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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • hendrixfreak
    Joined:
    in fact, this coffee is amazing...
    Maybe the shot of tequila I dropped in... but I digress... Never realized the limited choices, though staggering, for a summer '73 box. All told, June-August, 'only' 12 shows. So Dave has to figure out if a small box works, yet leaves enough shows for the future. I've heard the call for PNE 6-22-73, but never checked it out, or the setlist. But if you look up the setlists for 6-22, 6-24 and 6-26, I'd have to make that my dream box. That leaves Dave the opportunity to release two 'iconic' shows (6-10 and 7-27/28), plus the three-show run in Universal City and the two-fer in Jersey City. Ultimately, 6-9 and 7-28 -- both daytime shows -- might be a tad weak for release, I cannot tell from the tinny versions out there. But the three-show NW tour looks spectacular! With the 45th anniversary upon us, I bet on Summer '73 NW tour. Three really long shows...
  • Dennis
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    stoltzfus - adults - ABB/Dead 6/73
    >>>>> I don't know what it's like to wrangle the sums of money tenured bands deal with, but if I had a chance to get a seven-figure sum, I would freakin' do it. Agreed because I know shit about Large Green and Band Egos, BUT, I would think release it, cost you nothing, you will make some amount of money, but to me, more importantly, you're leaving some of your art for all time. I wish I could create something, anything that can stand the test of time after I'm gone. But what do most of us leave, at best kids, nothing so great there. (they are mass produced by unskilled labor) I doubt ANY of the faucets I've installed will be around in 10 years. Maybe the classic 66 corvette I've worked on will have my handy work untouched for years.
  • Charlie3
    Joined:
    Boxes
    I have been wondering about the next box set myself, thinking there might be an announcement soon. A larger '70s box in the spring, and a smaller '80s-'90 box in the fall would be about perfect, like they did last year with the Cornell box and the RFK box. The July '78 box rocks. I have returned to that box on a number of occasions, probably returning to the Arrowhead and the Omaha shows most frequently, but they were all good. That Arrowhead show is fantastic, a nice tight, short show, and always fun to imagine the crowd at Willie Nelson's summer picnic grooving to the Dead as things got weird later in the show. The artwork on that box is also probably my favorite out of all the box sets.
  • hendrixfreak
    Joined:
    the Rocks and RFK '73
    RFK June '73 remains a great experience 45 years later, BUT I only caught the first day. The second day was a Sunday and I had to hitch back home to go to school Monday. Worst decision of my life, outside of not buying FW'69 when it came out... oh, and getting married. The GD played the afternoon show, a seriously hot day, with temps reaching 100, at least. I was 15 and we were taking four-way blotter, which partly explains who I am today. (No digressions here, pleeez.) I've got a few stories, which I think I've shared before. There was a long break, then the sun eased up on us and we retired from the field to the seats for the ABB's closing set and man, probably the best ABB set of that year, of which I caught four. Just plain powerful. Oh, yes, we did re-up on the blotter for the ABB. That re-upping on the same day is a young man's sport, to be sure. (Maybe it was the second piece of that four-way paper that made me who I am today? Ooops a digression.) I can say, having heard the Watkins Glen jam as we eased out of that crowd 6-7 weeks later, we do not need the post-show jams. Those guys were hoovering massive amounts of blow and drinking heavily, according to my ears(!). Instead, I'm sure that, as with the ABB's Feb '70 FE release, the GD have probably given the ABB the tapes of 6-9-73 and 6-10-73, if anyone ran tape on the "other" band. So the ABB would be in a position to release something. And I'm sure that someone is looking at an archival ABB release schedule, now that Gregg has departed. At least, I fervently hope so. There are two sets from '71 FW scheduled. And the '73 ABB was the best of the post-Duane IMHO. A standalone 6-10-73 across four discs could make a killer lure as the 2019 DaP 30 w/bonus disc; the full 6-10 with 6-9 filler. (Hate filler unless I was at the show, but I digress... aarrgghhh!) Then this spring's box could provide other, 3-disc summer '73 shows. Yep, I'm still gunning for a March-April announcement for a '73 box to be released in May, timed to the 45th of that fateful summer and its fresh Alice D. Those '73 shows tended to be long with 2-3 song encores, so maybe it's just (3) shows, (9) discs, to keep price within reach. (An even $99.99?) On the 8-31-78 Red Rocks show, the 6-song first set seemed disastrous at the time; they cut it short and huddled (got ripped) before coming out to jam the second set to the max. They had recorded an LP and not been performing for a month or so and those two shows, 8-30 and 8-31, we considered quite weak after the 7-7 and 7-8 Purple Dragon-driven sets earlier that summer. Jeeez, 40 years since Red Rocks '78 and 45 since summer '73. One step closer to the coolin' board. Coffee good today...
  • claney
    Joined:
    Weird Sets - Arrowhead, US Festival 1982
    The July '78 Box is one of the best things they've released, from the artwork and packaging (bookshelf size, thank you) to the performances and the sound quality. Jim, you mentioned that 7/8/78 might be the best, but is not your go-to. Not sure if you mean Arrowhead, but that is by far the one I go-to most in this stellar box. It circulated only as an AUD before (a really fun Bob Wagner tape I think). I think if it had been available in Betty Board glory it would be as famous as 7/8. But, this could also be my predilection for "weird shows with truncated sets at festivals." (It's a specialized genre). One of my favorite shows of the '80s is 9/5/82 from the US Festival. Talk about a weird show, opening with Playin' > Shakedown > Minglewood. What-the-wha? And at 9:30 in the morning too. The Dead playing to a crowd of mostly non-Deadheads, at 9:30 in the morning, what could go wrong? https://archive.org/details/gd1982-09-05.sbd.miller.113746.flac16/gd82-… Set 1 Playin' In The Band-> Shakedown Street-> Minglewood Blues, Samson & Delilah, China Cat Sunflower-> I Know You Rider Set 2 Sugaree-> Women Are Smarter, Truckin'-> Drums-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: U.S. Blues, E: Satisfaction*
  • stoltzfus
    Joined:
    grammar man sez
    it should be fewer than 5000, no less than. the selling of the 5000? Jerryroll will drive you stone mad. as will jellyroll.
  • icecrmcnkd
    Joined:
    Thin
    I’m banking on the ‘pre-hiatus only’ folks to make the sales volume larger. They wouldn’t have bought the 78 Box. The RFK 89 Box ‘less than 5000 left’ banner went up before the box started shipping, or around shipping time. The banner will stay until sell out. Of course, the ‘no Brent’ crowd isn’t going to buy that box.
  • KeithFan2112
    Joined:
    Heh-hah
    Mind Left Body, this one's for your efforts. I saw someone post this a little while back, and I've shamelessly recycled it. So regarding your post: https://m.youtube.com/watch?v=8X_Ot0k4XJc 80sFan - you said in a couple of sentences what took me way too long to articulate. Prehiatus + 1977 = insta-sell. Posthiatus = you better think about your marketing plan carefully, lest you "lose sight" of what truly matters.
  • Thin
    Joined:
    icecrmconkid - re 20k units
    20k units when the 15k unit Red Rocks box is still FAR from sold out??? To quote Austin Powers "I used to think you were crazy, but now I can see your nuts." I recall some overzealous '80s enthusiasts saying the same about the 89 RFK box: "It'll sell out instantly [because I'm so excited about it!]". And now Rhino has FIVE THOUSAND (!!!) unsold boxes, just taking up valuable space. That's $300,000 of capital tied up in inventory that they'll be sitting on for a very, very long time. If that fact gets brought up in a Dead/Rhino meeting and then someone pipes up and suggests 20k units on the next box, I think they'd be thrown out of the room. But I could be wrong. Granted Cornell box sold out fast, but that's freakin' Cornell. The Red Rocks box had much more mystique and mind-share than does 6/10/73, imo. I get your enthusiasm for 6/10/73, but just ask the Rhino stockroom manager who can't even see the Farrah Fawcett poster on his office wall anymore for all the cardboard boxes stacked floor-to-ceiling around him.
  • 80sfan
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    July 78 box
    I don't think 7/1 circulated (not sure about 7/3). 7/5 circulated as a wonderful sounding AUD (speaking of great AUDs) by one of our own posters (who also has an amazing story from attending some of the shows). My (probably over simplified) theory on why it hasn't sold out is that no post hiatus year (aside from 1977) has enough mainstream hype around it to sell out quickly. Even the late era years we all consider to be very strong. Spring 90 TOO which is as great a box as they ever put out only sold out just over a year ago I think. And as previously mentioned, a 2-show affordable mini box from 89 is still available. Anything pre-hiatus will sell out very quickly. Put a summer or fall 73 box out and it will be gone in 24 hours. Put a box out from fall 79 and watch it sit for a while. Doesn't bother me personally since I will buy it the day it's posted, but I do hope that it doesn't deter Rhino from agreeing to box sets from less "famous" years/runs.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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I'd read somewhere that Keith's being pressured to transition over to electric pianos/keyboards frustrated him creatively. Since he was fairly laid-back and non-confrontational, he did his best to go with the flow, but increasingly felt more and more stifled. That may explain why in certain shows from mid/late '78 he sounds like he's just banging out chords. Might be true, might not. It all rolls into one after awhile. Regardless, the keyboard reigned king throughout the 80s. The Dead, like many 60s and 70s bands, had to adapt to survive. Brent was key (pun intended) to that survival, and definitely ushered in the new sound Jerry and the boys were looking for. But I agree -- that 11/6/77 "Truckin'" is an absolute monster.
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Ok, now I get it. Thanks Wilfred. Indeed, Shakedown & Franklin's is sick. Must check out.. So, WHAT ABOUT GAINSVILLE??? Sixtus edit: So, about Gainsville.... had to start with the second set opener...holy shit...THAT TRANSITION into FRANKLIN's TOWER!!! This is what it's all about folks. It's a really good audience recording as well...most excellent. Consider me schooled. https://archive.org/details/gd80-11-29.wise.sacks.2409.sbeok.shnf/gd80-…
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I believe the grand was still in use for the magnificent May 77 tour and into June. I think it is just this late 77 and the 78 tours that involved the heavy handed electric piano sound. Honestly I always thought the crew was behind that move because they didnt want to move the heavy piano around. Pure conjecture on my part, but it is well documented that the crew had clout within the organization and perhaps too much.
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11/29/80 is Gainsville. The shows on either side have been released, but Gainesville hasn't. Why? Because the copy in circulation is the best AUD you'll ever hear (along with 8/6/71). I can't imagine the SBD sounds better than the AUD - it's that good, and makes you feel like you're right there, 20th row center. And the show is a glorious rip-roaring romp. Thanks for posting Mustin - surprisingly long list of released 80's shows. Who knew?! Suprising how few '91 shows have been released. At the time I thought they sounded amazing and scooped up all the '91 recordings I could find. Though not as strong and consistent as '90, there are a lot of good, releasable shows.
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Well then, making a AAA+ Matrix shouldn't be too much of a problem.. Did somebody mention Gainesville?
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lol... Fuck it, or what about it, it would be a great release. Pardon the derp, but when was 11/28/80 released? I have 11/30/80 official, and a copy of Gainesville set 2, but don't recall 11/28/80 mumble mumble...
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Matrix recording of 11/29/80 would NOT suck. Hmmmm... Gainesville... Wait - Did someone say Gainesville?
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Pretty rockin' good show. Opens with a nice 1/2 Step too... DaP25 is a pretty average release IMO... I prefer Colgate and Rochester, but I agree that the 1/2 Step, Dupree's, Jack Straw, and Tenn Jed are all standouts in the first set, (I like the FOTD too, though I am not a huge fan of the slower versions,) and that the Truckin' is HOT! Oh, what about Gainesville, indeed! RIP Tom Petty Peace
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I didn't get the email about TTATS, so I missed out. jk. I couldn't swing the $$$ for TTATS. Gainesville sounds really nice on the archive right now. never heard the 1st set before. what a great band.
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I have a close show to the one you reefered to (yes, reefered). 1/30/78, also from the Uptown Theatre in Chicago. It has one of those awesome awesome 1978 Stellas, and then a Franklin's Tower, which....ok, Franklin's standalone really rocked out on the Wolf in 1978. I'll have to check out your 1/31 recommend...reeferal. Glad you caught up to the Tom Petty news :D Good info on Keith's piano DarkStar. I love his sound on DP 18, Estimated Prophet. Sounds electric, but definitely with some effect on it (kind of harpsichord-like). I would love to hear from someone with real personal knowledge, or at least someone who could identify exactly what he used on some of these releases. There are some references on Wiki, but it's very vague and does not cover the wide range of sounds I've heard him use. Maybe I'll see if Donna will let me write her Biography. She would know.
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pet peeve as a teacher: you hand out new pencils with erasers. within two days some yahoo has broken off _all the erasers_. and the kids always say, "I need an eraser!" the things we put up with in life. eraser vandalism, bearded skeletons, etc.
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Found a few extra erasers on this end. You know, if anyone needs one. Or two. I'm the bearded skeleton at the small desk by the door...
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isn't a bearded skeleton, but he can get on my nerves sometimes. kind of like the bearded skeletons get on some posters' nerves. "I don't WANT to do math! Math is stupid!" grr...
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Sure. Go ahead and start a petition. Get all the signatures you can find. I'll be the first to sign. Then send it to Dave and the boys in a nice big envelope decorated with fancy artwork. Just like back in the days when mail ordering for tickets. Be sure not to include any bearded skeletons in the design (because evidently those suck too) so that Dave knows just how serious you are about the lack of representation of your prized era. Then wait. Then wait some more. Then, when nothing changes, badger him with emails, maybe another letter, and be sure to complain on this site a lot. A real lot. You want to know why nothing will change? Dave already has your money. You keep subscribing. He keeps raising the production each year to match demand and each release continues to sell out. You keep handing over money and then complain. You really want things to change? Stop subscribing. Simple as that. Stop buying the product. Nothng will grab Dave's attention more than a sharp decline in sales. Not that the dozen or so of you malcontents will make much difference, but at least it's a start. But, also know this. Dave surely understands that if he starts pumping out 80s shows in this series, he runs the risk of the rest of us leaving.
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Just got my first buy from Grateful Dead real gone music. Road trips vol 4 # 3 Denver 1973. I paid 44 bucks. Just got my Dave’s 25 and jammed it on my newly re built pioneer CS-99a’s from the 1970’s sounded great. Once I Play the real gone road trips I will let everyone know what I think. I like the packaging. Old school plastic triple cd like the old days.
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I personally don't care, but some people did complain. in the immortal words of Squidward: "whaaaatever." in the "What about" department: what about bearded clams? Warty venus with a goatee, anyone? I am 54, going on 12...
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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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And what does a ticketless bearded skeleton have to do with the "Wall of Keys" gig? A missed opportunity to be at least a bit topical ala 23 cover art? Could be. But then again.....whatever.
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Never had it on cassette.Never heard it. You say it’s good? Generally don’t listen to AUD but if there’s a good recording I’ll check it out. Keith’s pianner, I really dig it on the GD Movie. Vguy, I thought you liked the Flames? Man you switched allegiances fast.
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give it a listen.
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Said it better than I could, and without being a bit facetious (my usual default mode). My straw hat off to you...
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Thanks. But, I still like your post a lot more.
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9 years 2 months
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Another great release, of a pretty rocking show, in a city close to my heart. This one is getting repeat play here on the Wharf. 2/26/77? Yes, please. I love a good AUD recording. My most recent cosmic pull back to the GOGD was facilitated by stumbling across the Listening Guide. http://www.deadlistening.com/2009/02/listening-trail-best-auds-ever.html But What About Gainesville?
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This thread has become quite comical. I have a box of erasers I would like to donate. Does anyone have a copy of the new Gainesville Matrix?
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....Gainesville doesn't hold a candle to Santa Fe. Pick any of the three shows. Go on. Pick one! Do you hear me?As far as Calgary goes, I was just rooting for a good game, and the last two minutes had it in spades. Vegas "erased" that lead quicklike. Love the Flames. Love the Knights more. It's like comparing 1977 to 1972. Fine lines....#vegasborn
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It was just pointed out that the link I posted a few days ago somehow got corrupted. Here's a new one:https://www.dropbox.com/s/vq0acpf9yzakexr/Dave%27s%2025%20SQUARE%20%2AF… I made scans of both CD and Booklet covers (each is cropped slightly differently) and combined the two so that none of the artwork is lost. I then extended the top and bottom to “square” the image (some like square format for itunes, phones, etc.) Color-matching on this one was nutty thanks to Tim McDonagh’s sizzling, but analogous color palette. Enjoy & pass around as needed,
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go to your CD collection, reach your hand out in an intuitive, instinctive, yet un-expectant, "random" manner. The first CD your hand actually touches is the one you put on, and listen to. It's what the universe wants you to hear, right now ;)
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after I post one or two times. So if I miss some PMs, I am very sorry. I know there are a few (very few, lol) people who send me PMs anymore. But let me just say that I appreciate your well wishes, even if I never read the replies, or responded to them. You know who you are. Thank you.
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If you own any/all early Dave's Picks. Amirite or wot?!? Not a Bit-Coin millionaire, but Dave did it for me. Lols. Thats Gainesville '80 show would make for a very nice official release 3 day run of shows.
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I hear ya. but I do believe Neal Cassady would know better what I'm talking about. Funny thing though, I was more familiar with the I Ching before I was turned onto the Dead, even at an early age. The fact that the two intersected at some point, was a complete surprise to me ;) Never mind though. Back to your regularly scheduled programming...
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Damn. The potato's back in my hands. Well, at least it feels a little cooler after its trip around the board.
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....load me a bowl.
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Nice analysis of how and why the bands sound changed after 1974. I have never read of a reason why Weir changed from a Gibson hollow body to and Ibanez-but what you say makes sense. Having said that, the Dead cd I was listening to this morning was Dicks Picks 28, which features highlights from 26th and 28th February 1973. The photographs inside show Weir playing a Gibson SG, which has been used by some very loud guitarists-Angus Young, Tony Iommi and Pete Townsend come to mind. Maybe there was another reason why he retired that one. Maybe he liked the thin sound of the Ibanez! I haven't received the new Daves Picks yet. The 1973 shows quoted above are excellent-very much featuring the earlier non bombastic Dead. There is so much clarity in the sound, with no distortion or use of volume for dramatic effect. Very untypical for a rock band from 1973. I do like the heavier handed approach of 1977-1978, and am looking forward to hearing the new release-but the playing in 1973 (and 1972 and 1974) was of a different order entirely.
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Thanks for the feedback regarding HDCD players. It looks like it's going to be difficult finding a player that decodes HDCD. Microsoft owns the rights to the technology, and it didn't become a mainstream digital source. Either way, we're lucky to have high quality GD.
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Thanks MidwayKid for this reminder about the reissue - / Real Gone series. I had missed out on the Denver '73 Road Trips back in the day for whatever reason and indeed found it there. Gotta round it out I say. As for Gainesville, that one picked up some serious steam on this thread and I've been spending ample time with this very fine audience recording over the past 18 hours or so. Not being all too familiar with the explicit year of 1980, aside from the scant officially released shows / compilations, I definitely find this show packed full of energy. I think in the past I sort of subconsciously avoided this year, and early 80s in particular due to the fact that inherently, the songs were shorter and thus I assumed less jammy or intense or whatever. What I have learned, however, as my ears and attitude got adjusted to the different style & take on how they played (aka...fast/faster), I've learned they are very good at "getting to the point" in the jams, hence things moving along a little more quickly than if they took their sweet ass time. I am happy with myself that I've sort of stuck with it in that sense, and allowed my ears/mind/expectations to fall in-line with the reality of their playing during this period. I'll also say that 30 Trips helped to break down this barrier for me as well, even if the sound quality on a few of those are a bit questionable. Nonetheless, I'd never have been exposed to this Gainesville phenomenon as well as a lot of other gems without the input from Yous All - Appreciation Factor = Level 69 Sixtus
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Uncle John's Band Playin' in the Band Uncle John's Band Me and My Uncle Mexicali Blues Tennessee Jed Samson and Delilah Easy to Love You Althea Looks Like Rain Deal Feel Like a Stranger Ship of Fools Estimated Prophet Eyes of the World drums Saint of Circumstance Black Peter Sugar Magnolia Alabama Getaway Brokedown Palace https://archive.org/details/gd80-06-08.eaton.tome.7193.sbefail.shnf
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The following list was shamelessly lifted from Steve Hoffman Music Forums: Advance Acoustic MCD 204 (CD Player) Arcam Diva DV 79 (DVD Player) Arcam Diva DV 135 (DVD Player) Arcam Diva DV 137 (DVD Player) Arcam FMJ DV 139 (DVD Player) Berkeley Audio Design Alpha DAC (DAC) Cambridge Audio Azur 650 BD (Blu-ray Player) Cayin CDT-15A (CD Player) CyberHome CH-DVD 635 (DVD-Player) Denon DBP-A100 (Blu-ray Player) Denon DBP-4010UD (Blu-ray Player) Denon DVD-A1UD (Blu-ray Player) Denon DVD-A11 (DVD/SACD Player) Denon DVD-A1XV (DVD/SACD Player) Denon DVD-A1XVA (DVD/SACD Player) Denon DVD 2800 mk2 (DVD/SACD Player) Denon DVD-2910 (DVD/SACD Player) Denon DVD-2930 (DVD/SACD Player) Denon DVD-3800 (DVD/SACD Player) Denon DVD-3910 (DVD/SACD Player) Denon DVD-3930 (DVD/SACD Player) Harman/Kardon FL-8370 (CD Multi Disc Player) Harman/Kardon HD-750 (CD Player) Linn Majik CD (CD Player) Mark Levinson ML 37 (CD Player) Mark Levinson ML 39 (CD Player) Mark Levinson ML 390S (CD Player) Mark Levinson No. 36 (DAC) Mark Levinson ML 360 (DAC) Mark Levinson ML 360S (DAC) Music Hall CD 25 (CD Player) NAD C 542 (CD Player) NAD M5 (SACD/CD Player) NAD M55 (SACD/DVD Player) NAD T 585 (SACD/DVD Player) Naim CDX2 (CD Player) Naim CD5x (CD Player) Naim CDS3 (CD Player) Naim CD555 (CD Player) OPPO BDP-80 (Blu-ray Player) OPPO BDP-83 (Blu-ray Player) OPPO BDP 93 (Blu-ray Player) OPPO BDP 95 (Blu-ray Player) OPPO DV-980H (DVD Player) OPPO DV-981HD (DVD Player) OPPO DV-983H (DVD Player) Original CD-A8T (CD Player) Panasonic DVD-S52 (DVD Player) Pioneer DVR-550H-S (DVD Player) Restek EPOS (CD Player) Rotel RCD-02 (CD Player) Rotel RCD-1072 (CD Player) Rotel RCD-991 AE (CD Player) T+A CD3000R (CD Player) Toshiba SD 500E (DVD Player) Vincent S1.1 (CD Player) Vincent S3 (CD Player) Vincent S5 (CD Player) Vincent S6 (CD Player) Personally I have a Naim CDX2 and I can highly recommend it.
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Easily the best AUD I've ever heard. This show is top notch. I see what all the hype is about.
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17 years 3 months
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Nothing brings me out of Lurkerville like a reference to the #1 item on my Grateful Wishlist - Alaska 1980. For years I've begged for a "Grateful Dead in the Land of the Midnight Sun" box - all kinds of art possibilities. But I must say, "Basked Alaska" is a fine title too. Also, I saw there was some discussion of Keith's piano in the Fall '77 shows. According to Blair Jackson in "Dead Gear" Keith didn't switch from the grand piano to the Yamaha electric grand until "summer 1978." He indicates that Keith changed to the electric grand piano because it was easier to transport (important for going to Egypt, for example). Ironically the damn things still needed to be tuned, and the piano tuner didn't show up in Egypt. That is so Grateful Dead. Anyhoo ... if you look at this video of 12/30/77 you can see that he's still playing the traditional grand piano. Good shot of it just before the 32:00 mark: https://www.youtube.com/watch?v=yqZP8ihyfs8&list=RDyqZP8ihyfs8&t=1916 So I think the sound of his piano in the fall shows really is due to him pounding away on the chords, and keeping his foot firmly on the echo pedal.
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11 years 11 months
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Headliners at Lockn for two nights.
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