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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • guit30
    Joined:
    My favorite Morning Dew
    This version has always been special to me. Cornell is very good, but this version from original Europe 72 has always been the cat's meow for me!!! https://youtu.be/cgZMPT0ulC8?t=1h38m32s
  • FloridaBobalooToo
    Joined:
    Hi Claney
    Yes I spun Duke too. That was my first LP by them. Ah mammeries........oops. Memories!
  • mike dunn
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    Joined:
    Still nothing on Dave's 23??????
    There was one year when they announced the next pick real late , like on the 28th or something. How has Dave's 23 not leaked yet? Ii have a feeling the announcement will be Monday, but I hope I'm wrong..... Here's hoping for an uncirculated Betty from '79 or an upgraded Eugene '78..
  • claney
    Joined:
    FloridaBob and Genesis
    Hey FlaBob! I've been in a huge Genesis kick the last couple of weeks too. Started with Selling England by the Pound, then Lamb Lies Down, Trick of the Tail, Wind and Wuthering, detour to Supper's Ready from Foxtrot, then Seconds Out, then And Then there Were Three...(which is underrated). Only problem is, some of those reissues are compressed as hell. Also watched a video of the "Mama" Tour on YouTube the other night. It was the only time I saw them, 1984, I was 15. Kicked ASS, and it was nice to see confirmation in the video. Never wanted to see them after that as Invisible Touch and everything after that causes some nausea for me. Three Sides Live is a great live album too, especially the "In the Cage" medley. I don't share the antipathy felt by many toward the post-Gabriel Genesis, up through Mama anyway. I mean, Duke, Abacab, and Mama still have some pretty effing proggy stuff. It occurs to me that Genesis and the Grateful Dead have something in common - they're both "uncool" to a certain type of music fan. Bummer for them.
  • allman
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    Remember the future
    While we are waiting, Garcia Live Volume Nine: August 11th, 1974 Keystone Berkeley comes out next week. Dave's Pick should be announced today?
  • KeithFan2112
    Joined:
    DP 12 / May '77
    LedDed, I also just took DP12 for a spin. I noticed the Mind Left Body jam isn't really the Mind Left Body Jam; it's the "unofficial" Feelin' Groovey jam that appeared sporadically in Dark Stars from '69ish to '72ish. Then they began incorporating it into the China Cat Sunflower jam. Strange... That DP 29 disc you speak of Space is pretty darn good. I like all of the preparation banter that precedes it. The one piece of 1977 I love best is disc one of Dave's Picks Volume 1, 5/25/77 at the Mosque in VA. I missed out on that one when it was initially released. By the summer of 2014, you could barely find a new one on eBay, and if you did, the price tag was between $300 - $400. I eventually got a burned copy of one that summer and then later found someone here who was selling his used one for a good price. I had not given 1977 much attention before hearing DaP 1. I'd had To Terrapin: Hartford 77 for many years, and considered it a decent showing. I had also downloaded May 1977 from dead.net around the same time. But it was the Mosque show that did it for me, particularly the first disc. I hadn't heard Mississippi Half-Step before, and I remember going out for a cool summer night walk with the headphones on, and giving the Dave's Picks with the Star Wars cover its first listen. I was totally blown away, first by the smooth sound, then by the flawless instrumentation, then by the spot-on vocals. The lead vocals were pretty much always good, but here the backing vocals were in perect unison and perfect harmony. And of course I was getting my first taste of Mississippi Half-Step, right out of the starting gate. The rest of disc one was as good as the opening. Jack Straw, Cassidy, Promised Land, Mexicali, and Lazy-Supplication from Bobby; and there was Peggy-O, They Love Each Other, Loser, & Brown-Eyed Women from Jerry (and these were all exceptional versions). The guitar solo in BEW is as good as it gets; Jerry rivaled it only a couple of times that I've heard (DP 29 & DaP 12). Discs 2 & 3 were just as good. But there is some magic in disc one that puts it above all else '77 for me. In hindsight, now that I've listened to all of Spring '77 many many times over, the Mosque still holds up. I prefer the sound of the later May shows, due to Keith moving away from the organ sound he employs up through this Cornell box, and just into the beginning of the first May 1977 box set. I prefer the piano / electric piano sound that he shifted back toward around mid-May. He didn't forsake the organ altogether, but it was featured less, and not so prominently in the mix. I think I would choose this show over Cornell (and everything else). Would be nice if it featured Help / Slip / Franklin, but I guess I cant have it all. I suppose I could tack on the 5/22 version to the end....But yeah, Dave's Picks, Volume 1, great show, disc one. Get some.
  • SPACEBROTHER
    Joined:
    Best of '77?
    5/19/77 Atlanta (Dick's Picks 29) disc 3 may be the most perfect 65 some-odd minutes of music from the entire year to this listeners ear. Besides the Terrapin>Playin'>UJB>D>Wheel>China Doll>Playin' sandwich, that 16 and-a-half minute Sugaree is quite epic. Buffalo (my other favorite) and Tuscaloosa are definite honorable mentions. Speaking of Atlanta, 5/18 is an underrated gem of a show and not yet released. I could see that as a Dave's Pick with a bonus disc consisting of the remainder of Pembroke Pines show not included with Dicks Picks #3 5/22/77. ......here's to hoping the next Dave's Pick will be 9/26/91 or 4/1/91.....
  • kyleharmon
    Joined:
    Tonite's the Night
    it has to be announced tonite. i'll be checking around here at 3am as most of the time is when things are announced for me. if not at all today I fear it will be another dave's picks 20 situation where it wasn't announced until the day before Halloween. that was a rough a month.
  • guit30
    Joined:
    Watched The Beat Club Video
    Tonight, I got a new set of speakers for my laptop ,what a difference I thought I had the Wall on my computer. Still, nothing like my stereo system, I got them thru the mail.It was a nice surprise, they were not supposed to be here til Sat. Really sound good, had to make some adjustments on my realtec software, which can get so funky. I listened to Barton Hall first, half, Betty Cantor and the other half, a matrix with Hunter Seamons and Jerry Moore. The Cantor recording in the archives did not seem to have as much reverb as the box set. Maybe Jeffrey Norman added some reverb to the mix, remember, Rob Eaton had to do a lot of work into those tapes, they were in real bad shape. Then I watched The Beat Club on Youtube, was awesome, like the close footage on the stage. https://www.youtube.com/watch?v=H6Uu57h7H18&t=2101s
  • kyleharmon
    Joined:
    May 77
    one my favorite things about may '77 is when jerry would do those pop chops in certain songs. what exactly am I talking about? well a good example is on the music Never Stopped on that Dicks Picks May 77 show.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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