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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • SPACEBROTHER
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    Maine Dave
    Stay warm brother. Winter doesn't seem to want to let go of it's grips yet up here in the Great lakes region, but we were spared any serious snowfall this year. You guys get it pretty bad up there. I don't have all of the "Download Series" releases, but do have Vol. 5. Highly recomended. Lots of energy, a few rarities and a monster 2nd set. Vol. 7 I don't have yet, should probably get it. Vol. 9 is good. Two shows for the price of one, and the first night (4/2/89) in particular has some nice highlights. The Shakedown Street is worth the price of admission alone. For Vol. 11, from Pine Knob, is from two show run I attended. Between the odd song placements in the second set (for the era), the Birdsong and the Scarlet>Fire, it's really good. If you get this one, I suggest listening to the Drums>Space>Wheel with headphones on or between a set of speakers. I think this is a show where Mickey was karate kicking the Beam. I wish they would have included the "Victim" that preceded Scarlet>Fire. It could have been the jam in between Victim and Scarlet where Micket went crazy kicking the beam. A good way to test how much a set of speakers can handle. I've only recently gotten over my fears of purchasing digital downloads, so will eventually get the rest. There's still a few holes in my collection, but I'm slowly catching up. I did regrettably miss out on the one Road Trips Full Show download of 11/5-6/79, that has since been pulled. Wouldn't mind getting that one.
  • jrf68@hotmail.com
    Joined:
    Maine Dave
    Check your PM.
  • daverock
    Joined:
    Spacebrother
    Good summing up of 30 Trips. I am definitely going to give those November 1980 shows you mentioned another listen. After March 14th 1990, of course.
  • Maine Dave
    Joined:
    This is why I love this site
    Thanks so much for your responses everyone. Not that my decision has been made even a little bit easier, lol. Spacebrother, a special shout out to you for your enthusiasm... I appreciate the time it must have taken to give me both your lengthy responses. BTW, I know you lobby a lot for '80s and '90s releases. A few in the Download Series fit that description (#s 5, 7, 9, 11). I don't have any of those yet. Are there any that you're especially keen on? Cheers everybody. Lots of snow here in New England. Hops everyone is staying warm & dry...
  • SPACEBROTHER
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    TTATS audience patch
    It's actually the '81 show with the big second set patch. The '83 show is all soundboard. Lots of alternate source patches on the '70 show as well. The '82 selection is a solid "B+" recording of an "A-" show in my opinion. The source tape isn't quite as crispy as, say the '82 Greek run, but still pretty good. After my ears adjusted to the fidelity of the Manor Downs recording, I found it to be an enjoyable listen. I find that with the E'72 box, from the time it first came out, there is so much music there that too this day I still haven't spent a lot of time on any one particular show. All great perfromances and recordings, yet an overload of information. I tend to pull that set out on the anniversary dates, so by the next day or so, I'm already onto the next show. This set certainly deserves an "in-depth" analysis. Some people here have broken down ceratin aspects, like the various Dark Stars and Other Ones. I don't you'll find much, if any dissatisfaction with this set, except for maybe some of the mixing decisions where some thought it felt rushed. The only "off" thing I can recall from the set is that 4/11/72 Newcastle, Jerry's guitar sounds a little more distorted than the two Wembly shows that preceded it and the rest of the shows afterwards. Something like a blown tube sound, that seemed to be fixed by the next show. The slight muddiness of his guitar tone doesn't detract from the overall enjoyment of listening to it though. There will always be an occasional glitch when an entire tour is released, even during their best tours. Speaking of anniversaries, March 14th is tomorrow. Time to break out 3/14/90 Cap Center from Spring '90 (TOO). If you don't have these two boxes yet and have the spare money, you won't be disappointed. Like E'72 and May '77, every show is epic.
  • SPACEBROTHER
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    TTATS
    I think it's a great box and well worth having because of the following... 11/10/67 Shrine Auditorium - Multi-track recording with some source material used for anthem of the Sun 10/20/68 Greek Theater - It's the Greek Theater and with Pigpen. A must have. 10/22/69 Dream Bowl - shows the preceded the famous FW'69 run. If you like Live Dead, you'll like this. 9/24/72 Palace Theater - Great show from a great tour in a great year. Another must have. 9/18/74 Parc Des Expositions - They seemed to really deleiver on the few occasions they played in France. 9/28/75 Golden Gate Park - A little rough around the edges, but a must have none-the-less. 10/27/79 Cape Cod - One of the "all-time" must have shows. The second set is a monster. 11/28/80 Lakeland Civic Center - A great run of shows, including 11/30/80 Fox Theater (one of the very best Dave's Picks and one of the fastest to sell out) and the often requested 11/29/80 Gainesville. I would place this run in the same caliber as 5/7-9/77 for the trifecta. Just awesome. Absolutely must have. 11/21/83 The Centrum - prior to it's release, I never heard this show. Now it's one of my favorites. 11/12/84 Augusta - An absolutely must have show. Right out of the gate, Feel Like A Stranger will have you grinning from ear to ear. Gotta have it. 6/24/85 Riverbend Music Center - A monster second set. The "Comes a Time" and "Wharf Rat" and Cryptical sandwich are very nice. 9/18/87 MSG - One of the all time great Morning Dews. A must have show. 7/3/88 Oxford Plains Speedway - Awesome first set, and awesome second set. This would probably see a lot of time in your CD player. Perfect summertime music. Possibly a definitve Hell In A Bucket. Jerry is just killing it in this show. Absolute must have. 10/26/89 Miami - A multi-track recording of one of the more heavily requested '89 shows. If you like the '89 Warlocks box (10/8-9/89), Nightfall of Diamonds (10/16/89) the two Spring '90 boxes and Without a Net, this is up there with the very best of this era. Every deadhead MUST have this one. A wicked awesome second set. 10/27/90 Le Zénith - Another example of the band playing a great show in France. I've neglected a lot of the Europe '90 fall tour shows, and this one really piqued my interest. I like it. 9/10/91 MSG - One of those shows that should have been released in wide cirulation. Much like the run from the FW '69 box, why they made this limited edition makes no sense. I don't care what someones favorite era is...if they don't have this in their collection, they need to get it. Possibly the biggest "must have" of the entire box. 3/20/92 Copps Coliseum - Probably definitive for a '92 show. I attended this one, so the incentive for me to obtain this was pretty high. It's not to say that the shows from '66, '70, '71, '73, '76-'78, '81, '82, '86 and '93-'95 are in any way bad. They are all great as well. For me, as someone who likes to venture into every era of the Dead, 30 Trips was the perfect release for varieties sake. If you're a big fan of all era's, like I am, you'll love it. If you hate everything they played after the Keith & Donna era, not so much. I would say get it if you can afford it. So much to discover. I was listening to a couple of these shows recently from my buddies USB version of this set, and now I kind of wish I would have went that route over the CD set.
  • daverock
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    E72
    I missed out on FW69, but I did get E72, and I would say its my favourite Dead release. Incredibly, every show is essential. True, there is a uniformity of sound, and a finite number of songs are played, which do crop up again and again. But the actual playing means that they are never boring or mundane. While the first sets are good, the second sets are out of this world-the energy and jamming! There is no other band in so called "rock music" that can improvise as effectively as this. I suppose it depends on whether you like the signature sound of the year or not, so, as AJS says, the best bet is probably to buy a few 72 shows first to see if you like them. Funnily enough, I was never that crazy about the triple album "Europe 72". I liked sides 5 and 6, and the China Cat-Rider, but overall, I was a bit underwhelmed.
  • Cousins Of The…
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    Maine: TTATS
    In my opinion, this box is uneven; some shows are truly great, while others are just average.The ones I listen to the most: 1967 through 1970, 1973, 1974, 1975, 1976, 1977, 1979, 1984, 1990, 1991, 1992, 1993(yes, I actually like the 90s better than the late 80s...) 1971 & 1972 are disappointing, considering other shows from that year. 1982 is kinda' hissy, 1980 kinda' muddy, compared to what's on the Archive, 1983 is a good show, but post-drums is from an audience source. $1200 is a lot of money, you could wait for an auction instead of a Buy It Now, you should be able to get it under $900.
  • LoveJerry
    Joined:
    30 Trips
    I didn't want to miss out on this box, because it was the first one that was available since I became a dead head. However I was not interested in anything after Keith and Donna. So I bought it and then sold the leftovers, which worked out to be 17 shows. So if you want some but not all that's one way to go about it. I paid about 200 bucks for Dave's Picks Volume 4, William & Mary, September 1976. The audio on here is probably the worst of any non 1974 70s release. I'm not complaining, I bring it to light because I wonder how this came to be, when I consider every other show from this time. Is a magnificent Betty Board. In fact it's not even in stereo. When I hit the mono button nothing changes. Does anyone know what happened with this one?
  • gdgray
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    E72 & TTATS..... worth it?
    I bought both of these sets and still listening to shows. My favorite show seems to be the last one I listen to. Yeah I know that's a lot of money. But I do the same thing with Miles and Dylan, just got to have them. Buy what you can live with to the extend to avoid the purchase creating internal issues. Freud said if you suppress your natural desires , they become unnatural. Got back into Vinyl recently and bought DP 8 on vinyl sounds really good.Only issue had damaged disc and took four emails before someone at Brookvale got back to me. Waiting two weeks for replacement disc.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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....there'd better be cake this time. And also Cornell '77 obviously isn't the best show of all time. cuz if it was I don't think these Dave's Picks would sell out.
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That was my witness protection name in the 70s. I had to change it when the song became popular, seeing as how the boys also worked for "The Company." I'm now known around town as "August West" since my specialty is...dang it, gonna have to change my name again! Sheesh!
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Mine always come with cake. You heard it here.. Bolo's real name is John Whitaker. Ouch, wtf.. how did this Tupi dart get in my neck.. zzzzzzzzzzpdf.
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"I don't plan to go nuts..." That train left the station a long, long time ago.
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Cal Expo '89, Cal Expo '89, Cal Expo '89!!!.... Great choice!
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Unbelievable a la cart sold out in less than an hour. The Dick's series kinda ran outta steam. The Dave's series seems to be chuggin' away stronger and stronger around the bend!! A corking '82 show for 27 def works for me. 10-10-82 would do nicely. Opening "Playin'>Crazy" = awesome. And "Jack Straw" prolly cuz rhymes with Whichita.
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Rhino !! Charlottesville New Haven Sante Fe Palo Alto, Berkeley, Oakland + many more California performances, maybe the most times the band would perform in one year. 1970 has a lot of California performances as well. 3.14.82 + 8.29.82 Road Trips 4.6.82 + filler !!!!! Schwing Birthday shows May 20th & December 29th. Rhino send out May 20th , 1973 !!!!!
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So I was archiving digital stuff here over the long weekend, and somehow a download of 11/6/77 caught my attention. It was just sitting on my digital desktop in a folder. I burned it to a USB stick and stuck it in the Blu Ray player to listen on the big stereo. What a show! I realized that I had the cassette tape back in the day when it got to the "Candace, oh Candace" banter. I thought - why on Earth has this show not been released?? Then the Dave's 25 announcement came the next day and I had completely forgotten what show it would be. D'oh! Can't wait to hear the upgrade, although I'm a little nervous about the bass enhancement rumor.
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I like shows from 1977-the box set last year from May was great-and 1976, 1978 also have a lot to recommend them. But for me, the peak years are pre-retirement, with the absolute pinnacle being 1972. Everything about that year ( almost everything-I am not so keen on the extended "Good Lovin's) is exceptional. Even songs that have been heard countless times sound sparkling and somehow new. But we are spoiled now, as was said on the other website. Compared to life in the 80s and 90s, when all I had were some very dubious cassettes, these are golden days indeed. I can't throw my cassettes away, either, though. They remind me of another time, long gone, when I would drive to a mates house, and we would listen to tapes, as he generously made copies. Happy days then and now.
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Hey Jack Strawberry, I like 1982 also. A peak year for Brent's greasy organ sound, and the Playin's have some flashes of primal dead. In addition to the aforementioned DP32, there is also the outstanding Road Trips 4.4, April 6, 1982. Great show, actually pretty good sound quality too, and with killer filler (Playin > Ship > Playin) from the previous night. But best of all, it has what might be my favorite version of Terrapin. Should still be able to find it, or you can listen to it on Spotify. Enjoy! PS - as Jim says, nice screen name
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SO psyched. This is an amazing show despite the train-wreck beginning of Scarlet Begonias (waaay too slow and low energy - Jerry actually stops playing to tune up where the 2nd verse should be - sounds like a rehearsal), but they recover quickly, and the rest of the song/show is absolutely STUNNING - I can't wait to hear it in full "Norman". I was struck by JimInMD's comment "I don't plan to go nuts when it arrives, I have listened to this show plenty, I will rip it to file, put in on the shelf in my office". Same here. As much as I enjoy getting these amazing well-circulated shows, I get more listening time from shows I didn't know previously (i.e.: 12/7/71 was in my car for a month). As a result I cannot wait to hear 11/17/71 DaP26 - have only heard it once and it's a fantastic show - that will be in my car for a LONG time. And THAT is how the Dead is different from other bands - Their fans go out of their way to AVOID their favorites. I stopped in mid-run the other day to change the music because I had picked a show I loved but knew WAY too well - knowing exactly what's coming can be stifling. It's better when every note and transition is a blind corner.... 5/26/73 is one of my favorite shows ever, but will I ever be able to ENJOY it again??? I know every nuance: stage banter, dropped drumstick, blown lyric, tasty licks.... I love that show but can't bring myself to enjoy it anymore - Its a weird feeling. That's why we're all here - we need to expand our base of Dead to allow the existing shows a chance to breath so we can someday go back to them with fresher ears. And I was not surprised this sold out so fast. The Dead/Rhino have done a brilliant job growing this product from 12k units to 18k units in the past few years. It's a perfect mix of 1) amazing product/packaging (despite the trite, redundant skeleton art), 2) shrewd use of e-mail/social media/website/Rolling Stone/etc, and 3) having the restraint to produce slightly less than initial demand - instant scarcity creates buzz and mystique ("it's new, and you can't have it...")
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If the powers-that-be read this, I would lobby for continued 60s and 70s. I have several friends who feel the same way, and I know from discussions with people on the message boards, that a lot of people are very pleased with this run of shows in Dave's Picks. I don't think they would be up to 18,000 copies per pick if every year featured two 80s and 90s picks. It's just not their prime, and and not their best stuff. I'd rather have 20 shows from 1977 then a mix of 80s and 90s with the 60s and 70s. That's my feeling and I'm sticking to it. The musicianship and performance by all band members is superior in the 60s and 70s by far. As far as this subscriber is concerned, there is no need to go into the 80s or 90s for this series. This series represents the very best of the Dead, and not just performance, but audio quality, and you guys are doing an awesome job.
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I love the Road Trips show from 1982 --- Really good sound quality. The Dicks Picks from Alpine 1982 is such an amazing show but it's probably the worst sounding official release out there, IMO.
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Looking forward to the Full Norman (hopefully not too much added bass).This show was in regular rotation when I had it on cassette, so I know it well but am still psyched to get a Normanized version. I’ll listen to it many times. We’ll have enough ‘77 when we have it all..... Keep the 80’s and 90’s coming as mini-Boxes.... We’re due for some Bruce! How about 10-31-91?
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Dont forget the raw jelly beans
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I am surprised more has not been selected for release from the vault. There are great snippets of board recordings on the archive (e.g. 5-10, fantastic show). The year seemed fabulous for Jerry, I bet fans would love to hear much more. As for Lewiston, I think it should be released, if possible, as an aud if that's all there is.
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I saw Phish there in 1992, and remembered the building had amazing acoustics. Like the Bushnell in Hartford, or the Beacon in NYC. Is it the same place with a slight name change ? I also agree with M Pruner about 1977, it was a great time for the band, possibly even their water mark, but enough's enough. How about Brendan Byrne 11-10-85 ? Out of the 40 shows I saw, it was easily the best. They put the Cassidy from it on "So Many Roads", how about the rest ?
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@JimInMD: I always assumed, as you have, that Hunter got "Jack Straw" from his time in London in 1970. I have it in my head (source?) that his preferred stomping ground in that burg is that space between Hampstead Heath and Regent's Park, which puts him in walking range of (the now sadly defunct) Jack Straw's Castle, which was until its close one of three of the most notable pubs in Hampstead. Rather than being named after a '70s politician, this establishment must have taken its name from the rebel Jack Straw of English folklore and 14th-century history. In short, my speculation is that his rambling landed him in the pub, and the name inspired him to make an American folk character out of a British historical legend. That's my story, but I'd love to hear a clarification/correction if anyone has better source notes on this than I do.
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There is much good stuff from the 80s and some in the 90s even, though way less. I do gravitate to the late 60s and early 70s though, perhaps my so liking Pig.
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GarciaLive Volume Ten: May 20th, 1990 Hilo Civic Auditorium due for Feb. 23rd release! We are pleased to announce the tenth installment of GarciaLive due for release on February 23rd and available for pre-order at Garcia Family Provisions! GarciaLive Volume Ten documents the Jerry Garcia Band’s May 20th, 1990 performance at the Hilo Civic Auditorium in Hawaii. On the heels of a diabetic coma in 1986, Bill Kreutzmann encouraged Jerry to find peace and healing in the pristine blue waters of the Big Island’s reef system. What was initially a hobby became a passion for Garcia as he later publicly advocated for the protection of Hawaii’s natural areas and directed earnings from this show, held in the modest Hilo Civic Center, to The Ocean Recreation Council of Hawaii
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@PatrickJP07 11/6/77 was performed at the Broome County Veterans Memorial Arena (AHL hockey arena. Dusters I think)). 7,000 concert seat capacity.
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It seems the term must have been goin' around culturally even in the '60s. Jerry refers to the people at Woodstock as "jack straws" in the documentary of the same name, which was screened in 1970. Maybe that also made the term more salient to Hunter at the time...
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We don't even have DaP 25 and already (once again) talk of 26, 27, 28, 29..... Sidenote - Just ordered a load "The Lounge Lizards" https://en.wikipedia.org/wiki/The_Lounge_Lizards Some very nice stuff. Sidenote 2 - Got home from serving the fine customers of our store last night and found 2 envelopes of cd's in mail box. Since I had just ordered the Lizards, thought "OK". Opened first one and it was a Lizard album, take up the second one and it's from the Dead. I was like, wow, DaP 25, and without notice AND early!!!! WOW, WOW, WOW. Opened it up and was the mistakenly order "Reckoning" with I already had from the Beyond Description set. The damn thing came in record time for something ordered from GDM. The stuff I really want always seem to take 2 weeks after release, this thing came about an hour after I ordered it!
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Snow day here in ATL. Weird. As far as I can tell, Lewiston ME 1980 is aud only. But it's totally worth it. It was the last show before the acoustic shows at the Warfield, and it's full of all the right energy. All-time great 2nd set jam segment. I was there on that amazing Indian Summer (can I say that?) day. We arrived in a cop car (true!) and left in the back of some rando's van. Arrived back at UNH a changed person.
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What BS limiting it like Dead sells Eddie Bauer limited edition Ford Exploers? Man oh Man Jerry would NOT be on board for this nonsense. - i’ll download from. the vault i guess. 1st one I was thinking of buying since Davids número uno at the Mosque CD -n getting a copy of my only Dead & Friends father’s Day show show from last year! Dang it Davey but bump the BS Rhino fart Records management (or who ever is the grland puBa) limit to -what you can sell 1st email week - at least - or? Least don’t email me first show sinc Cornell 77I wanted! Makes make me feel like i’m not allowed in to Studio freaking 54 and that’s not Dead Headly! h Hey Now - isnt this BS an unDeadly thing “ limiting copies” well fans guess they know we can record them like shows- but? that cannot be auctioned st Sotheby’s in 90 years? yeesh n yeast!
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my st show was 1.8 years later 5/79w Brent newly on keys n it was awesome til 2nd shoe- Red Rocks August 12, 1979! BRW second was stepped in it synchronicity great luck! Guess I’ll hear this next life or vault.
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Well, Peachy gets my vote for post of the day. Talk about stream of consciousness (or unconsciousness). What a doozy! Almost impossible to decipher without a decoder ring. My eyes were crossed and watering by the end. But you've got to admire the passion, damn it!
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Dark-Star stated -"The musicianship and performance by all band members is superior in the 60s and 70s by far." That's debateable. The surviving band members all seem to favor '89 & '90 as their peak, at least in Bill and Phil's biographies and Bob's comments to Rolling stone. I seem to recall Mickey feeling the same way, but can't source that at the moment. As far as how many people prefer only '60s and '70s versus fans of the '80s and '90s and fans who like all eras (like myself), I would say most people here fit into the third (love it all) catagory. Would I say 11/6/77 is better than 7/17/89 Alpine Valley, or 3/29/90 Nassau (with Branford), or better than the '89 Warlocks shows?......no. Better than Caps Coliseum or Copps Coliseum from Spring '90? No. Better than 3/24/90 Knickerbocker and that Terrapin>MLBJ? Not even close. I would say 11/6/77 is a nice show and a good pick and I'll will get much enjoyment from it, but definitely NOT better than everything that was performed in the '80s and '90s.
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I second your emotion, a bit of a head scratcher there, but amusing nonetheless. Oh, and I like your freaky beardless skull avatar too. Can't tell if it's really happy, or just really scary.
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I think it's a mixed bag in terms of the band members' perspectives. Bob has raved about 89-90, but Phil has been quoted saying there was "something" missing after 1974. Guessing if you ask each guy on any given day you'd get a whole bunch of different opinions. All of which is great for since I fall into your 3rd category (love it all depends on my mood). I can't understand the folks who completely rule out any era. Lots of good stuff over 30 years...expand your horizons! In terms of the remaining 2018 releases, I'm hoping for fall 79, fall 91 and maybe another mini box from 1969!
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I think it's a mixed bag in terms of the band members' perspectives. Bob has raved about 89-90, but Phil has been quoted saying there was "something" missing after 1974. Guessing if you ask each guy on any given day you'd get a whole bunch of different opinions. All of which is great for since I fall into your 3rd category (love it all depends on my mood). I can't understand the folks who completely rule out any era. Lots of good stuff over 30 years...expand your horizons! In terms of the remaining 2018 releases, I'm hoping for late fall 79, fall 91 and maybe another mini box from 1969!
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I'm hoping for a 10-cd box set of Jerry Garcia's guitar lessons at Dana Morgan Music Studio from '62-'64.
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Yesterday, I called the 1-800-440-8025 for the Dead.Net Store in order to purchase Dave's Picks Volume 25 (Broome County Arena, Binghamton, NY - 11/6/77). The CDs went on sale, yesterday, at 10 a.m. January 16th.I was able to connect exactly at 10 am, I was in the cue and then I was disconnected at 10:16 am (dial tone!). I called again same thing happened, disconnected at 10:34 am. Finally, after three attempts, I was connected and the Dead.Net Store sales representative stated the CDs had "sold out 5 or 7 minutes ago". I complained, to him, that I would have been successful in my desire to purchase two CDs of Dave's Picks Vol. 25 had I not been disconnected twice. He apologized and said he had never heard of that happening before (which I found difficult to believe). My other frustration is due to the fact that it was extremely difficult to hear him speak because it was so noisy in the background where the salesperson was working from. I found this experience, unprofessional and completely frustrating plus I had to rearrange my schedule in order to get on the phone right at 10 a.m..
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I always assumed it was taken because Hunter had heard of Jack Straw's Peasant's Revolt of 1381. When I went to University in England for a bit, I had a History prof who lived in Billericay. He had a few of us to his home for the weekend and took us to the forest nearby where he said it was believed Jack Straw was finally captured. Has Hunter ever said why he chose the name?
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6 years 9 months
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Thanks, Frosted. Glad I wasn't the only one scratching my noggin there. And I'd categorize my avatar as really Happy-Scary (you probably saw that one coming).
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13 years 4 months
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Thanks ckcoffman and hseamons. I like both versions better than the one I presented. For some reason I find this interesting.. and I doubt if it will ever be completely resolved.
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14 years 7 months
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Dave and the Dead are going to mine the recently purchased "Betty Boards" for future Dave's Picks and box sets in order to re-coup and make a hefty profit on the expense needed to purchase the tapes. If any 80-90's are to be released, it will be shows with pristine sound (regardless of show performance) as sound trumps performance (according to Dave and the Dead).
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9 years
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No need to frantically call the 1-800 number or fight the website crash. Seriously, are people really still that clueless? Or is it intentional so that they can have something to complain about?
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14 years 9 months
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sorry you didn't get it. I didn't know they still had a phone order line. I thought is was all online. you were probably talking to someone in a warehouse in New Delhi. Please, my good man, make a note to subscribe next year. Jim Morrison said, "true sailing is dead". I say, "a la carte is dead." don't count on it. a la carte just doesn't cut it anymore. It took _me_ so long to find out (and I found out.)
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9 years
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1) Anything recently obtained that was missing from the vault. 2) Shows in the vault that don’t circulate or circulate in low quality sound. 3) 80’s shows that sound good and 90’s shows that aren’t a train wreck. The Touch heads will still be around in 10-20 years and will be able to buy the shows of their era, the older folks may have faded away by then so need to get their money now while they are still around. Periodic 80/90’s mini Boxes will keep most Touch heads satisfied, yet a few will complain that it’s not enough.
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17 years 5 months
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probly my favorite out the feb. Oakland '91 run.
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12 years 1 month
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I always thought it was in reference to the peasant revolt as well. Just seemed like the coolest story. In reality, who knows. Hunter intentionally left the meaning of his lyrics vague and open to the interpretation of the listener. Surprised by all the negative feedback on the cover art. Maybe I am the only one who stores their CDs on shelf and only views the side. Not a big deal to me either way. Also, not one mention of the Washington Street bridge in the background?
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7 years 3 months
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80s Fan mentioned that people should expand their horizons (in regard to listening to 80s Dead). What I've found is that most give it a try, and it's not that they no longer like the original members, or can't appreciate Jerry having a screaming night at the guitar, but that Brent just plain gets in the way. And that's the thing of it. I think most who absolutely do not like it, are not turned off because they hear an inferior or different band playing. They hear the Grateful Dead playing with nails screeching down a chalkboard on top of them.
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10 years
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totally agree kyle - I stumbled upon 2/21/91 a little while back looking for "more Bruce", not realizing at the moment that he hadn't started playing with the boys steadfastly until March... Even so, it's a great setlist and the playing is pretty sweet too. I truly fell for the little Space segment that then ushers in 'Eyes of the World'; I have NEVER seen an 'Eyes' come out of a later-era 'Space' like that and what a treat it is. It's a very solid version too. Rest of the show is no slouch either - at all; a Help > Slip! > Franklin's opener (and the Slipknot is totally cool); the Playin' second set opener goes way, way out there in an exquisitely jammy way; there's an AWESOME Terrapin too, with a delicious groove that comes out of the jam at the end as well. Vince had to attempt his solo liftoff somewhere... https://archive.org/details/gd91-02-21.sbd.miller.22308.sbeok.shnf Sixtus
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16 years 2 months
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No skeletons on the front cover art of these Dave's Picks:#2 (07/31/74) #3 (10/22/71) #10 (12/12/69) #12 (11/04/77) #16 (03/28/73) #19 (01/23/70) The Bertha in the Dave's Picks logo does not count. The cover art for Dave's Picks 25 is fine by me, I have no problem with it at all. I like it.
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10 years 3 months
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That set list from 2/21/91 is unreal, thanks for posting it. I'm engaged now...
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10 years 9 months
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I think you're slightly misquoting Dave's criteria for release, I believe he's said they look for great performance first, and then make sure the tape of that performance has great sound. They don't seek out a fantastic sounding tape that has a mediocre performance. Almost all of the Dave's Picks have met both criteria, I think a few have been mediocre releases. I also agree with icecrmcnkd that the recently returned stuff will come out first. They have paid whatever it cost them to get them back in the Vault, and they need to generate revenue to make up for that outlay as you said. But they also seem to be finding the very best of that return for releases. As soon as they got Cornell, Buffalo, and Boston, they put it out. The July '78 box, which is still onsale, was the trial balloon. Those are really good shows (most especially 7/1, which was a non-circulating tape), and DaP 21 4/2/73 is a great show with a masterful recording job by Rex Jackson, DaP 22 12/6-7/71, another great sounding Rex tape that may fit the category of mediocre performance (debatable as there's an advocate for this Pick a few posts below), DaP 23 1/22/78 has been sought after for years and was put out to everyone's delight, and then DaP 24 8/25/72 was a Bear tape somehow in the Betty collection. Dave's 25th and 26th are both returned tapes, and the 6th of Dave's choices was also a returned tape, two actually. I hope there's more in the Houseboat collection worth putting out, but with all the Bettys (including her husband Rex's tapes, and the random(?) Bear tapes she had) back in the Vault, I would think the propensity will be finding the best of those and putting those out first. I think performance is the first box that has to be checked off, otherwise 30 Trips would not have included 5/16/81 or 7/31/82, which sound dreadful to my ears, but are good shows, just tough to listen to.
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14 years 7 months
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Yes, if the sound quality of a "excellent" show does not meet Dave's and the bands criteria for release, then that show will get passed over for a lesser quality show with better audio - hence audio recording (sound) trumps performance. Most of the forthcoming releases will be from the purchased tapes, and the shows released not from the purchased tapes will only be shows with superior sound quality (1st priority being sound quality)
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