May 1977: Get Shown The Light (All Music Edition)

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February 17, 2017 - 5:13pm

4,023 replies

heatherlew

Joined:
October 12, 2016

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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June 13, 2017 - 3:50pm

#691

Drifter's Escape

Joined:
May 25, 2013

Brit Rock ?

I can easily imagine why they played some of those Brit songs.It probably went something like this: Brent- "Hey guys, is it OK if we work on 'Hey Jude' or 'Dear Mr. Fantasy' ?" The Guys- "We can work on anything as long as we never have to play 'Far From Me'/'I Will Take You Home'(etc etc), ever again." But I really enjoyed what Brent brought to the sound.
June 13, 2017 - 2:10pm

#692

simonrob

Joined:
June 7, 2007

Covers

I had not really considered it before, but now that DaveRock mentioned it, it seems quite possible that I can't get into the Dead's covers of British songs because I'm British. It could also be down to the fact that the Dead weren't British. Whatever, I never had a problem with any of their American covers but I really cannot imagine what they were thinking, trying to cover songs like "Dear Mr. Fantasy" or "Hey Jude". To my mind, they never took these songs anywhere. It could also be down to the fact that these songs were performed by my least favourite iteration of the band.
June 13, 2017 - 1:35pm

#693

Dogon

Joined:
March 23, 2009

Dave Rock

Dont consider you to be a smart arse at all, of course your empirical observation is correct, they always played covers, but its what they did with them that changed over time, there is a world of difference between Death dont...going into feed back or Morning Dew,compared with say Iko Iko or promised land, or Mr Fantasy or...you get my point, these remain stubbornly little songs. For me, I wanted so much more from this band, simply because they were the only rock n roll band that COULD share a stage with Miles on equal terms as far as WTF moments of ineffable beauty, of showing what might be, the possible/unknown, and of course even Miles played covers (now its me being a smartarse, but not on Bitches, Time after time anyone?or my funny Valentine)Dave, I invested so many dreams in this band, they have been a constant in my life for 50 years (really), as has everybody on this site;they are the band I judged EVERYBODY else by, but or me,they they could have continued to open doors -but they didnt-had they done so, others, like Space, would have found much less to enjoy. All a question of taste of course and I dont presume to rain on anybodies parade, nigthty night!
June 13, 2017 - 12:35pm

#694

reijo29

Joined:
June 18, 2012

FloridaBobaloo

Ridiculous. Simply learn to ignore the Space if possible. It's always nice to read your comments on these threads. Though if you really do need another place to talk GD, the Steve Hoffman Grateful thread is beyond fantastic. None of the nonsense that continually surfaces here
June 13, 2017 - 12:02pm

#695

FloridaBobalooToo

Joined:
February 17, 2017

Adios

I'm done.Best wishes to ALL, it's time to leave the party.
June 13, 2017 - 12:02pm

#696

FloridaBobalooToo

Joined:
February 17, 2017

Adios

I'm done.Best wishes to ALL, it's time to leave the party.
June 13, 2017 - 12:00pm

#697

FloridaBobalooToo

Joined:
February 17, 2017

Troll?

Mmmmmmmmmm. Trying to clarify a point, that's a troll? "No good deed goes unpunished", is what comes to my mind. Lessons learned are like bridges burned, you only need to cross them but once - Dan Fogelberg.
June 13, 2017 - 10:44am

#698

daverock

Joined:
September 1, 2014

Dogon-The Dead as cover band

Sorry to be a smartass, but of the five actual songs on Live Dead, two are covers. From their inception, the Dead featured many covers in their sets. At their best, they molded those songs into their own identity, so they fit seamlessly in with songs they had actually written. The only covers I felt didn't fit in so well-and I say this as British person-were the British psychedelic songs from the 60s, that they played towards the end of their career.I haven't done any research, but I suspect 1968 was the year they played the least covers.
June 13, 2017 - 10:05am

#699

SPACEBROTHER

Joined:
June 4, 2007

Like I said....

Trolls will be trolls. If ganging up on someone gets them off, that's their problem. Win win = hopes that tptb take constructive criticism on damaged product, shipping issues and show choices to accommodate everybody with higher quality product/service.....I'm not allowed to mention that because I was gifted a box set? How about if I express an opinion on other subjects? Not allowed to do that because i was gifted a box set? I believe the phrase is "If you can't dazzle them with brilliance, baffle them with BS".... most fitting with today's climate. Glad I didn't order the download which was very problematic with issues, I would be made to look like the evil ungrateful bastard bad guy because I was gifted a box once.
June 13, 2017 - 10:00am

#700

mbarilla

Joined:
August 8, 2013

Gary Farseer ~ Ventura County Fairgrounds

WOW !!!!! Must have been a blast i heard that show recently , good stuff. Would Love a box set from 80's California shows Skull Splitter ~ 4.19.78 Estimated Prophet -> He's Gone -> Drums -> Space -> The Other One -> Wharf Rat -> Around And Around Encore : WereWolves of London / check out the Drums !!!!! Skull Splitter ~ 7.11.81 Lost Sailor -> Saint Of Circumstance -> Ship Of Fools He's Gone -> Truckin' -> Drums -> !!!!!! WOW DRUMS IS ON FIRE Space -> The Other One -> Stella Blue -> I Need A Miracle -> Goin' Down The Road Feeling Bad -> One More Saturday Night

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

kate_c.

i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.

My Favorite Version

I just love this.

Pauses between tracks?

Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth

Gareth

It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.

Testing

1,2

Recommendations for a Newly Grateful Deadhead?

To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth

Gareth

Real gone music is reissuing the Road Trip series. https://shop.realgonemusic.com/products/grateful-dead-road-trips-vol-4-…

Gareth

Newly Grateful Recommendations

You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.

May 1977: Get Shown The Light (All Music Edition)

Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?

Best digital format?

So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

Schrodd, formats

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

Holiday of a lifetime?

First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

maybe

they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.

Hi there, I downloaded the…

Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

Howdydoody

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

will do! thank you.

May 1977: Get Shown The Light (All Music Edition)

Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

May 77 - Henryben

Excellent news ! I wonder if they will re-release other box sets in this format that originally sold out. Fillmore West 1969 is the one I sadly missed out on and would shell out for in a heartbeat.

Does somebody have problems with tracking number?

Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

Fabian

Send a PM to Marye, she can help.

yes please

Fabian, send me a PM and I'll see if the Doc can shed some light here.

Fabian

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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081227934682

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