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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • daverock
    Joined:
    Maine Daves Dead
    Interesting that you have got more into the band as you have got older. I have been listening to them in various ways ( and in various states) since 1974. One of the reasons they have endured for me, when so many other bands have bitten the dust, could be the sheer range and scope of the music they played over thirty years. My first two albums were Working Mans, followed by Anthem of the Sun, which were so massively different. There music seems to have a depth and variety to me that other rock bands simply don't have. Or maybe the other rock music I liked was more fitting to a teenage lifestyle. I loved going to heavy rock concerts between 1972 and 1976, and then punk between 1976 and 1978. But as time passed, I went off them. But the Dead have continued to fascinate me.
  • Born Cross Eye…
    Joined:
    12/31/1985
    Does not do too much for me anymore.
  • stoltzfus
    Joined:
    took a chance
    on 85 GD I have 11/20 21 22 on disc. haven't listened for a while (years) 11/20 today while Ubering. Fun. Worth a listen. Not a E72 show, but fun. started 11/21. oddball songs (Big Boy Pete, e.g.) eras, shmeras. JUST LISTEN. an interesting synchronistic moment: 11/21 Brown Eyed Women. "Bigfoot county" line at a stoplight. Look in my mirror. in the car behind me, the passenger (don't you hear me) had her bare feet up on the dash. I love stuff like that.
  • icecrmcnkd
    Joined:
    Welcome Maine Dave
    I highly suggest you obtain the 78 Box as soon as it’s financially feasible.
  • libertycaps97211
    Joined:
    Bring on Gainsville…
    Volume 8: Fox Theatre, 11/30/80 – this show surprised me more than almost any. I’m not usually a 1980 kinda guy and I wasn’t crazy about the idea of a matrix. But I love this show. They were firing on all cylinders on this tour because the 1980 TTAS show is also great. Grade: B plus One of three in a 3-way tie for "Numero Uno" of the series this far. Don't agree with your grade, but def agree with your sentiment about dat Gators '80 gig. The Dave's series is still w/o a "Shakedown Street" iirc !!!
  • icecrmcnkd
    Joined:
    Gainesville
    What about it......?
  • Mr.Dc
    Joined:
    Welcome MaineDave
    I too enjoy the earlier GD "eras" the most, specifically around august 68-june 69 but really 1966 through to the end of 1970. Though there are certain things about pretty much every year that make them worthwhile imo. When it comes to Brent, I do actually enjoy most of his tunes with the exception of 'Never trust a Woman' which may be the only song the Dead played that I do not like at all. I also personally enjoy most of the occasional rants and debates on here, I almost always find something humorous or interesting in them, or even just how they are worded. Sure we got some that are prone to hyperbole, and there have been a couple instances where people have tried to deflect using adhominems and character attacks when they noticed their own arguments shelf life was about up. But in comparison with almost any other site on the web, the disagreements on here are extremely mild and usually over very light topics such as cds and music.
  • Kjohnduff1
    Joined:
    Dave's Picks - Grading the entire series
    I love to hear everyone’s opinions on each show, so I thought that I would grade the series so far from my perspective. Especially since we’re at the nice round number of 25. Volume 1: The Mosque 5/25/77 – A great start. Not my favorite May ’77 show but May ’77 shows are like pizza. Even when it’s not your favorite, it still is… well, pizza. Grade: A minus Volume 2: Hartford, CT, 7/31/74 – My favorite of the DaP ’74 shows. Maybe because I’m from Connecticut and I’m biased? Maybe… But probably more because of the MLB -> Spanish Jam Grade: A minus Volume 3: Chicago, IL, 10/22/71 – Ragtime Dead. Love this show. Lots of fun sing-along tunes. The filler might just be the best part... Grade: A minus Volume 4: Williamsburg, VA, 9/24/76 – I’m usually a big fan of ’76… the sound is so different from all other years. This is not one of my favorites, though. Hard to explain why. I just don’t reach for it very often. Grade: B minus Volume 5: Pauley Pavilion 11/17/73 – one of my top 3 from the series. Love the HCS then my favorite of the Playin’ Uncle Dew Sammiches. Grade: A plus Volume 6: San Francisco 12/20/69 & St. Louis 2/2/70 – I should listen to this more often. GREAT Casey Jones and two Dark Stars. I usually skip the 35 minute Lovelight. Sshh… don’t tell HendrixFreak! Grade: A minus Volume 7: Normal, 4/24/78 – I like this show better than most based on the reviews that I’ve seen. Bobby’s slide can be brutal at times but he had it goin’ on this night. One of my favorite Scarlet/Fires. Grade: B plus Volume 8: Fox Theatre, 11/30/80 – this show surprised me more than almost any. I’m not usually a 1980 kinda guy and I wasn’t crazy about the idea of a matrix. But I love this show. They were firing on all cylinders on this tour because the 1980 TTAS show is also great. Bring on Gainsville… Grade: B plus Volume 9: Missoula, 5/14/74 – This is probably blasphemous but 1974 isn’t my favorite year. I can’t explain it because it should be right in my wheel house. That being said, There are parts of this that I love. One of my favorite Bertha’s of all time. Grade: B minus Volume 10: Thelma, 12/12/69 – Love how intimate the venue seems. Love the transition from psychedelic to cowboy. If you add in the bonus disk, there’s something here for the whole family. Alligator AND Caution…. Wow. Grade: A Volume 11: Wichita, 11/17/72 – One of my top 3 from the series. My favorite Cumberland of all time and an awesome Bird Song. Every song played to perfection. Grade: A plus Volume 12: Colgate University,11/4/77 – I’m a 1977 junkie. I do however like the spring shows better than the fall shows. This one has merit because its so different. Maybe even slightly strange. The Brown Eyed Women is awesome. Grade: B Volume 13: Winterland, 2/24/74 – Seems to be the favorite DaP for many… I can see why but the sound bothers me more than it probably should. I know that it gets better when it counts but… Grade: B plus Volume 14: Academy Of Music, 3/26/72 – It’s weird that I don’t like this as much as I should. Hardly ever reach for this anymore. Warm up shows before E72 but it sounds starkly different to me than E72. Grade: B Volume 15: Nashville, April 22, 1978 – Great 1978 show – the steel drums and groovy beginning to NFA makes that hair on the back of my neck stand up. Epic Wharf Rat but I like 11/6/77 slightly better. Grade: B plus Volume 16: Springfield, MA, March 28, 1973 – my choice for the most underrated DaP. Jerry is on absolute fire throughout. This show is a monster. Possibly my favorite DaP. Grade: A plus Volume 17: Fresno, CA, July 19, 1974 – not my least favorite DaP but probably second. I don’t reach for this often. Monster Playin’ though. Grade: C Volume 18: Orpheum Theatre, July 17, 1976 – This show seems to be very polarizing. People either love it or hate it. I am definitely on the love side. It has such a unique quality to it… both shows flow so nicely. They’re so laid back but in a great way. Grade: A Volume 19: Honolulu, HI, January 23, 1970 – Another pick that I don’t listen to much anymore. Not my favorite Dark Star and the Lovelight is over the top. Not crazy about the early Dancin’. Too bad about the Casey Jones… great start to it and I love the slinky King Bee… Grade: B Volume 20: Boulder.CO, December 9, 1981 – Far and away my least favorite of the series. Still not sure why it’s a pick. Listened about 3x and retired it. Oh well… Grade: D Volume 21: Boston Garden, April 2, 1973 – Lots of shorter songs all played extremely well, then an epic HCS that melts your face. Grade: B plus Volume 22: Felt Forum, December 7, 1971 – Lots of fun sing-along songs but not a ton here that’ll melt your face… and who doesn’t want their face melted? Grade: B Volume 23: Eugene, OR, January 22, 1978 – This rounds out my top 3. Super high energy, Close Encounters, incredible St. Stephen… top to bottom classic. Grade: A plus Volume 24: Berkeley, CA, August 25, 1972 – LOVE this show. More than I thought I would too. I was bummed that they didn’t release 8/21 but now I’m glad they didn’t. Maybe we’ll get the rest of the run in a box? Grade: A Volume 25: Binghamton, NY, November 6, 1977 – surprised at the average reviews of this show. All-time great 1st set... 3 GOAT songs for me in one show (1/2 step, Truckin’ and Wharf Rat) This one might be suffering from the hype but I’m certainly on board. Grade: A Sorry for the long post but I don’t post a lot so I guess this kind of makes up for it.
  • MinasMorgul
    Joined:
    2/18/71
    ANNIVERSARY PORT CHESTER 2/18/71!! Everyone listen before midnight ahhhhhhh!
  • Maine Dave
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    Greetings, Earthlings.
    Hello everyone! I've been reading and enjoying these boards for a couple of years now and thought I should introduce myself and, I don't know, maybe contribute constructively to the vicious squabbles -- err, I mean the lively debates contained herein. Lol. Full disclosure: I am a relatively recent Head. By which I mean, even though I was born in the '60s and I'm currently on the far side of a half-century, and even though I saw the boys twice in the '80s (10/84 in Syracuse -- good show -- and July 4 1987 at Sullivan Stadium outside of Boston -- truly a wretched show, and sharing the stage with Bobby Dylan in his fullest "I don't give a shit" phase didn't help any) and Jerry solo once in Boston in 87 (?) or '88 (?) -- despite all of that, and despite the band being just ubiquitous at the earthy-crunchy college I attended from 1981 t0 84 -- I just never was all that much of a Head. (Whew -- that was some sentence. Congratulations if you made it all the way through.) Tl; dr: I used to like the Dead OK. Now I'm obsessed with them. I wonder why? And I wonder if any others on these boards have experienced the same. To be blunt, I find it kind of astonishing that Garcia (and Hunter) were able to write songs in their 20s and 30s that really only started making sense to me in my 50s... There is just such a sense of perspective, of understanding the long view of life and how we all try to live it as best we can. I'm thinking of "Sugaree," "He's Gone," "Brokedown Palace," Althea," "Bertha," "Ship of Fools," "Terrapin," too many to name really. FWIW, Bobby's songs don't do it for me nearly as much. Sorry if I'm rambling. Hey, I've I've been waiting to talk about this to someone (not my wife, heh heh) for the past 3 years... This is only my 2nd year subscribing to Dave's. I've been able to grab a few on ebay but not many. I have about 2/3 of the Dick's Picks and most everything else released officially, plus the Winterland '73 box and GSTL. I wouldn't mind picking up what I'm missing of course, so feel free to PM me if you have anything you're looking to part with. And now, the important issues and topics that touch us all: 1. Eras. I like everything to some degree or other, but I am fond of Pig, so early stuff is most exciting to me. Two from the Vault is an astonishing release, as is just about anything from that era that features St Stephen/The Eleven/Death Don't Have No Mercy/King Bee/We Bid You Goodnight or any combination thereof. Love Mountains of the Moon too. Pig's raps on Heard to Handle, Lovelight, Good Lovin etc make the band what it is, IMO. The 70s are great too, no argument with 72 or 77 or whatever your fave year is. The 80s were spottier. As I mentioned, both my shows were from the 80s, and one was great. I would love to see that Syracuse show released officially (there's a pretty good soundboard on the archive, and it holds up.) The 1987 show was dire. "Touch of Gray" to start off, downhill after that. I remember standing there in the sun (it was a hot afternoon) and just feeling the energy vanish out of the crowd. Seriously, they never got it back. Even Charlie Miller can't make it sound good, though props to him for trying: https://archive.org/details/gd1987-07-04.sbd.miller.101650.flac16/gd87-… 2. Brent or no Brent... Ahh, I'd have to say no Brent. He was a good backup vocalist when he wasn't overdoing it. And he could be a great keyboard player. But I never liked his songs much ("Gentlemen, Start Your Engines" ? "Hey Pocky Way" ? Seriously? "Tons of Steel" is just flat dull.) And whoever said that he sang like a Bob Seger wannabe was exactly right. That said, there are some good late-era recordings out there that I keep revisiting. DP 17, and Crimson White and Indigo both come to mind. I agree with Spacebrother that we need more variety in the Dave's selections. (Although I must admit too that I haven't bought the RFK box. I just don't have the cash and the songs I've samples aren't compelling enough... Sue me. Don't have the July 78 box yet either, that's next on the list.) Anyway -- I think I have rattled on LONG ENOUGH. Geez, it's taken me an hour to write this... All while listening to RT 4.4, the 1982 Centrum show that someone mentioned recently... Great show. Thanks everybody. I'm off to sign the 6/23/73 RFK petition now.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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I caught the Ann Arbor show. Epic. Definitely in the top 5 concerts of all time I have personally attended. I wouldn't mind hooking up with some recordings of this tour myself. Pro shot video from 11/4/17 : The Capitol Theatre Full Show
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And not just Red Rocks Listened to 7/3 today, now working on 7/1. Spending the day on the couch with a hang over, and GOGD. Uh, lovemygirl, DaP 26 was announced weeks ago. It’s from 71.
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I've been waiting a long time to say this, but isn't that photo the spectacular "New Bridge" in Ronda, Málaga, Spain? Apart of that, why toss overboard anyone, it isn't sometimes what adds a sense of a group of people that dissent an discuss nearly everything related with the music we all love? -:) And in the end, who cares?
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Just toss out the troll or two, I think is all AJS meant. Nobody wants negativity and personal attacks for simply mentioning nonsellout status of a box set, or dislike of an album or performance. Be much more relaxed atmosphere here.
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....the only thing I care about is that my ears still work. I try and keep it simple. Oh, and Brady sucks. See? It's easy!! Go Knights Go!. A child could figure it out. I ramble when I'm drunk. Guess what I am?
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or short shoutout to 12/7/71 gave it a second full listen today peppy performance Smokestack Lightning for the grease Truckin' for the rock 'n roll NFA > GDTRFB > NFA for the jam
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It would be fine but I like more Spanish wine and, yes the occasional german beer. Yes, train, i caught it, but the point was not about ajs, it was that we have one or two "trolls" and ¿so what? I work as a webmaster and moderator on social networks, and I sometimes hate it, because I found there are a lot of trolls, but the type that have really bad intentions,. you know? It wasn't a post against ajs opinions.
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I want a 70 box and I want it now. As for Brady, dear VGuy, it's about that guy who plays American football, excuse me, but I don't know that nuch about that. I have headaches every time I turn on television and all is Real Madrid and FC Barcelona, Cristiano Ronaldo y Messi, pff... I usually change the channel... -:)
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Or crazy, or fool. It's like that.
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I think that it probably qualifies to believe such a thing it's possible.
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Did someone mention good Spanish wine, now you have my attention.. Not dissing a good margarita from time to time though.. 1969 with Mountains of the moon.. what if the Moon held an orbit the same distance away from the Earth as the ISS? You could see the mountains of the moon with the naked eye. Spent the day skiing in the backcountry with a pair of headphones on.. bagged 5/3/72 and the second set of 5/4/72. Got most of 11/4/77 and 2/24/74 on the drive too and from. Happy day, but alas... no good Spanish wine or margaritas.
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listening currently (via archive) sounds good Jack Straw is...unique. I love the cover art on this release.
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If it were that close they wouldn't have had to fake the moon landing on a Hollywood film set.
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https://archive.org/details/gd1972-07-26.sbd.GEMS.87034.flac16 Grateful Dead Live at Paramount Theater on 1972-07-26 by Grateful Dead Publication date 1972-07-26 (check for other copies) Topics soundboard, GEMS, Jamie Waddell, Todd Evans Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1: d1t01 - Tuning d1t02 - Cold Rain And Snow d1t03 - Black Throated Wind d1t04 - Mississippi Half-Step d1t05 - Mexicali Blues d1t06 - Sugaree d1t07 - El Paso d1t08 - China Cat Sunflower > d1t09 - I Know You Rider d1t10 - Jack Straw d2t01 - Tennessee Jed d2t02 - Playing In The Band d2t03 - Casey Jones Set 2: d2t04 - The Promised Land d2t05 - He's Gone d2t06 - Me And My Uncle d2t07 - You Win Again d2t08 - Greatest Story Ever Told d2t09 - Ramble On Rose d3t01 - Dark Star > d3t02 - Comes A Time d3t03 - Sugar Magnolia d3t04 - Brown Eyed Women d3t05 - Beat It On Down The Line d3t06 - Stella Blue d4t01 - Not Fade Away > d4t02 - Goin' Down The Road Feeling Bad > d4t03 - Not Fade Away Encore: d4t04 - One More Saturday Night
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I heard that on cassette years ago in a special state of mind :)))
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Your right, sorry folks. I meant to write- daves pick #27 -1968 ;)
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I’m finally getting a decent stereo system, and I’m looking to get a good HDCD player. Any recommendations on one that’s pretty good and doesn’t cost 3 grand? Thanks in advance!!! Also, as always dig the release. Great first set. Slow Scarlet Fire, which is different but good. Favorite is TMNS on this one.
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As a lifelong Eagles fan, my god I thought this day would never come. Bliss. Pure bliss....
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Did Don Felder, like, just get back together with Henley and Walsh?
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Laughed so hard after I read that I think I cracked a rib. Brilliant.
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When I was at the bottom of the ravine taking that photo, a young couple asked me, "Where on earth have you seen anything like this?" My response. "Nowhere. That is why I am down here." I took what I learned in all those glorious years of touring, throughout the 80s in fact, and have transformed it into touring the world. That is why I visited Ronda and many other places. I visit this site to learn. Not to read gibberish about releasing 80s shows. So, when you ask, "Who cares?" I do.
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...is the fucking man. At least in my book. Because he makes words sit so nicely together.
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Pushing for 80s releases on this site isn't trolling. This isn't The 70-s Only Dead Page, this is The 65-95 Dead page. Pushing for the release of Dead shows here ain't "trolling", it's devotion. The "Era Debate" has gotten hateful in the past (If Brent was alive, he would kill himself after reading some comment threads). This morning I thought "I hope Thin's posts haven't gotten Space triggered. Thin's factually correct and his statements are rationally reasoned, but he is kinda harping on the trope overmuch." Sure enough, the build-up to hostilities is underway... It has been a nice while since our last Era Wars outbreak and there are new voices here. For those seeing this for the first time: The Era Wars are essentially about the desire by a sizeable portion of our community to see most or all GDM releases be from their Dead sweetspot, generally 68-78. The "war" is fraught with tension as the are real stakes: the potential impact of statements on the content of future releases. The overly committed voices on each side are concerned about getting what they want from GDM. Both sides have insatiable appetites and GDM has a limited number of release slots to fill each year. This situation can create some very heated hyperbole and vitriol. This place is much more pleasant between wars. My personal opinions are that 80s Dead IS weaker than 70s Dead but that a regular rotation of all time periods in the release schedules would better represent the band and serve all corners of the fanbase. (just got 30T84 and 30T85. [The Dave L. essays within make Space look like an 80's-hater. And the essays are pretty much "pure hooey".] Compare 84's UJB/Playing/Dew to a 73/74 equivilant or 85's That's It For The Other One sandwich to any 68-71 TIFTO1 and it is clear that the Pre-80s Dead was much more EVERYTHING than the post-80 band... On the other hand, I really like how in the 80s Bobby and Mickey developed to cover the shrinkage of Jerry and Phil's territories in the sonic tapestry. Sorry to those who truly are hearing it differently, but that is how I hear it. I also don't enjoy post-86 Dylan, post-88 Springsteen, or post-82 Stones...)
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That's a pretty good assessment of the situation, as I understand it. I can't think of any versions of classic Dead songs, from the 1968-1978 period, that sounded better when played from 1980 onwards. It was interesting how the band responded to the changing times, though. Shows with guests, particularly Branford Marsalis, always seem worth hearing in the later period. It might be presumptious to say so, but I would guess that everyone who loves the 1980s and 1990s Dead also loves the 1968-1978 versions of the band. But the reverse is less likely to be true. I wouldn't think as many people who love the earlier periods also love the later ones. If this is true, and it might not be, then maybe it would be best if the Daves Picks series continued to focus on 68-78, and that 1980 onwards releases were put out separately, so those who didn't want them didn't have to get them. I can remember feeling a bit cheated when it was announced that a 1981 show was going to be the next Daves Picks-but as I had (and have) paid for a subscription, I was stuck with having purchased something I didn't particularly want. Actually, I am not that crazy about another 1977 show being released, either. To me the classic period was late 1967-1974, although there are some great shows between 1976 and 1978. Maybe I will change my mind when I get to hear the new release.
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Everyone please remain calm - while Seth was demonstrating a grenade, he wasn't thinking and pulled the pin.... Seth, love ya man.... I think you're right that 80's activists are about to erupt, but due to your comment more than mine. All I did was suggest Rhino overprinted the awesome '89 RFK box. But while fretting about whether I'm tempting the dreaded 80's debate, you pulled the pin on the grenade by declaring "80s Dead IS weaker than 70s Dead but that a regular rotation of all time periods in the release schedules would better represent the band and serve all corners of the fanbase.".... Then Daverock fans the flames by saying NO Dead tunes were better in the 80's than the 70's!!! Now you've done it.... RV3 and Spacebro's keyboards are melting they're typing so fast... Let's just put the pin back in the grenade here and pretend nothing happened before we wind up in the "Indignity-Olympics" free-for-all.... [FYI - The "what songs, if any, were better in the 80's" topic has come up before, and suggestions included Jack Straw, Looks Like Rain (with Bralove's midi/thunder effects), Bird Song, Terrapin, among many others.
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Era debate or era wars it's always the same like Groundhog Day. But if someone is interested in my opinion, I like all eras. Until 77, maybe it was their classic era and the playing was better. Later tbey were increasing the repertoire. In fact, I think that the Shakedowns and others sounded better on the eighties than on the seventies. So, basically I agree with Daverock that most of the seventies songs sounded better on the seventies, but on the eighties we have a few new songs that I really like. I think this year Punxsutawney Phil has predicted 6 more weeks of winter. Good photo AJS.
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Shirdeep.. that first pic of Garcia has got to be from the 84 Augusta show.. either that or Quasimodo somehow got a hold of Tiger and played us a tune. I find myself liking many songs throughout the years, I appreciate many of the changes in playing and orchestration and I miss some aspects that were dropped or were lost due to age and the ravages of time. Take Jack Straw.. there was an innocence and purity to the 72 versions - the song stood on it's own that year and was perhaps the strongest story-telling year for the song, but I feel parts were not fully developed.. 73/74 gave it a whimsical expressive quality, especially in Jerry's leads. The late 70's saw it take on some edge.. "we used to play for acid, now we play for Clive" and the instrumental pieces were amped up a good bit. Some of the 80's versions were explosive and feature some of Jerry's more energetic leads and in the 90's we get Bruce's influence, etc. It's like asking a parent which kid they like most and they honestly answer they love all their children the same.. There are good and bad aspects throughout.. I am more captivated and happy when I consider the finer points.. We could write a book on the changes of tunes like Dark Star and Eyes of the World.. There might be definitive versions of any song, but ignoring or dissing other versions is not what it's all about. Did someone mention 6/30/85?
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I introduced the word troll to this discussion. Lambasting people for not buying an 80s release , or for offering critical music analysis about any Era IS trolling. This is exactly what happened here not too long ago, which is the event I was referring to. Just because somebody offers legitimate enthusiasm for the 80s does not mean they're not also a troll when they cross the line.
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That 4/25 Capitol Theatre show really is a sweet little gem. Tickles my ear-sockets every time.
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Dead of the Day: February 4, 1969The Music Box Omaha, Nebraska Over the years, February 4th has seen some wicked Dead shows, but the 1969 concert at the Music Box in Omaha, Nebraska is our Dead of the Day. There really are no highlights to the show because the entire show is off the hook. While the boys had not yet hit the apogee of their psychedelic sound – that would come later in 1969 – they still wail on this show. The Caution has to be one of the best ever with the vocal and instrumental vamping resonating the sound of a funky, hallucinogenic train rolling by on the tracks. Further, the Dark Star> Stephen> Eleven is on par with just about any other example of that classic trifecta. http://gratefuldeadoftheday.com/02-04-1969
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I agree Skull, this one is exceptional among exceptionals. Audio and mix is perfect. Hot set list. Check out Bobby on Peggy O.
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Not even close
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Released: July 18th, 196850th Anniversary Announcement: ??? Drum Roll for the next 1968 vault release - Yes please. This should be the single greatest bit of news to flow through this site this year. ..and exactly how long has it been since we have seen a 1968 release anyway?
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The irony about the trolling discussion is that the biggest offenders are the ones who are tossing that term around. The clique will always be the clique here. Shmucks gang up on people, bully them and try to ostracise. Fake deadheads. '89 RFK box was released, what, like 2.5 months ago? Sold like 11k-12k in that period of time? It's outselling the July '78 "Betty board" box, which has been taking up warehouse shelf space for nearly 3 years now, if you look at it that way. In response to the "feeling shortchanged because Dave released an '81 show" commentary. Now you know how I feel with the whole series, and this goes back to the very beginning when the intitial advertisement promised great things by flashing dates from their full career. I think what Dave has released in this series is great, even if repetative. There are things I love and not keen about every era. Brent was a better keyboardist and vocalist, Jerry was in better shape earlier in his career, then '87 - '90. More focus and energy was put into the documentation aspect during time prior to and after '80 - '82. Blair Jackson's dissertation of the "Deader than thou" contingecy continues to ring true here.
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http://deaddisc.com/GDFD_Dead_By_Date.htm 1967 and 1968 Studio/live Anthem Of The Sun, Grateful Dead, 1968 Jan 20, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Jan 20, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Jan 23, 1968 2 songs live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Jan 23, 1968 5 songs live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Jan 30, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel Bonus CD, Grateful Dead, 2009 Feb 2, 1968 1 live song So Many Roads (1965-1995), Grateful Dead, 1999 Feb 2, 1968 1 song live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Feb 14, 1968 live Road Trips: Vol 2, No 2: Feb 14, 1968, Carousel, Grateful Dead, 2009 Feb 22-24, 1968 Live Dick's Picks, Vol. 22, Grateful Dead, 2001 March 16, 1968 3 live songs So Many Roads (1965-1995), Grateful Dead, 1999 March 17, 1968 Live Download Series, Vol. 6: 3/17/68, Grateful Dead, 2005 June 14, 1968 1 track Fillmore West 1969 Bonus Disc, Grateful Dead, 2005 Aug 13, 1968 3 live studio outtakes The Golden Road (1965-1973), Grateful Dead, 2001 Aug 23, 1968 3 live songs The Golden Road (1965-1973), Grateful Dead, 2001 Aug 23, 1968 3 live songs Two From The Vault, Grateful Dead, 2007 (exp edition) Aug 24, 1968 9 live songs Two From The Vault, Grateful Dead, 1992 Oct 20, 1968 Live 30 Trips Around The Sun Box Set, Grateful Dead, 2015 Late 1968 Recorded Aoxomoxoa, Grateful Dead, 1969
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I certainly didn't intend to offend anybody by my comments on the eras of the band, and I hope I didn't. They obviously wrote new songs and introduced new covers in their sets between 1980 and 1995. And incorporated new technology. And to me all this represented the state of play, more than reprising songs written years before. They wrote more songs in the 70s, and, maybe these were the songs that defined them, so they stayed in rotation. Maybe some were better played towards the end of their career. I said in an earlier post, that when I saw them in 1990, they played a version of "Black Peter" that was spine chilling. Also an excellent version of "Row Jimmy". But some of their bigger pieces suffered in comparison. I was thrilled when they played both "Lovelight" and "Dark Star" on the first and last nights in London in 1990. I didn't get to see them very often, so when I did, and they played "Dark Star"-well, it was the icing on the cake. But listening at home, nearly 30 years later, I have to say that neither this, or the "Lovelight" could hold a candle to the versions played between 1968 and 1972. But it was great hearing them on the night.
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1..2
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You're either on the trolley-bus or you're not.
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