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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • daverock
    Joined:
    Maine Daves Dead
    Interesting that you have got more into the band as you have got older. I have been listening to them in various ways ( and in various states) since 1974. One of the reasons they have endured for me, when so many other bands have bitten the dust, could be the sheer range and scope of the music they played over thirty years. My first two albums were Working Mans, followed by Anthem of the Sun, which were so massively different. There music seems to have a depth and variety to me that other rock bands simply don't have. Or maybe the other rock music I liked was more fitting to a teenage lifestyle. I loved going to heavy rock concerts between 1972 and 1976, and then punk between 1976 and 1978. But as time passed, I went off them. But the Dead have continued to fascinate me.
  • Born Cross Eye…
    Joined:
    12/31/1985
    Does not do too much for me anymore.
  • stoltzfus
    Joined:
    took a chance
    on 85 GD I have 11/20 21 22 on disc. haven't listened for a while (years) 11/20 today while Ubering. Fun. Worth a listen. Not a E72 show, but fun. started 11/21. oddball songs (Big Boy Pete, e.g.) eras, shmeras. JUST LISTEN. an interesting synchronistic moment: 11/21 Brown Eyed Women. "Bigfoot county" line at a stoplight. Look in my mirror. in the car behind me, the passenger (don't you hear me) had her bare feet up on the dash. I love stuff like that.
  • icecrmcnkd
    Joined:
    Welcome Maine Dave
    I highly suggest you obtain the 78 Box as soon as it’s financially feasible.
  • libertycaps97211
    Joined:
    Bring on Gainsville…
    Volume 8: Fox Theatre, 11/30/80 – this show surprised me more than almost any. I’m not usually a 1980 kinda guy and I wasn’t crazy about the idea of a matrix. But I love this show. They were firing on all cylinders on this tour because the 1980 TTAS show is also great. Grade: B plus One of three in a 3-way tie for "Numero Uno" of the series this far. Don't agree with your grade, but def agree with your sentiment about dat Gators '80 gig. The Dave's series is still w/o a "Shakedown Street" iirc !!!
  • icecrmcnkd
    Joined:
    Gainesville
    What about it......?
  • Mr.Dc
    Joined:
    Welcome MaineDave
    I too enjoy the earlier GD "eras" the most, specifically around august 68-june 69 but really 1966 through to the end of 1970. Though there are certain things about pretty much every year that make them worthwhile imo. When it comes to Brent, I do actually enjoy most of his tunes with the exception of 'Never trust a Woman' which may be the only song the Dead played that I do not like at all. I also personally enjoy most of the occasional rants and debates on here, I almost always find something humorous or interesting in them, or even just how they are worded. Sure we got some that are prone to hyperbole, and there have been a couple instances where people have tried to deflect using adhominems and character attacks when they noticed their own arguments shelf life was about up. But in comparison with almost any other site on the web, the disagreements on here are extremely mild and usually over very light topics such as cds and music.
  • Kjohnduff1
    Joined:
    Dave's Picks - Grading the entire series
    I love to hear everyone’s opinions on each show, so I thought that I would grade the series so far from my perspective. Especially since we’re at the nice round number of 25. Volume 1: The Mosque 5/25/77 – A great start. Not my favorite May ’77 show but May ’77 shows are like pizza. Even when it’s not your favorite, it still is… well, pizza. Grade: A minus Volume 2: Hartford, CT, 7/31/74 – My favorite of the DaP ’74 shows. Maybe because I’m from Connecticut and I’m biased? Maybe… But probably more because of the MLB -> Spanish Jam Grade: A minus Volume 3: Chicago, IL, 10/22/71 – Ragtime Dead. Love this show. Lots of fun sing-along tunes. The filler might just be the best part... Grade: A minus Volume 4: Williamsburg, VA, 9/24/76 – I’m usually a big fan of ’76… the sound is so different from all other years. This is not one of my favorites, though. Hard to explain why. I just don’t reach for it very often. Grade: B minus Volume 5: Pauley Pavilion 11/17/73 – one of my top 3 from the series. Love the HCS then my favorite of the Playin’ Uncle Dew Sammiches. Grade: A plus Volume 6: San Francisco 12/20/69 & St. Louis 2/2/70 – I should listen to this more often. GREAT Casey Jones and two Dark Stars. I usually skip the 35 minute Lovelight. Sshh… don’t tell HendrixFreak! Grade: A minus Volume 7: Normal, 4/24/78 – I like this show better than most based on the reviews that I’ve seen. Bobby’s slide can be brutal at times but he had it goin’ on this night. One of my favorite Scarlet/Fires. Grade: B plus Volume 8: Fox Theatre, 11/30/80 – this show surprised me more than almost any. I’m not usually a 1980 kinda guy and I wasn’t crazy about the idea of a matrix. But I love this show. They were firing on all cylinders on this tour because the 1980 TTAS show is also great. Bring on Gainsville… Grade: B plus Volume 9: Missoula, 5/14/74 – This is probably blasphemous but 1974 isn’t my favorite year. I can’t explain it because it should be right in my wheel house. That being said, There are parts of this that I love. One of my favorite Bertha’s of all time. Grade: B minus Volume 10: Thelma, 12/12/69 – Love how intimate the venue seems. Love the transition from psychedelic to cowboy. If you add in the bonus disk, there’s something here for the whole family. Alligator AND Caution…. Wow. Grade: A Volume 11: Wichita, 11/17/72 – One of my top 3 from the series. My favorite Cumberland of all time and an awesome Bird Song. Every song played to perfection. Grade: A plus Volume 12: Colgate University,11/4/77 – I’m a 1977 junkie. I do however like the spring shows better than the fall shows. This one has merit because its so different. Maybe even slightly strange. The Brown Eyed Women is awesome. Grade: B Volume 13: Winterland, 2/24/74 – Seems to be the favorite DaP for many… I can see why but the sound bothers me more than it probably should. I know that it gets better when it counts but… Grade: B plus Volume 14: Academy Of Music, 3/26/72 – It’s weird that I don’t like this as much as I should. Hardly ever reach for this anymore. Warm up shows before E72 but it sounds starkly different to me than E72. Grade: B Volume 15: Nashville, April 22, 1978 – Great 1978 show – the steel drums and groovy beginning to NFA makes that hair on the back of my neck stand up. Epic Wharf Rat but I like 11/6/77 slightly better. Grade: B plus Volume 16: Springfield, MA, March 28, 1973 – my choice for the most underrated DaP. Jerry is on absolute fire throughout. This show is a monster. Possibly my favorite DaP. Grade: A plus Volume 17: Fresno, CA, July 19, 1974 – not my least favorite DaP but probably second. I don’t reach for this often. Monster Playin’ though. Grade: C Volume 18: Orpheum Theatre, July 17, 1976 – This show seems to be very polarizing. People either love it or hate it. I am definitely on the love side. It has such a unique quality to it… both shows flow so nicely. They’re so laid back but in a great way. Grade: A Volume 19: Honolulu, HI, January 23, 1970 – Another pick that I don’t listen to much anymore. Not my favorite Dark Star and the Lovelight is over the top. Not crazy about the early Dancin’. Too bad about the Casey Jones… great start to it and I love the slinky King Bee… Grade: B Volume 20: Boulder.CO, December 9, 1981 – Far and away my least favorite of the series. Still not sure why it’s a pick. Listened about 3x and retired it. Oh well… Grade: D Volume 21: Boston Garden, April 2, 1973 – Lots of shorter songs all played extremely well, then an epic HCS that melts your face. Grade: B plus Volume 22: Felt Forum, December 7, 1971 – Lots of fun sing-along songs but not a ton here that’ll melt your face… and who doesn’t want their face melted? Grade: B Volume 23: Eugene, OR, January 22, 1978 – This rounds out my top 3. Super high energy, Close Encounters, incredible St. Stephen… top to bottom classic. Grade: A plus Volume 24: Berkeley, CA, August 25, 1972 – LOVE this show. More than I thought I would too. I was bummed that they didn’t release 8/21 but now I’m glad they didn’t. Maybe we’ll get the rest of the run in a box? Grade: A Volume 25: Binghamton, NY, November 6, 1977 – surprised at the average reviews of this show. All-time great 1st set... 3 GOAT songs for me in one show (1/2 step, Truckin’ and Wharf Rat) This one might be suffering from the hype but I’m certainly on board. Grade: A Sorry for the long post but I don’t post a lot so I guess this kind of makes up for it.
  • MinasMorgul
    Joined:
    2/18/71
    ANNIVERSARY PORT CHESTER 2/18/71!! Everyone listen before midnight ahhhhhhh!
  • Maine Dave
    Joined:
    Greetings, Earthlings.
    Hello everyone! I've been reading and enjoying these boards for a couple of years now and thought I should introduce myself and, I don't know, maybe contribute constructively to the vicious squabbles -- err, I mean the lively debates contained herein. Lol. Full disclosure: I am a relatively recent Head. By which I mean, even though I was born in the '60s and I'm currently on the far side of a half-century, and even though I saw the boys twice in the '80s (10/84 in Syracuse -- good show -- and July 4 1987 at Sullivan Stadium outside of Boston -- truly a wretched show, and sharing the stage with Bobby Dylan in his fullest "I don't give a shit" phase didn't help any) and Jerry solo once in Boston in 87 (?) or '88 (?) -- despite all of that, and despite the band being just ubiquitous at the earthy-crunchy college I attended from 1981 t0 84 -- I just never was all that much of a Head. (Whew -- that was some sentence. Congratulations if you made it all the way through.) Tl; dr: I used to like the Dead OK. Now I'm obsessed with them. I wonder why? And I wonder if any others on these boards have experienced the same. To be blunt, I find it kind of astonishing that Garcia (and Hunter) were able to write songs in their 20s and 30s that really only started making sense to me in my 50s... There is just such a sense of perspective, of understanding the long view of life and how we all try to live it as best we can. I'm thinking of "Sugaree," "He's Gone," "Brokedown Palace," Althea," "Bertha," "Ship of Fools," "Terrapin," too many to name really. FWIW, Bobby's songs don't do it for me nearly as much. Sorry if I'm rambling. Hey, I've I've been waiting to talk about this to someone (not my wife, heh heh) for the past 3 years... This is only my 2nd year subscribing to Dave's. I've been able to grab a few on ebay but not many. I have about 2/3 of the Dick's Picks and most everything else released officially, plus the Winterland '73 box and GSTL. I wouldn't mind picking up what I'm missing of course, so feel free to PM me if you have anything you're looking to part with. And now, the important issues and topics that touch us all: 1. Eras. I like everything to some degree or other, but I am fond of Pig, so early stuff is most exciting to me. Two from the Vault is an astonishing release, as is just about anything from that era that features St Stephen/The Eleven/Death Don't Have No Mercy/King Bee/We Bid You Goodnight or any combination thereof. Love Mountains of the Moon too. Pig's raps on Heard to Handle, Lovelight, Good Lovin etc make the band what it is, IMO. The 70s are great too, no argument with 72 or 77 or whatever your fave year is. The 80s were spottier. As I mentioned, both my shows were from the 80s, and one was great. I would love to see that Syracuse show released officially (there's a pretty good soundboard on the archive, and it holds up.) The 1987 show was dire. "Touch of Gray" to start off, downhill after that. I remember standing there in the sun (it was a hot afternoon) and just feeling the energy vanish out of the crowd. Seriously, they never got it back. Even Charlie Miller can't make it sound good, though props to him for trying: https://archive.org/details/gd1987-07-04.sbd.miller.101650.flac16/gd87-… 2. Brent or no Brent... Ahh, I'd have to say no Brent. He was a good backup vocalist when he wasn't overdoing it. And he could be a great keyboard player. But I never liked his songs much ("Gentlemen, Start Your Engines" ? "Hey Pocky Way" ? Seriously? "Tons of Steel" is just flat dull.) And whoever said that he sang like a Bob Seger wannabe was exactly right. That said, there are some good late-era recordings out there that I keep revisiting. DP 17, and Crimson White and Indigo both come to mind. I agree with Spacebrother that we need more variety in the Dave's selections. (Although I must admit too that I haven't bought the RFK box. I just don't have the cash and the songs I've samples aren't compelling enough... Sue me. Don't have the July 78 box yet either, that's next on the list.) Anyway -- I think I have rattled on LONG ENOUGH. Geez, it's taken me an hour to write this... All while listening to RT 4.4, the 1982 Centrum show that someone mentioned recently... Great show. Thanks everybody. I'm off to sign the 6/23/73 RFK petition now.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Can't seem to find a good image of the CD cover for 3/26/90 from the first Spring '90 box. Anybody got any, or links to them?
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....on Mac Sabbath's website of all places. (kidding. no I don't)....
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I've never seen a bad trip portrayed so realistically on stage. Pure genius.
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3/27/89 3/27/91 3/27/94 and 3/27/95 I would like to be released not just because I'm biased and they are birthday date shows but also I think they are very well played shows for their eras. thanks to someone for getting me these tapes. if you're reading this you know who you are. it was a great birthday
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I thought they were hilarious too.. I was half tempted to see them just to experience the absurd oddity of it all. ...then there is Little Ozzy, sort of like honey..., I shrunk the Rock Star or what happens if you mix brown acid or PCP with Ozzfest. Again.. Dave.. we're begging you. Package something up and make a video. One of the laryngitis shows, Boreal Ridge 85.. just make the announcement, and quick!
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Buffalo Killers(Hey Girl & Blood On Your Hands) & The Sheepdogs(I Don't Get By & I Don't Know).Bands worth your attention. :o)
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Statesboro Blues-The Allman Brothers Band "Wake up momma, turn your lamp down low; Wake up momma, turn your lamp down low. You got no nerve baby, to turn Uncle John from your door." ___________________________________________________________ "Uncle John" you say...interesting. Why is Uncle capitalized? Does anyone know the story/reason behind this?
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03/28/73Springfield Civic Center - Springfield, MA Set 1: Cumberland Blues Here Comes Sunshine Mexicali Blues Wave That Flag Beat It On Down The Line Loser Jack Straw Box Of Rain They Love Each Other El Paso Row Jimmy Around And Around Brown-Eyed Women You Ain't Woman Enough Looks Like Rain China Cat Sunflower I Know You Rider Set 2: Promised Land Loose Lucy Big River Mississippi Half-Step Me And My Uncle Don't Ease Me In The Race Is On Stella Blue WRS Prelude Dark Star Eyes Of The World Playin' In The Band Encore: Johnny B. Goode
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March 28:Disc Two First Set: "Truckin'" (Hunter, Jerry Garcia, Phil Lesh, Weir) – 9:49 "Tennessee Jed" (Hunter, Garcia) – 7:45 "Chinatown Shuffle" (Pigpen) – 3:10 "Black-Throated Wind" (John Barlow, Weir) – 6:48 "You Win Again" (Hank Williams) – 5:09 "Mr. Charlie" (Hunter, Pigpen) – 5:02 "Mexicali Blues" (Barlow, Weir) – 4:37 "Brokedown Palace" (Hunter, Garcia) – 6:13 "Next Time You See Me" (Frank Forest, William G. Harvey) – 4:52 "Cumberland Blues" (Hunter, Garcia, Lesh) – 6:09 Disc Three "Looks Like Rain" (Barlow, Weir) – 8:06 "Big Railroad Blues" (Noah Lewis) – 4:09 "El Paso" (Marty Robbins) – 5:25 "China Cat Sunflower" (Hunter, Garcia) – 5:05 > "I Know You Rider" (traditional, arr. Grateful Dead) – 6:27 "Casey Jones" (Hunter, Garcia) – 6:43 Second Set: "Playing in the Band" (Hunter, Hart, Weir) – 13:56 "Sugaree" (Hunter, Garcia) – 7:36 "The Stranger (Two Souls in Communion)" (Pigpen) – 8:58 Disc Four "Sugar Magnolia" (Hunter, Weir) – 6:55 > "The Other One" (Bill Kreutzmann, Weir) – 28:16 "It Hurts Me Too" (Elmore James) – 9:23 "Not Fade Away" (Buddy Holly, Norman Petty) – 5:26 > "Goin' Down the Road Feelin' Bad" (trad., arr. Grateful Dead) – 8:20 > "Not Fade Away" (Holly, Petty) – 3:35 Encore: "The Sidewalks of New York" (James W. Blake, Charles B. Lawlor) – 1:10 > "One More Saturday Night" (Weir) – 4:43
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March 28, 1969http://gratefuldeadoftheday.com/03-28-1969 Modesto Junior College Student Center Modesto, California This is another show from Spring of 1969 where the Dead deliver every single night. And this show from Modesto Junior College is as good as any of them. The tape cuts into a raging Schoolgirl, which Pig struts through in full-on bad-ass form. After Pig gives a quick “thank you” at the end, the band completely switches gears, rolling out a fantastic Dark Star. It is marvelous from the start, but the last half - as Jerry drives forward with crystalline runs - is sure to raise goosebumps. Problem-laden, but still so good, versions of Stephen and The Eleven follow before a haunting, perfectly rendered Death Don’t Have No Mercy comes forth. Then, Pig asserts control once again, driving a balling Lovelight, which Jerry and the drummers make sublime. The second set is a bit short, made up entirely of an Other One suite that is fairly standard fare - meaning downright incredible - for 1969. Repost Bonanza: Grateful Dead – Modesto, CA (03/28/69) gd69-03-28-Student-Center Grateful Dead March 28, 1969 Student Center, Modesto Jr. College Modesto, CA Download: FLAC/MP3 https://themidnightcafe.org/2017/09/11/repost-bonanza-grateful-dead-mod… Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 11, 2007 Patch Info: SBD -> Cassette Master -> Dat -> CD supplies The Eleven (5:54 – 6:09) All of Set 2 Notes: — Disc change is seamless — Thanks to Rob Bertrando for the patch source — The start of Schoolgirl is clipped, not too much is missing –Set 1– 101-d1t01 – //Good Morning Little Schoolgirl 102-d1t02 – Dark Star -> 103-d1t03 – St. Stephen -> 104-d1t04 – The Eleven -> 105-d1t05 – Death Don’t Have No Mercy 106-d2t01 – Turn On Your Lovelight –Set 2– 201-d2t02 – Cryptical Envelopment -> 202-d2t03 – Drums -> 203-d2t04 – The Other One -> 204-d2t05 – Cryptical Envelopment
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Shows up at a conference. He heads over to the reception table to check in. "Hi, name's Onomatopoeia." "Yes, and how do you spell that?" "Just like it sounds."
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I used to hear this song many years ago as a young boy and I didn't know the tile until decades later when David Lemieux and crew selected the 3/28/72 Academy of Music in New York show to be Dick's Picks 30 in 2003. This show includes a segment of Sidewalks as tune-up for the encore of One More Saturday Night. Here is the original 1928 recording: https://www.youtube.com/watch?v=5mhi4_CjgdA Only 90 years ago. I thank Dave Lemieux & crew AND Deadhead and 1971 advocate, forensicdoceleven for turning me on again to this little ditty. Doc sent me 3/28/72 about a year ago as it was in circulation before it was released as Dick's 30.
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Thanks BCE'd, for adding some context to that historical ditty. The amazing thing is.. with what little they played of that song and without vocals, it's amazing anyone figured out what song it was. I had never heard of it. One of the things that I really like about the Grateful Dead is the respect they pay to traditional and roots music. Influences include Harry Smith's Anthology of American Music, Cannon Jug Stompers, Obray Ramsey, John and Allan Lomax, Bonnie Dobson, Dixie Cups, Rev. Gary Davis, Woodie Guthrie and the like.. just to name a few. The songs themselves are every bit as important as the skill in which they are played. Obscure and interesting. Thanks for giving us something to talk about.. a big step up from farm animals.
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A huge thanks to Thin for provoking me enough to get my ass out last night and experience some great local music with the B3 Kings. Not to mention another in-person meetup with a local Head. Who knew we were everywhere? I mean, besides Us? It was a great time, and the music was super slinky and solid. Well worth the time and company. Just makes me wonder on a geographical Plot, where we'd all be and how surprised the results would look once we realize we're all right in our own backyards. The Spirit lives on. Sixtus
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Farm animals?Mr. Ed probably could have been a Dead Head if younger, more hip writers and directors took control of that show, AND of course the series lasted much longer, or a later, late 70's early 80's, revival or the series took place. I remember your psychedelic lawn tractor from a while ago. If I recall correctly. (IIRC)
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Yes.. I thought I'd bring back the original wayback machine 1.0 with the controls set to 2/14/68.
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Thanks for the memory jog and listing the contents of Dick's Picks 30.
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when you look at it when you're chewing on life's gristle don't grumble, give a whistle
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It was great to finally meet someone on the other end of this board. As Sixtus said, we connected last night to see the B3 Kings in Cambridge at the Plough and Stars - great show and great company. Not the last time, I hope. The spirit of Saunders/Garcia is alive and well with the B3 Kings! They don't do any of their material, but the same vibe. Like walking into the Keystone in Berkeley in '75 and sitting right in front - crazy.
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Thanks for the link. I had bookmarked his old page for the cover scans, but for some reason wasn't able to download scans from it for a couple of years. I now can download them from his updated page. Thanks again.
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As old as civilization itself. https://en.wikipedia.org/wiki/Libation Will pour out a dram to honor Gran this evening. Will have Laird's Straight Apple Brandy; from the first licensed distillery in the US. Only the finest, I think she'll approve. So sorry for your family's loss. "May the four winds blow you safely home."
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From the Crossing Jordan soundtrack album Richard Thompson
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I saw several nods to DP 30 in the comments. I just bought this on eBay. I passed on the original release and I missed the Real Gone reissue. When it first came out I passed on it because I thought it was more about the novelty of the Bo Diiddley guest appearance and some of the other seldom played tunes from the first disc. Of course I was wrong. So as this is the case, when my copy arrives in the mail, it will be the first time that I will get to hear this release. I am pretty excited about it. Since I do have DaP 14, and I have the elusive Rockin the Rhein bonus disc, I have a way better context and appreciation for this run of shows. Well, I think I am understating that as I have more of a minor an obsession. I have been able to locate the DaP 14 bonus disc for a reasonable price (should have subscribed) so I may snag that to get more from this run. I know 1972 is well represented in the release category but I hope that they get around to releasing another complete show from this run some time in the future.
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....as you will soon find out Gratefulhan, his guest appearance was more than just a novelty. He fit right in....
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Just listened to that disc this past weekend.Very fine.
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Jim pulled the John Deere out of the barn.
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I go back and forth on this run.. Perhaps it's fair to say it's a prefix to E72. It has it's moments.. 3/23 is first class, the Caution>Jam>UJB from 3/22 is very nice, there's some Pedal Steel, a nice Smokestack, a couple really nice Other Ones.. I really enjoy listening to these shows but both sets don't congeal into the monumental full show experiences like they did across the pond. A lot of the songs really developed on that tour too (thinking Playing In the Band, China>Riders and the song structure and inventiveness in the second sets). Still two big thumbs up, but perhaps overshadowed by the earthquakes (and stellar recordings) that followed. I hope that's fair to say.. still, I am curious how they will sound with a fresh listen. It's been a while. What a momentous year. Edit: Yea.. spring is in the air.. I always liked that lawn mower.
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My problem with these releases is the sound quality. To my ear they have a hard dry edge to them. It's not extreme, just enough to keep them on the shelf more than other 72 releases. And let's face it, 1972 is a very competitive year when it comes to official releases.
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Yeah, for me it is the sound quality that is the problem. If the recordings had the same sound as E72, they should have been included in the E72 box, I think. The jamming is really of the same caliber to my ears. The E72 tour really started in the USA!
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That was really a touching vid, you would have thought the old guy was hearing Fire. In the beginning moments you would have thought the sound of fire had cured him the way he threw his walking sticks away. Unfortunately, he took the brown acid at Woodstock, this was him today. Sad but true. But he still had his groove!
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Before they start playing Sidewalks, Jerry is picking, "Give My Regards to Broadway". Also by the end of Sidewalks, I think they slipped in a little "Daisy". (daisy, daisy, give me your answer true), I thought I heard a little of the "..but you'll look sweet, up on the seat"
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Dave's Picks arrive at our doors on February 1, May 1, August 1 and November 1 give or take a few days. The seaside chat for DaP 22 was on April 14, 2017
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Double Derp. My bad. Carry on...just gettin' antsy.
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Grateful Dead Live at Ice Palace on 1969-03-29by Grateful Dead https://archive.org/details/gd1969-03-29.141435.sbd.dalton.miller.clugs… Publication date 1969-03-29 Topics Soundboard, Tim Dalton, Scott Clugston, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Morning Dew, Good Morning Little School Girl, Doin' That Rag, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light Notes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Uli Teute, Rich Petlock and taperchuck for the soundboard source which supplies a 6:00 patch in "Dark Star" - "The next tune we're going to do is something we wrote especially for the Ice Palace here in Las Vegas. We wrote it this morning." Mastered by Scott Clugston 3/13/2018
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Grateful Dead Live at Carousel Ballroom on 1968-03-29by Grateful Dead https://archive.org/details/gd1968-03-29.sbd.miller.108993.flac16 Publication date 1968-03-29 (check for other copies) Topics Soundboard, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Good Morning Little Schoolgirl Death Don't Have No Mercy Sitting On Top Of The World Dark Star Morning Dew Turn On Your Lovelight -> That's It For The Other One -> New Potato Caboose -> Born Cross Eyed// Other artist(s): Chuck Berry; Curly Cook's Hurdy-Gurdy Band Identifier gd1968-03-29.sbd.miller.108993.flac16 Lineage Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC Location San Francisco, CA Run time 61:24.10 Source SBD -> (4 Track) Master Reels -> Dat (44.1k) Transferred by Charlie Miller Type sound Venue Carousel Ballroom Year 1968 Check out the poster http://www.deadlists.com/posters/1960s/19680329.html
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Agree with all of the AOM comments. Feels like a warm up set of shows. Doesn't congeal. Audio not quite as good as other '72. Yet I have a friend who absolutely swears by it. AOM this, AOM that. They should have released the whole run as a box, etc. I don't get the appeal, considering everything else available from 1972, but I'm intrigued by my friend's preference toward this run, so I keep trying it. For me, I like the RTR bonus CD and parts of DP 30 and DaP 14, but for the most part, it stays on the shelf. The lone Dark Star is one of my favorites. Strange they only did onevin seven days, considering they played it every other night in Europe. Are You Lonely and the Bo Didley songs are nice. Pair of nice Wharf Rats on DaP 14. Always enjoy Brokedown Palace. One of only two Smokestack Lightning's with Keith. And there's Jerry's magic twanger.
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