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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • Mr.Dc
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    The Who, The Doors, live recordings
    While I haven't listened to very many live shows from the who, I personally have found the few I have to be quite jarring and sloppy sounding. Surprising for a band that played the same songs the same way all the time, right down to the smashing of their instruments every night. They were a great studio band, and probably cool to see in person, but their live recordings are in my opinion, for the die hard fans or those that are looking for a rawer, punk, lofi sound to their favorite who songs which at times can get old from being overplayed on the radio. The Doors live is hit or miss for me, there are definitely shows worth checking out for their performances, setlists, and I have found some great sounding recordings of them. The Isle of Wight recording is one that up until very recently I had always seen at the top of the lists for worst/laziest Doors show, funny how its now being marketed as the last great performance and being hyped up. I actually find the Doors at the Isle of Wight to be a chill show, that while not very memorable is certainly not even close to the worst Doors recording available. Enjoyed that Beefheart video, the Captain was definitely worth seeing live and though the recordings of him are usually very poor sounding, there are more than a few shows out there worth one's time. Also mentioned where the Almond bros and LedZep, both are bands with great live recordings available that are as good or better than their studio work in my opinion.
  • Forensicdoceleven
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    82 deserves some good lovin' too!!
    Yo, rockers!!!! First & foremost, I have not fallen and hit my head. Second, way big thanks to Frank Streeter, Tim Dalton, Charlie Miller, Scott Clugston, and everybody else who has made this possible. Yes, Frank Streeter's excellent tapes from the Summer of 1982 have finally started to circulate widely. Released so far: 7/27/82 7/31/82 8/1/82 8/4/82 (my favorite) 8/8/82 8/10/82 Used to listen to these quite a bit back in the day. Whether you like the 80s or not, these sure sound good!! Time to share. You know where to find me............ Rock on, Doc P.S. You forgot 4/8/71 P.P.S. Excellent copy of 10/10/82 is out as well.......... P.P.P.S. The Who, Boston Garden 4/1/76, 20 rows back, dead center, best rock n roll show I ever saw...............
  • lebowski99
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    Live at Leeds, Fillmore East, The Concorde and a time machine
    2-14-70. Always amazed that Leeds show happened the same day as one of my favorite Dead shows. A time machine could get me to one, but which one? Would have to be Fillmore, but a part of me would always be wondering if I made the right choice. But then I remember the time difference between continents and I imagine I could close out the Leeds show, jump on the Concord to cross the Atlantic and parachute into New York in time for the Cold Rain opener at the Fillmore. (Perhaps inspired by Phil Collins traveling across the pond during Live Aid to drum for Zep??? Never mind the quality of said performance.) Anyway, I think I could make it work. And my mind is somehow eased by not having to make that choice.
  • 80sfan
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    4/8
    Happy 4/8 indeed. 4/8 1971 and 4/8 1972 are two of my favorite shows so will certainly be doing some listening today. I'm in NJ so feeling the pain of an extended winter as well. Been a long cold lonely winter in more ways than one. Thank god for the dead who have been keeping me in good spirits since I was 13. No idea what my life would have been like without them.
  • fourwindsblow
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    Re: Where is spring?
    Yea sometimes it snows but it's just been cold not even a mild day anywhere and they just said below normal temp's for and other week after a brief warm up I take a couple days of above normal temp's before it drops again. It's been a long cold lonely winter. haha p.s. It's been warmer in Alaska than in the northeast. Darn global warming.
  • iGrateful
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    ...Where is Spring?
    Sometimes it snows in April O(+>
  • Gratefulhan
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    The Who and others.
    Hi all, interesting discussion about other bands. Once I got into downloading Dead shows, I eventually found my way into sites that had a treasure trove of bootlegs from everybody. I got some great shows, everything from Floyd to Zappa, even Lou Reed and Derek and The Dominos. I am sure a lot of you are way ahead of me on this. Now I can say I am not well versed in all of these bands live shows, but looking at the British band being mentioned - Floyd Stones, Who, Beatles, and Zeppelin, I think Zeppelin had some jam-improved shows. Now it is true their set lists were almost identical, but Zep seemed to have their own jam launching songs. Dazed and Confused, Whole Lotta Love, Moby Dick (drums) are few. IN later years, No Quarter was a jam vehicle for them. Again this is what I came across, but I may not be so accurate. I believe we have few resident Zeppelin fans who can shed light on this. However I feel like I listened to a lot of these bands live shows, and even when I include the Allmans and Phish, The Grateful Dead are the apex for me. To quote Booby they are "just exactly perfect". You know variety is the spice of life though.
  • fourwindsblow
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    Happy 4/8...Where the He11 is Spring?
    Lotta poor man make a five dollar bill, Keep him happy all the time...Dark Star -> Sugar Magnolia -> Caution (Do Not Stop On Tracks) April 8, 1972, Wembley Empire Pool, London Long distance runner, what you standin' there for... https://archive.org/details/gd1978-04-08.140922.sbd.miller.sirmick.flac… Baby's back all dressed in black. Silver buttons all down her back... https://archive.org/details/gd1985-04-08.sbd.miller.118375.flac16 Put your gold money where your love is baby... https://archive.org/details/gd1989-04-08.sbd.walker-scotton.miller.8351… Wake up to find out... https://archive.org/details/gd1991-04-08.137103.sbd.miller.flac16
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 5 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 10 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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Yeah but I sill love Marcia, Marcia, Marcia!
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 4 months
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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Gotta transport those rockets somehow...
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9 years 2 months
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 11 months
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...are so alive. They pretty much power themselves.
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9 years 10 months
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Daddy's home
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6 years 11 months
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Daddy's drunk. Again.
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9 years 2 months
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Moe’s was having 3-for-1 specials all night long.
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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17 years 5 months
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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6 years 8 months
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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6 years 8 months
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 11 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 8 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 4 months
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Thanks for the help with the Janis folks.:o)
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6 years 8 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 11 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 11 months
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...charade you are.
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10 years 3 months
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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9 years 2 months
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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