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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • Mr. Jack Straw
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    Joined:
    Space, let's drop it
    I think the JBP passing puts it in perspective. No one really cares about the endless Era Debate anyway.
  • SkullTrip
    Joined:
    In Defense of Defensiveness...
    "Defensiveness often reveals an area of our lives where we're in denial." - Kyle Idleman "Defensiveness is usually someone silently screaming that they need you to value and respect them." - Sharon Alder "My defensiveness in life really helps me as a driver." - Larry David
  • Gary Farseer
    Joined:
    Speaking of
    Hallucinations: Last Wed. I got up early to see what all the fuss was with the super/full/blood/eclipsed moon or whatever it was. I was out on my front porch drinking some strong coffee in the dark. As I looked West, I found the sinking full moon. Over the next 15 minutes or so, the eclipse hit just right. As I looked through a couple of oak trees, the moon appeared as a SYF. It was actually a pretty nice hallucination as the crickety thin branches formed crows feet lines around the eyes and a mouth. Some times, it does pay to actually wake up. This is all a dream we dreamed...row row row your boat! G
  • SPACEBROTHER
    Joined:
    Retelling the story again of the miracled S'90 box
    I usually end up telling this almost annually if not more often, because of the smear campaign from the "clique"....just for some context. Lengthy post ahead... Prior to the announcement of the second Spring '90 box, I had been actively advocating for Dave to fulfil the promise of era diversity of picks in the Dave's Picks series, as per originally advertised with the flashing dates from their entire career. After the first several picks came out, and every one of them from the same general time frame in the 70's with one lone exception from the 60's, my advocacy became more of a tone of disappointment. Around this time I became hit with financial difficulties (medical related actually, plus loss of job at same time). I even hit a point where I became homeless for a couple of months (I haven't told that part of the story here, so this is the first time mentioning my personal affairs here). I knew there was no way I would going to be able to afford any luxuries for a while, but did have the subscription. This is when the S'90 (TOO) box announcement dropped. My frustration and disappointment at the lack of variety in the Dave's Picks series was compounded by the fact that they were finally releasing something I was truly interested in, but it wasn't inexpensive, so was priced out of it. With the track record of previous limited edition box sets like FW '69, the two Winterland boxes, E'72, the 1st S'90 box, most of which I missed out on at the time, knew it would sell out before I could afford one. I expressed frustration and disappointment that fans of later era's had to shell out larger sums of money than a subscription or ala carte. This is when jrf68 totally dstepped-up and surprised me by offering to help me get a S'90 (TOO). I was hesitant to accept, as I've never had a complete stranger offer me something, I thought would be too good to be true, so initially leaned towards declining the offer. I also wasn't very keen about giving personal information to a random person online I've never met. After a couple of days of sitting on that, I had recieved a bunch of personal messages urging me to take him up on his offer. Jrf68, being the true gentleman and brother he is, in a true selfless act of generosity, facilitated some kind of crowdfunding effort to get me a box. I had no idea to what extant he did this, or even who all donated. I wasn't "in the know" of how he was going about this and with whom. All I know is several people stepped up, and I continue to thank them and express my gratitude for his and their generosity, as I have on many of these threads for the last 5 years. Jrf68 offered with no strings attached or expectations to have to repay him, though I've offered on to purchase releases for him as compensation, yet he so far has declined to accept (or already had them on order). A true act of class from one of the coolest people I've never even had the pleasure to meet in person. He truly personifies the spirit of what being a Deadhead is supposed to be. Kind and generous, even to complete strangers. The unfortunate thing is, jrf68 was attacked by the "clique" for helping me out. While they have since held resentment towards me for expressing my opinions, personal tastes and criticisms of the pick choices, as well as being miracled a S'90 box with no strings attached, their treatment of him is inexcuseable. This probably won't be the last time I have to explain myself and this story, unfortunately. Some people, who more often than not get what they selfishly desire, harbour resentment towards those they disagree with for catching a break, like being miracled a box set (one that I neither solicited to get, or asked for....it was offered freely....and I hesitantly accepted at the urging of others). It's always been clear to me that some who harbor resentment towards me for expressing my desire to see more 80's releases in the Dave's Picks series, have used the miracle box was part of an agenda to shut me down. My final point of this post is directed at AJS.... You've been an asshole to me for years. You say you put in $20 towards the box jrf68, yet turned around and attacked him for helping me out and attacked me for recieving it. After treating me like shit, you turn around and attack me for not handing you money for crowdfunding for other people (did those people even ever get their boxes you crowdfunded for? I haven't seen any mention of them recieving them anywhere since). Why would I hand over a single dime to somebody I've never met, who for years has been spiteful, rude and mean to me? There's a reason I blocked you from sending me pm's. I even felt the need to bring your last pm to me to the attention of MaryE. You definitely don't want me to publicly share that message that I blocked you over. My suggestion is...get over it....move on. If my expressing the advocacy of more 80's releases, expressing opinions of 80's shows and criticisms of not following through on advertised promises of variety in the Dave's Picks series bothers you so much, that's your problem. I've even reached out on multiple occasions to find a way to put our differences aside, yet you refuse. Oh well.... Ostracizing is as against the spirit of the Grateful dead as it gets.
  • fishcane
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    Unkle Sam..
    I think you are confusing him with Bob Bralove.... "I just read that John has died. 70 years old. This is a hard pill to swallow and it will take me weeks to process this. Condolences to all who knew him and worked with him, to his family and to Bobby, I just don't have the words, like he did, to explain this feeling. One of the great Dead lyricist and no one will ever replace him. His work on Infrared Roses (one of the best "space exploration" dead lp's out there) was nothing short of genius. Second Sight was a great band and one I wish I had seen before they disappeared like the wind. 70 years old. Think about it, we all know our time is short on this blue ball, so make every moment count, you never know when the reaper will come for you. Thank you John, say hello to Bear and Jerry in that tye dyed part of heaven that I hope I get to visit. Vaya con dios my friend."
  • daverock
    Joined:
    Getting on
    Well said, Unkle Sam. I am also sorry if I have made people angry in the past by going on about what I like and what I don't like. We all have more in common that we have differences. Its a shame we can't always seem to debate things without resorting to personal attacks. Liking the Dead, maybe especially in England, is quite a specialist interest, so we may not have the opportunity to discuss things concerning the band anywhere else but on here. A couple of weeks ago, I was listening to shows from March and April 1972 . Then I switched track, and started listening to shows from 1982. A fascinating study in contrasts-but not one I can discuss with the next door neighbour. Or on here it seems-it has become such a loaded topic. Maybe even saying this is provocative-but I hope not-its meant well.
  • KeithFan2112
    Joined:
    6/10/73 - just about 40 have signed up
    A lot of people are "signing up" for the "digital petition" to get 6/10/73 released (along with 6/9). I think even cooler than having the music released, would be if we truly all bonded together to get our voices heard and our online family recognized. I think it would be awesome if, along with this release, Dave mentioned us in the Seaside Chat and maybe even the liner notes. Nothing is impossible, and I have had email responses from DL himself in the past. 1973 is in Dave's "wheelhouse" and 6/10 is a very high demand show, from a period during the year where we haven't had a release - so I really believe, if ever there is a chance that the online community's vote could sway the tides, this is it. Why not, right? http://www.dead.net/show/june-10-1973 Just put RELEASE as the subject and I'LL BUY IT in the comment section. Jack Baller voted as I'm writing this - that's 40! "I'll ride the wave where it takes me...."
  • SkullTrip
    Joined:
    Mr. Wilmot
    Thanks, man. That made my morning, and will definitely keep me chuckling throughout the day.
  • Dennis
    Joined:
    Skull Trip and them Horse's Teeth...
    .... on the same thought vein, I had a customer in one night and asked if he'd like a "FREE" lighter. His reply, "what type?" I looked at him for a moment and said "a fuckin' free one!"
  • KeithFan2112
    Joined:
    John's Songs
    Pretty impressive to look at. This is just what he did with the Dead: Mexicali Blues Cassidy Looks Like Rain Walk in the Sunshine Black-Throated Wind Let It Grow (Weather Report II) Finance Blues The Music Never Stopped Lazy Lightnin' Estimated Prophet Heaven Help the Fool I Need a Miracle Easy to Love You Saint of Circumstance Lost Sailor Feel Like A Stranger My Brother Essau Throwing Stones Hell in a Bucket Gentlemen, Start Your Engines I Will Take You Home Picasso Moon We Can Run But We Can't HIde Blow Away A Little Light
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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I'd read somewhere that Keith's being pressured to transition over to electric pianos/keyboards frustrated him creatively. Since he was fairly laid-back and non-confrontational, he did his best to go with the flow, but increasingly felt more and more stifled. That may explain why in certain shows from mid/late '78 he sounds like he's just banging out chords. Might be true, might not. It all rolls into one after awhile. Regardless, the keyboard reigned king throughout the 80s. The Dead, like many 60s and 70s bands, had to adapt to survive. Brent was key (pun intended) to that survival, and definitely ushered in the new sound Jerry and the boys were looking for. But I agree -- that 11/6/77 "Truckin'" is an absolute monster.
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Ok, now I get it. Thanks Wilfred. Indeed, Shakedown & Franklin's is sick. Must check out.. So, WHAT ABOUT GAINSVILLE??? Sixtus edit: So, about Gainsville.... had to start with the second set opener...holy shit...THAT TRANSITION into FRANKLIN's TOWER!!! This is what it's all about folks. It's a really good audience recording as well...most excellent. Consider me schooled. https://archive.org/details/gd80-11-29.wise.sacks.2409.sbeok.shnf/gd80-…
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I believe the grand was still in use for the magnificent May 77 tour and into June. I think it is just this late 77 and the 78 tours that involved the heavy handed electric piano sound. Honestly I always thought the crew was behind that move because they didnt want to move the heavy piano around. Pure conjecture on my part, but it is well documented that the crew had clout within the organization and perhaps too much.
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11/29/80 is Gainsville. The shows on either side have been released, but Gainesville hasn't. Why? Because the copy in circulation is the best AUD you'll ever hear (along with 8/6/71). I can't imagine the SBD sounds better than the AUD - it's that good, and makes you feel like you're right there, 20th row center. And the show is a glorious rip-roaring romp. Thanks for posting Mustin - surprisingly long list of released 80's shows. Who knew?! Suprising how few '91 shows have been released. At the time I thought they sounded amazing and scooped up all the '91 recordings I could find. Though not as strong and consistent as '90, there are a lot of good, releasable shows.
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Well then, making a AAA+ Matrix shouldn't be too much of a problem.. Did somebody mention Gainesville?
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lol... Fuck it, or what about it, it would be a great release. Pardon the derp, but when was 11/28/80 released? I have 11/30/80 official, and a copy of Gainesville set 2, but don't recall 11/28/80 mumble mumble...
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Matrix recording of 11/29/80 would NOT suck. Hmmmm... Gainesville... Wait - Did someone say Gainesville?
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Pretty rockin' good show. Opens with a nice 1/2 Step too... DaP25 is a pretty average release IMO... I prefer Colgate and Rochester, but I agree that the 1/2 Step, Dupree's, Jack Straw, and Tenn Jed are all standouts in the first set, (I like the FOTD too, though I am not a huge fan of the slower versions,) and that the Truckin' is HOT! Oh, what about Gainesville, indeed! RIP Tom Petty Peace
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I didn't get the email about TTATS, so I missed out. jk. I couldn't swing the $$$ for TTATS. Gainesville sounds really nice on the archive right now. never heard the 1st set before. what a great band.
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I have a close show to the one you reefered to (yes, reefered). 1/30/78, also from the Uptown Theatre in Chicago. It has one of those awesome awesome 1978 Stellas, and then a Franklin's Tower, which....ok, Franklin's standalone really rocked out on the Wolf in 1978. I'll have to check out your 1/31 recommend...reeferal. Glad you caught up to the Tom Petty news :D Good info on Keith's piano DarkStar. I love his sound on DP 18, Estimated Prophet. Sounds electric, but definitely with some effect on it (kind of harpsichord-like). I would love to hear from someone with real personal knowledge, or at least someone who could identify exactly what he used on some of these releases. There are some references on Wiki, but it's very vague and does not cover the wide range of sounds I've heard him use. Maybe I'll see if Donna will let me write her Biography. She would know.
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pet peeve as a teacher: you hand out new pencils with erasers. within two days some yahoo has broken off _all the erasers_. and the kids always say, "I need an eraser!" the things we put up with in life. eraser vandalism, bearded skeletons, etc.
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Found a few extra erasers on this end. You know, if anyone needs one. Or two. I'm the bearded skeleton at the small desk by the door...
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isn't a bearded skeleton, but he can get on my nerves sometimes. kind of like the bearded skeletons get on some posters' nerves. "I don't WANT to do math! Math is stupid!" grr...
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Sure. Go ahead and start a petition. Get all the signatures you can find. I'll be the first to sign. Then send it to Dave and the boys in a nice big envelope decorated with fancy artwork. Just like back in the days when mail ordering for tickets. Be sure not to include any bearded skeletons in the design (because evidently those suck too) so that Dave knows just how serious you are about the lack of representation of your prized era. Then wait. Then wait some more. Then, when nothing changes, badger him with emails, maybe another letter, and be sure to complain on this site a lot. A real lot. You want to know why nothing will change? Dave already has your money. You keep subscribing. He keeps raising the production each year to match demand and each release continues to sell out. You keep handing over money and then complain. You really want things to change? Stop subscribing. Simple as that. Stop buying the product. Nothng will grab Dave's attention more than a sharp decline in sales. Not that the dozen or so of you malcontents will make much difference, but at least it's a start. But, also know this. Dave surely understands that if he starts pumping out 80s shows in this series, he runs the risk of the rest of us leaving.
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Just got my first buy from Grateful Dead real gone music. Road trips vol 4 # 3 Denver 1973. I paid 44 bucks. Just got my Dave’s 25 and jammed it on my newly re built pioneer CS-99a’s from the 1970’s sounded great. Once I Play the real gone road trips I will let everyone know what I think. I like the packaging. Old school plastic triple cd like the old days.
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I personally don't care, but some people did complain. in the immortal words of Squidward: "whaaaatever." in the "What about" department: what about bearded clams? Warty venus with a goatee, anyone? I am 54, going on 12...
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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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Never had it on cassette.Never heard it. You say it’s good? Generally don’t listen to AUD but if there’s a good recording I’ll check it out. Keith’s pianner, I really dig it on the GD Movie. Vguy, I thought you liked the Flames? Man you switched allegiances fast.
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give it a listen.
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6 years 11 months
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Said it better than I could, and without being a bit facetious (my usual default mode). My straw hat off to you...
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Thanks. But, I still like your post a lot more.
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9 years 4 months
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Another great release, of a pretty rocking show, in a city close to my heart. This one is getting repeat play here on the Wharf. 2/26/77? Yes, please. I love a good AUD recording. My most recent cosmic pull back to the GOGD was facilitated by stumbling across the Listening Guide. http://www.deadlistening.com/2009/02/listening-trail-best-auds-ever.html But What About Gainesville?
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13 years 6 months
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This thread has become quite comical. I have a box of erasers I would like to donate. Does anyone have a copy of the new Gainesville Matrix?
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....Gainesville doesn't hold a candle to Santa Fe. Pick any of the three shows. Go on. Pick one! Do you hear me?As far as Calgary goes, I was just rooting for a good game, and the last two minutes had it in spades. Vegas "erased" that lead quicklike. Love the Flames. Love the Knights more. It's like comparing 1977 to 1972. Fine lines....#vegasborn
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It was just pointed out that the link I posted a few days ago somehow got corrupted. Here's a new one:https://www.dropbox.com/s/vq0acpf9yzakexr/Dave%27s%2025%20SQUARE%20%2AF… I made scans of both CD and Booklet covers (each is cropped slightly differently) and combined the two so that none of the artwork is lost. I then extended the top and bottom to “square” the image (some like square format for itunes, phones, etc.) Color-matching on this one was nutty thanks to Tim McDonagh’s sizzling, but analogous color palette. Enjoy & pass around as needed,
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go to your CD collection, reach your hand out in an intuitive, instinctive, yet un-expectant, "random" manner. The first CD your hand actually touches is the one you put on, and listen to. It's what the universe wants you to hear, right now ;)
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after I post one or two times. So if I miss some PMs, I am very sorry. I know there are a few (very few, lol) people who send me PMs anymore. But let me just say that I appreciate your well wishes, even if I never read the replies, or responded to them. You know who you are. Thank you.
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If you own any/all early Dave's Picks. Amirite or wot?!? Not a Bit-Coin millionaire, but Dave did it for me. Lols. Thats Gainesville '80 show would make for a very nice official release 3 day run of shows.
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I hear ya. but I do believe Neal Cassady would know better what I'm talking about. Funny thing though, I was more familiar with the I Ching before I was turned onto the Dead, even at an early age. The fact that the two intersected at some point, was a complete surprise to me ;) Never mind though. Back to your regularly scheduled programming...
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6 years 11 months
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Damn. The potato's back in my hands. Well, at least it feels a little cooler after its trip around the board.
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17 years 6 months
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....load me a bowl.
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Nice analysis of how and why the bands sound changed after 1974. I have never read of a reason why Weir changed from a Gibson hollow body to and Ibanez-but what you say makes sense. Having said that, the Dead cd I was listening to this morning was Dicks Picks 28, which features highlights from 26th and 28th February 1973. The photographs inside show Weir playing a Gibson SG, which has been used by some very loud guitarists-Angus Young, Tony Iommi and Pete Townsend come to mind. Maybe there was another reason why he retired that one. Maybe he liked the thin sound of the Ibanez! I haven't received the new Daves Picks yet. The 1973 shows quoted above are excellent-very much featuring the earlier non bombastic Dead. There is so much clarity in the sound, with no distortion or use of volume for dramatic effect. Very untypical for a rock band from 1973. I do like the heavier handed approach of 1977-1978, and am looking forward to hearing the new release-but the playing in 1973 (and 1972 and 1974) was of a different order entirely.
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Thanks for the feedback regarding HDCD players. It looks like it's going to be difficult finding a player that decodes HDCD. Microsoft owns the rights to the technology, and it didn't become a mainstream digital source. Either way, we're lucky to have high quality GD.
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Thanks MidwayKid for this reminder about the reissue - / Real Gone series. I had missed out on the Denver '73 Road Trips back in the day for whatever reason and indeed found it there. Gotta round it out I say. As for Gainesville, that one picked up some serious steam on this thread and I've been spending ample time with this very fine audience recording over the past 18 hours or so. Not being all too familiar with the explicit year of 1980, aside from the scant officially released shows / compilations, I definitely find this show packed full of energy. I think in the past I sort of subconsciously avoided this year, and early 80s in particular due to the fact that inherently, the songs were shorter and thus I assumed less jammy or intense or whatever. What I have learned, however, as my ears and attitude got adjusted to the different style & take on how they played (aka...fast/faster), I've learned they are very good at "getting to the point" in the jams, hence things moving along a little more quickly than if they took their sweet ass time. I am happy with myself that I've sort of stuck with it in that sense, and allowed my ears/mind/expectations to fall in-line with the reality of their playing during this period. I'll also say that 30 Trips helped to break down this barrier for me as well, even if the sound quality on a few of those are a bit questionable. Nonetheless, I'd never have been exposed to this Gainesville phenomenon as well as a lot of other gems without the input from Yous All - Appreciation Factor = Level 69 Sixtus
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Uncle John's Band Playin' in the Band Uncle John's Band Me and My Uncle Mexicali Blues Tennessee Jed Samson and Delilah Easy to Love You Althea Looks Like Rain Deal Feel Like a Stranger Ship of Fools Estimated Prophet Eyes of the World drums Saint of Circumstance Black Peter Sugar Magnolia Alabama Getaway Brokedown Palace https://archive.org/details/gd80-06-08.eaton.tome.7193.sbefail.shnf
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The following list was shamelessly lifted from Steve Hoffman Music Forums: Advance Acoustic MCD 204 (CD Player) Arcam Diva DV 79 (DVD Player) Arcam Diva DV 135 (DVD Player) Arcam Diva DV 137 (DVD Player) Arcam FMJ DV 139 (DVD Player) Berkeley Audio Design Alpha DAC (DAC) Cambridge Audio Azur 650 BD (Blu-ray Player) Cayin CDT-15A (CD Player) CyberHome CH-DVD 635 (DVD-Player) Denon DBP-A100 (Blu-ray Player) Denon DBP-4010UD (Blu-ray Player) Denon DVD-A1UD (Blu-ray Player) Denon DVD-A11 (DVD/SACD Player) Denon DVD-A1XV (DVD/SACD Player) Denon DVD-A1XVA (DVD/SACD Player) Denon DVD 2800 mk2 (DVD/SACD Player) Denon DVD-2910 (DVD/SACD Player) Denon DVD-2930 (DVD/SACD Player) Denon DVD-3800 (DVD/SACD Player) Denon DVD-3910 (DVD/SACD Player) Denon DVD-3930 (DVD/SACD Player) Harman/Kardon FL-8370 (CD Multi Disc Player) Harman/Kardon HD-750 (CD Player) Linn Majik CD (CD Player) Mark Levinson ML 37 (CD Player) Mark Levinson ML 39 (CD Player) Mark Levinson ML 390S (CD Player) Mark Levinson No. 36 (DAC) Mark Levinson ML 360 (DAC) Mark Levinson ML 360S (DAC) Music Hall CD 25 (CD Player) NAD C 542 (CD Player) NAD M5 (SACD/CD Player) NAD M55 (SACD/DVD Player) NAD T 585 (SACD/DVD Player) Naim CDX2 (CD Player) Naim CD5x (CD Player) Naim CDS3 (CD Player) Naim CD555 (CD Player) OPPO BDP-80 (Blu-ray Player) OPPO BDP-83 (Blu-ray Player) OPPO BDP 93 (Blu-ray Player) OPPO BDP 95 (Blu-ray Player) OPPO DV-980H (DVD Player) OPPO DV-981HD (DVD Player) OPPO DV-983H (DVD Player) Original CD-A8T (CD Player) Panasonic DVD-S52 (DVD Player) Pioneer DVR-550H-S (DVD Player) Restek EPOS (CD Player) Rotel RCD-02 (CD Player) Rotel RCD-1072 (CD Player) Rotel RCD-991 AE (CD Player) T+A CD3000R (CD Player) Toshiba SD 500E (DVD Player) Vincent S1.1 (CD Player) Vincent S3 (CD Player) Vincent S5 (CD Player) Vincent S6 (CD Player) Personally I have a Naim CDX2 and I can highly recommend it.
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Easily the best AUD I've ever heard. This show is top notch. I see what all the hype is about.
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17 years 5 months
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Nothing brings me out of Lurkerville like a reference to the #1 item on my Grateful Wishlist - Alaska 1980. For years I've begged for a "Grateful Dead in the Land of the Midnight Sun" box - all kinds of art possibilities. But I must say, "Basked Alaska" is a fine title too. Also, I saw there was some discussion of Keith's piano in the Fall '77 shows. According to Blair Jackson in "Dead Gear" Keith didn't switch from the grand piano to the Yamaha electric grand until "summer 1978." He indicates that Keith changed to the electric grand piano because it was easier to transport (important for going to Egypt, for example). Ironically the damn things still needed to be tuned, and the piano tuner didn't show up in Egypt. That is so Grateful Dead. Anyhoo ... if you look at this video of 12/30/77 you can see that he's still playing the traditional grand piano. Good shot of it just before the 32:00 mark: https://www.youtube.com/watch?v=yqZP8ihyfs8&list=RDyqZP8ihyfs8&t=1916 So I think the sound of his piano in the fall shows really is due to him pounding away on the chords, and keeping his foot firmly on the echo pedal.
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12 years 2 months
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Headliners at Lockn for two nights.
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