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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • hendrixfreak
    Joined:
    in fact, this coffee is amazing...
    Maybe the shot of tequila I dropped in... but I digress... Never realized the limited choices, though staggering, for a summer '73 box. All told, June-August, 'only' 12 shows. So Dave has to figure out if a small box works, yet leaves enough shows for the future. I've heard the call for PNE 6-22-73, but never checked it out, or the setlist. But if you look up the setlists for 6-22, 6-24 and 6-26, I'd have to make that my dream box. That leaves Dave the opportunity to release two 'iconic' shows (6-10 and 7-27/28), plus the three-show run in Universal City and the two-fer in Jersey City. Ultimately, 6-9 and 7-28 -- both daytime shows -- might be a tad weak for release, I cannot tell from the tinny versions out there. But the three-show NW tour looks spectacular! With the 45th anniversary upon us, I bet on Summer '73 NW tour. Three really long shows...
  • Dennis
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    stoltzfus - adults - ABB/Dead 6/73
    >>>>> I don't know what it's like to wrangle the sums of money tenured bands deal with, but if I had a chance to get a seven-figure sum, I would freakin' do it. Agreed because I know shit about Large Green and Band Egos, BUT, I would think release it, cost you nothing, you will make some amount of money, but to me, more importantly, you're leaving some of your art for all time. I wish I could create something, anything that can stand the test of time after I'm gone. But what do most of us leave, at best kids, nothing so great there. (they are mass produced by unskilled labor) I doubt ANY of the faucets I've installed will be around in 10 years. Maybe the classic 66 corvette I've worked on will have my handy work untouched for years.
  • Charlie3
    Joined:
    Boxes
    I have been wondering about the next box set myself, thinking there might be an announcement soon. A larger '70s box in the spring, and a smaller '80s-'90 box in the fall would be about perfect, like they did last year with the Cornell box and the RFK box. The July '78 box rocks. I have returned to that box on a number of occasions, probably returning to the Arrowhead and the Omaha shows most frequently, but they were all good. That Arrowhead show is fantastic, a nice tight, short show, and always fun to imagine the crowd at Willie Nelson's summer picnic grooving to the Dead as things got weird later in the show. The artwork on that box is also probably my favorite out of all the box sets.
  • hendrixfreak
    Joined:
    the Rocks and RFK '73
    RFK June '73 remains a great experience 45 years later, BUT I only caught the first day. The second day was a Sunday and I had to hitch back home to go to school Monday. Worst decision of my life, outside of not buying FW'69 when it came out... oh, and getting married. The GD played the afternoon show, a seriously hot day, with temps reaching 100, at least. I was 15 and we were taking four-way blotter, which partly explains who I am today. (No digressions here, pleeez.) I've got a few stories, which I think I've shared before. There was a long break, then the sun eased up on us and we retired from the field to the seats for the ABB's closing set and man, probably the best ABB set of that year, of which I caught four. Just plain powerful. Oh, yes, we did re-up on the blotter for the ABB. That re-upping on the same day is a young man's sport, to be sure. (Maybe it was the second piece of that four-way paper that made me who I am today? Ooops a digression.) I can say, having heard the Watkins Glen jam as we eased out of that crowd 6-7 weeks later, we do not need the post-show jams. Those guys were hoovering massive amounts of blow and drinking heavily, according to my ears(!). Instead, I'm sure that, as with the ABB's Feb '70 FE release, the GD have probably given the ABB the tapes of 6-9-73 and 6-10-73, if anyone ran tape on the "other" band. So the ABB would be in a position to release something. And I'm sure that someone is looking at an archival ABB release schedule, now that Gregg has departed. At least, I fervently hope so. There are two sets from '71 FW scheduled. And the '73 ABB was the best of the post-Duane IMHO. A standalone 6-10-73 across four discs could make a killer lure as the 2019 DaP 30 w/bonus disc; the full 6-10 with 6-9 filler. (Hate filler unless I was at the show, but I digress... aarrgghhh!) Then this spring's box could provide other, 3-disc summer '73 shows. Yep, I'm still gunning for a March-April announcement for a '73 box to be released in May, timed to the 45th of that fateful summer and its fresh Alice D. Those '73 shows tended to be long with 2-3 song encores, so maybe it's just (3) shows, (9) discs, to keep price within reach. (An even $99.99?) On the 8-31-78 Red Rocks show, the 6-song first set seemed disastrous at the time; they cut it short and huddled (got ripped) before coming out to jam the second set to the max. They had recorded an LP and not been performing for a month or so and those two shows, 8-30 and 8-31, we considered quite weak after the 7-7 and 7-8 Purple Dragon-driven sets earlier that summer. Jeeez, 40 years since Red Rocks '78 and 45 since summer '73. One step closer to the coolin' board. Coffee good today...
  • claney
    Joined:
    Weird Sets - Arrowhead, US Festival 1982
    The July '78 Box is one of the best things they've released, from the artwork and packaging (bookshelf size, thank you) to the performances and the sound quality. Jim, you mentioned that 7/8/78 might be the best, but is not your go-to. Not sure if you mean Arrowhead, but that is by far the one I go-to most in this stellar box. It circulated only as an AUD before (a really fun Bob Wagner tape I think). I think if it had been available in Betty Board glory it would be as famous as 7/8. But, this could also be my predilection for "weird shows with truncated sets at festivals." (It's a specialized genre). One of my favorite shows of the '80s is 9/5/82 from the US Festival. Talk about a weird show, opening with Playin' > Shakedown > Minglewood. What-the-wha? And at 9:30 in the morning too. The Dead playing to a crowd of mostly non-Deadheads, at 9:30 in the morning, what could go wrong? https://archive.org/details/gd1982-09-05.sbd.miller.113746.flac16/gd82-… Set 1 Playin' In The Band-> Shakedown Street-> Minglewood Blues, Samson & Delilah, China Cat Sunflower-> I Know You Rider Set 2 Sugaree-> Women Are Smarter, Truckin'-> Drums-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: U.S. Blues, E: Satisfaction*
  • stoltzfus
    Joined:
    grammar man sez
    it should be fewer than 5000, no less than. the selling of the 5000? Jerryroll will drive you stone mad. as will jellyroll.
  • icecrmcnkd
    Joined:
    Thin
    I’m banking on the ‘pre-hiatus only’ folks to make the sales volume larger. They wouldn’t have bought the 78 Box. The RFK 89 Box ‘less than 5000 left’ banner went up before the box started shipping, or around shipping time. The banner will stay until sell out. Of course, the ‘no Brent’ crowd isn’t going to buy that box.
  • KeithFan2112
    Joined:
    Heh-hah
    Mind Left Body, this one's for your efforts. I saw someone post this a little while back, and I've shamelessly recycled it. So regarding your post: https://m.youtube.com/watch?v=8X_Ot0k4XJc 80sFan - you said in a couple of sentences what took me way too long to articulate. Prehiatus + 1977 = insta-sell. Posthiatus = you better think about your marketing plan carefully, lest you "lose sight" of what truly matters.
  • Thin
    Joined:
    icecrmconkid - re 20k units
    20k units when the 15k unit Red Rocks box is still FAR from sold out??? To quote Austin Powers "I used to think you were crazy, but now I can see your nuts." I recall some overzealous '80s enthusiasts saying the same about the 89 RFK box: "It'll sell out instantly [because I'm so excited about it!]". And now Rhino has FIVE THOUSAND (!!!) unsold boxes, just taking up valuable space. That's $300,000 of capital tied up in inventory that they'll be sitting on for a very, very long time. If that fact gets brought up in a Dead/Rhino meeting and then someone pipes up and suggests 20k units on the next box, I think they'd be thrown out of the room. But I could be wrong. Granted Cornell box sold out fast, but that's freakin' Cornell. The Red Rocks box had much more mystique and mind-share than does 6/10/73, imo. I get your enthusiasm for 6/10/73, but just ask the Rhino stockroom manager who can't even see the Farrah Fawcett poster on his office wall anymore for all the cardboard boxes stacked floor-to-ceiling around him.
  • 80sfan
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    July 78 box
    I don't think 7/1 circulated (not sure about 7/3). 7/5 circulated as a wonderful sounding AUD (speaking of great AUDs) by one of our own posters (who also has an amazing story from attending some of the shows). My (probably over simplified) theory on why it hasn't sold out is that no post hiatus year (aside from 1977) has enough mainstream hype around it to sell out quickly. Even the late era years we all consider to be very strong. Spring 90 TOO which is as great a box as they ever put out only sold out just over a year ago I think. And as previously mentioned, a 2-show affordable mini box from 89 is still available. Anything pre-hiatus will sell out very quickly. Put a summer or fall 73 box out and it will be gone in 24 hours. Put a box out from fall 79 and watch it sit for a while. Doesn't bother me personally since I will buy it the day it's posted, but I do hope that it doesn't deter Rhino from agreeing to box sets from less "famous" years/runs.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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One would think, but who knows for sure... Announcement in the Spring, delivery in the Fall?? They get cash up front and it doesn't trip all over the holidays, etc. The one thing that makes me think yes.. is seven, no fourteen and the appearance and disappearance of our favorite clown operative Bolo. I have no idea what his clues mean though... 14? Vermont was the fourteenth state: 05/06/78- Patrick Field House (University Of Vermont) - Burlington, VT 04/13/83- Patrick Field House (University Of Vermont) - Burlington, VT 07/13/94- Franklin County Airport - Highgate, VT 06/15/95- Franklin Field - Highgate, VT But I don't see them tossing us another 1978 now.. although Highgate, combined with the venues starting with B (Boreal Ridge) might make me a little nauseous.
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....before the Dead, before The Doors, before The Who, before The Floyd, in my life, The Beatles popped my musical appreciation cherry. Twelve year old me would drool over this back in 1980https://youtu.be/iVkUC5yURjI Woodchuck, woodchuck, woodchuck....
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so were people losing their minds n shit over One From the Vault when it came out cuz it was a whole show?
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I like the Summer '73 box 100%. That includes 6/9-10 and much more. Expensive. My current personal pick would be "The Ark, Boston Massachusetts, April 1969 - The Complete Recordings" box. Not quite as expensive, probably about 1/2 to 2/3 the amount that the Summer '73 box would be. Who knows what's about to happen, but I'd be and very grateful for almost anything. -------------- "The Reveal: Not too long ago, Dave Lemieux, Mark Pinkus, Steve Vance, ______________ (Bolo24), and myself were in the lobby of 3400 W. Olive Avenue chatting about frivolous matters and then Bolo24 let some flatulence out and we all coughed and gagged, then Mr. Pinkus exclaimed, That's it! That's our Grateful Dead box set offering for 2018! Thank you, _____________ for the great idea!" "14"
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There was lots of chatter once the CD format came to be that the Dead would begin releasing shows from the vault. ..but nothing seemed to be happening quickly. Then one day it happened, One From the Vault was released and it was wonderful. Like Christmas. I think Dan Healy either did an interview or wrote the liner notes.. something to the effect of where to start? We know this circulates widely so why did we pick this show? Because it kicks ass.. (or something like that). Then soon after the Dicks Picks serious started.. although it got off to a wobbly start, it kicked ass too. To me it was more reminiscent of a kid in a candy store.. They could not come fast enough. In the beginning, before you had a hundred or two hundred Normanized shows to chose from.. I wore those CDs out with repeated listens. Then came Charlie Miller and the Archive and oh boy... then the FW and E72 boxes.. oh mama.
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....but Two From The Vault? I understood then, that things were getting serious. Where are we now? A Hundred and Fourteenth from the Vault? Because 14.
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....has anyone heard from Rich Gergelis lately? Starting to get concerned. He hooked me up with a lot of pristine Dead & Co soundboards last year. Texting him getting no responses.
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..the tapes were a revelation. I came across them about 1987-first of all in a shop in Manchester, where someone was selling hundreds of live shows on tape from so many bands-including The Dead. Shortly after that, I think through a fanzine called Spiral Light, I came across someone who was running a tape library. Steve Green, his name was. He had a list of shows, and he would record them for you if you sent him the blanks and postage. Brilliant-it was how I first heard Binghampton May 1970, February 11th, 13th and 14th 1970 and April 28th and 29th 1971 shows-quite a few actually. Up until then it had just been the official albums for me. I often wonder what happened to him-and all the other people who contributed to Spiral Light. They really did turn me on to a deeper sense of who The Dead were.
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Dancing In The Street got me dancin' in the livin' room.....My 1st Listen to this one, Great Show!!!!
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Sacred ground VGuy. The original recordings were once thought to be subpar, not worthy of release.. Along came the late, great sound Warlock Don Pearson (RIP) and the rest is history. ______________________ Per Wikipedia: The concert was recorded on a then-state-of-the-art, one-inch 8-track tape machine that was supplied by the band's record label, Warner Bros. The record company also insisted on supplying engineers who turned out to be unfamiliar with the close miking technique involved in recording rock music. Consequently, each of the eight tracks contained significant leakage from all of the other instruments in the band, resulting in severe phase cancellation problems. Almost twenty-four years later, Don Pearson and producer Dan Healy solved this problem by employing a B&K 2032 Fast Fourier transform (FFT) digital spectrum analyzer to measure the delay in time between the different microphones, using the track of bassist Phil Lesh as the time centerpiece. The delay times were fed into a TC1280 stereo digital delay, which, along with careful mixing, resulted in a nearly perfect stereo image. ______________________ And VGuy.. Rich is likely spending his days doing covert ops in Eastern Europe searching for the remaining missing reels.. but you mentioned his name likely blowing his cover. I hope Bolo, aka the fixer, isn't reading these boards. I suggest you lay low for a while, take some much needed time off. Stay away from the internet, phones, electricity and don't turn on the lights. Do you best to explain this to Mrs. VGuy and VGuy Jr. I'm sure this will all just blow over. BEWARE of people in clown costumes, however.. I cannot emphasize this enough. STAY AWAY FROM CLOWNS. Over and out.. Seriously, Two From the Vault gospel music for the soul, a short-cut to divinity. Edit: KC Jones.. 1970 Dancin' in the Streets speaks to me. And that Man's World.. If you play it loud enough the bones of James Brown himself can be heard grooving to the beat six feet under.
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So i just found my old copy of this CD. Not with all my other Dead releases... I know a lot of the songs have been released now on other full shows, but man the Midnight Hour, (31 minutes long) from Rio Nido, 9/3/67 is just awesome in so many ways!!! If you are a pig pen fan and never have listened, you will love it... I always wonder if the woman Pigpen tries so hard to get to dance, knows that she is on an album!!! bob t
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That is the best Midnight Hour to bounce into my ears..The whole CD is pretty damned good.
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....Fallout From The Phil Zone? My jewel case for that release broke a long time ago. Best Jack A Roe and Visions if I recall correctly. The ptb screwed up royally by not calling it Phallout From The Phil Zone if you ask me. No one asked me....
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Jim i also had the Hard to Handle audience tape, but when they put it on Fall out from the Phil Zone it was amazing!!! The Vision of Johanna is great also!! VGuy my case broke also that is why i didn't see it
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....and I'll go out and say a prayer for him. Thank you Dylan for being a muse for Jerry. Then Box Of Rain from '95 Soldier Field comes on and I get all melancholy. Highs and lows....
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I was fortunate to catch the break out of this tune at Hampton in 86.. At the time in all honestly, I had no idea the significance. I did not know it was the first time played of eight and besides the BCT version a month later that it wouldn't be played again for another nine years. My memory was just that it seemed a good show and we had a great time. Still.. the March 95 version from the Spectrum is the best and to this day makes the hair stand up on my neck and arms and gives me goosebumps whenever I listen to it. Phil knew his music and knew how to pick em. Who said they had no fire left in their bellies in 95, aged and frail as they were? Those late era songs, including So Many Roads culled from 93-95 appearing on the So Many Roads box set are gems indeed. I wonder what things would have been like if Jerry had stayed clean post his '86 health meltdown? wack fall the daddy-o..there's whiskey in the jar. Probably not worth thinking about.. coulda, woulda, shoulda. I'm happy for the shows I saw, the recordings left behind and the legacy that still burns bright. Thank god for incredible psychedelic music and the many friends and experiences we all absorbed along the way. Edit: Reeling in on the memories and playing this now.. What a great song.
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Well after not listening to Fall out from the Phil Zone for about 10 years, just listened to Visions of Johanna 3 times. Just listen to Jerry "ooh" before "The harmonicas play the skeleton keys and the rain" makes my hair stand up!!
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....Jerry bends his strings oh so eliquently throughout. Angels on a pin.
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Perhaps one of the last truly great moments... from our frail yet fearless leader. So I ask.. who is Gus West?
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I believe that only includes sober, fully clothed views. I suggest you review the dead.net and YouTube user agreement license and web cam agreement language. Of the half million views.. I expect between 30 and 1,978 are from me, the variance due to the fact I cannot remember stuff when my mind is noodling. To your benefit.. I expect as a Senator, those details might have eluded you. Not to worry, VGuy in 2018.. you have my vote and likely anyone else that has read this far into this thread.
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tomorrows the big day. all I have to say is if you aren't too much into the release right now, listen to some of what is on the archive then play the official. the one on the archive is dog doo doo
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Without question, the last great moment. I was lucky enoughy to catch it. Still not sure how he pulled that one off. I'll take it over the Unbroken breakout all day long. Just a beautiful song. Visions and She Belongs to Me are by far the two ballads that standout over all my years of seeing shows.
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What an unexpected treat, seeing a clip of Ozric Tentacles on here. They were far and away the best British band of the 90s. They seem to have been inspired by the aforementioned Hawkwind, although they are a bit more sophisticated musically, and are almost entirely instrumental. Still going-still making great music. They were probably inspired also by Gong and Steve Hillage, who are definitely worth checking out by anyone who likes this clip. But if I knew how to enclose video clips on here, the one I would chose would have to be the one of Hawkwind from 1972 doing Silver Machine. Be afraid, be very afraid...
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How long will it take for volume 26 to sell out, I say under 2 hours. April 16th, 1979 a real JAM session. It's Manic Monday DeadLand PLAY DEAD!!!!!!
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My favourite was Lazy River Road, which I don't think has ever been on an official release. Its years since I have heard it, so I don't know if I would still be as impressed as I was. I was disappointed that it wasn't included in any of the 30 Trips shows. Maybe no one else liked it!
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I love Lazy River Road as well. I too was a little bummed it didn't make it into the 30 Trips box, since that was the best chance of seeing that one. But Dave has said they just don't pick shows based on the songs they played. It's not over yet though...maybe it'll show up one day.
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It's the anniversary of a Grateful Dead Europe '72 show that came highly regarded by the author of this Rolling Stone article: https://www.rollingstone.com/music/news/20-essential-grateful-dead-show… The Dead in Denmark. I usually delve into Europe 72 extra heavy this time of year. It's always a pleasure listening to these multi-tracks.
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This is one of my favorites of the later Jerry/Hunter compositions too. It saw an official release in the So Many Roads Box Set as a studio rehearsal/outtake from the unfinished last album with Days between and Eternity supposed to be on there as well.
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I'm happy to see some love for Lazy River Road.. it has special meaning to me as my front yard is a river so the road leading my home is Lazy River Road to me. So Many Roads has meaning too. Someone put together this nice montage on YouTube. Fitting. oh.. DaveRock.. it's not hard to post videos from youtube here, but I don't think it works well using Microsoft Edge. If you are using Internet Explorer, from youtube click on the button that says Share and an option Embed appears. Click on that and it will create a little text statement. Just copy and paste that into the comment section of the post and viola.. a properly formatted clip appears like the one above. AJS, She Belongs To Me is another gem of a song. Jerry had a knack for covering Dylan Songs. They became his own, so much emotional content. She Belongs To Me was only played ten times. Such a beautiful song.. I caught the third to the last one played, very memorable.
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So many roads to ease my soul all I want is one to take me home... All I'm looking for is those hot air balloons. Thanks.
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What a special song and so well suited for Garcia's style. It occurred to me a while back that Jerry broke this one out when he was exhausted and, frankly, on the brink of death - both times. Played in March and April before his July collapse in 86 and then from February to July before his August death. I think that this was no coincidence and demonstrates just what the song meant to him and how he felt when he was inspired to perform it.
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Loved a lot of them...so many roads, lazy river road, days between were all beautiful and I was happy to hear them whenever played. Towards the end, Bobby started doing Take Me to the River which I saw live once. I think that was well received enough where it could have been a mainstay had the band continued to tour past 95...
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I read once "somewhere", Dylan said Jerry did the best covers of his songs.
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My 30th birthday, the Dead's 30th year. Their last show, my last show. So Many Roads, so bittersweet...
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I attended the two in Auurn Hills, the night that wasn't cancelled at Deer Creek (very weird and frieghtening experience) and the last two at Soldier Field. The Palace shows weren't too bad. The most passable of the final five I saw. The circumstances at Deer Creek overshadowed the gig itself, and the cancellation of the second night (because of so-called fans) really soured the vibe and scene in a way where I was convinced that the Dead needed to take a break to regroup. I recall the two shows at Soldier Field being dismal, with that Visions of Johanna from the first night being the only moment where Jerry showed passion and delivered a solid effort. The rest of that weekend, Jerry looked like he didn't even want to be there. Not even a shell of what he was just a few short years prior. In hindsight, it was painful to see Jerry go from a few of his last best years ('87-'91) to his deterioration to the end. Of course they still had some good shows left in them from '92 onward, but that was mostly the rest of the band stepping up to cover for him. '93 did have it's share of good shows though. The drpoff from '94 onward was drastic though. I was fortunate enough to see them grow from being the best kept secret in '84 through their true final peak of consistency, but after Brent died, in hindsight, Jerry seemed to lose the spark. Bruce helped bring some of that back, but after he left, it was a steady decline. Ironically, at the time I thought Vince was just finally coming into his own with the band at the very end. All in all, he did better than I gave him credit for, considering the shoes he had to fill. We'll never know now, had the band had taken a break prior to his second collapse in '92, whether Jerry would have bounced back. In some ways it's like he became a prisoner in his own career, which ultimately killed him in the long run. His continued addictions and stress of being "the man" at the center of a massive touring operation became too much of a burdon, as I see it. Jerry did manage to outlive many of his contemporaries though (Jimi, Janice, Morrison, Pigpen ect) and still have a 30 year profesional touring career, going out at the peak of popularity, which itself was no small fete. I'm also reminded of Johnny Winter, who also survived the '60's, and like Jerry, continued to peak, up through the '80's, only to gradually wither away once the '90's came to be. Very sad watching our heroes fall.
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got to click on daves picks drop down in music store to find it
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I dunno man. I think Vince was doing great work as early as summer '92. especially on Picasso Moon. i'll probly take a lot of flack for saying so but, Picasso Moon got better with Vince. it always came off sounding thin during brent's years to me. not sure why that would be. case in point: 6/20/92 Knickerbocker Arena.
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Worth the price of admission on 7-8-95 to get a Visions. Got a Take Me To The River in Memphis 95 (the Pyramid is next to the MS River). Caught the same 95 summer shows as SpaceBro. My first time to Deer Creek....and my last.
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Uh huh, blast blast blast Time to shut this thread down....
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