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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • #401
    daverock
    Joined:
    The Who and The Dead-Thin
    I liked your consideration of Pete Townsend's performance with The Dead. The comparison between the two bands reminds me a bit of the discussion we had on here a few weeks ago about whether The Dead could be considered a jazz band. I didn't think they could, but I think their approach to playing rock music was "jazz like". And I think this is what confounded Pete Townsend when he played Not Fade Away with them in 1981. Its a simple, rock n 'roll song. But the Dead slowed the tempo and jammed, as was their wont. This obviously worked in spades for them-but they took the song out of the narrow (but great) confines of what normally constitutes the best rock n' roll music. As a great rock guitarist, poor old Pete was left standing at the starting line. I think most other rock guitarists would have been, too. John Cipollina, a bit more surprisingly, also seems a bit lost to me on the New Years Eve 1978 show, when he tries to play along on the same tune. Obviously not as easy as it looked! And as I sit here waffling, the Who Live at Hull has been pushed through my letter box. It could be a bumpy night.
  • #402
    Angry Jack Straw
    Joined:
    Thin
    Yeah. That is pretty much what I said. But thanks for restating it so emphatically. I'm glad you like the Who.
  • #403
    dmcvt
    Joined:
    the original Wall of Sound?
    Dick Clark calls it: https://www.youtube.com/watch?v=KKT0Kz5VGhw
  • #404
    boblopes
    Joined:
    Howdy
    Thanks for The Who at Hull - the remastered full Leeds is a bit pricey for my budget. Think there's 2 or 3 more copies left at amazon after my purchase. Thin - nice snowsport reference but didn't a snowboarder win the Gold in Woman's Skiing Giant Slalom in the recent Olympics? Since I fell behind the Spring 90 anniversary listen this year and I always fall behind in my E72 attempts, I'm attempting a hybrid. I listen to a couple from one or two from one tour and then one or two from the other tour. Been an experience. Aurally the 90's shows are 3 dimmensional with contributions from all. But I do notice a huge difference in the Jerry's role in comparing the two tours. A lot of the pieces that Jerry would drive in the Europe shows are almost parcelled out to Bobby and Brent. Jerry still has the the solos, but the rest of the fill is a group effort. I still love both, but was just something I never took note of before... Loving that Hawaii JGB release and the recent RFK box. Looking forward to the box set announcement, they never cease to amaze me...
  • #405
    Dark-Star
    Joined:
    Love The Who Too
    Thin, very well stated. One thing I want to add, is that the improvised set list versus the static set list is usually a trade off. The advantage for the Who is that they're so well rehearsed from playing the same songs every night, that there are virtually no mistakes, ever. I've seen them 30+ times and I have 50+ live recordings, and they never had an off night. Always tight, never flubbed lyrics. The only exception was technical issues with the synthesizer backing tapes on the '73 Quadrophenia tour. The Dead suffers some fallout from the improv and varied set lists. I don't mind it at all, only illustrating that there's a trade off.
  • #406
    Thin
    Joined:
    Angry Jack: Townshend "outmatched"? No...
    Townsend wasn't outmatched by Garcia. Yes, he looked and sounded like he was trying to fit in but couldn't get in the groove - at all. That doesn't mean he was outmatched - he was just waaaay out of his comfort zone. Towshend's style of playing is to take a 2.5 minute song and pack as many car chases and explosions into it as possible.... windmills, power chords, leg-splitting jumps, with his hair on fire and a kilbasa down his pants. The Who beat the shit out of their instruments while the Dead make love to the music. Not a slam on the Who - they're amazing and in 1970-71 they were THE band that everyone, including the Dead, was chasing.... I see "Skullfu@k" as their "Who" album, recorded in Spring '71. Did Townsend look neutered with the Dead? Totally - because he's not a finesse player, and the Dead are all about a musical conversation.... playing in a circle and feeding off each other. Look at Not Fade Away - perhaps the Dead's most bombastic, power-chord song - If Pete would fit on ANY Dead song it would be that one, right? Nope! For the Dead, even NFA is still a subtle conversation with each other and the audience. \ Pete kept trying to find a spot set off an explosion at Rockpalast, only to realize that his "thing" doesn't work with the Dead - at all. Kinda like the way John Mayer admitted after joining Dead and Co that his usual blues-y thang didn't work and he'd have to adjust and re-approach, which he did masterfully. Jerry would have looked equally out of place, even silly, onstage with the Who. And Who fans would have called him "outmatched" as well. It's like comparing the gold-medal mogul skier to gold-medal Giant Slalom guy.... they're both gonna fail miserably at the other guy's game.
  • #407
    KeithFan2112
    Joined:
    Roger From Oz
    Listened to nothing but KISS from age 5 - 10, then heard Baba O'riley at my cousin's house over Christmas break, and we must have listened to it 20 times that week. That plus side 1 of Meaty Beaty Big and Bouncy, and side 1 of The Kids Are Alright movie soundtrack, which has the Smothers Brothers "Roger From Oz" intro to My Generation. I was hooked. Who Are You was the first record I bought that wasn't KISS, followed closely by Meaty Beaty and Who's Next. First saw them 7/9/89, two days after first Dead show 7/7/89. Saw them about a dozen times now, most recently a year or two ago, whenever they were at MSG and Philly for the 50th bash.
  • #408
    icecrmcnkd
    Joined:
    Love The Who
    And as we all know, Who and Zeppelin are better than the Stones and Beatles, but Pink Floyd is the greatest British band ever.But they’re all in the minor leagues when compared to Grateful Dead. My first Who show was July ‘89, a little more than a week after seeing GD at Alpine. Was in row 32 on the floor, and extensively wide-eyed. It was an awesome rock n roll show, with all the greatest hits, even Boris The Spider. Also saw the Quadrophenia tour in ‘96 and the greatest hits tour in 2000, but those didn’t compare to the raw power of the ‘89 show. Love the Isle of Wight DVD, also have the Texas ‘75, Knebworth, and Kids Are Alright DVDs. But yeah, same setlist night after night. And that’s not just The Who, but also Zep, Stones, Floyd. Floyd claimed that the setlists had to be the same to keep the choreography with the video that was being played. But when you play each song the same night after night, well, that just goes to show that you are not in the same league as GD.
  • #409
    fourwindsblow
    Joined:
    Brendan Byrne Arena 4-7-87 and The Who
    Well I taught that weeping willow how to cry cry cry,Taught the clouds how to cover up a clear blue sky. https://archive.org/details/gd1987-04-07.140340.sbd.miller.flac2496 The Who is a great stress release.
  • #410
    Angry Jack Straw
    Joined:
    Rockpalast
    Funny that you mention that show. I was going to post something about that as well. Not sure what the correct word is, but Townsend seemed outmatched. Could be the lack of familiarity with the music, booze, drugs, etc. Who knows. I think he realized that his routine was not going to work in that particular setting so he stepped to the background. From what I have read, he came away with a great deal of respect for the Dead as muscians after that outing. Don't get me wrong. I appreciate The Who musically. Just not my listening preference.
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Submitted by heatherlew on
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Submitted by SkullTrip on Wed, 01/31/2018 - 11:45

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I'd read somewhere that Keith's being pressured to transition over to electric pianos/keyboards frustrated him creatively. Since he was fairly laid-back and non-confrontational, he did his best to go with the flow, but increasingly felt more and more stifled. That may explain why in certain shows from mid/late '78 he sounds like he's just banging out chords. Might be true, might not. It all rolls into one after awhile. Regardless, the keyboard reigned king throughout the 80s. The Dead, like many 60s and 70s bands, had to adapt to survive. Brent was key (pun intended) to that survival, and definitely ushered in the new sound Jerry and the boys were looking for. But I agree -- that 11/6/77 "Truckin'" is an absolute monster.
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Submitted by Sixtus_ on Wed, 01/31/2018 - 12:50

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Ok, now I get it. Thanks Wilfred. Indeed, Shakedown & Franklin's is sick. Must check out.. So, WHAT ABOUT GAINSVILLE??? Sixtus edit: So, about Gainsville.... had to start with the second set opener...holy shit...THAT TRANSITION into FRANKLIN's TOWER!!! This is what it's all about folks. It's a really good audience recording as well...most excellent. Consider me schooled. https://archive.org/details/gd80-11-29.wise.sacks.2409.sbeok.shnf/gd80-…
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Submitted by wadeocu on Wed, 01/31/2018 - 12:28

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I believe the grand was still in use for the magnificent May 77 tour and into June. I think it is just this late 77 and the 78 tours that involved the heavy handed electric piano sound. Honestly I always thought the crew was behind that move because they didnt want to move the heavy piano around. Pure conjecture on my part, but it is well documented that the crew had clout within the organization and perhaps too much.
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Submitted by Thin on Wed, 01/31/2018 - 13:19

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11/29/80 is Gainsville. The shows on either side have been released, but Gainesville hasn't. Why? Because the copy in circulation is the best AUD you'll ever hear (along with 8/6/71). I can't imagine the SBD sounds better than the AUD - it's that good, and makes you feel like you're right there, 20th row center. And the show is a glorious rip-roaring romp. Thanks for posting Mustin - surprisingly long list of released 80's shows. Who knew?! Suprising how few '91 shows have been released. At the time I thought they sounded amazing and scooped up all the '91 recordings I could find. Though not as strong and consistent as '90, there are a lot of good, releasable shows.
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Submitted by JimInMD on Wed, 01/31/2018 - 13:14

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Well then, making a AAA+ Matrix shouldn't be too much of a problem.. Did somebody mention Gainesville?
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Submitted by stoltzfus on Wed, 01/31/2018 - 13:18

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lol... Fuck it, or what about it, it would be a great release. Pardon the derp, but when was 11/28/80 released? I have 11/30/80 official, and a copy of Gainesville set 2, but don't recall 11/28/80 mumble mumble...
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Submitted by Thin on Wed, 01/31/2018 - 13:29

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Matrix recording of 11/29/80 would NOT suck. Hmmmm... Gainesville... Wait - Did someone say Gainesville?
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Submitted by Thats_Otis on Wed, 01/31/2018 - 13:33

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Pretty rockin' good show. Opens with a nice 1/2 Step too... DaP25 is a pretty average release IMO... I prefer Colgate and Rochester, but I agree that the 1/2 Step, Dupree's, Jack Straw, and Tenn Jed are all standouts in the first set, (I like the FOTD too, though I am not a huge fan of the slower versions,) and that the Truckin' is HOT! Oh, what about Gainesville, indeed! RIP Tom Petty Peace
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Submitted by stoltzfus on Wed, 01/31/2018 - 13:49

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I didn't get the email about TTATS, so I missed out. jk. I couldn't swing the $$$ for TTATS. Gainesville sounds really nice on the archive right now. never heard the 1st set before. what a great band.
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Submitted by KeithFan2112 on Wed, 01/31/2018 - 14:47

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I have a close show to the one you reefered to (yes, reefered). 1/30/78, also from the Uptown Theatre in Chicago. It has one of those awesome awesome 1978 Stellas, and then a Franklin's Tower, which....ok, Franklin's standalone really rocked out on the Wolf in 1978. I'll have to check out your 1/31 recommend...reeferal. Glad you caught up to the Tom Petty news :D Good info on Keith's piano DarkStar. I love his sound on DP 18, Estimated Prophet. Sounds electric, but definitely with some effect on it (kind of harpsichord-like). I would love to hear from someone with real personal knowledge, or at least someone who could identify exactly what he used on some of these releases. There are some references on Wiki, but it's very vague and does not cover the wide range of sounds I've heard him use. Maybe I'll see if Donna will let me write her Biography. She would know.
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Submitted by stoltzfus on Wed, 01/31/2018 - 14:20

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pet peeve as a teacher: you hand out new pencils with erasers. within two days some yahoo has broken off _all the erasers_. and the kids always say, "I need an eraser!" the things we put up with in life. eraser vandalism, bearded skeletons, etc.
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Submitted by SkullTrip on Wed, 01/31/2018 - 15:09

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Found a few extra erasers on this end. You know, if anyone needs one. Or two. I'm the bearded skeleton at the small desk by the door...
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Submitted by stoltzfus on Wed, 01/31/2018 - 16:05

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isn't a bearded skeleton, but he can get on my nerves sometimes. kind of like the bearded skeletons get on some posters' nerves. "I don't WANT to do math! Math is stupid!" grr...
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Submitted by Angry Jack Straw on Wed, 01/31/2018 - 15:36

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Sure. Go ahead and start a petition. Get all the signatures you can find. I'll be the first to sign. Then send it to Dave and the boys in a nice big envelope decorated with fancy artwork. Just like back in the days when mail ordering for tickets. Be sure not to include any bearded skeletons in the design (because evidently those suck too) so that Dave knows just how serious you are about the lack of representation of your prized era. Then wait. Then wait some more. Then, when nothing changes, badger him with emails, maybe another letter, and be sure to complain on this site a lot. A real lot. You want to know why nothing will change? Dave already has your money. You keep subscribing. He keeps raising the production each year to match demand and each release continues to sell out. You keep handing over money and then complain. You really want things to change? Stop subscribing. Simple as that. Stop buying the product. Nothng will grab Dave's attention more than a sharp decline in sales. Not that the dozen or so of you malcontents will make much difference, but at least it's a start. But, also know this. Dave surely understands that if he starts pumping out 80s shows in this series, he runs the risk of the rest of us leaving.
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Submitted by MidwayKid on Wed, 01/31/2018 - 15:56

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Just got my first buy from Grateful Dead real gone music. Road trips vol 4 # 3 Denver 1973. I paid 44 bucks. Just got my Dave’s 25 and jammed it on my newly re built pioneer CS-99a’s from the 1970’s sounded great. Once I Play the real gone road trips I will let everyone know what I think. I like the packaging. Old school plastic triple cd like the old days.
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Submitted by stoltzfus on Wed, 01/31/2018 - 16:08

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I personally don't care, but some people did complain. in the immortal words of Squidward: "whaaaatever." in the "What about" department: what about bearded clams? Warty venus with a goatee, anyone? I am 54, going on 12...
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Submitted by libertycaps97211 on Wed, 01/31/2018 - 16:32

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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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Submitted by libertycaps97211 on Wed, 01/31/2018 - 16:32

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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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Submitted by icecrmcnkd on Wed, 01/31/2018 - 17:28

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Never had it on cassette.Never heard it. You say it’s good? Generally don’t listen to AUD but if there’s a good recording I’ll check it out. Keith’s pianner, I really dig it on the GD Movie. Vguy, I thought you liked the Flames? Man you switched allegiances fast.
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Submitted by stoltzfus on Wed, 01/31/2018 - 17:50

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give it a listen.
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Submitted by SkullTrip on Wed, 01/31/2018 - 17:58

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Said it better than I could, and without being a bit facetious (my usual default mode). My straw hat off to you...
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Submitted by Angry Jack Straw on Wed, 01/31/2018 - 18:16

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Thanks. But, I still like your post a lot more.
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Submitted by Guss West on Wed, 01/31/2018 - 18:18

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Another great release, of a pretty rocking show, in a city close to my heart. This one is getting repeat play here on the Wharf. 2/26/77? Yes, please. I love a good AUD recording. My most recent cosmic pull back to the GOGD was facilitated by stumbling across the Listening Guide. http://www.deadlistening.com/2009/02/listening-trail-best-auds-ever.html But What About Gainesville?
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Submitted by JimInMD on Wed, 01/31/2018 - 19:24

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This thread has become quite comical. I have a box of erasers I would like to donate. Does anyone have a copy of the new Gainesville Matrix?
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Submitted by Vguy72 on Wed, 01/31/2018 - 19:55

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....Gainesville doesn't hold a candle to Santa Fe. Pick any of the three shows. Go on. Pick one! Do you hear me?As far as Calgary goes, I was just rooting for a good game, and the last two minutes had it in spades. Vegas "erased" that lead quicklike. Love the Flames. Love the Knights more. It's like comparing 1977 to 1972. Fine lines....#vegasborn
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Submitted by JeffSmith on Wed, 01/31/2018 - 20:00

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It was just pointed out that the link I posted a few days ago somehow got corrupted. Here's a new one:https://www.dropbox.com/s/vq0acpf9yzakexr/Dave%27s%2025%20SQUARE%20%2AF… I made scans of both CD and Booklet covers (each is cropped slightly differently) and combined the two so that none of the artwork is lost. I then extended the top and bottom to “square” the image (some like square format for itunes, phones, etc.) Color-matching on this one was nutty thanks to Tim McDonagh’s sizzling, but analogous color palette. Enjoy & pass around as needed,
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Submitted by dantian74 on Wed, 01/31/2018 - 20:06

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go to your CD collection, reach your hand out in an intuitive, instinctive, yet un-expectant, "random" manner. The first CD your hand actually touches is the one you put on, and listen to. It's what the universe wants you to hear, right now ;)
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Submitted by dantian74 on Wed, 01/31/2018 - 20:20

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after I post one or two times. So if I miss some PMs, I am very sorry. I know there are a few (very few, lol) people who send me PMs anymore. But let me just say that I appreciate your well wishes, even if I never read the replies, or responded to them. You know who you are. Thank you.
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Submitted by libertycaps97211 on Wed, 01/31/2018 - 21:00

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If you own any/all early Dave's Picks. Amirite or wot?!? Not a Bit-Coin millionaire, but Dave did it for me. Lols. Thats Gainesville '80 show would make for a very nice official release 3 day run of shows.
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Submitted by dantian74 on Wed, 01/31/2018 - 21:32

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I hear ya. but I do believe Neal Cassady would know better what I'm talking about. Funny thing though, I was more familiar with the I Ching before I was turned onto the Dead, even at an early age. The fact that the two intersected at some point, was a complete surprise to me ;) Never mind though. Back to your regularly scheduled programming...
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Submitted by SkullTrip on Wed, 01/31/2018 - 22:38

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Damn. The potato's back in my hands. Well, at least it feels a little cooler after its trip around the board.
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Submitted by Vguy72 on Wed, 01/31/2018 - 22:53

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....load me a bowl.
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Submitted by daverock on Thu, 02/01/2018 - 02:52

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Nice analysis of how and why the bands sound changed after 1974. I have never read of a reason why Weir changed from a Gibson hollow body to and Ibanez-but what you say makes sense. Having said that, the Dead cd I was listening to this morning was Dicks Picks 28, which features highlights from 26th and 28th February 1973. The photographs inside show Weir playing a Gibson SG, which has been used by some very loud guitarists-Angus Young, Tony Iommi and Pete Townsend come to mind. Maybe there was another reason why he retired that one. Maybe he liked the thin sound of the Ibanez! I haven't received the new Daves Picks yet. The 1973 shows quoted above are excellent-very much featuring the earlier non bombastic Dead. There is so much clarity in the sound, with no distortion or use of volume for dramatic effect. Very untypical for a rock band from 1973. I do like the heavier handed approach of 1977-1978, and am looking forward to hearing the new release-but the playing in 1973 (and 1972 and 1974) was of a different order entirely.
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Submitted by UTAH_Caveman_777 on Thu, 02/01/2018 - 04:17

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Thanks for the feedback regarding HDCD players. It looks like it's going to be difficult finding a player that decodes HDCD. Microsoft owns the rights to the technology, and it didn't become a mainstream digital source. Either way, we're lucky to have high quality GD.
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Submitted by Sixtus_ on Thu, 02/01/2018 - 07:00

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Thanks MidwayKid for this reminder about the reissue - / Real Gone series. I had missed out on the Denver '73 Road Trips back in the day for whatever reason and indeed found it there. Gotta round it out I say. As for Gainesville, that one picked up some serious steam on this thread and I've been spending ample time with this very fine audience recording over the past 18 hours or so. Not being all too familiar with the explicit year of 1980, aside from the scant officially released shows / compilations, I definitely find this show packed full of energy. I think in the past I sort of subconsciously avoided this year, and early 80s in particular due to the fact that inherently, the songs were shorter and thus I assumed less jammy or intense or whatever. What I have learned, however, as my ears and attitude got adjusted to the different style & take on how they played (aka...fast/faster), I've learned they are very good at "getting to the point" in the jams, hence things moving along a little more quickly than if they took their sweet ass time. I am happy with myself that I've sort of stuck with it in that sense, and allowed my ears/mind/expectations to fall in-line with the reality of their playing during this period. I'll also say that 30 Trips helped to break down this barrier for me as well, even if the sound quality on a few of those are a bit questionable. Nonetheless, I'd never have been exposed to this Gainesville phenomenon as well as a lot of other gems without the input from Yous All - Appreciation Factor = Level 69 Sixtus
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Submitted by shirdeep on Thu, 02/01/2018 - 08:31

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Uncle John's Band Playin' in the Band Uncle John's Band Me and My Uncle Mexicali Blues Tennessee Jed Samson and Delilah Easy to Love You Althea Looks Like Rain Deal Feel Like a Stranger Ship of Fools Estimated Prophet Eyes of the World drums Saint of Circumstance Black Peter Sugar Magnolia Alabama Getaway Brokedown Palace https://archive.org/details/gd80-06-08.eaton.tome.7193.sbefail.shnf
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Submitted by simonrob on Thu, 02/01/2018 - 08:56

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The following list was shamelessly lifted from Steve Hoffman Music Forums: Advance Acoustic MCD 204 (CD Player) Arcam Diva DV 79 (DVD Player) Arcam Diva DV 135 (DVD Player) Arcam Diva DV 137 (DVD Player) Arcam FMJ DV 139 (DVD Player) Berkeley Audio Design Alpha DAC (DAC) Cambridge Audio Azur 650 BD (Blu-ray Player) Cayin CDT-15A (CD Player) CyberHome CH-DVD 635 (DVD-Player) Denon DBP-A100 (Blu-ray Player) Denon DBP-4010UD (Blu-ray Player) Denon DVD-A1UD (Blu-ray Player) Denon DVD-A11 (DVD/SACD Player) Denon DVD-A1XV (DVD/SACD Player) Denon DVD-A1XVA (DVD/SACD Player) Denon DVD 2800 mk2 (DVD/SACD Player) Denon DVD-2910 (DVD/SACD Player) Denon DVD-2930 (DVD/SACD Player) Denon DVD-3800 (DVD/SACD Player) Denon DVD-3910 (DVD/SACD Player) Denon DVD-3930 (DVD/SACD Player) Harman/Kardon FL-8370 (CD Multi Disc Player) Harman/Kardon HD-750 (CD Player) Linn Majik CD (CD Player) Mark Levinson ML 37 (CD Player) Mark Levinson ML 39 (CD Player) Mark Levinson ML 390S (CD Player) Mark Levinson No. 36 (DAC) Mark Levinson ML 360 (DAC) Mark Levinson ML 360S (DAC) Music Hall CD 25 (CD Player) NAD C 542 (CD Player) NAD M5 (SACD/CD Player) NAD M55 (SACD/DVD Player) NAD T 585 (SACD/DVD Player) Naim CDX2 (CD Player) Naim CD5x (CD Player) Naim CDS3 (CD Player) Naim CD555 (CD Player) OPPO BDP-80 (Blu-ray Player) OPPO BDP-83 (Blu-ray Player) OPPO BDP 93 (Blu-ray Player) OPPO BDP 95 (Blu-ray Player) OPPO DV-980H (DVD Player) OPPO DV-981HD (DVD Player) OPPO DV-983H (DVD Player) Original CD-A8T (CD Player) Panasonic DVD-S52 (DVD Player) Pioneer DVR-550H-S (DVD Player) Restek EPOS (CD Player) Rotel RCD-02 (CD Player) Rotel RCD-1072 (CD Player) Rotel RCD-991 AE (CD Player) T+A CD3000R (CD Player) Toshiba SD 500E (DVD Player) Vincent S1.1 (CD Player) Vincent S3 (CD Player) Vincent S5 (CD Player) Vincent S6 (CD Player) Personally I have a Naim CDX2 and I can highly recommend it.
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13 years 4 months

Submitted by mustin321 on Thu, 02/01/2018 - 10:28

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Easily the best AUD I've ever heard. This show is top notch. I see what all the hype is about.
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17 years 5 months

Submitted by claney on Thu, 02/01/2018 - 09:49

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Nothing brings me out of Lurkerville like a reference to the #1 item on my Grateful Wishlist - Alaska 1980. For years I've begged for a "Grateful Dead in the Land of the Midnight Sun" box - all kinds of art possibilities. But I must say, "Basked Alaska" is a fine title too. Also, I saw there was some discussion of Keith's piano in the Fall '77 shows. According to Blair Jackson in "Dead Gear" Keith didn't switch from the grand piano to the Yamaha electric grand until "summer 1978." He indicates that Keith changed to the electric grand piano because it was easier to transport (important for going to Egypt, for example). Ironically the damn things still needed to be tuned, and the piano tuner didn't show up in Egypt. That is so Grateful Dead. Anyhoo ... if you look at this video of 12/30/77 you can see that he's still playing the traditional grand piano. Good shot of it just before the 32:00 mark: https://www.youtube.com/watch?v=yqZP8ihyfs8&list=RDyqZP8ihyfs8&t=1916 So I think the sound of his piano in the fall shows really is due to him pounding away on the chords, and keeping his foot firmly on the echo pedal.
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Submitted by Dennis on Thu, 02/01/2018 - 10:50

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Headliners at Lockn for two nights.
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