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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • #1281
    Thin
    Joined:
    Boston area Saunders/Garcia-type project is must-see
    So this band played at a local restaurant in January and blew my mind. I've been back every Thursday since, and even recorded a few shows. I'll post a Youtube playlist for them below. I highly recommend Boston area folks check these guys out live, and out-of-towners can check the videos - the audio in the recordings is top-notch. The "B3 Kings" is a mostly-instrumental band that doesn't do any Dead tunes - soul/R&B covers and some originals. Format is JUST like Saunders/Garcia "Live at Keystone" (though they do no Saunders/Garcia songs either) with lead guitar and hammond organ trading solos. Guitarist has a wonderful melodic, finesse-y style like Jerry (though none of these guys are Deadheads) and organ player is on a Hammond B3 with full Leslie. The personnel shifts slightly week to week, but ALL these guys are either Berklee professors, Berklee alums, and/or play in nationally touring bands (J. Geils, Ryan Montbleau, etc - they've all been on the SNL stage at some point). The level of musicianship is amazing. They play every Tuesday at the Plough and Stars in Cambridge 10-1am, and Thursdays in Needham at Three Squares restaurant 7-10pm. I go often so if you think you're going, let me know and we'll connect for a brewski. Three Squares is tiny and is usually pretty empty on Thursdays (sleepy suburbs and no one no knows they're' there!). Imagine walking into the Keystone in '73 and sitting down right in front of the band - that's what this feels like to me..... Check it: https://www.youtube.com/playlist?list=PLAdhYn7_F5kfRjtPZjWq_M2uzp3k3dGGU
  • #1282
    daverock
    Joined:
    5/5/77
    I have been mainly wading about between 1969 and 1974 this year-especially 1969 and 1972. So I decided to branch out a bit this morning into the post retirement years. And I chose 5/5/77. It immediately struck me what a smooth and excellent sound it has. Nothing is played too fast-or too slow-everything seems to lope along evenly. I have only played the first set so far. Two of the best songs in this set are ones that were much played in 1972-Sugaree and Looks Like Rain. But both versions here are utterly transformed from what I have become used to. The Sugaree is amazing-the highlight of the set-with beautiful long guitar solos from Jerry. Looks Like Rain isn't a favourite of mine-although I do like the 1972 versions with Jerry on pedal steel guitar. But this version is good too. It has lost some of its country flavour, but it is superbly sung-Donna's voice sounds just right, and again it has a top drawer guitar solo. Its interesting though, that the best song of the set ( and possibly the show) is the second one played. Maybe that was a characteristic of the band in 1977- the last Dave Picks was the same -that they peaked earlier than in earlier years.
  • #1283
    CaseyJanes
    Joined:
    These freaks are stalking us.. and have been for 52 years!
    That should be on a GD T- Shirt....LOL!
  • #1284
    Cousins Of The…
    Joined:
    10-15-76
    Awesome show all around, killer 2nd set; Other One is candidate for best post-hiatus; unusual,and goes places. Might As Well, Mama Tried, Row Jimmy, It's All Over Now, Loser, Minglewood Blues, Bertha, Lazy Lightning-> Supplication, Sugaree, Promised Land Eyes Of The World-> The Music Never Stopped, It Must Have Been The Roses, Samson & Delilah, He's Gone-> Drums-> The Other One-> Comes A Time-> Franklin's Tower-> Sugar Magnolia Edit: Comes a Time = GOAT, incredible coda.
  • #1285
    David Duryea
    Joined:
    5/6/70 download - HOT concert on a COLD day
    https://themidnightcafe.org/2018/03/08/lossless-bootleg-bonanza-gratefu… Grateful Dead May 6, 1970 Kresge Plaza, Massachusetts Institute of Technology, Cambridge, MA gd70-05-06.sbd.gans.94.sbefail.flac16 Download: FLAC/MP3 This is flac encoded & tagged version of shnid: 94 Free Concert nationwide campus strikes to protest Kent State killings Details: MSR (MIT Reels) 1/2 Track Mono -> Otari MX 55 2 track (playback) ->TC 2000 Studio Effects Processor (using only the A->D converter, no effects) -> Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2 (No DAT generations) -> CD (from Gans) > EAC > SHN Source: Mastered by David Gans 2/2000 Tape Curator: Eli Polonsky Shorten Converted by Rango Keshavan (THANKS!) seeded to etree by dnsacks@usa.net –Setlist– 101-d1t1 – /Dancin’ in the Streets [16:38] 102-d1t2 – Lost Kid Announcement/Tuning/Crowd [1:11] 103-d1t3 – China Cat Sunflower // -> [4:16] 104-d1t4 – // Jam -> I Know You Rider [6:12] 105-d1t5 – Next Time You See Me [4:03] 106-d1t6 – Morning Dew [11:15] 107-d1t7 – Tuning/Crowd (to end of reel) [:38] 108-d2t1 – Tuning/Crowd [1:17] 109-d2t2 – Good Lovin’-> Drums-> Good Lovin’ [14:43] 110-d2t3 – Casey Jones [5:20] 111-d2t4 – St. Stephen-> [6:00] 112-d2t5 – Not Fade Away [12:09] –disc 1 total time–47:03– –disc 2 total time–41:13–
  • #1286
    icecrmcnkd
    Joined:
    5-6-81
    Thanks Dick! Good dinner music. Mmmmmm.....tacos and margaritas for dinner, followed by beer for dessert.
  • #1287
    mbarilla
    Joined:
    "Nothing to tell now Let the words be yours, I am done with mine
    "Honey come quick with the iodine" "What shall we say, shall we call it by a name" ~ 9.28.76 ~
  • #1288
    Deadicated
    Joined:
    Heady times
    Doceleven surely set the tone for the day! A few weeks later, 3/12 & 3/13, at Fillmore East, the ABB added to the glory of Spring '71. I'm jammin' that now. (The sound continues today through the Tedeschi Trucks Band). For dessert get some Wynton Kelly, "Kelly Blue", 3/10/59.
  • #1289
    SkullTrip
    Joined:
    Home Alone
    Have the homestead all to myself as well. Wife's at the mall (which will take her hours), and my son's at rehearsal most of the day. Set the sound system to just the right decibel, put on Dark Star from 8/27/72, and opened the window so the rain falling outside adds that extra bit of ambience...
  • #1290
    David Duryea
    Joined:
    pre-dead jerry
    Something to enjoy while waiting for jerry pre-order https://themidnightcafe.org/2018/03/10/lossless-bootleg-bonanza-jerry-g… Jerry Garcia Early Garcia Compilation Download: FLAC/MP3 61-07-xx Listed on my tape as Boar’s Head Coffee House, San Carlos, CA Jerry Garcia, Robert Hunter, Rodney Albin, Peter Albin, Marshall Leicester, David Nelson. 01. Banjo Instrumental 02. Poor Ellen Smith 03. Wildwood Flower 04. Brown’s Ferry Blues 05. Jesse James 06. Late Last Night When Willie Came Home 07. All The Good Times Are Past And Gone 08. Darling Corey Deadlists Notes: Jerry Garcia, acoustic guitar; Marshall Leicester, banjo; Robert Hunter, bass?. This performance took place at the Boar’s Head Coffeehouse, located in the upstairs loft of the Carlos Bookstall. Droncit notes: I don’t know what to conclude about the discrepancy in personnel between the two listings. I hear a mandolin on several songs. Especially evident on Brown’s Ferry Blues. There’s an autoharp on Wildwood Flower and ATGTAPAG. Bass is not very prominent but can be heard on most songs if you listen carefully. Poor Ellen has at least 4 instruments: Bass, Banjo, Mandolin, Guitar; others sound as if there are more than three instruments as well. Wildwood Boys 63-02-23 Top of The Tangent Palo Alto, CA Jarry Garcia – guitar, banjo, vocals David Nelson – guitar, mandolin Robert Hunter – guitar Norm Van Mastricht – bass, guitar 1. Rollin’ In My Sweet Babys Arms 2. Jerry’s Breakdown 3. Standing In Need Of Prayer 4. Muleskinner Blues 5. Saturday Night Shuffle 6. Pike County Breakdown 7. Little Sparrow (Come All Ye Fair and Tender Maidens) 8. We Shall Not Be Moved Droncit Notes: Little Sparrow appears to be inspired by the Country Gentlemen’s (1959) version, which they called Little Sparrow, and the Wildwood Boys introduce it as such. My tape had about one minute missing of this song. I used SHNID 4501 as a patch for that part. You will notice it at about 30 seconds into the song, for about one minute. Patch is bassier. There was evidence of cross-fade edits at the beginning of Standing in Need of Prayer, Pike County Breakdown, and Little Sparrow, so there could be material missing, could be spots where the tape was re-ordered, or it could be where the tape was stopped and restarted and the tape recorder rested. I have left it in the order I had it (same order as SHNID 4501), although some of the evidence suggests it may be a re-ordering of songs. Standing in Need of Prayer may be from a different set as the rest, or these may be an amalgamation of material from that night. SINOP has an odd introduction where it is first described as time for a sacred number, and, less than a minute later, Garcia says ‘once again we have a sacred number for you.’ Combined with the cross-fades and other cuts, makes me think this is just a combination of songs from that night in roughly the order they were played. Jerry & Sara Garcia The Tangent Palo Alto, CA 63-05-04 This is not from my cassette. The source for this is SHNID 17914. I reworked it while I was working on the other material. I just corrected the speed. 1. Deep Elem Blues 2. Will the Weaver 3. I Truly Understand 4. All the Good Times are Past and Gone 5. Long Black Veil 6. The Man Who Wrote “Home Sweet Home” Never Was a Married Man 7. Keno the Rent Man 8. Foggy Mountain Top Droncit notes: Deep Elem sounds like Bass, Autoharp and Mandolin or else Guitar, Autoharp and Mandolin. If that’s right, then personnel is not quite accurate. Black Mountain Boys 64-03-06 Palo Alto, CA Top of the Tangent Jerry Garcia – Banjo Eric Thompson – Guitar David Nelson – Mandolin Jim Beamis (Robert Hunter) – Bass 01 Salt Creek 02 Katie Kline 03 Homestead on the Farm (patched) 04 Bare Foot Nellie 05 She’s More to Be Pitied than Scolded 06 They Can Lock Up Me Up For Loving You 07 Somebody Touched Me 08 Who’ll Sing for Me 09 Darling Aller //Lee 10 Set Break Instrumental (“back in 15 minutes”) General notes from the original uploader: Except where noted (i.e., material from other sources), I used a modified Nakamichi BX1 converted for flat transfer for the player; transferred to my Tascam DR-07mkII at 24 bit/96kHz using a flat preamp. Correct EQ applied through Diamond Cut Forensics 9 (alpha). Tracks normalized to -.5 dB. Converted to 16 bit/ 44.1kHz using 32bit interpolation. I obtained the cassettes in the mid-1990s. There were many speed issues across the tapes (the speed problems are also evident in the other sources). Most of these speed problems involved linear and curvilinear speed changes (i.e., the speed was off by different amounts throughout the recording). I corrected these to steady speed (within tolerance for the time of recording). All speeds were corrected with DC8Forensics. I didn’t use any noise reduction on any of it, so some is hissy. There were edits in many places, so these may not be in the order performed, and some songs may be from a different night or different set. I intended to have 62-11-10 as part of this compilation, but my copy is missing some material that is listed on etree. If you have it and are willing to share, please email me at droncit@yahoo.com. I can fix the speed changes, etc. Droncit notes: My tape did not have Homestead on the Farm so it is patched in from shnid 17914. Patch begins at the end of track 2 when they inroduce the song. Noticeable hiss increase. Back to my tape immediately after the clapping ends for HOTF, so intro to Barefoot Nellie and the rest of the show is from my tape.
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Submitted by heatherlew on
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Submitted by mustin321 on Fri, 01/19/2018 - 10:42

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I can't wait to hear Dave's Picks 25...when is this gonna go on sale?
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Submitted by SkullTrip on Fri, 01/19/2018 - 10:42

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Damn! That is a hard stop. I rarely listen past '78 myself, except for the occasional '89 or '90 show (Sorry, gang -- Brent still hurts my ears even after all these years). But drawing the line at the end of the E72 tour? 'Tis a bit flummoxing.
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Submitted by mustin321 on Fri, 01/19/2018 - 10:51

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I'm not an Irish bug...
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Submitted by evilyn2003@hot… on Fri, 01/19/2018 - 10:58

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First off, I could not agree with KeithFan2112 any more: The Waterbury, CT 9/24/72 gig from the 30 Trips Boxset is an absolute gem and Garcia throws down some of the most explosive leads of his career! I believe that show is SO unbelievably mind blowing that I seriously consider the price of the WHOLE boxset worth it just for that show (of course thankfully it's filled with many other killer shows as well, especially the always classic Cape Cod gig from 10/27/79). The "Dark Star" from 9/24/72 is simply astounding and the show as a whole rivals ANY previously released show from the amazing month of September '72 (in my humble opinion). It is a show I did NOT have prior to 30 Trips and I am still in awe that a show of that level had previously existed in relative obscurity. However, the main thing I wanted to bring up is how fortunate the accidents of history can some times be. This pertains to the fact that until recently the soon to arrive Dave's Picks 25, the absolute monster rock-a-thon that is Binghamton, NY 11/6/77, was NOT in the vault. I am a rabid fan of 11/6/77 and I remember when Dick's Picks Vol. 34 was released (featuring the gig from the night before in Rochester, NY 11/5/77) I was truly kind of pissed off! It was like what the fuck? Why was this Rochester show chosen over Binghamton? Being much younger I was unaware that the masters for the 11/6 Binghamton show I'd loved so much (via my CDRs) was NOT in the Vault. In the end however, this was a HUGE stroke of luck for me, as HAD 11/6 been available and released as Dick's Vol. 34, I may have (though I doubt it, but one never knows for sure) somehow overlooked 11/5/77 in Rochester, a gig which over the years I've grown to greatly cherish (to basically an equal extent as 11/6 in Binghamton). Both shows are simply phenomenal! Like Dave brought up in his video intro for Dave's Vol. 25, had 11/6 been in the Vault years ago, there would have been all the makings for quite a ferocious boxset! Personally I'd start it with 11/1 at Cobo Hall in Detroit (just a fantastic gig and start to Nov. '77), then include the 11/2 Seneca College gig in Toronto (which is nearly complete if you own Dick's 34 and Dave's 12), and the already released 11/4 Colgate University-Hamilton, NY (Dave's 12), 11/5 Rochester, NY (Dicks Vol. 34), and the soon to be released Dave's Picks 25 featuring the blisteringly beautiful performance in Binghamton, NY from 11/6/77. Wow, what a boxset those 5 shows would've made!!!! I look forward to this November and listening to each show on the appropriate date! But again I go back to the bizarre vagaries of history. The quite well-known 11/6 Binghamton tapes weren't in the Vault, so the folks in charge wisely chose the slightly lesser known gig from the night before in Rochester (and tossed in a nice chunk of the 11/2 show from Toronto). Dick's Picks 34 is probably second ONLY to Dick's Picks Vol. 10 (one of my Top 10 favorite shows of all-time: the lysergic, powder-power that is "The Nine", 12/29/77 at Winterland) as my favorite Dick's Pick from 1977 (which is saying a lot when one considers the majesty present on Dick's Picks 29 particularly, but also found on Dick's Volumes 3 and 15). So the lack of tapes for 11/6 allowed me to be introduced to 11/5 in Rochester, a different (but in many great ways VERY similar) show which I at the time did not have a copy of. A show which I absolutely adore and listen to EVERY 11/5, just as I do with 11/6 in Binghamton. It's great that the imaginary boxset discussed above will now (with the exception of 11/1/77 in Detroit, a show which is certainly available with a bit of exploration or through the kind favor of a friend) be virtually complete (with the upcoming release of Dave's Picks Vol. 25, of course). It was well worth the wait and I'm glad that Binghamton's unavailability at the time may have played a role in introducing me (and likely many others) to another show that exhibits its own similar brand of magic sparks: 11/5 in Rochester (aka Dick's Picks 34)! Keep up the GREAT work Mr. Lemieux and Co., I'm super excited to retire my 11/6 Binghamton CDRs in favor of what I'm sure will be (as always) a major league upgrade! Thanks for bringing these amazing recordings back to life and to all who have a hand in making them available! Also for presenting them in the respectful manner they deserve... I am an obsessive heavy metal and hardcore punk (of the 70's-80's), as well as prog/post-psych/Krautrock/acid jazz (of the late-60's & 70's) collector who just happens to believe the Grateful Dead were the single greatest vessels of rock 'n' roll expression the human species has yet produced. I am not deifying them as individuals but rather crediting them for their efforts in their particular corner of time and space. They are the one rock 'n' roll group whom I feel transcend all genres, as their "genre" is the sound of their (and our) existence in all its emotive range. From a historical perspective they entered their time and fulfilled a tremendous task simply by a constant yearning for experience, a sufficient degree of musical skill and just enough ambition to steadily improve and grow, and a intense desire to be themselves and have fun while avoiding (to the extent reasonably possible) the pitfalls of ego caused by success. For me, and many others, they shall forever remain the most fascinating musical (or if you wish to be broad: artistic) phenomena of 20th Century American culture. P.S.: IF you're ever running short on ideas for DP releases (haha), it'd be amazing to have 7/18/72 restored, the intensity of 8/12/72 from Sacramento, 10/25/73 in Madison, WI, 6/23/74-Miami, 7/25/74-Chicago (a endlessly fascinating gig which has flown far too long beneath the average fan's radar), and the epic 9/11/74 final London Alexandra Palace gig in its entirety. A collection dealing strictly with Ned Lagin and "Seastones" would also be rad! Just a few suggestions, lord knows you don't get enough already I'm sure! Best of luck and best wishes...
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Submitted by evilyn2003@hot… on Fri, 01/19/2018 - 11:06

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I have two balls and since I'm left handed I guess I'm a bit more partial to my left nut...Makes sense doesn't it?
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 11:53

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One should hang lower than the other.A psychologist I know claims that the side that hangs lower indicates that the opposite sided brain lobe is the dominant lobe. Quackery? Sounds like it to me. But what do I know, I rub ice cream on my forehead. On the other hand (nut), you’d be amazed at the clairvoyance one can obtain by rubbing ice cream on one’s head.
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Submitted by dissident1980 on Fri, 01/19/2018 - 12:00

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It went on sale ... and it sold out.
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Submitted by simonrob on Fri, 01/19/2018 - 12:02

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My asian friend Wun Hung Loh thinks someone is taking the piss here.
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Submitted by mustin321 on Fri, 01/19/2018 - 12:11

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Does anyone know where to find a time machine? ...McFly?
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Submitted by Sixtus_ on Fri, 01/19/2018 - 12:21

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Talk with JimInMD...his wayback machine is currently set to 2/14/68 I believe, but it can go anywhen. If that is in use, try the flying mower with magical time travelling cartridges. Pick me up on the way please. Sixtus
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Submitted by SkullTrip on Fri, 01/19/2018 - 12:52

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You may not be, but (ironically) I am.
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Submitted by DinaMoe on Fri, 01/19/2018 - 13:17

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I can still remember my first listen of this show. Jerry Moore audience. Mind-blowing performance aside, I remember not getting over how hopped-up the audience was for this entire show. And we all know how much an act like The GD fed off of a crowd like this one! Bobby even throws out a "you're a good audience" just before the encore. I don't recall another show where that was acknowledged. How about the roar of the crowd at "vitamin C 'n cocaine" and Garcia responding with a wicked lick? Fuckin' Binghamton. :-)
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Submitted by 80sfan on Fri, 01/19/2018 - 13:48

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Back home after traveling to a funeral for a family friend (looks like I missed a lot of good chat)! Hope everyone out there is doing something right this minute that makes them happy. Life is too short for anything else. My plans tonight are to drink red wine, hang out with my family...and of course honor the dead by playing dead. have a great weekend everyone -
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Submitted by JimInMD on Fri, 01/19/2018 - 15:36

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80sfan.. I'll be right there, what exit should I take?
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Submitted by stoltzfus on Fri, 01/19/2018 - 16:11

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I work as a teacher in special education. Some surly kids, even in elementary school. NO. NO. NO. Well, I don't wanna work. hmph. must...complete...week...
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Submitted by KeithFan2112 on Fri, 01/19/2018 - 16:23

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I love this attitude from evilynn2003 (and I quote) "I believe that show is SO unbelievably mind blowing that I seriously consider the price of the WHOLE boxset worth it just for that show" Exactly how I felt about the Lindley Meadows 1975 show when I bought the box (although I have to admit, I was pretty stoked for '68 / '69 at the Greek and Dream Bowl). But yeah, I really do love that 1975 performance. Something weird was going on with their sound (I heard they had someone else's amps / rig due to their shit blowing up); but it sounded tremendous. The tone of it all sounds more like 1971 than 11 months post Wall Of Sound. Jerry's guitar is so distorted and fuzzy and loud - truly a one of a kind show recording. My only regret is that Franklin's Tower was separated from Help / Slipknot! but that's what home PC computer editing software is for. On my digital copy, the three are nicely married. I guess I'm also a little sad they didn't play longer, and maybe throw in an Eyes of the World, but we're fine, everything's fine here.. now...how are you? Sixtus, yeah lol, that's exactly how it looks. Then if you're not lucky enough to catch it and you get a roller, that 2 or 3 seconds when you don't know if it will land playing-surface up or down feels like an eternity. We've all done it right?
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Submitted by David Duryea on Fri, 01/19/2018 - 16:28

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"Hope everyone out there is doing something right this minute that makes them happy. " In AG Jeff Sessions' view I'm doing something wrong this minute and it makes me very happy.
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 17:14

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There is a uniqueness that comes with the songs not being together. Please don’t tell me you rearranged 10-9-76 too. As for CD-R backups, the first time I listened to Road Trips 74 Wall of Sound I dropped one of the CDs taking it out of the player and scratched it. I then made the decision to make CD-R copies of all the releases and store the originals.
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Submitted by stoltzfus on Fri, 01/19/2018 - 18:03

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so good. I remember hearing it the way home from 7/19/87. it glowed. ;)
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Submitted by David Duryea on Fri, 01/19/2018 - 18:48

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http://www.dead.net/features/jam-week/january-19-january-25-2018?intcmp… Fillmore Auditorium 11/7/69 Dark Star -> Uncle John’s Band Jam -> Dark Star -> That’s It For The Other One -> Turn On Your Lovelight The whole show is available at the midnight cafe. https://themidnightcafe.org/2016/02/11/lossless-bootleg-bonanza-gratefu… Grateful Dead November 7, 1969 Fillmore Auditorium San Francisco, CA Download: FLAC/MP3 Recording Info: SBD -> Master Reel -> Dat This is a tagged version of shnid: 119628 Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 27, 2012 Notes: — Disc change is seamless — There are reel flips in High Time and UJB Jam — There are no pauses, cuts or edits between songs — iZotope Ozone was used to de-click the Master Reels –Setlist– 101-d1t01 – Morning Dew 102-d1t02 – Hard To Handle 103-d1t03 – Casey Jones 104-d1t04 – Mama Tried 105-d1t05 – Me & My Uncle 106-d1t06 – Tuning Ditties 107-d1t07 – Cold Rain & Snow 108-d1t08 – Next Time You See Me 109-d1t09 – High Time 110-d1t10 – Good Lovin’ 111-d1t11 – China Cat Sunflower -> 112-d1t12 – I Know You Rider 113-d2t01 – Dark Star -> 114-d2t02 – Uncle John’s Band Jam -> 115-d2t03 – Dark Star -> 116-d2t04 – That’s It For The Other One -> 117-d2t05 – Turn On Your Lovelight Two hour and 25 minute show. Definitely deserving of a Full Norman!
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Submitted by Birchwood on Fri, 01/19/2018 - 20:30

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Thanks very much for posting this cool show, in such great quality. Enjoying it immediately! Immensely! Really good. Thanks to Misters Dureya and Miller. Good on ya!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 20:51

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Thanks icecrmcnkd. Unforutanately, I think DP 32 is the poorest quality recording I have heard in the Dick's Picks series. So poor foe me that I decided not to buy a copy of it. It would be a treat to hear a high quality dynamic recording of one good 1982 show from Dave's Picks. Dave has much better technology to transfer and clean up these recordings than Dick had available to him.
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:15

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In my reply to someone else, I provided the same feeling as you regarding the Alpine 1982 Dicks Picks. I agree that all years have good shows. I own shows from many different years and really love them. To me the performances in many of the 1982 shows are tremendous and many of my favorites. I'm curious how many deadheads have heard the 1982 shows because there have been almost no high-quality releases from that year?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:15

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In my reply to someone else, I provided the same feeling as you regarding the Alpine 1982 Dicks Picks. I agree that all years have good shows. I own shows from many different years and really love them. To me the performances in many of the 1982 shows are tremendous and many of my favorites. I'm curious how many deadheads have heard the 1982 shows because there have been almost no high-quality releases from that year?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 21:35

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Thanks for the reply claney. I played the shit out of my April 6 1982 Philly show back in the 1980s and 1990s. I know I have mulitple tape copies of that show so that I had a back=up in case the tape broke. Years ago, the Road Trips 4.4 CD sold out before I bought a copy. Currently, the digital download is not available. Garcia later
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Submitted by Vguy72 on Fri, 01/19/2018 - 21:39

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....sounds pretty good to me. In fact, a lot of my tapes still sound good (except when it's in Dolby. Not a fan). I guess not being so picky is an advantage at times. Just Play Dead....
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Submitted by JimInMD on Fri, 01/19/2018 - 22:04

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What a scam.. I think Dolby even flucks up the remastering process. But what do I know.. except that dolby mucked up lots of what would have been great audience tapes (and perhaps a few soundboards). I bet it works just fine if all the equipment used through every step of the process is perfectly encoded using the exact same version of Dolby.. but so many years later, what are the chances that something is poorly labeled and some machine uses the wrong Dolby version (or none at all when it should have been used). Keep it simple.. right? The tapes I had that were recorded using dolby usually did not sound great by the time they got to me. On the bright side, bad dolby usage gave us the chipmunks. I am a fan of the good shows from 82. I think its an under-rated year and the inconsistency of the recording quality decades later is a big part of the perception mismatch. It was perhaps the last year Jerry's voice, on a good night, sounded 'fresh' or young. Frost, Alpine, so many others.. in total.. it was a mighty fine year.
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Submitted by icecrmcnkd on Fri, 01/19/2018 - 22:33

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Many new Miller/Clugston/Gans/Eaton’s uploaded to entree in the last 3 days.My dedicated torrent computer will be working hard while I sleep.
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Submitted by libertycaps97211 on Fri, 01/19/2018 - 22:38

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Yeah, it's sourced from cassette, but i think DiP 24 is worse. Prolly the only one in the series that i think should not have been retail released. The performance is sub-par too, imho. Not every swing can be a home run...or a base hit in some cases. I can envision a day when some DiPs get re-released with the Full Norman treatment and/or properly bias & speed corrected. But not a high priority. Def a back burner until all the amazing returned Bettys get out, of course!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:44

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Thanks for the reply claney. I played the shit out of my April 6 1982 Philly show back in the 1980s and 1990s. I know I have mulitple tape copies of that show so that I had a back=up in case the tape broke. Years ago, the Road Trips 4.4 CD sold out before I bought a copy. Currently, the digital download is not available. Garcia later
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Submitted by Vguy72 on Fri, 01/19/2018 - 22:44

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....you can do better than that. How about, "not every release can be a hat trick." More our style, right? Go Golden Knights....
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:50

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Thanks for the info Liberty. I lost the comment I was going to post and inadvertently reposted a previous comment. Sorry, I could not find 10-10-82 on archive.org. So I am playing 10-9-82 Frost show. I had this tape somewhere... I love Throwing Stones. Really enjoying it. Not sure I have heard this on any Dave's releases? Have not heard it in very long time...
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Submitted by jackstrawberry on Fri, 01/19/2018 - 22:51

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Thanks for the info Liberty. I lost the comment I was going to post and inadvertently reposted a previous comment. Sorry, I could not find 10-10-82 on archive.org. So I am playing 10-9-82 Frost show. I had this tape somewhere... I love Throwing Stones. Really enjoying it. Not sure I have heard this on any Dave's releases? Have not heard it in very long time...
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Submitted by Vguy72 on Fri, 01/19/2018 - 23:07

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....no complaints here. Solid. They ended the first set with China->Rider quite a bit that year. I'm a fan of that. Caddyshack is almost the perfect movie. I don't know where that came from.
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:14

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Wow! They released someting that sounds worse than DP 32?!LOL. Seems Dick had good memories of that show and was maybe more concerned about perfomance regardless of the recording quality. There are probably 2000+ recordings to pick from. Because the selection is overwhelming, I assume he was just anxious to release the best tape out of a few of tapes he pulled from the vault each time, but I ti=hink he was still searching for particular shows that he had fond memories of. Who was the recording engineer in 1982? Dan Healy?
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:26

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Where did you stream 10-10-82 frost from? I could not find it. I recommend listening to 10-9-82 Frost. Listening to it now. really enjoying "Throwing Stones" and "Space"!!
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Submitted by jackstrawberry on Fri, 01/19/2018 - 23:35

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Caddyshack is my of my favorite movies? I'll take some of those naked-lady tees...
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Submitted by jackstrawberry on Sat, 01/20/2018 - 00:09

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Thanks for info mbarilla. Check out the Greek Theatre 5-22-82. Phenomonal song selection, guitar playing and sound by Jerry on this recording. Very upbeat tempo. One of my fav tapes ever!!. Wish this was Dave pick 26!!
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Submitted by snafu on Sat, 01/20/2018 - 00:20

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You are right. The only way dolby worked right was for the same machine to be used in recording and playback. Early on I went to an independent dbx nr machine found it worked a lot better
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Submitted by snafu on Sat, 01/20/2018 - 00:30

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I have mentioned this before but while it may well be sentiment creeping in I saw every bay area show from late 70's 'til the end and there was something special about the greek shows and the tapes I have seem to bare this out. The 84 ones if memories are correct (It's been a while the downside of so many releases haha) were especially fine
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Submitted by SpanishJam on Sat, 01/20/2018 - 04:08

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Thanks for the good discussion on the returned tapes. Got me thinking about DaP16 and DaP21. Didn't Dave say they considered releasing 4/2/73 earlier but for one reason or another it didn't happen? I seem to recall that it was considered for release instead of 3/28/73 (maybe even earlier)? I went back to the seaside chat for DaP21 and it wasn't mentioned there. Maybe I caught it on Sirius around release date? I thought the tipping point for 3/28 over 4/2 was the Dark Star. I guess I'm brining this up to get a feel for when the tapes (at least some of them) started rolling back. DaP16 was released on Nov 1, 2015. So if that tape wasn't in the Vault then it would have been returned closer to summer 2015 (or earlier). I'm having a hard time putting my finger on some of these details (haven't gone back to the liner notes yet), but if memory serves 4/2 was also highly regarded by Dick and he mentioned several of the tunes (particularly in the first set) were definitive versions for the year/era. Dick certainly could have been listening to non-Vault soundboards, but are we sure that 4/2/73 hasn't been in the Vault for a while? To my ears the sound quality of DaP21 is better (slightly) than DaP16. Regardless, it's pretty awesome that we have such high quality shows available with great sound quality. Dave and Co are doing a great job; thank you! And would love to see 8/7/1972 and 8/12/1972 released. Edit: I meant 7/18/1972 not 8/7/1972. Oops. Roosevelt Rules!
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Submitted by JimInMD on Sat, 01/20/2018 - 07:07

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"they considered releasing 4/2/73 earlier but for one reason or another it didn't happen.." Couldn't one of the reasons be that the masters were not in the vault (but the performance was certainly release worthy)? Also, I seem to recall some of these getting released perhaps before they had the masters in the vault. Maybe I am wrong.. For instance, what about Dave's Picks 14? But there is an older one where conversations evolved about the origin of the source file used for release. Again, perhaps I have this wrong.. but this topic has come up. Perhaps someone out there has a better memory than I.
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Submitted by alvarhanso on Sat, 01/20/2018 - 07:06

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Dave's 21 was definitely part of the returned tapes, Dave's 16 was not, one big distinction between them is that Kidd Candelario recorded 3/28, and Rex Jackson recorded 4/2 (on 10" reels, this being the firsttime I recall seeing a mention of a show recorded on 10" instead of 7" reels). Kidd may have been recording 4/2 as well, and Betty and/or Rex may have been recording as well. From what Dave has said on Kidd's role in recording, I believe most of his tapes were in the Vault as he was recording the shows for the band, where the Jacksons may have recorded some for the band, some for themselves. We know Betty did her own recordings, but that she also worked for the band on recordings, so some of her tapes aren't the reference tapes the band would have used. But this brings me to the most fascinating part of the whole ABCD/returned "Bettys" discussion: Dave's 24 was recorded by Bear, not Betty or Rex, yet was also part of the ABCD collection, and already we have nearly 3 Rex recordings as part of that collection Dave's 21, 22 and bonus, and 2 more are likely to be Rex recordings in Dave's 26 and bonus. Why Rex tapes are in the collection makes perfect sense as he was married to Betty. But why did she have a Bear tape? And did she have more of his tapes in her collection that was returned with the ABCD deal? They were astonished to get over 100 shows returned, the list of Bettys that circulated in the "What Happened to the Bettys" article wasn't nearly that many shows, so clearly they got shows they didn't expect because there are times she was known to have recorded and times she was known not to have recorded, but if you add in Rex tapes when she wasn't on tour, you get Fall 1971, Spring 1973 tapes popping up. Now add in the wildcard of what kind of Bear tapes did she have?! The guys clamoring for more 80s and 90s will be pissed at the possible treasures that will necessitate pushing 80s and 90s Picks down the road to put out legendary shows or under the radar gems that never attained a reputation due to lack of circulation. I think the compromise will be a small 80s box each year while these Bettys, Rexes, and Bears are used for Picks. I think that's a great compromise, because then the 80s and 90s choices can be multitrack and more listenable than a PA mix.
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