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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • SPACEBROTHER
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    Maine Dave
    Stay warm brother. Winter doesn't seem to want to let go of it's grips yet up here in the Great lakes region, but we were spared any serious snowfall this year. You guys get it pretty bad up there. I don't have all of the "Download Series" releases, but do have Vol. 5. Highly recomended. Lots of energy, a few rarities and a monster 2nd set. Vol. 7 I don't have yet, should probably get it. Vol. 9 is good. Two shows for the price of one, and the first night (4/2/89) in particular has some nice highlights. The Shakedown Street is worth the price of admission alone. For Vol. 11, from Pine Knob, is from two show run I attended. Between the odd song placements in the second set (for the era), the Birdsong and the Scarlet>Fire, it's really good. If you get this one, I suggest listening to the Drums>Space>Wheel with headphones on or between a set of speakers. I think this is a show where Mickey was karate kicking the Beam. I wish they would have included the "Victim" that preceded Scarlet>Fire. It could have been the jam in between Victim and Scarlet where Micket went crazy kicking the beam. A good way to test how much a set of speakers can handle. I've only recently gotten over my fears of purchasing digital downloads, so will eventually get the rest. There's still a few holes in my collection, but I'm slowly catching up. I did regrettably miss out on the one Road Trips Full Show download of 11/5-6/79, that has since been pulled. Wouldn't mind getting that one.
  • jrf68@hotmail.com
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    Maine Dave
    Check your PM.
  • daverock
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    Spacebrother
    Good summing up of 30 Trips. I am definitely going to give those November 1980 shows you mentioned another listen. After March 14th 1990, of course.
  • Maine Dave
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    This is why I love this site
    Thanks so much for your responses everyone. Not that my decision has been made even a little bit easier, lol. Spacebrother, a special shout out to you for your enthusiasm... I appreciate the time it must have taken to give me both your lengthy responses. BTW, I know you lobby a lot for '80s and '90s releases. A few in the Download Series fit that description (#s 5, 7, 9, 11). I don't have any of those yet. Are there any that you're especially keen on? Cheers everybody. Lots of snow here in New England. Hops everyone is staying warm & dry...
  • SPACEBROTHER
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    TTATS audience patch
    It's actually the '81 show with the big second set patch. The '83 show is all soundboard. Lots of alternate source patches on the '70 show as well. The '82 selection is a solid "B+" recording of an "A-" show in my opinion. The source tape isn't quite as crispy as, say the '82 Greek run, but still pretty good. After my ears adjusted to the fidelity of the Manor Downs recording, I found it to be an enjoyable listen. I find that with the E'72 box, from the time it first came out, there is so much music there that too this day I still haven't spent a lot of time on any one particular show. All great perfromances and recordings, yet an overload of information. I tend to pull that set out on the anniversary dates, so by the next day or so, I'm already onto the next show. This set certainly deserves an "in-depth" analysis. Some people here have broken down ceratin aspects, like the various Dark Stars and Other Ones. I don't you'll find much, if any dissatisfaction with this set, except for maybe some of the mixing decisions where some thought it felt rushed. The only "off" thing I can recall from the set is that 4/11/72 Newcastle, Jerry's guitar sounds a little more distorted than the two Wembly shows that preceded it and the rest of the shows afterwards. Something like a blown tube sound, that seemed to be fixed by the next show. The slight muddiness of his guitar tone doesn't detract from the overall enjoyment of listening to it though. There will always be an occasional glitch when an entire tour is released, even during their best tours. Speaking of anniversaries, March 14th is tomorrow. Time to break out 3/14/90 Cap Center from Spring '90 (TOO). If you don't have these two boxes yet and have the spare money, you won't be disappointed. Like E'72 and May '77, every show is epic.
  • SPACEBROTHER
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    TTATS
    I think it's a great box and well worth having because of the following... 11/10/67 Shrine Auditorium - Multi-track recording with some source material used for anthem of the Sun 10/20/68 Greek Theater - It's the Greek Theater and with Pigpen. A must have. 10/22/69 Dream Bowl - shows the preceded the famous FW'69 run. If you like Live Dead, you'll like this. 9/24/72 Palace Theater - Great show from a great tour in a great year. Another must have. 9/18/74 Parc Des Expositions - They seemed to really deleiver on the few occasions they played in France. 9/28/75 Golden Gate Park - A little rough around the edges, but a must have none-the-less. 10/27/79 Cape Cod - One of the "all-time" must have shows. The second set is a monster. 11/28/80 Lakeland Civic Center - A great run of shows, including 11/30/80 Fox Theater (one of the very best Dave's Picks and one of the fastest to sell out) and the often requested 11/29/80 Gainesville. I would place this run in the same caliber as 5/7-9/77 for the trifecta. Just awesome. Absolutely must have. 11/21/83 The Centrum - prior to it's release, I never heard this show. Now it's one of my favorites. 11/12/84 Augusta - An absolutely must have show. Right out of the gate, Feel Like A Stranger will have you grinning from ear to ear. Gotta have it. 6/24/85 Riverbend Music Center - A monster second set. The "Comes a Time" and "Wharf Rat" and Cryptical sandwich are very nice. 9/18/87 MSG - One of the all time great Morning Dews. A must have show. 7/3/88 Oxford Plains Speedway - Awesome first set, and awesome second set. This would probably see a lot of time in your CD player. Perfect summertime music. Possibly a definitve Hell In A Bucket. Jerry is just killing it in this show. Absolute must have. 10/26/89 Miami - A multi-track recording of one of the more heavily requested '89 shows. If you like the '89 Warlocks box (10/8-9/89), Nightfall of Diamonds (10/16/89) the two Spring '90 boxes and Without a Net, this is up there with the very best of this era. Every deadhead MUST have this one. A wicked awesome second set. 10/27/90 Le Zénith - Another example of the band playing a great show in France. I've neglected a lot of the Europe '90 fall tour shows, and this one really piqued my interest. I like it. 9/10/91 MSG - One of those shows that should have been released in wide cirulation. Much like the run from the FW '69 box, why they made this limited edition makes no sense. I don't care what someones favorite era is...if they don't have this in their collection, they need to get it. Possibly the biggest "must have" of the entire box. 3/20/92 Copps Coliseum - Probably definitive for a '92 show. I attended this one, so the incentive for me to obtain this was pretty high. It's not to say that the shows from '66, '70, '71, '73, '76-'78, '81, '82, '86 and '93-'95 are in any way bad. They are all great as well. For me, as someone who likes to venture into every era of the Dead, 30 Trips was the perfect release for varieties sake. If you're a big fan of all era's, like I am, you'll love it. If you hate everything they played after the Keith & Donna era, not so much. I would say get it if you can afford it. So much to discover. I was listening to a couple of these shows recently from my buddies USB version of this set, and now I kind of wish I would have went that route over the CD set.
  • daverock
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    E72
    I missed out on FW69, but I did get E72, and I would say its my favourite Dead release. Incredibly, every show is essential. True, there is a uniformity of sound, and a finite number of songs are played, which do crop up again and again. But the actual playing means that they are never boring or mundane. While the first sets are good, the second sets are out of this world-the energy and jamming! There is no other band in so called "rock music" that can improvise as effectively as this. I suppose it depends on whether you like the signature sound of the year or not, so, as AJS says, the best bet is probably to buy a few 72 shows first to see if you like them. Funnily enough, I was never that crazy about the triple album "Europe 72". I liked sides 5 and 6, and the China Cat-Rider, but overall, I was a bit underwhelmed.
  • Cousins Of The…
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    Maine: TTATS
    In my opinion, this box is uneven; some shows are truly great, while others are just average.The ones I listen to the most: 1967 through 1970, 1973, 1974, 1975, 1976, 1977, 1979, 1984, 1990, 1991, 1992, 1993(yes, I actually like the 90s better than the late 80s...) 1971 & 1972 are disappointing, considering other shows from that year. 1982 is kinda' hissy, 1980 kinda' muddy, compared to what's on the Archive, 1983 is a good show, but post-drums is from an audience source. $1200 is a lot of money, you could wait for an auction instead of a Buy It Now, you should be able to get it under $900.
  • LoveJerry
    Joined:
    30 Trips
    I didn't want to miss out on this box, because it was the first one that was available since I became a dead head. However I was not interested in anything after Keith and Donna. So I bought it and then sold the leftovers, which worked out to be 17 shows. So if you want some but not all that's one way to go about it. I paid about 200 bucks for Dave's Picks Volume 4, William & Mary, September 1976. The audio on here is probably the worst of any non 1974 70s release. I'm not complaining, I bring it to light because I wonder how this came to be, when I consider every other show from this time. Is a magnificent Betty Board. In fact it's not even in stereo. When I hit the mono button nothing changes. Does anyone know what happened with this one?
  • gdgray
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    E72 & TTATS..... worth it?
    I bought both of these sets and still listening to shows. My favorite show seems to be the last one I listen to. Yeah I know that's a lot of money. But I do the same thing with Miles and Dylan, just got to have them. Buy what you can live with to the extend to avoid the purchase creating internal issues. Freud said if you suppress your natural desires , they become unnatural. Got back into Vinyl recently and bought DP 8 on vinyl sounds really good.Only issue had damaged disc and took four emails before someone at Brookvale got back to me. Waiting two weeks for replacement disc.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Bearing in mind that when I saw the Doors at the Isle of Wight Festival was almost 50 years ago and at was considered to be one of the largest gatherings of humankind ever - and I was perched on a hillside so far away that I could listen but not see the bands (I would have needed the visual resolution of an eagle), I can honestly say I have absolutely no idea if their sound was thin. I do know that I was never particularly impressed by their mixture of sounds - both Krieger and Manzarek were idiosyncratic players and I considered Morrison to be an asshole. If my memory serves me well, not a word was spoken between songs during their set which did not help to endear me to them. Not a high point in my musical experiences.
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That is so funny. Yes 50 years will minimize a memory along with the actual physical distance experienced at that time will, likewise, negatively affect the enjoyment of it all. It is funny that there was an absence of band to audience communication from the band during that performance because The Doors Absolutely Live is resplendent with Morrison's funny and provocative comments. Jim did get a bad reputation at that time for too many things. When I read about some of the things he did then I can see why he was thought of as an asshole. When you read about, say, The Who's performances at that time and then catch The Doors on a Jim is too drunk night it is easy to understand why they would be a big disappointment. I would want a refund.
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As I said, it was a long time ago but I do seem to remember a total absence of stage banter. However, it seems that clarification is possible - Mr.Dc and jrf68 have both posted that the Isle of Wight performance is available to download. A quick listen should reveal the truth. As for drunken performances I have witnessed, The Kinks' shambolic, drunken "performance" at the Bickershaw Festival (Europe '72!) will forever top my list. "Banana boat song" anyone? Good to see a video of Captain Beefheart on here. His Bickershaw performance, unlike that of the Kinks, was one of the most amazing musical experiences it has been my good fortune to witness.
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....shame that Jim was drunk off his ass most of the time. Still. Dude could sing. And yell. And screech with the best of them. Cutting edge for the time. As far as him being an asshole. Don't know. Never met him. The old get old and the young get stronger.... your ballroom days are over baby. Example of Jim's voice https://youtu.be/BRX5NGG8MBI One of my favorite Doors songs.... psychedelic lounge music
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I've been so blessed with friends and past girlfriends who have shaped so much of me and my life. One older friend was a fixture on the Hollywood scene in the mid-to-late 60s and swears Morrison was such an obnoxious prick in public most of the time, doing whatever it took to assure he was the center of attention whether it be good or bad. Upstaging other bands on stage from the first rows, drunk, etc. No matter. The guy was obviously one of those too bright fireballs streaking across the sky, gracing us with his presence and his art like a Scott Weiland, Cobain, Jimi Hendrix, etc. Some set of balls on that 27 club - whoa. \m/
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I've never heard anything sloppy by them. The fact of the matter is they don't have many live albums, and the ones they do have don't sound thin. Curious what you heard MrDC? I woulld guess that the live Who everyone is touting here may include the following releases: Live At Leeds Live At Hull Live At The Isle Of Wight 1970 Live At The Young Vic The Kids Are Alright Movie Soundtrack A View From A Back Stage Pass And then there were some bonus tracks here and there. Most of the albums I mentioned were released way after their original breakup in '82. I wouldn't count anything they did without Moon in a discussion of the Who's renowned live repertoire. I suspect Mr DC, you may have heard Who's Last (this DOES sound thin, but it's post-Moon). Or any number of shows that were released long after Moon's passing.
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I believe that when The Doors played Isle Wight Jim was facing prison time in the U.S. and wasn’t really in good spirits (according to a documentary whose name I don’t currently remember, but has been played a few times recently on MTV Live).
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....but if some other wild child says they met such subject, and I haven't, I take it with a grain of salt. Call me strange, but I don't judge unless I've met the one being judged. People Are Strange indeed....edit. Morrison faced such accusations because he didn't pull punches. A person of his mentality would be slammed hard in this day and age. A Rider On The Storm..... Then again. Who's Next. Athena.
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Of those I have only heard Leeds and the Isle of Wight, definitely going to check those others out. I'd agree that the who's live recordings don't sound thin (maybe some vocals do), but the few I have listened to did seem quite jarring/harsh on the ears. I guess my sloppy comment is subjective, one mans jarring slopfest is anothers high energy power spectacle. Another thing to consider is that I really enjoy alot of their studio recordings so hearing them try to just replicate those with more energy/distortion doesn't really do much for me. As I stated some may like that rawer punk sound for their Who music even more, and that's understandable. I'm not opposed to heavy music or even poor sounding recordings (of which there are many examples of both that I love), but I'll personally take this: https://www.youtube.com/watch?v=ah66Jji74Tk over this: https://www.youtube.com/watch?v=vHpdcMXJj7Q any day.
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"Fiddle About" ewww...fucking gross man. also 4/9/91 Orlando Arena: really like phil's sound on this one. probly the most I like about early 90's is phil's bass sound. <3
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Ray Charles version... If you can listen to this and not get teary eyed, there is something wrong with you. Has anybody here seen my old friend Abraham? Can you tell me where he's gone? He freed a lot of people, But the good they die young, 'Cause I looked around one day, and the man was gone, what a shame, he was gone. Listen...anybody here seen my old friend Martin? Can you tell me where the man gone? He freed a lot of people, But it seems the good die young, I turned my head one day and the man was gone, he was gone. Didn't you love the things that they stood for? Didn't they try to find some good for you and me? And we'll be free...someday soon, it's gonna be one day. Has anybody here seen my old friend John? Ooohh...can you tell me where he's gone? He freed a lot of people, But it seems the good die young, Cause I turned around one day and the man was gone, just like that, he was gone. Did you love the things they stood for. Did they try to find some good for you and me And we'll be free, someday soon, it's gonna be one day... Has anybody here seen my old friend Bobby? Can you tell me where he's gone? I thought I saw him walkin' Up over the hill, With ol' man Abraham, and I believe I saw Martin, and his brother John...
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I prefer the Dion DiMucci recording. I get teary-eyed with just about anyone's recording/performance of this highly emotional song. https://www.youtube.com/watch?v=rDOmf5ER0-M "Abraham, Martin and John" is a 1968 song written by Dick Holler and first recorded by "Dion" DiMucci. It is a tribute to the memory of four assassinated Americans, all icons of social change, namely Abraham Lincoln, Martin Luther King, Jr., John F. Kennedy and Robert F. Kennedy. It was written in response to the assassinations of King and the younger Kennedy in April and June 1968. Dion's recording was released in August 1968 by Laurie Records. I think that this song would have worked very well for Jerry Garcia and almost as well for the Grateful Dead.
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I'm partial to Ray Charles, but the sentiment remains the same... I guess I am a bit biased, because Ray decided to release this track, along with other relevant songs in light of the 9/11 attacks, on his "Ray Charles Sings For America" CD, which really hit home for me, as I was still breathing in the aftermath of that day for many months after, and Ray was telling me it was OK to be a NYer and stay...
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Keep your California....it ain't got no Harlem Honky Tonk... 'Cause I been all these places, and I know ;)
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Beautiful recordings by Ray Charles. As chance would have it, the last track I listened to last night-well-the early hours of the morning-was by Ray Charles. I had the television on with the sound down, listening to a cd, and he suddenly he appeared on the screen. I hastily turned the cd sound down and the tv sound up. It was a film called "Ballad in Blue" from 1964, and Ray was singing and playing Let The Good Times Roll. Great stuff.
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I never saw The Doors live, but I used to love the first three albums when I was a teenager. They seemed to capture a mood that appealed to me, and I liked following up references that were made as supposed influences on Jims lyrics. Consequently, I started reading poems by William Blake, and dipped into Thus Spake Zarathustra by Nietzsche. I shamelessly over reached myself, I'll admit it. But The Doors seemed to go off after Waiting For The Sun. Apparently the first three were, in the main, composed during 1965, when Morrison was reportedly taking massive doses of acid on a regular basis. By the time the Doors became famous, he seems to have switched from acid to alcohol, and the well of inspiration seemed to have run dry. I get the impression that live, the main interest wasn't really musical, it was down to the charisma of Morrison. Which again, seemed to disappear in a puff of smoke quite early on.
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Nice examples Mr DC, I get it now. That's cool, thanks for clarifying. The Who (to me) is one of the few bands who are an entirely different beast live than they are in the studio, and I like both. Usually with the bands I listen to, the live performances either sound the same or much better than the studio. I can't think of anyone else whose live sound is as much a departure from the studio as the Who, yet still every bit as good. Music is great. Maybe an announcement today.
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LOVE IT! Finally away from the redundant and trite skeletons. Bright and colorful... upbeat.....
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10 years 3 months
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I like the Doors, but never took the deep dive. I think I put on The Soft Parade once and it didn't grab me. Beyond that I think Peace Frog / Blue Sunday and Hyacinth House are the only songs I know that aren't on the Doors Greatest Hits. I'll tell you what though, they were a lot of fun in college in the 90s, since the Oliver Stone movie came out. They had a huge resurgence in popularity, and the weed scene was nice in Maryland, so it was a great time. Lots of Doors covers bands hitting the local college bars. I remember being stoned and listening to this cover band play The End, and it was pure bliss. The Flying Club was the bar. heh. We lived in a house off campus, and one of the dudes living with me had Morrison Hotel, so Peace Frog kicked off a lot of drinking escapades. I can't say much about the quality of the older Doors records versus their later ones, except to say that L.A. Woman had some great songs that I consider among their best (Hyacinth House, L.A. Woman, Riders On The Storm, and Love Her Madly). Double Amen for an announcement today. Time it is.
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I wonder if they'll do something similar with the upcoming box set. If it's a set they anticipate selling out within a day or two (like GSTL) I think it would be cool to give us a heads up of not so much what it is, but when it is so we don't have to refresh this site or our email every two min. Would be a shame to be on vacation or otherwise unplugged for a day or so and miss out! On another note, I love the new DaP cover art!
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I wonder if they'll do something similar with the upcoming box set. If it's a set they anticipate selling out within a day or two (like GSTL) I think it would be cool to give us a heads up of not so much what it is, but when it is so we don't have to refresh this site or our email every two min. Would be a shame to be on vacation or otherwise unplugged for a day or so and miss out! On another note, I love the new DaP cover art!
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Yes, I like this cover- a nice move away from the dying hues of Dap 25.
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Seems like the best art lately has been on the singles series. Even though I don't have a turntable, I almost bought some singles just for the covers.
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Regarding not being judgmental towards Morrison you have a point. For example if we saw some guy having an angry out burst moment which seemed inappropriate we might say "what an asshole." However, that same person might have been truly nice most of the other time -- so we should factor that in. They say in the news business "if it bleeds, it leads." There is no Good News Channel except for the prayer portion of The 700 club. With, say, a Morrison/Doors bio like No One Here Gets Out Alive we get a lot of the most sensational and outrageous moment in JimBos life which paints a picture as if that is the norm. Yet I have read stories of Jim being quite nice and kind to others too. He was offered big buck$$$ to leave The Doors and go solo, but, he did not want to dump and screw over his bandmates. Perhaps he knew better too that it would be laughable, probably, and the critics would destroy a solo attempt but he had loyalty too. That is a good thing. I do recommend The Doors Absolutely Live which also got re released with other live tracks as The Doors Live. Solid playing with Jim in fine, and, sober, form. He is quite witty at times in his stage banter -- a little self-deprecating sarcastic comments alluding to his trials and tribulations which were head line news at that time. I do recommend, likewise, delving deeper into their lesser known tracks because there are gems in there too. As already mentioned Peace Frog is a killer cut with a killer riff from Robbie and some self autobiographical lyrics from Jim referencing both his past and present. Val Kilmer did a great work in the Oliver Stone film. A late 71 Dave's which is an early Keith G show should be another stellar release. Thanks Dave! Now onto a new cool box.
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I agree with your comments on Jim Morrison. Having spent most of my working life with people who had drug/alcohol problems, I would say that, on the whole, they were far nicer than those I have met without such problems. They were far better than they thought they were. And have become more missed than they expected to be.
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This Is a good idea , now we know the exact time and date to be there at our computers,or have the cell phones on. I like the balloons on cover, but in a part of the cover are the exact same colors from the last Daves pick. I hope they have their computers and servers tuned up. I read that they were going to be releasing a couple thousand of xtra Daves picks for each release this year, Let's enjoy, Jim
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16 years 7 months
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"Finally away from the redundant and trite skeletons." Thin: How much do you want to bet that there is a bearded skeleton manning one of those balloons!
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Great art!I believe that the balloons represent the Albuquerque International Balloon Fiesta which started April 8, 1972. The event was probably in it's early planning stages as of November 1971. Yes, bearded skeletons are here, and Jerry Garcia, in miniature, is standing on your left shoulder as you read this.
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I have not visited here in quite a while. Outside of dealing with this never ending winter I have done my best to revisit Spring 90 shows on their anniversary dates. I have now shifted to attempt to listen to every Europe 72 show on their respective anniversary dates. 4/7 is a great start to the tour but 4/8 is just ridiculous. That Dark Star.... Tracking back on the Doors comments. Thin? They were not exactly a jam band with only 3 members plus a vocalist. Perhaps today they kind of simply blend in cause we have 50 years of Rock to draw from. But they were truly revolutionary. The many live videos I have seen are incredible. They were Rock, avant garde, poetry, whatever you want to call it. I particularly like the sometimes eerie keyboard tones as well as the very jazz like drumming. Perhaps they could have used a rhythm guitarist or bass player but I think they provided the perfect backdrop for Morrison to blow away minds with some of the most clever rock lyrics ever sung or recited as poetry. I guess it's an acquired taste like the Velvet Underground or what not. All I know is my friends and I all discovered the Door's back in the early 80's when we were young teenagers. They seemed radical a good 10 years after Jim died. And we loved it to no end. As far as Morrison possibly being an a-hole, who cares?
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12 years 10 months
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1979 a very cool jam session. Also it's preorder day for volume 26 let the fun begin Deadland.
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I see a couple of images of The 13th Floor Elevators on here. A truly amazing band, who burned all too briefly-but Psychedelic Sounds of.., Easter Everywhere and the few existing live tapes from 1966 show what an incredible band they were. Their first album pre dated Revolver, and stands as one of the first, if not the first, psychedelic rock album.
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17 years 4 months
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....is just exactly perfect. I've been to the balloon festival there and was blown away.(pun intended). edit. Just realized the date. 11.17.71. Third Dave's from 11.17. The other two are a couple of the best of the Picks so far imo....
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Definitely worth a listen if you're in the mood for something psychedelic. Easter Everywhere and Psychedelic Sounds of ... are the ones that I end up playing most frequently.
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17 years 4 months
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I saw The Doors at my high school (!) in the fall of '67. Yes, you read that right. I have the download as proof. They were very good although no talking between tunes but this was pretty early in rock shows. Plus you can hear an announcement before the show by a teacher, saying that if you got up from your seat you would be tossed out! Shows have come quite aways. I love The Who but was always pissed off that most of the shows were the same every tour. They have so much great music to draw from, why would they do that? Pete always said he did not want to be a "greatest hits" kind of band but then he did it!. I saw Roger solo a few years ago and he commented on this, saying it was Pete who did not want to mix it up. Roger did play some deep tracks. The Stones were like this also but they have mixed it up some more as they got older. Look at a Springsteen set list. He will mix up 3 or 4 numbers each night but always in the same song slots and 90% of the show is the same. I guess the GOGD has us spoiled! The only other band who mixes it up consistently as well is Pearl Jam. Saw them two nights in a row. Roughly 65 songs with only 2 repeats, and those were off of the current album of that time. These guys can match the dead for giving you a different show each night. Rock on
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11 years 7 months
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love The Who/Doors dialog as we gear up for 26, we are SO lucky spoiled by having such a deep river of GOGD... Muddy said it (now the blues did birth jazz, right?) "The Blues Had A Baby And They Named It Rock And Roll" All you people, you know the blues got a soul Well this is a story, a story never been told Well you know the blues got pregnant And they named the baby Rock & Roll Muddy Waters said it, you know the blues got a soul James Brown said it, you know the blues got a soul Well the blues had a baby and they named the baby rock & roll Ray Charles said it, you know the blues got a soul John Lee Hooker said it, you know the blues got a soul Well the blues had a baby and they named the baby rock & roll Otis Redding said it, you know the blues got a soul Queen Victoria said it, you know the blues got a soul Well the blues had a baby and they named the baby Rock & Roll
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7 years 9 months
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I always think of Jim when we hit the Morrison Inn in tiny, picturesque Morrison, CO (home of Red Rocks). Great margaritas and good Mexican food. Just want to clarify, regarding the anecdote I shared, I am not shoveling shit on the guy. It was related to me by a person I trust, but, hey, you're right - it was his experience, not mine. I've heard enough stories about Axl Rose, including from his former personal assistant (as well as Scott Weiland) that these guys are all many different people under the hat. As are most of us I suspect. Love the Doors. Can't think of a more charismatic front man. For a while there, he was indeed the shaman. Doors fans, dig this... it's Krieger, Densmore and Manzarek with Flea on bass. They got John Lee Hooker to weave a vocal around Jim's. https://www.youtube.com/watch?v=20fx3SiMIjI \m/
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12 years 3 months
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The cover of Dave's Pick's 26 surely does reference the Albuquerque Balloon Fiesta but the mountains shown in the background do not resemble the Sandia Mountains, which have a very distinctive profile.
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15 years 2 months
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They should be announcing the dates and locations of their annual "Farewell Tour" soon.
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11 years 3 months
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My current favorite listen? Doc & Merle Watson The Boarding House~San Fran. The 1st of Bear's Sonic Journals... :0)
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