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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • wissinomingdeadhead
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    ALL MUSIC EDITION
    Doesn't appear to be limited edition. This might be worth while to order I can keep the Ltd edition box set intact and order the book from Amazon on April 11th and I'll basically just have an unnumbered box set. And this way I'll keep the AME for travel purposes. Not a bad idea I'll sleep on it. Even though I have the E72 box I have 15 separate shows from E72 and 11 from 30 TATS. The reason I do it because I keep the DEAD SETS tucked away in the closet & pulling them out is a real hassle. I keep separate shows on the CD shelf. I'm such a DeadHead.
  • david_olstein
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    All Music Edition - Close, but no cigar
    As well intentioned as the All Music Edition is, it just doesn't go far enough. It's painfully obvious that the people who put together this box set underestimated demand to an absurd degree, and by doing so, have fostered the creation of an eBay "scalper's market" for this set. By offering only a bare bones All Music Edition as a consolation prize for the potentially thousands of Deadheads who were shut out, they have -- unwittingly??? -- rewarded eBay scalpers. Seriously, why not simply press up another 5-10,000 box sets? They don't have to be individually numbered, but they should contain everything that was in the original box. Only people who bought the set not for the music but to make a quick buck would have any reason to complain. I don't know why Rhino/GDP are going out of their way to help eBay scalpers, first by restricting supply of the box sets to only a fraction of the demand, and then by going out of their way to preserve the exclusivity of the original box set release. And for those who are now applauding this new release by saying its "all amount the music" -- well, if that were true, then they'd be pressing up more of the original box, not preserving its exclusivity so eBay scaplers can continue to profit.
  • bohlint
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    My 2 Cents
    Making this music available to everyone was the right thing to do. I coudnt' imagine being a loyal fan and customer of this site and missing out on such a thing. I bought the all music edition of Europe 72 and am happy to have it. Most of us know that the streamer trunk for that box is still on ebay for usually around 800 dollars, it IS collectible, and I would love to have one, just not at that price. This box will still be collectible but the music which is what it is really all about should be available to everyone. I mean, how could you keep true fans from being able to buy these shows which we have waited for for so long. Missing out on FW is probably my biggest regret, if I could only go back to that release date! That is an example where the music is not available and I think dead.net regrets how they worded that release, at this point they really cannot reissue that music which should be available to fans like myself who get so much joy from it. Now I have to admit the collection piece does add a bit of enjoyment for me. Take Dave's Picks for example. There are several I could have passed on and wouldn't be in my "collection" now if they were not limited and I could hop on here and order them anytime. But now I HAVE to have them all! Can't miss out! It has become something I really enjoy and has me checking this site at least once a day waiting for the next announcement. I do find it funny how some of the aftermarket has shaken out. I don't know if people are really paying 600 for FW, but that is simply too much. I hold the second 90 box in MUCH higher regard than the first. I mean, it is the best sound quality GD music available, period. They used 2 track for the first 90 box (shamefully) yet it goes for around 600 on ebay while the latter is just above the original price tag. The 77 winterland box is crazy high and the 73 box is around the original price? With all the other 77 music available? Anyway, I look forward to these releases so very much. I will be checking in everyday listening to the regulars ramble on here once the smoke clears from this. Everyone should be happy about what is taking place here. The music is what matters and music this good shouldn't be only for a select few.
  • danc
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    Thanks! Product for all.
    Flexibility, and responsiveness, that's nice to see! Keep the feedback tone friendly and constructive. Win-win.
  • frosted
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    Hey minas, I called 'em scalpers
    Don't give a crap about them, what they do, or what they're called. Not saying I wish them good or ill, or what they do is ok or not. Just that they take the risk if they're going to buy up 10 copies and try to make a mint off them. So I don't feel sorry for them if they lose out on making big bucks due to more reissues. tough shit. If they do buy up tons of copies with the intent to make bank, and a few regulars here lose out on getting a copy at a more reasonable cost because of them, and then get no chance to buy a reissue at the normal price but have to pay a highly bumped rate that they may not be able to afford, sure it's legal. But I'd rather those here (and those longtime deadheads who don't hang out here all the time to catch the release on time but will want this box set) get more of a chance than a few days to buy this sparkler. I got mine in time, but that's not all that matters. Hell, I could always buy used copies at Amoeba in the past, ebay just takes away the geography problem. I bought many of my early Dick's Picks at used record stores when they first came out. Now you don't see them there much. "nobody here is losing opportunities at buying Dead sets that they didn't already pass up on" --maybe nobody here for the last few days, but there's tons of fans who may not hang out here enough to catch the 3 day sellout. So, it's great that they're making more available at the normal retail price, is my point. The resellers will get their chance, but I don't see any reason to give it to them after 3 days. Don't need a lecture on capitalism.
  • JimInMD
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    Ha
    That, ICKid, is the funniest thing I have heard today.I've never tried AmericoneDream.. Thanks for that.
  • icecrmcnkd
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    Ice cream...
    Rub it on your forehead. :)
  • snafu
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    Trump comments /Minas well put
    When people stop calling honest collectors scalpers and questioning their "Deadness" I'll stop using Trump as a noun/adj. Minas how right you are. There are very few people who don't collect something and ebay is the greatest thing sinced sliced bread. I collect Zappa records from all over the world. 20 years ago it was a lot harder and no I don't feel ripped off or scalped when I pay $150 For a used record
  • InSense
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    Joined:
    It's really about the music
    Now that precedent has been set, how about All Music editions of other sold out boxes such as FW69 which is many hundreds of dollars if purchased on eBay? Perhaps Rhino could have considered selling unlimited editions of the four GSTL concerts for $30-35 apiece once the box sold out so that all could share in the music for about the same price, but those that purchased the limited edition box would have something a little different and special for having struggled through the original purchasing process.
  • MinasMorgul
    Joined:
    Lol scalpers
    It always amuses me that 1) people here liken the resale marketers to scalpers (not even close, and completely legal), 2) those same people have no clue that the resellers are an essential element to keeping the vault release program viable, which is good for all of us who want to continue having new Dead CDs available, and 3) not so amusing, but ironic that the "anti-scalper" posters are usually pretty nasty about it. They hope the "scalpers" get screwed, and seem to take it personally that a man or woman should try to profit from collector's items. Yet they will accuse those free market capitalists of being somehow "un-Dead-like". As if they've broken some code of conduct of the Grateful Dead Universe. And I guarantee while those resellers are going about their LEGAL activities, there are plenty of people criticizing them who, I am sure, must have illegally copied a Dead release for a buddy. Guranteed. Well listen up - nobody here is losing opportunities at buying Dead sets that they didn't already pass up on. Buy a Dave's Picks subscription if you don't want to miss out. This new set was available for a few days and has an All Music Edition, so it's here for all. You take away the eBay resellers, and Rhino can't offer as much product throughout the year. Period. And shame on anyone wishing ill will to their brothers who are stimulating the vault market, and doing it legally. You miss Cal Ripken's rookie card, should Topps and Fleer start reprinting them? Of course not. What's discouraging about the whole thing is the sense of entitlement I hear in these complaints. You're not entitled to anything - go work for it. If you were hospitalized or otherwise unable to get a certain release with the system being what it is, I'm truly sorry. I missed FW 1969 and E72 because I kept putting off purchasing until it was too late, and DaP 12 because I was in the hospital, and it sold out in 24 hours. Next time I bought the subscription. I went and got it. If you're cheering for resellers to fail, that's just nasty, shameful ill-will. No, I'm not a reseller, but clearly they're a big part of the Rhino marketing scheme, and they play a significant role in keeping us stocked with new Dead music.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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9 years 2 months
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

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In reply to by schrodd234

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16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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