straw you got John Whitaker "Jack" Straw, who was serving in Parliament from 1979 to 2015, specifically as Home Secretary from 1997 to 2001 and Foreign Secretary from 2001 to 2006 under Tony Blair. You got pages and pages of replies for this guy before you came to the legendary song from Hunter and Weir. Now, I am glad to report.. you get pages and pages of GD related pages related to the song that will surely outlive that talking head. But where did the name come from? David Dodd's Annotated GD research mentions the name Pick Up Sticks was called Jack Straw, it also mentions the name Jack Straw being attributed to people (in England) going back to the 1300's. I would like to think there might be a connection between the British politician who was active as a labor union leader about the time Hunter was living in the UK and the story he and Bobby decided to put to music in the summer of 1971?? (first performed on 10/19/71- Northrop Auditorium, U. Of Minn. - Minneapolis, MN) Sorry for the rant, Jack Strawberry's post and creative username got me thinking of all the Jack Straws in the world. I guess Jack Straw intrigues me still.
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13 years 4 months
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Binghamton is a classic show.. Call it sacrilege, but 77 does not always make my blood boil like say 1974, 1972 or 1968.. but it's a very good year and 11/6 is a great show. I don't plan to go nuts when it arrives, I have listened to this show plenty, I will rip it to file, put in on the shelf in my office next to the last Dave's Picks and eventually listen to it when I am in the mood and properly mood enhanced. But it is a great show, a giant.. and I am very glad to see it get sunlight and proper restoration and remastering. It is more than worthy. The 71 bonanza that's coming our way next.. is a twofer I am not quite so familiar with, so I might have to get electrically mood enhances for the first listen to that one. I am actually more psyched about it. Well, Binghamton too.. go bold or don't go at all, which is exactly what Dave seems to being these days.
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