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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • Angry Jack Straw
    Joined:
    A repost in an effort to help Frank with his memory
    Strider 88First of all, as many others have stated, thank you Dave/Rhino/any anyone else involved in the decision to release 3/29 separately. Many, many of us are very appreciative. How ironic. The very person who desperately clamored for this release, cannot even afford to purchase it. Believe me, I struggled long and hard with whether or not to purchase this release for space (a fellow head I am told), despite all the vitriol direct at myself and other "early Dead" fans. A box set that I will not even purchase myself. I have a few suggestions: 1) Let the "Foxy economic savant" make the purchase for his fellow 90s buddy, as strider 88 suggests. 2) Contact Dan Gilbert to see if he is willing to help out. Dan, space, pfox and a few others on this board, all seem respond in the same manner when they don't get their way. 3) Kickstarter.com. Kickstarter is the world's largest funding platform for creative projects. Clearly the Grateful Dead in the spring of 1990 were creative. 4) I am willing to fund a portion of the box set purchase. However, I refuse to spend more than I did myself, the 3/29 show alone. All you need is ten other folks to do the same and you have your precious box set. Mr. Jack Straw, dantian, and others, you should all help out. Space, contact whoever you need in order to figure out how to get this done. Good luck and please keep us posted. I sincerely hope you obtain this release. AJS Mr. Jack Straw. Unfortunately the page you hoped to reference supporting your case against Frank was deleted. This one was still up on the site. Page 31. Frank, as for the anwer to your question, "Why would I hand over a single dime to somebody I've never met, who for years has been spiteful, rude and mean to me?" I did.
  • Vguy72
    Joined:
    Slamming fellow 'heads....
    ....I've been guilty of it. And have been on the receiving end as well. My excuse is alcohol. Makes my mouth bigger, and usually not in a good way. And for that, I apologise, if that counts for anything. I look back on some posts I sent the following day after I've sobered up and think "did someone hack my account and text that dribble? No Vince. It was you." Dammit!!
  • Travis Loscher
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    No era debate here
    Love “ most “ all of it and try to give each lineup a fair shake. Mainly listen to 71-78. But just gave MSG Road Trips a good dusting off... wow. If I pinned myself to one lineup or era I might have missed this one; and it’s a dandy!. That jam out of Let It Grow with Jerry and Bruce is probably the closest Garcia ever came to reliving the Nicky Hopkins sound from 75. Its only about 4 minutes but total bliss.!Phils bass is way up front in the mix and he is killing it.!That roar for Brent at the beginnings of Know You Rider gives me chills every time. Long story short: dgaf what your favorites are; but do yourself a favor and keep an open mind. You never know what might just surprise ya. “Believe it if you need it or leave it if you dare”
  • thursday's child
    Joined:
    Someone said:
    "The recent post above, with all of those choice '73 Summer shows, now THAT should be a box. The full run. Slap a $500 price tag on it and see how the '70's only crowd reacts to that." 1- Yes it should be a box! 2- I'd gladly pay 500$ But I'm curious....are we talking about shows or money?? I love it when people talk about great shows (these are), I hate it when people talk about money. I don't go to a restaurant and complain that I can't afford to eat there. I don't go to a Porsche dealer and tell customers who are buying one that I can't afford one. Again, I love to talk about the music.......especially 72-74 (the best imo). But I hate all this talk about price and money.
  • SkullTrip
    Joined:
    Studio Blues
    "Blues for Allah" was the first Dead album I ever purchased (only because I was 12 and the artwork was cool). It's still my favorite studio album, and the one I listen to most as well.
  • dissident1980
    Joined:
    2 2 70
    is just so so good ... the Dark Star, good lord ... what I wouldn't give for all the 1971 we've got, and will get, to be magically transformed into 1970 instead ... Next 2 Dave's picks should be something, anything from Fall 1970 (short of that, just any 1970) ... and something to fill the 1973 gap between 4 2 73 and 10 19 73.
  • stoltzfus
    Joined:
    I don't listen to much studio GD
    but when I do, it often is Blues for Allah. Anthem Blues Aoxomoxoa
  • dessi831
    Joined:
    DP18
    Appreciation month.
  • stoltzfus
    Joined:
    "SAINT STEPHEN!!!"
    (oYo)
  • Trainwrecked
    Joined:
    Space Brother
    You have conveniently ignored the OTHER people on this message board who you have instigated problems with, in the way of personal attacks. I see no response from you to Butch's post yesterday, which I will re-post. Don't pretend you don't attack people personally for not sharing your viewpoints. Butch had no dealings with you prior to your personal attack against him, and of course the other post that is quoted here, is of you calling out EVERYBODY who doesn't agree with your assessment of RFK '89. You should acknowledge you were wrong here, and man-up with a commitment to treat people better. Quote from you to Butch: "This Wharf Rat rocks and the vocals are excellent. Tinnitus perhaps?....or you just hate Brent?" Quote from you to the rest: "If so-called fans listen to that Let It Grow from the Listening Party, and still pass on this, they might as well quit listening to the Dead all together and sell or trade their collections for Kid Rock albums. That's about as lame as they are." Be a man and own up to your words. And don't ever paint yourself as someone who does not attack others who have never said an ill word toward you.
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7 years 11 months

"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 2 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 7 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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Yeah but I sill love Marcia, Marcia, Marcia!
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 1 month
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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Gotta transport those rockets somehow...
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8 years 11 months
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 8 months
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...are so alive. They pretty much power themselves.
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9 years 7 months
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Daddy's home
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6 years 8 months
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Daddy's drunk. Again.
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8 years 11 months
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Moe’s was having 3-for-1 specials all night long.
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 7 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 5 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 1 month
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Thanks for the help with the Janis folks.:o)
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6 years 5 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 8 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 8 months
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...charade you are.
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10 years
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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8 years 11 months
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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13 years 2 months
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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