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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • hendrixfreak
    Joined:
    redirect...
    Not long before the Summer '73 box is announced. I've never been wrong before...........
  • SPACEBROTHER
    Joined:
    Who cares about the resellers and scalpers
    It should always be about the band and the music and getting that music to as amny interested parties as possible. I've subscribed every year since the final year of the Road Trips series, including every Dave's Pick. I have absolutely zero interest in reselling or parting with any of it and frankly would be perfectly fine if they were all reprinted. There's plenty of money to still be made by Rhino, the band members and family trusts if/when they decide to reprint FW'69. Even the people who run this page and/or work (or worked) for them have stated that they underestimated the demand for it. 13 years later, and it appears MOST people would be fine with a re-release. If you're the type of person who buys these with the expectation of making a profit from the back end of it, you don't really care about the music or the band. They flipped the script on Get Shown The light and the E'72 trunk, as well as the Dave's Picks series. Might as well do that with FW'69. Depriving the newer fans who missed out, and older fans who missed out, is like depriving the masses of Cornell '77 and 8/27/72.
  • JimInMD
    Joined:
    Re: Tulip Futures
    Thanks for the tip.. I just dumped my bitcoins and am all in with Tulip Futures. The prices for these things will surely never go down, and they're just so incredibly beautiful. At this point.. I guess I am a collector. I would hate to miss a release especially knowing they go out of print, seemingly forever.. Sometimes I laughingly wonder if I should have them insured.. I think if I were a pipe smoker I would be reaching out to Mr. Pete's Turkish carver. Oh.. and I have a pretty good custom made wooden paddle collection, some are true works of art and I cannot bring myself to scamper down the river with them beating them on rocks.. Add in a little more art and all is good with the world. And now my new passion.. Tulips. I am a little worried about David though.. listening to 3/1/1970 at the Family Dog.. I was sure we would be seeing this on Today's Dead complete with setlists and links. ah.. 1970 Grateful Dead. What a year.. I lent my FW69 box set to Keithfan so he could check it out. I just got it back in the mail this morning. Weird, there are circular stains, watermarks or something on all the CD covers and it reeks like my college dorm room. They still sound fantastic though. Life is grand.
  • Sixtus_
    Joined:
    Collecting....
    Not to beat a dead horse here, but I'll also chime in along the lines of "collecting"....which I personally view as the pursuit and gathering together of the things you love. It can be anything...as people have noted: GD, stamps, cars, star wars toys, my little ponies, insect thoraxes, artwork....it goes on literally forever. And, what is it again about all of this stuff that gives it its' value? It is the desire and wanting of the individual person. And, since every person is unique, every person attributes different value/desire to different things. Now, the fun starts to happen when there is overlap between individuals and groups, and that's when you get these incredible fan bases to congeal, share, evolve, and grow together - as well as share the group-desire for more of the same things that we all love. The result is mass releases of things like certain cars, toys, or music. I suppose the other piece of this that hasn't really come up, but is also a reason I am still continuing to acquire GD shows and other fun physical items, is that I want my children to also be aware of these things, and be able to not only share with them, but eventually pass it along at some point in the inevitable future. That is important to me. But again, each individual is exactly that - an individual with different reasons and thinking and wants and needs. That is what makes all of this so lovely in the end. BTW, it was very early on in my stint on these here boards that the FW69 shows came up, and I had mentioned in a post in passing that I had also missed out - and lo and behold within moments there was a very kind head who had offered me up a copy. This was my very first foray into swapping of lossless files via the web and these boards. It was my "first step into a larger world". For that, I am thankful; and will always be more than happy to return a favor or simply help out where I can. Have a kind day, All. Sixtus
  • Born Cross Eye…
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    Dave's Picks 26!
    Wagons, Ho! Time to mooove on! Dave's Picks Volume 26 Wednesday, November 17, 1971 Albuquerque Civic Auditorium, Albuquerque, New Mexico, USA Release Date- April 27, 2018 Label- Rhino Format- CD (Sarcastically speaking: cassettes, LP vinyl, open reels [reel-to-reel], wax cylinders, smoke signals, flatulence, etc.) I'd like to think that one good old Deadhead had a wee part in this release, the *prince* of 1971 - Forensicdoceleven, or Doc. He is currently on a sabbatical from dead.net posting. I'm looking forward to this release and to see how fast the "extra" or the units that are not included in the 2018 DaP subscriptions sell out. 46 minutes or less?
  • Angry Jack Straw
    Joined:
    snafu
    Exactly. Explaining economics to most people is like trying to teach a wooden bird how to spell. Never gonna happen. The value of something is worth exactly what the last person just paid for it. No more. No less. You can talk about utility curves and all that theoretical garbage about how it impacts the value to each individual purchaser all you want. In the end, the last transaction is all that matters. Let me ask you this. When selling a house in your area, does the realtor ask you what you think it is worth or show you how much the house just down the street sold for and tell you about what you are going to get? Like you said earlier, some folks would be better off if they just listened. But they don't.
  • daverock
    Joined:
    Value
    "A cynic is a man who knows the price of everything and the value of nothing."-Oscar Wilde Another good quote from the same play-Lady Windermere's Fan- "In this world there are only two tragedies. One is not getting what one wants and the other is getting it."
  • icecrmcnkd
    Joined:
    Perceived value
    Bitcoins at $20,000.Man, I wish I had bought some Bitcoins when they were $1.
  • mbarilla
    Joined:
    COMING SOON
    "End of May" Count your biscuits baby
  • Mr. Pete
    Joined:
    For What It's Worth....
    I guess the old economic addage still pertains here..."somthing is worth whatever someone is willing to pay for it."People who collect buttons might pay ten grand for one if they perceive it is worth it to....them! The market place is a beautiful thing. This is how we figure out what the traffic will bare for a "thneed." Don't you just love capitalism! When my pipe carver friend, in Turkey, gives ma a price for carving "another" Grateful dead pipe I either accept it or not. At this time I have never said...no! If I told you what I have paid for hand carved Garcia pipes you probably would tell me that I am a crazy old man. And..you'd probably be right. But...what is art worth? Again...the eyes of the beholder. So..I guess when you go on Ebay or some other site and find a cd/box set you have been looking at and the price seems, to you fair, hit the pay button. After all...you only live once! I am reminded of that every day as my old deadhead friends pass to the big concert in the sky. Life is to be enjoyed...like Garcia Volume 10, Dave's Picks 25, etc., etc., etc. Mr. Pete-------> aging hippie p.s. Al Di Meola's new cd...OPUS....is a nice break!
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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I caught the Ann Arbor show. Epic. Definitely in the top 5 concerts of all time I have personally attended. I wouldn't mind hooking up with some recordings of this tour myself. Pro shot video from 11/4/17 : The Capitol Theatre Full Show
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And not just Red Rocks Listened to 7/3 today, now working on 7/1. Spending the day on the couch with a hang over, and GOGD. Uh, lovemygirl, DaP 26 was announced weeks ago. It’s from 71.
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I've been waiting a long time to say this, but isn't that photo the spectacular "New Bridge" in Ronda, Málaga, Spain? Apart of that, why toss overboard anyone, it isn't sometimes what adds a sense of a group of people that dissent an discuss nearly everything related with the music we all love? -:) And in the end, who cares?
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Just toss out the troll or two, I think is all AJS meant. Nobody wants negativity and personal attacks for simply mentioning nonsellout status of a box set, or dislike of an album or performance. Be much more relaxed atmosphere here.
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....the only thing I care about is that my ears still work. I try and keep it simple. Oh, and Brady sucks. See? It's easy!! Go Knights Go!. A child could figure it out. I ramble when I'm drunk. Guess what I am?
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or short shoutout to 12/7/71 gave it a second full listen today peppy performance Smokestack Lightning for the grease Truckin' for the rock 'n roll NFA > GDTRFB > NFA for the jam
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It would be fine but I like more Spanish wine and, yes the occasional german beer. Yes, train, i caught it, but the point was not about ajs, it was that we have one or two "trolls" and ¿so what? I work as a webmaster and moderator on social networks, and I sometimes hate it, because I found there are a lot of trolls, but the type that have really bad intentions,. you know? It wasn't a post against ajs opinions.
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I want a 70 box and I want it now. As for Brady, dear VGuy, it's about that guy who plays American football, excuse me, but I don't know that nuch about that. I have headaches every time I turn on television and all is Real Madrid and FC Barcelona, Cristiano Ronaldo y Messi, pff... I usually change the channel... -:)
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Or crazy, or fool. It's like that.
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I think that it probably qualifies to believe such a thing it's possible.
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Did someone mention good Spanish wine, now you have my attention.. Not dissing a good margarita from time to time though.. 1969 with Mountains of the moon.. what if the Moon held an orbit the same distance away from the Earth as the ISS? You could see the mountains of the moon with the naked eye. Spent the day skiing in the backcountry with a pair of headphones on.. bagged 5/3/72 and the second set of 5/4/72. Got most of 11/4/77 and 2/24/74 on the drive too and from. Happy day, but alas... no good Spanish wine or margaritas.
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listening currently (via archive) sounds good Jack Straw is...unique. I love the cover art on this release.
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If it were that close they wouldn't have had to fake the moon landing on a Hollywood film set.
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https://archive.org/details/gd1972-07-26.sbd.GEMS.87034.flac16 Grateful Dead Live at Paramount Theater on 1972-07-26 by Grateful Dead Publication date 1972-07-26 (check for other copies) Topics soundboard, GEMS, Jamie Waddell, Todd Evans Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1: d1t01 - Tuning d1t02 - Cold Rain And Snow d1t03 - Black Throated Wind d1t04 - Mississippi Half-Step d1t05 - Mexicali Blues d1t06 - Sugaree d1t07 - El Paso d1t08 - China Cat Sunflower > d1t09 - I Know You Rider d1t10 - Jack Straw d2t01 - Tennessee Jed d2t02 - Playing In The Band d2t03 - Casey Jones Set 2: d2t04 - The Promised Land d2t05 - He's Gone d2t06 - Me And My Uncle d2t07 - You Win Again d2t08 - Greatest Story Ever Told d2t09 - Ramble On Rose d3t01 - Dark Star > d3t02 - Comes A Time d3t03 - Sugar Magnolia d3t04 - Brown Eyed Women d3t05 - Beat It On Down The Line d3t06 - Stella Blue d4t01 - Not Fade Away > d4t02 - Goin' Down The Road Feeling Bad > d4t03 - Not Fade Away Encore: d4t04 - One More Saturday Night
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I heard that on cassette years ago in a special state of mind :)))
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Your right, sorry folks. I meant to write- daves pick #27 -1968 ;)
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I’m finally getting a decent stereo system, and I’m looking to get a good HDCD player. Any recommendations on one that’s pretty good and doesn’t cost 3 grand? Thanks in advance!!! Also, as always dig the release. Great first set. Slow Scarlet Fire, which is different but good. Favorite is TMNS on this one.
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As a lifelong Eagles fan, my god I thought this day would never come. Bliss. Pure bliss....
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Did Don Felder, like, just get back together with Henley and Walsh?
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Laughed so hard after I read that I think I cracked a rib. Brilliant.
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When I was at the bottom of the ravine taking that photo, a young couple asked me, "Where on earth have you seen anything like this?" My response. "Nowhere. That is why I am down here." I took what I learned in all those glorious years of touring, throughout the 80s in fact, and have transformed it into touring the world. That is why I visited Ronda and many other places. I visit this site to learn. Not to read gibberish about releasing 80s shows. So, when you ask, "Who cares?" I do.
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...is the fucking man. At least in my book. Because he makes words sit so nicely together.
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Pushing for 80s releases on this site isn't trolling. This isn't The 70-s Only Dead Page, this is The 65-95 Dead page. Pushing for the release of Dead shows here ain't "trolling", it's devotion. The "Era Debate" has gotten hateful in the past (If Brent was alive, he would kill himself after reading some comment threads). This morning I thought "I hope Thin's posts haven't gotten Space triggered. Thin's factually correct and his statements are rationally reasoned, but he is kinda harping on the trope overmuch." Sure enough, the build-up to hostilities is underway... It has been a nice while since our last Era Wars outbreak and there are new voices here. For those seeing this for the first time: The Era Wars are essentially about the desire by a sizeable portion of our community to see most or all GDM releases be from their Dead sweetspot, generally 68-78. The "war" is fraught with tension as the are real stakes: the potential impact of statements on the content of future releases. The overly committed voices on each side are concerned about getting what they want from GDM. Both sides have insatiable appetites and GDM has a limited number of release slots to fill each year. This situation can create some very heated hyperbole and vitriol. This place is much more pleasant between wars. My personal opinions are that 80s Dead IS weaker than 70s Dead but that a regular rotation of all time periods in the release schedules would better represent the band and serve all corners of the fanbase. (just got 30T84 and 30T85. [The Dave L. essays within make Space look like an 80's-hater. And the essays are pretty much "pure hooey".] Compare 84's UJB/Playing/Dew to a 73/74 equivilant or 85's That's It For The Other One sandwich to any 68-71 TIFTO1 and it is clear that the Pre-80s Dead was much more EVERYTHING than the post-80 band... On the other hand, I really like how in the 80s Bobby and Mickey developed to cover the shrinkage of Jerry and Phil's territories in the sonic tapestry. Sorry to those who truly are hearing it differently, but that is how I hear it. I also don't enjoy post-86 Dylan, post-88 Springsteen, or post-82 Stones...)
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That's a pretty good assessment of the situation, as I understand it. I can't think of any versions of classic Dead songs, from the 1968-1978 period, that sounded better when played from 1980 onwards. It was interesting how the band responded to the changing times, though. Shows with guests, particularly Branford Marsalis, always seem worth hearing in the later period. It might be presumptious to say so, but I would guess that everyone who loves the 1980s and 1990s Dead also loves the 1968-1978 versions of the band. But the reverse is less likely to be true. I wouldn't think as many people who love the earlier periods also love the later ones. If this is true, and it might not be, then maybe it would be best if the Daves Picks series continued to focus on 68-78, and that 1980 onwards releases were put out separately, so those who didn't want them didn't have to get them. I can remember feeling a bit cheated when it was announced that a 1981 show was going to be the next Daves Picks-but as I had (and have) paid for a subscription, I was stuck with having purchased something I didn't particularly want. Actually, I am not that crazy about another 1977 show being released, either. To me the classic period was late 1967-1974, although there are some great shows between 1976 and 1978. Maybe I will change my mind when I get to hear the new release.
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Everyone please remain calm - while Seth was demonstrating a grenade, he wasn't thinking and pulled the pin.... Seth, love ya man.... I think you're right that 80's activists are about to erupt, but due to your comment more than mine. All I did was suggest Rhino overprinted the awesome '89 RFK box. But while fretting about whether I'm tempting the dreaded 80's debate, you pulled the pin on the grenade by declaring "80s Dead IS weaker than 70s Dead but that a regular rotation of all time periods in the release schedules would better represent the band and serve all corners of the fanbase.".... Then Daverock fans the flames by saying NO Dead tunes were better in the 80's than the 70's!!! Now you've done it.... RV3 and Spacebro's keyboards are melting they're typing so fast... Let's just put the pin back in the grenade here and pretend nothing happened before we wind up in the "Indignity-Olympics" free-for-all.... [FYI - The "what songs, if any, were better in the 80's" topic has come up before, and suggestions included Jack Straw, Looks Like Rain (with Bralove's midi/thunder effects), Bird Song, Terrapin, among many others.
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Era debate or era wars it's always the same like Groundhog Day. But if someone is interested in my opinion, I like all eras. Until 77, maybe it was their classic era and the playing was better. Later tbey were increasing the repertoire. In fact, I think that the Shakedowns and others sounded better on the eighties than on the seventies. So, basically I agree with Daverock that most of the seventies songs sounded better on the seventies, but on the eighties we have a few new songs that I really like. I think this year Punxsutawney Phil has predicted 6 more weeks of winter. Good photo AJS.
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Shirdeep.. that first pic of Garcia has got to be from the 84 Augusta show.. either that or Quasimodo somehow got a hold of Tiger and played us a tune. I find myself liking many songs throughout the years, I appreciate many of the changes in playing and orchestration and I miss some aspects that were dropped or were lost due to age and the ravages of time. Take Jack Straw.. there was an innocence and purity to the 72 versions - the song stood on it's own that year and was perhaps the strongest story-telling year for the song, but I feel parts were not fully developed.. 73/74 gave it a whimsical expressive quality, especially in Jerry's leads. The late 70's saw it take on some edge.. "we used to play for acid, now we play for Clive" and the instrumental pieces were amped up a good bit. Some of the 80's versions were explosive and feature some of Jerry's more energetic leads and in the 90's we get Bruce's influence, etc. It's like asking a parent which kid they like most and they honestly answer they love all their children the same.. There are good and bad aspects throughout.. I am more captivated and happy when I consider the finer points.. We could write a book on the changes of tunes like Dark Star and Eyes of the World.. There might be definitive versions of any song, but ignoring or dissing other versions is not what it's all about. Did someone mention 6/30/85?
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I introduced the word troll to this discussion. Lambasting people for not buying an 80s release , or for offering critical music analysis about any Era IS trolling. This is exactly what happened here not too long ago, which is the event I was referring to. Just because somebody offers legitimate enthusiasm for the 80s does not mean they're not also a troll when they cross the line.
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That 4/25 Capitol Theatre show really is a sweet little gem. Tickles my ear-sockets every time.
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Dead of the Day: February 4, 1969The Music Box Omaha, Nebraska Over the years, February 4th has seen some wicked Dead shows, but the 1969 concert at the Music Box in Omaha, Nebraska is our Dead of the Day. There really are no highlights to the show because the entire show is off the hook. While the boys had not yet hit the apogee of their psychedelic sound – that would come later in 1969 – they still wail on this show. The Caution has to be one of the best ever with the vocal and instrumental vamping resonating the sound of a funky, hallucinogenic train rolling by on the tracks. Further, the Dark Star> Stephen> Eleven is on par with just about any other example of that classic trifecta. http://gratefuldeadoftheday.com/02-04-1969
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I agree Skull, this one is exceptional among exceptionals. Audio and mix is perfect. Hot set list. Check out Bobby on Peggy O.
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Not even close
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Released: July 18th, 196850th Anniversary Announcement: ??? Drum Roll for the next 1968 vault release - Yes please. This should be the single greatest bit of news to flow through this site this year. ..and exactly how long has it been since we have seen a 1968 release anyway?
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The irony about the trolling discussion is that the biggest offenders are the ones who are tossing that term around. The clique will always be the clique here. Shmucks gang up on people, bully them and try to ostracise. Fake deadheads. '89 RFK box was released, what, like 2.5 months ago? Sold like 11k-12k in that period of time? It's outselling the July '78 "Betty board" box, which has been taking up warehouse shelf space for nearly 3 years now, if you look at it that way. In response to the "feeling shortchanged because Dave released an '81 show" commentary. Now you know how I feel with the whole series, and this goes back to the very beginning when the intitial advertisement promised great things by flashing dates from their full career. I think what Dave has released in this series is great, even if repetative. There are things I love and not keen about every era. Brent was a better keyboardist and vocalist, Jerry was in better shape earlier in his career, then '87 - '90. More focus and energy was put into the documentation aspect during time prior to and after '80 - '82. Blair Jackson's dissertation of the "Deader than thou" contingecy continues to ring true here.
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http://deaddisc.com/GDFD_Dead_By_Date.htm 1967 and 1968 Studio/live Anthem Of The Sun, Grateful Dead, 1968 Jan 20, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Jan 20, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Jan 23, 1968 2 songs live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Jan 23, 1968 5 songs live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Jan 30, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Feb 2, 1968 1 live song So Many Roads (1965-1995), Grateful Dead, 1999 Feb 2, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Feb 14, 1968 live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Feb 22-24, 1968 Live Dick's Picks, Vol. 22, Grateful Dead, 2001 March 16, 1968 3 live songs So Many Roads (1965-1995), Grateful Dead, 1999 March 17, 1968 Live Download Series, Vol. 6: 3/17/68, Grateful Dead, 2005 June 14, 1968 1 track Fillmore West 1969 Bonus Disc, Grateful Dead, 2005 Aug 13, 1968 3 live studio outtakes The Golden Road (1965-1973), Grateful Dead, 2001 Aug 23, 1968 3 live songs The Golden Road (1965-1973), Grateful Dead, 2001 Aug 23, 1968 3 live songs Two From The Vault, Grateful Dead, 2007 (exp edition) Aug 24, 1968 9 live songs Two From The Vault, Grateful Dead, 1992 Oct 20, 1968 Live 30 Trips Around The Sun Box Set, Grateful Dead, 2015 Late 1968 Recorded Aoxomoxoa, Grateful Dead, 1969
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I certainly didn't intend to offend anybody by my comments on the eras of the band, and I hope I didn't. They obviously wrote new songs and introduced new covers in their sets between 1980 and 1995. And incorporated new technology. And to me all this represented the state of play, more than reprising songs written years before. They wrote more songs in the 70s, and, maybe these were the songs that defined them, so they stayed in rotation. Maybe some were better played towards the end of their career. I said in an earlier post, that when I saw them in 1990, they played a version of "Black Peter" that was spine chilling. Also an excellent version of "Row Jimmy". But some of their bigger pieces suffered in comparison. I was thrilled when they played both "Lovelight" and "Dark Star" on the first and last nights in London in 1990. I didn't get to see them very often, so when I did, and they played "Dark Star"-well, it was the icing on the cake. But listening at home, nearly 30 years later, I have to say that neither this, or the "Lovelight" could hold a candle to the versions played between 1968 and 1972. But it was great hearing them on the night.
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1..2
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You're either on the trolley-bus or you're not.
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