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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • alvarhanso
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    Re: setlists
    I think a lot of the Furthur, FTW, and Dead & Co. setlist writing comes from Phil's extensive use of setlists to tell stories over given night, or run, and once, over an entire tour in the various Phil and Friends iterations. I take the Dead of the 70s and 80s at their word that outside of a few songs, and maybe the big sequence, it was mostly improvised, or somebody gets an idea and tosses it out. I agree with Thin that it is overly mythologized that they never knew what would happen next, and good evidence has been pointed out, with certain sequences being known and planned and whether this night in Europe would feature Dark Star or The Other One. I have yet to see a written setlist onstage in any of the pics of any of the shows from the 60s or 70s. Given that they were often on a different astral plane, it is amazing how much they had to have figured it out on the fly. I personally like a setlist that's written in advance, I think it allows everybody to be on the same page. When the arrows are thrown in, that's when the real fun begins. String Cheese is a band that uses fairly rigid setlists, down to a pretty set number of songs per set (normally 7), but there's no such thing as a first or second set song, and all sorts of segues can occur, almost any song could be jammed (some of the more traditional bluegrass songs not so much, but many have still been taken out for a ride). They've experimented with playing without a setlist, and each of those shows I know did not have a setlist are stilted and just not as cohesive. I like the way Phil constructed his setlists and incorporated new covers, JGB songs and covers, old retired songs like Golden Road, New Potato, Pride of Cucamonga, The Eleven(!!!), Blues For Allah, and wove them all together. I like that JRAD and others including Dead & Co, even without Phil, have continued writing setlists like that that give the audience the chance to hear Alligator and Terrapin in the same show.
  • stoltzfus
    Joined:
    80s fluff time
    7/4/84 a good, solid show. disc three awaits. I like the 84 sound 7/13/84 :)))
  • icecrmcnkd
    Joined:
    Pre-planned setlists
    By 94 they were using teleprompters so they could ‘remember’ the lyrics. So, the setlist had to be known ahead of time. For FTW the setlist was printed in large black letters on white paper, and the paper was taped to Jeff’s piano. At one point during the 1st set of 6/27 the camera shot was from behind Jeff and you could clearly read the setlist. During intermission someone posted the set 2 setlist and the internet exploded because someone ‘leaked’ the setlist. At 7/3 a guy sitting by me was still talking about how the setlist had been leaked.
  • hbob1995
    Joined:
    30 Trips
    This is awesome. I look at it lovingly everyday. A thing of beauty for the eyes & ears Rock on
  • KeithFan2112
    Joined:
    I like that born x-eyed
    "Legacy band". I knew cover band wasn't quite what I was looking for. Lovethegirls - I'm looking forward to reading the Weir interview tonight I'm on the road now so I can tap into it. Thanks for the link. When are they going to announce this effing box set?!?! Darkstar - I've had that Floyd song in my head all day because of you. What's the significance anyway? Speaking of Dark Star, we need a lot more officially released 1973 versions. Smithers...release the hounds.
  • Lovemygirl
    Joined:
    Set list / improvisation
    ...bob weir - interview, :) https://www.google.com/amp/s/www.guitarplayer.com/.amp/miscellaneous/bo…
  • Born Cross Eye…
    Joined:
    Dead &Co.
    Are a legacy band, KF.Bobby Weir, Billy Kreutzmann & Mickey Hart. Their own cure for *old-age* for themselves. Still, a great band.
  • daverock
    Joined:
    Dark-Star poems
    That's a yes, then.
  • daverock
    Joined:
    setlists
    They always seemed to have an agreed upon group of songs that they played in any one era-certainly in the 1960s and 70s. The choice of songs fit with the style of music they were playing at the time. There was no way, for example, that the Eleven, or New Potato Caboose ever seemed likely to turn up in 1972 set lists. Or that Dark Star would have cropped up in 1977. The extent to which they decided in advance which of those given songs to play on any one night is a mystery. Listening to those shows from FW1969, it seems very clear that they had planned in advance to go from Dark Star-St. Stephen-The Eleven. Partly because they were recording the shows, but maybe also because the material was so open ended and strong that they were able to re-interpret the same songs every night and keep the music interesting. It occurred to me last week that part of the strength of those shows was due to the limited amount of songs played-which allowed room to develop them.
  • Thin
    Joined:
    Pre-planned setlists
    This was discussed recently. That's the biggest romanticized myth, imho: "They NEVER plan a show, just get up there and then decide!" First of all, Furthur and every post-Dead project has absolutely used prepared setlists, probably a necessity as Warren/Jimmy/Trey and now John Mayer/Oteil got up to speed with the material. A friend of mine was in the the owners box at a Dead and Co show at Fenway last summer and the setlist was printed and sitting on their table before the show - he was shocked and sent me a picture. Jill Lesh wrote up the Furthur setlists pre-show, and unconfirmed rumors indicate that may have caused a little friction with the drummers.... (cue the sarcastic Yoko jokes). As for the Good Old GD, every era was different - I believe '67-'70 was more loose-y goose-y based on all dead air and "we're gonna decide what to do next" dialogue on the tapes, while late 90-91 was fairly rigid setlists as Vince came up to speed. But no matter the era, they generally had a rough plan of the arc of the night - opening and closing sequences and "the big jam" for each set, etc. Did they call audibles and change it up on-the-fly a lot? Yup, a ton.. especially in the middle of the first set, or going into (or especially out of) Space. Sometimes it depends how good everyone feels... some nights when they were "off" I think they bailed out of some songs in favor of safer fare like Women are Smarter or Deal or Don't Ease or Promised Land. And if they were "on like Donkey Kong" someone would lay a finger aside his nose and POOF!.... a 7/13/84 Dark Star. Jerry rolling over in his grave over prepared setlists? He wasn't that uptight. Heck, one of the JGB '70's releases includes a reprint of Jerry's hand-written setlist! The no-setlist notion has been waaaay over-romanticized, imo.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 4 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 9 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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13 years 9 months
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Yeah but I sill love Marcia, Marcia, Marcia!
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6 years 10 months
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 3 months
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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6 years 10 months
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Gotta transport those rockets somehow...
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9 years
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 10 months
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...are so alive. They pretty much power themselves.
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9 years 9 months
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Daddy's home
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6 years 10 months
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Daddy's drunk. Again.
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9 years
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Moe’s was having 3-for-1 specials all night long.
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17 years 2 months
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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17 years 4 months
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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6 years 7 months
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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6 years 7 months
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 9 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 7 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 3 months
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Thanks for the help with the Janis folks.:o)
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6 years 7 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 10 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 10 months
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...charade you are.
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10 years 2 months
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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9 years
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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