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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • David Duryea
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    Academy of Music (3 of 7)
    As stunning as 7 of 9, possibly the best show of the run. March 23, 1972 http://gratefuldeadoftheday.com/03-23-1972 Academy of Music New York, New York DVD audio from the archive https://archive.org/details/gd1972-03-23.sbd.miller.bertha.100298.dvda/… Set One China Cat Sunflower > I Know You Rider ; Black Throated Wind ; Chinatown Shuffle ; Brown Eyed Women ; Beat It On Down The Line ; Cumberland Blues ; Looks Like Rain ; Mr. Charlie ; Tennessee Jed ; El Paso ; You Win Again ; Jack Straw ; Next Time You See Me ; Playing In The Band ; Comes A Time ; Me And Bobby McGee ; Casey Jones Set Two Truckin' ; Ramble On Rose ; Two Souls In Communion ; Mexicali Blues ; Dark Star ; Big Boss Man ; Not Fade Away > Goin' Down The Road Feeling Bad > Not Fade Away Encore Sugar Magnolia Notes: Digitally Remastered using the Bertha Digital Audio Workstation and its proprietary audio and restoration processes. Completed 6/21/2009 by jashley@deadacated.com. Multi harmonic line noise comes in and out throughout this show making the cleanup process more difficult than usual. Trying to remove multi harmonic line noise is nearly impossible and is best left as-is, which is what I did. Unfortunately, the keyboard and Organ are very low in the mix throughout much of the show.
  • David Duryea
    Joined:
    Cow Palace Dick's Picks 24
    Dead of the Day: March 23, 1974http://gratefuldeadoftheday.com/03-23-1974 Cow Palace Daly City, California One look at the setlist, and you know the Dead were up to something. But they were not just playing a massive group of tunes on this day; they also debuted the complete Wall of Sound and brought out the first Cassidy and Scarlet Begonias. What's more, the music itself is phenomenal, particularly once the band settles in. By Black Throated Wind the boys are firing, pulling out a luscious jam halfway through and making it clear the crowd was witnessing something special. As the rest of the show unfolds, magic pulses forth at regular intervals. Billy and Phil are just amazingly on throughout the night, and Jerry adds his usual, which is to say nothing less than amazing, stratospheric guitar riffs throughout. While the scorching beauty that is the Playin> UJB> Morning Dew> UJB> Playin is surely the highlight of the night, there are moments that will glisten your eyeballs, tingle your extremities, and make you downright spacey. The China> Rider, for example, is quintessential Dead perfection with Phil bombing away through the transition and Jerry going all-out on the jams. There is also something quite wonderful about the Weather Report Suite, as it comes as a kind of unexpected treat after the Rider, extending the first set even longer and reinforcing the sense of possibility that is the essence of that tune. But enough; just give it a listen and take in the magnificence of it all.
  • David Duryea
    Joined:
    Kezar 3/23/75
    March 23, 1975http://gratefuldeadoftheday.com/03-23-1975 Kezar Stadium San Francisco, California In the midst of their hiatus, the Dead took to the stage for the first time since the "last" Dead show on October 20, 1974. Despite their farewell, the band had been spending a lot of time in the studio in early 1975, working on Blues for Allah. In fact, they had been working on some of the jams they break out here just a few days prior. The event that got the Dead to return to the stage was a SNACK - Students Need Athletics, Culture, and Kicks - benefit. The Doobie Brothers, Graham Central Station, Mimi Farina, Jefferson Starship, Joan Baez, Santana, the Tower of Power, Bob Dylan, and Neil Young all played at the benefit. The Dead were joined by Merl Saunders and Ned Lagin during their set, and Donna did not play with the band. As you can see from the setlist, the show was one long, intense, sparkle-encrusted jam, which reached out into the netherworld. The Dead debuted both Blues for Allah and Stronger than Dirt in the most epic way imaginable. And then the Johnny B. Goode encore completely eviscerates the song in four minutes of pure splendor. Most of this show was released on the Beyond Description (1973-1989) Box Set Bonus Disc.
  • David Duryea
    Joined:
    gateway
    Jim, they definitely sent you that email by mistake. This 2cd set is called "your gateway to live dead". They meant to send you the several hundred show "out on the mainline live dead box" email.
  • Vguy72
    Joined:
    I already have about 164 CD's.....
    ....of "The Very Best Of The Grateful Dead Live". I also have around 52 CD's of "The Very, Very Best of The Grateful Dead Live" while we're at it....
  • JimInMD
    Joined:
    ...but it's "The Very Best Of," not "The Best Of"
    It goes to 11. Or to put it another way, One More Bite.. It's Wafer Thin. I can't help but feel a little offended I got that email.
  • Vguy72
    Joined:
    Biding my time....
    ....I think i'll pass on the Best of The Grateful Dead Live release. I've already got like 300 cd's of that....
  • mbarilla
    Joined:
    "The sun will shine in my back door someday" ~ 5.26.73 ~
    https://www.pinterest.com/pin/526991593880032618/
  • JimInMD
    Joined:
    Re: Good Point
    Good point, mdboucher. Happy 44th Birthday Wall of Sound! Right on.. September 1970. Those Capitol Theatre runs, although excellent and the audience recordings by Ken and Judy Lee are quite good.. they are still 48 year old audience recordings and to the best of my knowledge, soundboards for most of those shows do not exist (at least for now).
  • Angry Jack Straw
    Joined:
    1970
    Hendrixfreak. Funny that you were listening to February 1970. How about a September Fillmore run from 1970? Now that is some good stuff. 9/19 NFA with the Darkness jam.
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7 years 11 months

"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 2 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 7 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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13 years 7 months
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Yeah but I sill love Marcia, Marcia, Marcia!
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6 years 8 months
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 1 month
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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Gotta transport those rockets somehow...
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8 years 11 months
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 8 months
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...are so alive. They pretty much power themselves.
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9 years 7 months
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Daddy's home
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6 years 8 months
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Daddy's drunk. Again.
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8 years 11 months
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Moe’s was having 3-for-1 specials all night long.
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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17 years 2 months
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 7 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 5 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 1 month
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Thanks for the help with the Janis folks.:o)
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6 years 5 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 8 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 8 months
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...charade you are.
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10 years
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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8 years 11 months
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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13 years 2 months
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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