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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • #861
    fourwindsblow
    Joined:
    lom1975-05-21.dts.menke-falanga.motb.0054.87526.flac16
    Legion Of MaryKeystone Berkeley, CA 05/21/1975 - Wednesday DTS-Audio-CD 5.1 Mix Sources: -- SBD Lineage: SBD > 15ips reel > 15ips reel > DAT Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD Transfer 2: CD > EAC > WAV > SHN -- Audience FOB Recording Media: Maxell UD90 Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV Taper: Bob Menke and Louis Falanga Transfer: Bob Menke Mastering: Jamie Waddell Set 1: d1t01 - That's The Touch I Like d1t02 - I Feel Like Dynamite d1t03 - Last Train From Poor Valley d1t04 - Finders Keepers d1t05 - Tough Mama d1t06 - That's What Love Will Make You Do Set 2: d2t01 - I'll Take A Melody d2t02 - You Can Leave Your Hat On d2t03 - Mississippi Moon d3t01 - Harder They Come d3t02 - Creepin' d3t03 - How Sweet It Is (To Be Loved By You) Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel. Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens> Fostex CR200>CD>WAV(EAC)>SHN note: Disc 2 Track #5 was originally labeled Jam #8, but according to www.thejerrysite.com this is in fact Creepin', an instrumental version of Stevie Wonder's version which appears on his 1974 album "Fulfillingness' First Finale". tsl@volition.org patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086) Man this sounds so good in DTS 5.1 Surround Sound.
  • #862
    fourwindsblow
    Joined:
    Black Mountain Boys
    Early Jerry cool stuff here. I got every Jerry show from '61 to '95 95% tagged flac.
  • #863
    David Duryea
    Joined:
    Black Mountain Boys – Palo Alto, CA (03/07/64) Download
    Lossless Bootleg Bonanza: Black Mountain Boys – Palo Alto, CA (03/07/64)black mountain boys Scott Hambly, Jerry Garcia, Sandy Rothman, Geoff Levin Black Mountain Boys 64-03-07 Unknown Location (probably The Top of the Tangent, Palo alto, CA) Download: FLAC/MP3 https://themidnightcafe.org/2018/03/24/lossless-bootleg-bonanza-black-m… Set 1 01 Happy Birthday 02 Nine Pound Hammer 03 Darling Aller Lee 04 Tuning 05 Ocean of Diamonds –Set 2– 201 – Intro 202 – Sourwood Mountain** 203 – If I Lose 204 – Homestead on the Farm 205 – Pig in a Pen 206 – Once More 207 – Stoney Creek 208 – Two Little Boys 209 – Salty Dog 210 – Rosalie McFall 211 – Teardrops in My Eyes 212 – New River Train 213 – Love Please Come Home*** 214 – Make Me a Pallet on Your Floor 215 – John Hardy outro// Source 1 (Set 1 Only): shnid: 35142 SBD->Cassette->CDR->TAE->SHN>flac sector aligned more likely line patch from pa system>MR>R>C>CD>DAE> Source 2 (Set 2 Only): shnid: 127499 Aud MR > ? > cass
  • #864
    David Duryea
    Joined:
    3/24/73 The Spectrum
    Dead of the Day: March 24, 1973http://gratefuldeadoftheday.com/03-24-1973 The Spectrum Philadelphia, Pennsylvania There are so many shows on this date, and quite a few fine ones, but our Dead of the Day is the fairest of them. The show gets off to an explosive start with a very tight Bertha; and, though it is a small thing, the last note that Jerry throw in to cap the tune is just so lovely. The next couple songs are so fresh and crisp, exemplified by the bouncy, energetic opening to Don’t Ease Me In. Then things shift gears a bit with Lesh delivering a heartfelt Box of Rain with Keith’s keys and Jerry’s lilting, reserved guitar play complementing the emotional lyrics. Row Jimmy, Looks Like Rain, and the Here Comes Sunshine are also highlights of the early going. But the best of the first half has to be the closing Playing. Keith and Phil are in sync and feeding off each other, while Jerry paints these spirited brush strokes of pure bliss to cap the set. Though it does not seem possible, the band ratchets it up a notch further in the second set, really beginning with the He’s Gone. This was just the second He’s Gone since Pigpen’s death, and it seems to have an effect on the boys, especially followed by the biographical Truckin’. Jamming out of the latter tune, they search for their next angle, coming upon a tremendous Spanish Jam. Bobby, Billy, and Phil push the pace while Jerry provides some face-melting, dance-crazed spectacularness that still leaves a tremendous amount of room for contemplative exploration. Eventually, the jam plays itself out and the boys enter into a haunting, ethereal zone before bursting forth with a four-minute Dark Star that, despite its brevity, is somehow still totally satisfying. Then the Pig reminiscence and reflection reaches its crescendo with Sing Me Back Home, the Merle Haggard tune that, though written about different circumstances, could not be more appropriate at the moment. Jerry does total justice to the lyrics while the rest of the band provides accompaniment, making it an emotional powerhouse. Ron Pigpen McKernan’s death two weeks prior to this show, on March 8th, had put the final closure on an era. He was the band’s first true frontman, the real face of the Dead through the 60s. Though Jerry had long since taken the musical reins of the band, Pigpen continued to be the major presence throughout the early seventies, busting out command vocal performances on Lovelight, Gimme Some Lovin’, Hard to Handle, and other earth shattering numbers. With his retirement from the band and subsequent passing, the Dead began to evolve once again. This time, they would become the seething monster of the Wall of Sound era. Though the full development of that sound was still another year off, it was beginning to form here in early ’73, replacing those killer Pig tunes with even more driven, spacey jams that featured Jerry but relied on the full, mind-melded participation of the rest of the band. They also began to hone their vocal performances. Though nobody would ever confuse Jerry or Bobby with Art Garfunkel or the backup of Donna and the rest of the band with the harmonies of the Beach Boys, they put together a vocal soulfulness and togetherness that fit perfectly with the Dead style and their voracious playing and could do justice to the lyrics of Hunter and Barlow as well as the traditional Americana and contemporary classics the band covered.
  • #865
    David Duryea
    Joined:
    3/24/71
    March 24, 1971http://gratefuldeadoftheday.com/03-24-1971 Winterland Arena San Francisco, California Not much to add to this as Forensic Doc pretty much said it all and way better than I ever could. This may very well be my favorite version of King Bee ever. Thanks Doc for hooking me up with this fine fine show.
  • #866
    David Duryea
    Joined:
    3/24/70 Pirate's World Aaargh!
    Lossless Bootleg Bonanza: Grateful Dead – Dania, FL (03/24/70)grateful dead - dania - 1970-03-24-Pirates-World Grateful Dead March 24, 1970 Pirate’s World Dania, FL gd70-03-24.sbd.miller.sbeok.flac16 Download: FLAC/MP3 https://themidnightcafe.org/2018/03/05/lossless-bootleg-bonanza-gratefu… This is a tagged version of shnid: 32054 Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude v8.01 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net January 4, 2006 –Setlist– 101-d1t01 – //Morning Dew 102-d1t02 – Mama Tried 103-d1t03 – Good Lovin’ 104-d1t04 – Don’t Ease Me In 105-d1t05 – Cold Rain & Snow 106-d1t06 – High Time 107-d2t01 – Dark//Star -> 108-d2t02 – The Other One -> 109-d2t03 – St. Stephen -> 110-d2t04 – Drums -> 111-d2t05 – Not Fade Away -> 112-d2t06 – Turn on Your Lovelight -> 113-d2t07 – Me & My Uncle Pirate's World https://lostlivedead.blogspot.com/2015/04/march-24-1970-pirates-world-d… Pirate's World was an 87-acre amusement park that had opened in 1966, just North of Miami in Dania, Florida. It was located just East of US1, North of Sheridan Street (the community is now called Dania Beach, FL, and Sheridan Street is also FL822). Most of the rides were pirate themed, and there was a body of water, and one of the rides was a trip on an "actual" pirate ship. The amusement park was initially very popular when it first opened, until Disney World came on the scene in Orlando in 1971. Pirate's World closed in 1975, although it is fondly remembered by young people in the area at the time. There had been a variety of efforts to find suitable rock venues in the Miami area in the 1960s, and the Dead had played a critical role, if to little avail. Early in 1968, the Dead had played Thee Image, Miami's own Fillmore, and the band had also kicked off a series of free concerts at Graynolds Park. Later in 1968, the band had played a rock festival in nearby Hallandale (Dec 28 '68) and then, after Thee Image had closed, at a rock festival on the Seminole Indian Reservation in West Hollywood (May 23-24 '69),and at a speedway in Hollywood (Dec 28 '69). By 1970, police and civic pressure had forced touring rock bands to play outdoors in the Pirates World amusement park in Dania, just North of Hallandale (and just South of Fort Lauderdale). Note that the ticket stub suggests that when purchasing a ticket "all rides free." I wonder how "The Other One" would have sounded on a roller coaster? From the point of view of the park, it seems that the concerts were an effort to bring in teenagers. Certainly the events were memorable for those who went. An eyewitness recalls The concert area at Pirates World was inside the large amusement park. Maybe 2,000 people? 100 feet of floor space between the stage and a row of wooden bleacher seats that faced the stage. Totally open air, don't even think there was a roof over the stage. On the archive, another eyewitness chimes in lived in Ft Lauderdale from 67-69...returned to NYC in 69 and went back to Fla. numerous times. Happend to be there when this concert was announced and holy shit!I was in a band in NYC during 65-67 and bass player was a huge Dead fan. He was with us in Fla and attended this concert, too.Prior to concert, 5 of us decided to take the ride across Pirates World, sort of an ore bucket thingy. While we're waiting to get into our cage, who's in front of us but Garcia amd his entourage...we wait and they get into the cage...a few mniutes later ( we had an abnormally long wait) we get into our cage...proceed to go 1/2 way across the grounds, about 50 feet in the air, and the ride stops...we decide it is the cops who want to bust us (Fla. in 1970 was, shall we say, intolerant of long hairs) so we start smoking everything we have...3-4 jointz each at a time...paranoid, the ride finally moves and we get to the end and the kid who opens the door says "Garcia told us there were a bunch of heads behind him, and to make sure you got a good long ride." best ride of my life. 57 years old now and man, do I miss the 60s.
  • #867
    Lovemygirl
    Joined:
    CW&I release
    ....Crimson white & indigo 7/7/89 turned all the way up, loud.
  • #868
    mhammond12
    Joined:
    Hell
    We had to get out of our seats to change the damn tv channel.
  • #869
    David Duryea
    Joined:
    Re: lazy
    Kids today have it too damn easy with their newfangled music streaming, cell phones, cds and computers. When we were teenagers, no matter whatever substances we had ingested, we had to get up and walk over to the record player every fifteen to twenty minutes to play the other side. Uphill. Both ways.
  • #870
    mhammond12
    Joined:
    Vinyl.
    Recently sold the bulk of my vinyl collection (approx 1000 lps) to a dealer for $2500. Tons of great stuff, tons of not so great stuff. That's why I insisted on the bulk sale. Don't worry. I had removed all my favorites beforehand. Like original issue copies of Grateful Dead, Anthem Of The Sun, Aoxomoxoa, Live Dead (with insert), Workingman's Dead, American Beauty, Skull and Roses, Eurpoe 72, Wake Of The Flood, Freak Out, Absolutely Free, Disraeli Gears, Wheels Of Fire, Goodbye Cream, Cheap Thrills, Surrealistic Pillow, Sgt. Peppers, White Album, Electric Ladyland, Bitches Brew... I have a turntable hooked up in my man cave and a fantastic working Magnavox stereo console from the early 60's in my living room. Vinyl sounds better. The console's sound blows people away. Yet honestly I rarely listen to vinyl. I'm lazy. Something about that 15 to 20 minutes per side thing.
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Submitted by heatherlew on
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Submitted by mustin321 on Fri, 01/19/2018 - 10:42

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I can't wait to hear Dave's Picks 25...when is this gonna go on sale?
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Submitted by SkullTrip on Fri, 01/19/2018 - 10:42

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Damn! That is a hard stop. I rarely listen past '78 myself, except for the occasional '89 or '90 show (Sorry, gang -- Brent still hurts my ears even after all these years). But drawing the line at the end of the E72 tour? 'Tis a bit flummoxing.
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Submitted by mustin321 on Fri, 01/19/2018 - 10:51

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I'm not an Irish bug...
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Submitted by evilyn2003@hot… on Fri, 01/19/2018 - 10:58

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First off, I could not agree with KeithFan2112 any more: The Waterbury, CT 9/24/72 gig from the 30 Trips Boxset is an absolute gem and Garcia throws down some of the most explosive leads of his career! I believe that show is SO unbelievably mind blowing that I seriously consider the price of the WHOLE boxset worth it just for that show (of course thankfully it's filled with many other killer shows as well, especially the always classic Cape Cod gig from 10/27/79). The "Dark Star" from 9/24/72 is simply astounding and the show as a whole rivals ANY previously released show from the amazing month of September '72 (in my humble opinion). It is a show I did NOT have prior to 30 Trips and I am still in awe that a show of that level had previously existed in relative obscurity. However, the main thing I wanted to bring up is how fortunate the accidents of history can some times be. This pertains to the fact that until recently the soon to arrive Dave's Picks 25, the absolute monster rock-a-thon that is Binghamton, NY 11/6/77, was NOT in the vault. I am a rabid fan of 11/6/77 and I remember when Dick's Picks Vol. 34 was released (featuring the gig from the night before in Rochester, NY 11/5/77) I was truly kind of pissed off! It was like what the fuck? Why was this Rochester show chosen over Binghamton? Being much younger I was unaware that the masters for the 11/6 Binghamton show I'd loved so much (via my CDRs) was NOT in the Vault. In the end however, this was a HUGE stroke of luck for me, as HAD 11/6 been available and released as Dick's Vol. 34, I may have (though I doubt it, but one never knows for sure) somehow overlooked 11/5/77 in Rochester, a gig which over the years I've grown to greatly cherish (to basically an equal extent as 11/6 in Binghamton). Both shows are simply phenomenal! Like Dave brought up in his video intro for Dave's Vol. 25, had 11/6 been in the Vault years ago, there would have been all the makings for quite a ferocious boxset! Personally I'd start it with 11/1 at Cobo Hall in Detroit (just a fantastic gig and start to Nov. '77), then include the 11/2 Seneca College gig in Toronto (which is nearly complete if you own Dick's 34 and Dave's 12), and the already released 11/4 Colgate University-Hamilton, NY (Dave's 12), 11/5 Rochester, NY (Dicks Vol. 34), and the soon to be released Dave's Picks 25 featuring the blisteringly beautiful performance in Binghamton, NY from 11/6/77. Wow, what a boxset those 5 shows would've made!!!! I look forward to this November and listening to each show on the appropriate date! But again I go back to the bizarre vagaries of history. The quite well-known 11/6 Binghamton tapes weren't in the Vault, so the folks in charge wisely chose the slightly lesser known gig from the night before in Rochester (and tossed in a nice chunk of the 11/2 show from Toronto). Dick's Picks 34 is probably second ONLY to Dick's Picks Vol. 10 (one of my Top 10 favorite shows of all-time: the lysergic, powder-power that is "The Nine", 12/29/77 at Winterland) as my favorite Dick's Pick from 1977 (which is saying a lot when one considers the majesty present on Dick's Picks 29 particularly, but also found on Dick's Volumes 3 and 15). So the lack of tapes for 11/6 allowed me to be introduced to 11/5 in Rochester, a different (but in many great ways VERY similar) show which I at the time did not have a copy of. A show which I absolutely adore and listen to EVERY 11/5, just as I do with 11/6 in Binghamton. It's great that the imaginary boxset discussed above will now (with the exception of 11/1/77 in Detroit, a show which is certainly available with a bit of exploration or through the kind favor of a friend) be virtually complete (with the upcoming release of Dave's Picks Vol. 25, of course). It was well worth the wait and I'm glad that Binghamton's unavailability at the time may have played a role in introducing me (and likely many others) to another show that exhibits its own similar brand of magic sparks: 11/5 in Rochester (aka Dick's Picks 34)! Keep up the GREAT work Mr. Lemieux and Co., I'm super excited to retire my 11/6 Binghamton CDRs in favor of what I'm sure will be (as always) a major league upgrade! Thanks for bringing these amazing recordings back to life and to all who have a hand in making them available! Also for presenting them in the respectful manner they deserve... I am an obsessive heavy metal and hardcore punk (of the 70's-80's), as well as prog/post-psych/Krautrock/acid jazz (of the late-60's & 70's) collector who just happens to believe the Grateful Dead were the single greatest vessels of rock 'n' roll expression the human species has yet produced. I am not deifying them as individuals but rather crediting them for their efforts in their particular corner of time and space. They are the one rock 'n' roll group whom I feel transcend all genres, as their "genre" is the sound of their (and our) existence in all its emotive range. From a historical perspective they entered their time and fulfilled a tremendous task simply by a constant yearning for experience, a sufficient degree of musical skill and just enough ambition to steadily improve and grow, and a intense desire to be themselves and have fun while avoiding (to the extent reasonably possible) the pitfalls of ego caused by success. For me, and many others, they shall forever remain the most fascinating musical (or if you wish to be broad: artistic) phenomena of 20th Century American culture. P.S.: IF you're ever running short on ideas for DP releases (haha), it'd be amazing to have 7/18/72 restored, the intensity of 8/12/72 from Sacramento, 10/25/73 in Madison, WI, 6/23/74-Miami, 7/25/74-Chicago (a endlessly fascinating gig which has flown far too long beneath the average fan's radar), and the epic 9/11/74 final London Alexandra Palace gig in its entirety. A collection dealing strictly with Ned Lagin and "Seastones" would also be rad! Just a few suggestions, lord knows you don't get enough already I'm sure! Best of luck and best wishes...
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Submitted by evilyn2003@hot… on Fri, 01/19/2018 - 11:06

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I have two balls and since I'm left handed I guess I'm a bit more partial to my left nut...Makes sense doesn't it?
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 11:53

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One should hang lower than the other.A psychologist I know claims that the side that hangs lower indicates that the opposite sided brain lobe is the dominant lobe. Quackery? Sounds like it to me. But what do I know, I rub ice cream on my forehead. On the other hand (nut), you’d be amazed at the clairvoyance one can obtain by rubbing ice cream on one’s head.
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Submitted by dissident1980 on Fri, 01/19/2018 - 12:00

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It went on sale ... and it sold out.
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Submitted by simonrob on Fri, 01/19/2018 - 12:02

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My asian friend Wun Hung Loh thinks someone is taking the piss here.
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Submitted by mustin321 on Fri, 01/19/2018 - 12:11

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Does anyone know where to find a time machine? ...McFly?
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10 years

Submitted by Sixtus_ on Fri, 01/19/2018 - 12:21

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Talk with JimInMD...his wayback machine is currently set to 2/14/68 I believe, but it can go anywhen. If that is in use, try the flying mower with magical time travelling cartridges. Pick me up on the way please. Sixtus
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Submitted by SkullTrip on Fri, 01/19/2018 - 12:52

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You may not be, but (ironically) I am.
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Submitted by DinaMoe on Fri, 01/19/2018 - 13:17

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I can still remember my first listen of this show. Jerry Moore audience. Mind-blowing performance aside, I remember not getting over how hopped-up the audience was for this entire show. And we all know how much an act like The GD fed off of a crowd like this one! Bobby even throws out a "you're a good audience" just before the encore. I don't recall another show where that was acknowledged. How about the roar of the crowd at "vitamin C 'n cocaine" and Garcia responding with a wicked lick? Fuckin' Binghamton. :-)
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Submitted by 80sfan on Fri, 01/19/2018 - 13:48

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Back home after traveling to a funeral for a family friend (looks like I missed a lot of good chat)! Hope everyone out there is doing something right this minute that makes them happy. Life is too short for anything else. My plans tonight are to drink red wine, hang out with my family...and of course honor the dead by playing dead. have a great weekend everyone -
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Submitted by JimInMD on Fri, 01/19/2018 - 15:36

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80sfan.. I'll be right there, what exit should I take?
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Submitted by stoltzfus on Fri, 01/19/2018 - 16:11

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I work as a teacher in special education. Some surly kids, even in elementary school. NO. NO. NO. Well, I don't wanna work. hmph. must...complete...week...
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Submitted by KeithFan2112 on Fri, 01/19/2018 - 16:23

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I love this attitude from evilynn2003 (and I quote) "I believe that show is SO unbelievably mind blowing that I seriously consider the price of the WHOLE boxset worth it just for that show" Exactly how I felt about the Lindley Meadows 1975 show when I bought the box (although I have to admit, I was pretty stoked for '68 / '69 at the Greek and Dream Bowl). But yeah, I really do love that 1975 performance. Something weird was going on with their sound (I heard they had someone else's amps / rig due to their shit blowing up); but it sounded tremendous. The tone of it all sounds more like 1971 than 11 months post Wall Of Sound. Jerry's guitar is so distorted and fuzzy and loud - truly a one of a kind show recording. My only regret is that Franklin's Tower was separated from Help / Slipknot! but that's what home PC computer editing software is for. On my digital copy, the three are nicely married. I guess I'm also a little sad they didn't play longer, and maybe throw in an Eyes of the World, but we're fine, everything's fine here.. now...how are you? Sixtus, yeah lol, that's exactly how it looks. Then if you're not lucky enough to catch it and you get a roller, that 2 or 3 seconds when you don't know if it will land playing-surface up or down feels like an eternity. We've all done it right?
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Submitted by David Duryea on Fri, 01/19/2018 - 16:28

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"Hope everyone out there is doing something right this minute that makes them happy. " In AG Jeff Sessions' view I'm doing something wrong this minute and it makes me very happy.
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 17:14

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There is a uniqueness that comes with the songs not being together. Please don’t tell me you rearranged 10-9-76 too. As for CD-R backups, the first time I listened to Road Trips 74 Wall of Sound I dropped one of the CDs taking it out of the player and scratched it. I then made the decision to make CD-R copies of all the releases and store the originals.
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Submitted by stoltzfus on Fri, 01/19/2018 - 18:03

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so good. I remember hearing it the way home from 7/19/87. it glowed. ;)
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Submitted by David Duryea on Fri, 01/19/2018 - 18:48

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http://www.dead.net/features/jam-week/january-19-january-25-2018?intcmp… Fillmore Auditorium 11/7/69 Dark Star -> Uncle John’s Band Jam -> Dark Star -> That’s It For The Other One -> Turn On Your Lovelight The whole show is available at the midnight cafe. https://themidnightcafe.org/2016/02/11/lossless-bootleg-bonanza-gratefu… Grateful Dead November 7, 1969 Fillmore Auditorium San Francisco, CA Download: FLAC/MP3 Recording Info: SBD -> Master Reel -> Dat This is a tagged version of shnid: 119628 Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 27, 2012 Notes: — Disc change is seamless — There are reel flips in High Time and UJB Jam — There are no pauses, cuts or edits between songs — iZotope Ozone was used to de-click the Master Reels –Setlist– 101-d1t01 – Morning Dew 102-d1t02 – Hard To Handle 103-d1t03 – Casey Jones 104-d1t04 – Mama Tried 105-d1t05 – Me & My Uncle 106-d1t06 – Tuning Ditties 107-d1t07 – Cold Rain & Snow 108-d1t08 – Next Time You See Me 109-d1t09 – High Time 110-d1t10 – Good Lovin’ 111-d1t11 – China Cat Sunflower -> 112-d1t12 – I Know You Rider 113-d2t01 – Dark Star -> 114-d2t02 – Uncle John’s Band Jam -> 115-d2t03 – Dark Star -> 116-d2t04 – That’s It For The Other One -> 117-d2t05 – Turn On Your Lovelight Two hour and 25 minute show. Definitely deserving of a Full Norman!
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Submitted by Birchwood on Fri, 01/19/2018 - 20:30

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Thanks very much for posting this cool show, in such great quality. Enjoying it immediately! Immensely! Really good. Thanks to Misters Dureya and Miller. Good on ya!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 20:51

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Thanks icecrmcnkd. Unforutanately, I think DP 32 is the poorest quality recording I have heard in the Dick's Picks series. So poor foe me that I decided not to buy a copy of it. It would be a treat to hear a high quality dynamic recording of one good 1982 show from Dave's Picks. Dave has much better technology to transfer and clean up these recordings than Dick had available to him.
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:15

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In my reply to someone else, I provided the same feeling as you regarding the Alpine 1982 Dicks Picks. I agree that all years have good shows. I own shows from many different years and really love them. To me the performances in many of the 1982 shows are tremendous and many of my favorites. I'm curious how many deadheads have heard the 1982 shows because there have been almost no high-quality releases from that year?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:15

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In my reply to someone else, I provided the same feeling as you regarding the Alpine 1982 Dicks Picks. I agree that all years have good shows. I own shows from many different years and really love them. To me the performances in many of the 1982 shows are tremendous and many of my favorites. I'm curious how many deadheads have heard the 1982 shows because there have been almost no high-quality releases from that year?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:35

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Thanks for the reply claney. I played the shit out of my April 6 1982 Philly show back in the 1980s and 1990s. I know I have mulitple tape copies of that show so that I had a back=up in case the tape broke. Years ago, the Road Trips 4.4 CD sold out before I bought a copy. Currently, the digital download is not available. Garcia later
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Submitted by Vguy72 on Fri, 01/19/2018 - 21:39

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....sounds pretty good to me. In fact, a lot of my tapes still sound good (except when it's in Dolby. Not a fan). I guess not being so picky is an advantage at times. Just Play Dead....
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Submitted by JimInMD on Fri, 01/19/2018 - 22:04

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What a scam.. I think Dolby even flucks up the remastering process. But what do I know.. except that dolby mucked up lots of what would have been great audience tapes (and perhaps a few soundboards). I bet it works just fine if all the equipment used through every step of the process is perfectly encoded using the exact same version of Dolby.. but so many years later, what are the chances that something is poorly labeled and some machine uses the wrong Dolby version (or none at all when it should have been used). Keep it simple.. right? The tapes I had that were recorded using dolby usually did not sound great by the time they got to me. On the bright side, bad dolby usage gave us the chipmunks. I am a fan of the good shows from 82. I think its an under-rated year and the inconsistency of the recording quality decades later is a big part of the perception mismatch. It was perhaps the last year Jerry's voice, on a good night, sounded 'fresh' or young. Frost, Alpine, so many others.. in total.. it was a mighty fine year.
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 22:33

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Many new Miller/Clugston/Gans/Eaton’s uploaded to entree in the last 3 days.My dedicated torrent computer will be working hard while I sleep.
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Submitted by libertycaps97211 on Fri, 01/19/2018 - 22:38

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Yeah, it's sourced from cassette, but i think DiP 24 is worse. Prolly the only one in the series that i think should not have been retail released. The performance is sub-par too, imho. Not every swing can be a home run...or a base hit in some cases. I can envision a day when some DiPs get re-released with the Full Norman treatment and/or properly bias & speed corrected. But not a high priority. Def a back burner until all the amazing returned Bettys get out, of course!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:44

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Thanks for the reply claney. I played the shit out of my April 6 1982 Philly show back in the 1980s and 1990s. I know I have mulitple tape copies of that show so that I had a back=up in case the tape broke. Years ago, the Road Trips 4.4 CD sold out before I bought a copy. Currently, the digital download is not available. Garcia later
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Submitted by Vguy72 on Fri, 01/19/2018 - 22:44

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....you can do better than that. How about, "not every release can be a hat trick." More our style, right? Go Golden Knights....
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:50

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Thanks for the info Liberty. I lost the comment I was going to post and inadvertently reposted a previous comment. Sorry, I could not find 10-10-82 on archive.org. So I am playing 10-9-82 Frost show. I had this tape somewhere... I love Throwing Stones. Really enjoying it. Not sure I have heard this on any Dave's releases? Have not heard it in very long time...
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:51

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Thanks for the info Liberty. I lost the comment I was going to post and inadvertently reposted a previous comment. Sorry, I could not find 10-10-82 on archive.org. So I am playing 10-9-82 Frost show. I had this tape somewhere... I love Throwing Stones. Really enjoying it. Not sure I have heard this on any Dave's releases? Have not heard it in very long time...
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Submitted by Vguy72 on Fri, 01/19/2018 - 23:07

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....no complaints here. Solid. They ended the first set with China->Rider quite a bit that year. I'm a fan of that. Caddyshack is almost the perfect movie. I don't know where that came from.
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:14

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Wow! They released someting that sounds worse than DP 32?!LOL. Seems Dick had good memories of that show and was maybe more concerned about perfomance regardless of the recording quality. There are probably 2000+ recordings to pick from. Because the selection is overwhelming, I assume he was just anxious to release the best tape out of a few of tapes he pulled from the vault each time, but I ti=hink he was still searching for particular shows that he had fond memories of. Who was the recording engineer in 1982? Dan Healy?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:26

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Where did you stream 10-10-82 frost from? I could not find it. I recommend listening to 10-9-82 Frost. Listening to it now. really enjoying "Throwing Stones" and "Space"!!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:35

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Caddyshack is my of my favorite movies? I'll take some of those naked-lady tees...
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Submitted by jackstrawberry on Sat, 01/20/2018 - 00:09

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Thanks for info mbarilla. Check out the Greek Theatre 5-22-82. Phenomonal song selection, guitar playing and sound by Jerry on this recording. Very upbeat tempo. One of my fav tapes ever!!. Wish this was Dave pick 26!!
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Submitted by snafu on Sat, 01/20/2018 - 00:20

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You are right. The only way dolby worked right was for the same machine to be used in recording and playback. Early on I went to an independent dbx nr machine found it worked a lot better
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Submitted by snafu on Sat, 01/20/2018 - 00:30

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I have mentioned this before but while it may well be sentiment creeping in I saw every bay area show from late 70's 'til the end and there was something special about the greek shows and the tapes I have seem to bare this out. The 84 ones if memories are correct (It's been a while the downside of so many releases haha) were especially fine
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Submitted by SpanishJam on Sat, 01/20/2018 - 04:08

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Thanks for the good discussion on the returned tapes. Got me thinking about DaP16 and DaP21. Didn't Dave say they considered releasing 4/2/73 earlier but for one reason or another it didn't happen? I seem to recall that it was considered for release instead of 3/28/73 (maybe even earlier)? I went back to the seaside chat for DaP21 and it wasn't mentioned there. Maybe I caught it on Sirius around release date? I thought the tipping point for 3/28 over 4/2 was the Dark Star. I guess I'm brining this up to get a feel for when the tapes (at least some of them) started rolling back. DaP16 was released on Nov 1, 2015. So if that tape wasn't in the Vault then it would have been returned closer to summer 2015 (or earlier). I'm having a hard time putting my finger on some of these details (haven't gone back to the liner notes yet), but if memory serves 4/2 was also highly regarded by Dick and he mentioned several of the tunes (particularly in the first set) were definitive versions for the year/era. Dick certainly could have been listening to non-Vault soundboards, but are we sure that 4/2/73 hasn't been in the Vault for a while? To my ears the sound quality of DaP21 is better (slightly) than DaP16. Regardless, it's pretty awesome that we have such high quality shows available with great sound quality. Dave and Co are doing a great job; thank you! And would love to see 8/7/1972 and 8/12/1972 released. Edit: I meant 7/18/1972 not 8/7/1972. Oops. Roosevelt Rules!
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Submitted by JimInMD on Sat, 01/20/2018 - 07:07

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"they considered releasing 4/2/73 earlier but for one reason or another it didn't happen.." Couldn't one of the reasons be that the masters were not in the vault (but the performance was certainly release worthy)? Also, I seem to recall some of these getting released perhaps before they had the masters in the vault. Maybe I am wrong.. For instance, what about Dave's Picks 14? But there is an older one where conversations evolved about the origin of the source file used for release. Again, perhaps I have this wrong.. but this topic has come up. Perhaps someone out there has a better memory than I.
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Submitted by alvarhanso on Sat, 01/20/2018 - 07:06

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Dave's 21 was definitely part of the returned tapes, Dave's 16 was not, one big distinction between them is that Kidd Candelario recorded 3/28, and Rex Jackson recorded 4/2 (on 10" reels, this being the firsttime I recall seeing a mention of a show recorded on 10" instead of 7" reels). Kidd may have been recording 4/2 as well, and Betty and/or Rex may have been recording as well. From what Dave has said on Kidd's role in recording, I believe most of his tapes were in the Vault as he was recording the shows for the band, where the Jacksons may have recorded some for the band, some for themselves. We know Betty did her own recordings, but that she also worked for the band on recordings, so some of her tapes aren't the reference tapes the band would have used. But this brings me to the most fascinating part of the whole ABCD/returned "Bettys" discussion: Dave's 24 was recorded by Bear, not Betty or Rex, yet was also part of the ABCD collection, and already we have nearly 3 Rex recordings as part of that collection Dave's 21, 22 and bonus, and 2 more are likely to be Rex recordings in Dave's 26 and bonus. Why Rex tapes are in the collection makes perfect sense as he was married to Betty. But why did she have a Bear tape? And did she have more of his tapes in her collection that was returned with the ABCD deal? They were astonished to get over 100 shows returned, the list of Bettys that circulated in the "What Happened to the Bettys" article wasn't nearly that many shows, so clearly they got shows they didn't expect because there are times she was known to have recorded and times she was known not to have recorded, but if you add in Rex tapes when she wasn't on tour, you get Fall 1971, Spring 1973 tapes popping up. Now add in the wildcard of what kind of Bear tapes did she have?! The guys clamoring for more 80s and 90s will be pissed at the possible treasures that will necessitate pushing 80s and 90s Picks down the road to put out legendary shows or under the radar gems that never attained a reputation due to lack of circulation. I think the compromise will be a small 80s box each year while these Bettys, Rexes, and Bears are used for Picks. I think that's a great compromise, because then the 80s and 90s choices can be multitrack and more listenable than a PA mix.
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